Floral and Geometric Patterns

Variety of decorative patterns blending floral designs and geometric shapes, showcasing artistic craftsmanship from various periods.

Panel, c. 1923, 121-1/4 x 51-7/8 in. (308.0 x 131.8 cm), Mohair; printed fabric, France, 20th century

Les jeunes et les jeux twistent, Ernst, Max (1891-1976)

Painted floor in the palace at Mycenae, Greece, (1928). '14th or 13th Century B.C...After a reconstruction in water-colours by Miss W. Lamb', the first woman archaeologist involved in the British Anatolian excavations. Plate XVIII, fig 52, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Square, Medium: cotton Technique: early pre-made tape with needle lace fillings and connections, 18th-19th century, lace, Square

Drawing, Textile Design: Nero; Designed by Leopold Blonder (Austrian, 1893 - 1932); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 21 cm (2 1/2 × 8 1/4 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

Ancient mosaics, ruined city of Stari Bar, originally from the 11th century, is one of the most culturally and historically valuable sites in Montenegro, Stari Bar, Montenegro, Europe

Cuba, Santa Clara, facade, Art Deco

Diamond Chroma, from New York Ten. Richard Anuszkiewicz (American, born 1930); published by Tanglewood Press, Incorporated (American, 20th century); printed by Chiron Press (American, 20th century). Date: 1965. Dimensions: . Color screenprint on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Installation by Lilwah Al Hamoud for Saudi Arabia. London Design Biennale 2018, London, United Kingdom. Architect: Various , 2019.

Fragment, Medium: linen Technique: lace of premade tape with needlework fillings, Leaf scrolls and floral forms in tape outline with details in various needle work stitches., Italy, 18th-19th century, lace, Fragment

29. Plafond du Tombeau D'amenemhat (n° 82). Jéquier, Gustave, 1868-1946. Prints. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Egypt, Mural painting and decoration, Architectural decorations & ornaments , Egypt

Lazio Viterbo Castel Sant'Elia S. Elia7. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Domenico Gnoli (Rome, 1933-New York, 1970). Armchair No. 2 (1967). Acrylic and sand on canvas. 200 x 140.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Australia, Bathurst Island, Tiwi, Melville, Tiwi art

Fragment sample of printed silk Unknown, Wiener Werkstätte

Drawing, Textile Design: Nero; Designed by Leopold Blonder (Austrian, 1893 - 1932); Made for Wiener Werkstätte (Austria); brush and gouache, graphite on paper; 6.4 × 21 cm (2 1/2 × 8 1/4 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

The original dugre of the architecture of the FEU Petr a Duc Fernande de France Einband, innen

Stencil 19th century Japan. Stencil 69361

Printed Cotton. Dated: c. 1937. Dimensions: overall: 30.6 x 23 cm (12 1/16 x 9 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Julie C. Brush.

Mosaic designed for Antoni Gaudi's Parc Guell, Barcelona, Spain. Park Güell is a garden complex with architectural elements situated on the hill of El Carmel in the Gràcia district of Barcelona, Catalonia, Spain. It was designed by the Catalan architect Antoni Gaudi and built in the years 1900 to 1914. It is part of the UNESCO World Heritage Site 'Works of Antoni Gaudi.

Reconstruction of Geometric Decoration ca. 1390-1352 B.C. New Kingdom The faience tiles in this reconstructed panel of geometric decoration were unearthed during the Museum's excavations at Malqata, the site of a festival city constructed by Amenhotep III to celebrate his three rejuvination festivals, or heb seds. The tiles were found in stacks on the floor of a room in the southwest corner of a temple built to honor the god Amun (see the excavation photo above). Originally they probably decorated the sides of a wooden shrine or some other piece of temple furniture such as the cabin on a sacred barque that would have been used to carry the god's image in celebrations.The reconstruction is based on the shapes of the tiles which suggest that they were made to fill spaces between series of running spirals. These spirals would probably have been carved in wood or plaster and covered with gold foil (restored here in gold paint). Smaller, rectangular tiles formed the borders of the decoratio

Sievers Carl (1834-1891), decoration studies (1856-1856): ceiling mirror (Velum). Pencil watercolored, white heighted on paper, 59.9 x 60 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

'Design for Block Printed Silk', 1926. Artist: Margery Tomlin.

Egyptian Ornament

Trellis Design William Morris (1834-1896 English By Courtesy of The Board of Trustees of The Victoria & Albert Museum, London

Quilt Anna Williams (American, 1927-2010). Quilt, 1995. Cotton, synthetics, 76 1/4 x 61 1/2 in. (193.7 x 156.2 cm). Anna Williams, a quilt-maker born and raised near Baton Rouge, Louisiana, made quilts throughout her life, incorporating scraps of traditional printed cottons, unusual synthetics, and woven or decorated fabrics such as the sequined pieces seen here. The artists bold approach combines traditional block settings with free-flowing improvisation and an expert use of color. In the late 1980s, Williamss unique style of quilt-making was recognized by artists and collectors, who encouraged her to exhibit and sell her work. This was the first quilt by a known African American maker to enter the Brooklyn Museum collection. Decorative Arts 1995

Vector pattern design with Palestinian traditional embroidery motif

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners

Napkin (Germany); Designed by Peter Behrens (German, 1868-1940); Manufactured by S. Frankel; cotton; Warp x Weft: 36.2 x 34.9 cm (14 1/4 x 13 3/4 in.)

ARTE S. XIX. MODERNISMO. DOMENECH I MONTANER, Lluís (1850-1923). ZOCALO DE PARED hecho con baldosas y cerámica esmaltada del tercer piso de la CASA LLEO MORERA (1902-1906). Decoración vegetal. BARCELONA. Cataluña.

Panel, early 20th century, 52 x 24 15/16 in. (132.08 x 63.34 cm), Cotton, silk ikat, Laos, 20th century

Industry, Burylin, Sergei Petrovich (1876-1942)

Arabesques : fragment d'une étoffe : conservée dans l'église de Nivelles (XIVe. siècle). Linas, Charles de, 1812-1887. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Arabesques, Textile fabrics, Islamic

Egyptian Ornament

Panel. Peru, Possibly central coast. Date: 1000-1476. Dimensions: 64.8 x 106.7 cm (25 1/2 x 42 in.). Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA. Author: Chancay.

Wall mosaics from the 12th century in Monreale Cathedral, Sicily. Handcoloured lithograph by Cordes after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Arabesque folk art style design print in pastel colors. Filigree ethnic medallion intricate vector. Muted pastel Color Tribal ornamental psychedelic mandala art. Ethnic Vector medallion folk art style design print in pastel colors. Arabesque medallion vector

Panel with figures 7th-10th century () South Highlands (). Panel with figures 318889

Green vector Mandala. Coloring book page. Ornamental tattoo design. Green vector Mandala. Coloring book page. Ornamental tattoo design.

Flower Mandala vector illustration. Oriental pattern, vintage decorative elements. Islam, Arabic, Indian, moroccan, turkish ottoman motifs Coloring page. Flower Mandala vector illustration

This diptych is an encaustic and collage painting made from a series of cut strips of paper that connect with each other, line by line, to make up a large composition.

Wukun Wanambi : Wetjwitj Aboriginal Australian memorial poles, 2014. Wood, earth pigments, glue. Aboriginal Australian memorial poles ñ known as larrakitj ñ are hollow coffins created to hold the bones of the dead in secondary burial. Placed in groups on significant sites and painted with clan symbols, they are left to deteriorate with wind and weather. Contemporary artist Wukun Wanambi (b. 1962) belongs to the Yolngu people of northern Arnhem Land

Spaghetti and Grass. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 330 x 433 mm (image); 382 x 560 mm (sheet). Lithograph in light green on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Coverlet. Dated: c. 1937. Dimensions: overall: 25.7 x 32.4 cm (10 1/8 x 12 3/4 in.) Original IAD Object: 72" square. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Anni Albers, red and Blue Layers, Cooton, 1954, Bauhaus.

Man's cloth, 19th-20th century, 106 1/4 x 69 1/8 in. (269.88 x 175.58 cm), Cotton, Ghana, 19th-20th century

Arabian ornament

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window of yellow, green and white weave., USA, late 19th century, architecture, interiors, Drawing, Drawing

Panel. Italy. Date: 1715-1745. Dimensions: 175.3 x 56.1 cm (69 x 22 1/8 in.). Silk, cut, uncut, voided velvet against satin weave foundation. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Textile Design: Harlekin (Harlequin); Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.7 × 20.3 cm (2 5/8 in. × 8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Casette ceiling in the nave, Cathedral of Santa Maria Assunta, Pisa, Tuscany, Italy, Europe, Detailed view of a richly decorated golden ceiling with floral patterns in Renaissance style, Europe

Cotton Print, Burylin, Sergei Petrovich (1876-1942)

Sedona by Nabil Nahas (1949-) a Lebanese artist and painter

Flower Mandala. Vintage decorative elements. Oriental pattern, vector illustration. Islam, Arabic, Indian, moroccan,spain, turkish, pakistan, chinese, mystic, ottoman motifs. Coloring book page. Ramadan background

Artwork by Mehdi Moutashar (1943-) an Iraqi Post-war & Contemporary painter

Border, Block-printed on paper, Edging top and bottom of center band, a dentelle pattern. Center band contains oval medallions alternating (in the opposite diagonal placement) with stylized leaf clusters. The background is horzontally striped and the medallions contain daisy-like flowers with 8 petals., H# 498 , France, 1790-1810, Wallcoverings, Border

Antique Indonesian batik fabric on display at the Masterpieces Collection of Danar Hadi Batik Museum, Surakarta (Solo), Central Java, Indonesia

Sheet with overall geometric pattern late 18th-mid-19th century Anonymous. Sheet with overall geometric pattern. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

agadir city morocco medina landmark arab stained glass detail

Africa, Ghana, Accra. National Museum, regarded as one of the finest museums in sub-Saharan Africa. Colorful traditional West African textiles.

South Africa, Ndebele, mural

Emily Kam Ngwarray, Ankerr (Emu), 1989, acrylic paint on canvas, Australian Indigenous artist from the Utopia community, located in the Northern Territory.

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners. Background. Geometric design, border, copy space, frame

Vector floral art lacy zentangle inspirated mandala. Ethnic design with doodle ornament. Arabesque medallion vector. Vector hand drawn doodle mandala. Ethnic mandala with lacy ornament.

Decorative Composition, Individual flowers', C1900-1949 Artist: Alexandra Ekster. Alexandra Ekster was a constructivist painter, designer, and one of the founders of Art Deco.

Sidewall, Poppies; Designed by Paul Poiret (French, 1879-1944); Manufactured by Paul Dumas (French, 1865 - ca. 1940); France; machine-printed on machine-made paper

Battle Against the Dragon by Roerich, Nicholas (1874-1947)/ State Regional I. Pozhalostin Art Museum, Ryasan/ 1912/ Russia/ Watercolour on paper/ Symbolism/ 66,5x86/ Mythology, Allegory and Literature

Fragment of a table fakes from Linnamast with show: History of Susanna; Rand with musicians and women, in the corner the weapon of Egmond-Lannoy ,, c. 1531 - c. 1540 On panel. Southern Netherlands linen (material) damask On panel. Southern Netherlands linen (material) damask

PANEL DE LUZ - 1999. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Arabesques : grillages en bois découpé : ensembles et détails. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Arabesques, Decorative arts, Islamic, Grilles, Woodwork

Untitled. Lucas Samaras (b.1936). Coloured chalks on paper. 33 x 25.4cm.

Old typical portuguese tiles called azulejos taken from the external walls of an old house in Lisbon

Colorful Indian textile, Waikiki, Honolulu, Oahu, Hawaii.

Roman art. Threshold in mosaic cubes perspective. 1st century AD. From Rome. National Roman Museum. Palace Massimo. Rome. Italy.

Traditional Bulgarian embroidery design element over white background

Soukaina Aziz El Idrissi

Historic illustration, Italian ornaments, Venetian ornamental book art

Pattern drawing for a dams of tablecloth with design "fuchsia" and monogram ril (royal interocean lines), Cornelis van der Sluys, 1891 - 1944 Pattern drawing in red ink for a damask tablecloth, in 4 parts, A to D. Parts A and B fit together in two ways and show the angle/edge pattern of somewhat stylized long, wavy twigs with fuchsia flowers, buttons and leaves. In part B several times the monograms R.I.L. (Royal Interocean Lines) and R.I.L. D, and the figures 63, 65, 4, 5 and 6 to form dates. Part C is a partial repetition of the edge pattern, executed in a darker color red. Part D is the pattern for midfield, with loose flowers and leaves, with many arrows and weaving in the pencil. This part does not match the other parts. Design 501. Eindhoven paper. ink Pattern drawing in red ink for a damask tablecloth, in 4 parts, A to D. Parts A and B fit together in two ways and show the angle/edge pattern of somewhat stylized long, wavy twigs with fuchsia flowers, buttons and leaves. In part

Egyptian Ornament

Ceiling paintings from the Palazzo del Te, Mantua, Italy, 15th century. Handcoloured lithograph by Berth after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1832.

Kneeling mat with bats on swastika-fret ground. Culture: China. Dimensions: 31 1/4 × 31 1/8 in. (79.4 × 79.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Painted ceiling in the tomb of Hepuseneb, Thebes, Egypt, (1928). 'Time of Queen Hatshepsut (1495-1475 B.C.)'. After Gustave Jéquier. Plate VII, fig 19, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Architecture : couronnements, bordures & soubassements de diverses époques. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Illustrations. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Egypt , Antiquities, Decoration and ornament , Plant forms, Mural painting and decoration, Egyptian

Hand drawn circular floral mandala pattern for Henna, Mehndi, tattoo, decoration. Decorative ornament in ethnic oriental style. Outline doodle hand draw vector anti-stress

Oiseaux (Birds). Designed by André Beaudin (French, 1895-1979); France. Date: 1946. Dimensions: 231.2 × 122.2 cm (91 × 48 1/8 in.)Warp repeat: 14 cm (5 1/2 in.). Rayon, plain weave; screen printed. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Watercolor illustration of portuguese ceramic tiles pattern. Single square tile.

Street illuminations by Calle Cuba during Fallas Festival; Valencia, Spain

Spain, Barcelona

Murals, antiquity, Roman-Hellenistic ornament

Earthenware tile with continuous decor in sludge technology, sheet scrolls in diagonal frames, tile floor tile tile sculpture soil find ceramics pottery clay engobe glaze lead glaze, in shape made glazed fired lime cord Pottery tile or floor tile. Red glaze on the top glazed Lead glaze on base of white engobe. Sludge technique Probably stamped decor see remarks. Slightly curved shape Continuous decor over several tiles consisting of flower and leaf tendrils on shaded fields in diagonal frames archeology City center Rotterdam bombardment of indigenous earthenware Founded in Rotterdam in clearing the rubble in the City Center after the bombardment.

Drawing, Textile Design: Adria; Made for Wiener Werkstätte (Austria); brush and gouache on paper

Egyptian Ornament

AZULEJOS DECORADOS CON FLORES Y HOJAS DE GIRASOL. Author: ANTONI GAUDI (1852-1926). Location: FINCA EL CAPRICHO. Comillas. Cantabria. SPAIN.

Summer Oscar (1840-1894), wall painting (without date): View. Pencil watercolored on paper, on cardboard, 49.1 x 64.8 cm (including scan edges) Sommer Oscar (1840-1894): Wandbemalung

Romanian vector pattern inspired from traditional embroidery

Ottoman art example of Mother of Pearl inlays

Socialist motifs on the facade of the Kino International in Karl-Marx-Allee, Berlin, Germany, Europe

Guggenheim Museum, architect Frank Gehry, interior view, artist Yayoi Kusama, Bilbao, Basque Country, Spain, Europe

Study for Rose Window for St. John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868-1960, Brush and watercolor, graphite on paper, laid down on illustration board, Circular medallions of four figures representing the earth, water, fire, and air. Other medallions with sunburst and geometrical flower forms. Medallion in center inscribed: JESUS, USA, 1902, glasswares, Drawing, Drawing

The Impossible Dream ... It's all the same, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Richard Davis, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 x 254 mm. Photolithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print, Wanddekor Scylla (Scylla Wall Decoration), plate 5, in Die Quelle: Flächen Schmuck (The Source: Ornament for Flat Surfaces); Designed by Koloman Moser (Austrian, 1868-1918); Austria; color lithograph on paper; 25 x 29.6 cm (9 13/16 x 11 5/8 in.)

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