Fresco and Textile Fragments

Fragments of frescoes and textiles from various cultures, showcasing intricate colors and designs. These items reflect historical art techniques and motifs.

End of 5th century AD. Deatail from a freize showing the Battle of Kadesh (Qadesh) between the Egyptian Empire under Ramesses II and the Hittite Empire under Muwatalli II at the city of Kadesh on the Orontes River, near the modern Syrian-Lebanese border dated to 1274 BC. It was the largest chariot battle ever fought, involving perhaps 5,000ñ6,000 chariots

Museu de Mallorca Museu de Mallorca, Palma, Majorca, Balearic Islands, Spain Copyright: xZoonar.com/Tolox 21489474

Sheshnag daman painting orchha wall in lakshmi narayan temple madhya pradesh india Copyright: xSatishxParashar/DinodiaxPhotox

Fragment całunu. unknown, author

Fragment, Ornamental Neck Band from a Tunic, 650 - 699. Egypt, Umayyad period (661-750). Tapestry; linen and wool; overall: 17.2 x 28.6 cm (6 3/4 x 11 1/4 in.).

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral5. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Count Guy I of Ponthieu leads Harold to Duke William of Normandy. They wear chlamys capes and hold falcons on horseback. Dragons in the borders. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Embroidered Mantle Fragment 5th-2nd century B.C. Paracas. Embroidered Mantle Fragment. Paracas. 5th-2nd century B.C.. Camelid hair. Peru. Textiles-Woven

Painted Textile 900 CE-1100 Peruvian North Coast. Cotton, plain weave; painted . Chancay

Malowidło ścienne: Święty Merkuriusz zabijający włócznią cesarza Juliana Apostatę. unknown, painter

End of 5th century AD. Deatail from a freize showing the Battle of Kadesh (Qadesh) between the Egyptian Empire under Ramesses II and the Hittite Empire under Muwatalli II at the city of Kadesh on the Orontes River, near the modern Syrian-Lebanese border dated to 1274 BC. It was the largest chariot battle ever fought, involving perhaps 5,000ñ6,000 chariots

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Conan II, Duke of Brittany, surrenders the keys to the castle to William Duke of Normandy after the seige of Dinan. William knights Harold Godwinson and they proceed to Bayeux. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Abruzzo Teramo Atri S. Maria Assunta, Cathedral0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11-15th century); sculpture; wall paintings (15th century), terracotta Roman grave relief Post-medieval: Frescos, architecture, sculpture, metalwork (reliquary and tabernacle) Exterior and interior views; extensive, detailed coverage of choir frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alexander the Great on Horseback, 700s. Egypt, Umayyad period (661-750) or Abbasid period (750-1258). Dyed wool, undyed linen; plain weave and slit-tapestry weave; overall: 30.5 x 24.8 cm (12 x 9 3/4 in.); mounted: 41.9 x 36.8 cm (16 1/2 x 14 1/2 in.). Featuring imperial Byzantine themes, this rare roundel originally decorated a tunic. Genii (guardian spirits) crown the mounted horseman in military dress while an animal runs below. The inscription at the top identifies the horseman as Alexander the Great (356-323 bc), a popular cult figure in Egypt for centuries. The patterns mirror-image symmetry indicates the influence of costlier Byzantine silks.

India: 'Babhruvahana and the Mongoose Fight the Serpents'. Scene from the Story of Babhruvahana, watercolour from the Mahabharata, Paithan, Maharashtra, c. 1850, Los Angeles County Museum of Art

Standing man. Draughtsman: Gerard ter Borch (II) (possibly). Draughtsman: Anna ter Borch (possibly). Draughtsman: Gesina ter Borch (possibly). Draughtsman: Harmen ter Borch (possibly). Draughtsman: Moses ter Borch (possibly). Draughtsman: Gerard ter Borch (I) (possibly). Draughtsman: Jan ter Borch (possibly). Dating: 1593 - 1690. Place: Zwolle. Measurements: h 77 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Greek art. Terracotta krater with lid surmounted by a small hydria. Decorative detail. Geometric Period. Ca. 750-740 BC. Found on Kourion, Cyprus. Metropolitan Museum of Art. New York. Unidos.r States.

gobernante con piel de jaguar sentado en una canoa y tocado con una serpiente bicefala, vaso polícromo, clásico tardio, Santa María Nebaj,museo de antropologia Maya, departamento de El Quiché, Guatemala, Central America.

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Harold Godwinson meeting King Edward the Confessor of England. King Edwards funeral procession on a bier to his tomb in St Peters at Westminster, 1066. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Petroglyph. Dated: 1935/1942. Dimensions: Overall: 28.2 x 37.2 cm (11 1/8 x 14 5/8 in.) overall: 36.4 x 47.2 cm (14 5/16 x 18 9/16 in.). Medium: lithograph on paper. Museum: National Gallery of Art, Washington DC. Author: Lala Eve Rivol.

Fragment of an Ornamental Border of a Tunic, 800s. Egypt, late Abbasid or Tulunic period, 9th century. Tapestry weave; wool and linen; overall: 21.3 x 12.4 cm (8 3/8 x 4 7/8 in.).

Slavnyi bogatyr' Bova Korolevich. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Maude Valle, Santos Retablos, 1936 Santos Retablos

Syrians Bringing an Elephant and a Bear, Tomb of Rekhmire ca. 1504-1425 B.C. New Kingdom Nina de Garis Davies This facsimile painting copies a detail from a scene of foreignors bringing offerings in the tomb of Rekhmire (TT 100) in western Thebes. This section of the scene depicts Syrians bringing a metal ingot and a chariot (31.6.34), horses (31.3.41), exotic animals (31.6.43), vessels and weapons (30.4.83).. Syrians Bringing an Elephant and a Bear, Tomb of Rekhmire 544615

A scene from the Ramayana: Hanuman catching Virunyananti (). Gouache painting by a Thai artist.

Bayeux cathedral mural decors, normandy, France BAYEUX, FRANCE, MAY 14, 2024 : mural decors of Bayeux, cathedral, normandy Copyright: xZoonar.com/Bayeuxxcathedralxmuralxdecors,xnormandy,xFrancex 22188681

Figure of a Man 13th century. Figure of a Man 452303

Harold Godwinson in chlamys alone a a ship and other Saxon sailing vessels anchor on land where he is seized by Count Wido. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Design for the cover of a Concertgebouw program. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 250 mm × w 402 mm. Museum: Rijksmuseum, Amsterdam.

Medallion, Medium: Warp; S-spun linen. Weft; S-spun linen, S-spun wools. Technique: slit tapestry woven with supplementary weft wrapping., Circular medallion with pattern of four interlaced vases. A great deal of the purple weft is missing., Egypt, 4th-5th century, woven textiles, Medallion

Conan surrenders : Harold is knighted by William; they ride together to Bayeux where Harold, touching reliquaries, swears fealty to William, then he returns to England. Date: 1064

Allegory on Copulation verso. Dated: fourth quarter 15th century. Dimensions: overall: 15 x 22.4 cm (5 7/8 x 8 13/16 in.). Medium: engraved copper plate. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.

Study for Mural for Arched Galleries, Musée Picardy, Amiens (Projet de Décoration pour les Galeries Cintrées, Musée Picardy, Amiens Pierre Puvis de Chavannes (French, 1824-1898). Study for Mural for Arched Galleries, Musée Picardy, Amiens (Projet de Décoration pour les Galeries Cintrées, Musée Picardy, Amiens, 1864-1865. Gouache, ink, graphite, and red chalk on thick wove paper with additional pieces attached, 11 5/8 x 52 7/8 in. (29.5 x 134.3 cm). European Art 1864-1865

Name Rings of Subject Nations Beneath the King's Throne ca. 1427-1400 B.C. New Kingdom Nina de Garis Davies. Name Rings of Subject Nations Beneath the King's Throne. Nina de Garis Davies (1881-1965) or. ca. 1427-1400 B.C.. Tempera on paper. New Kingdom. Original from Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Qenamun (TT 93), P&M 1:1 (9), MMA Graphic Expedition. Dynasty 18

Tiraz Textile Fragment. Dimensions: Textile: H. 9 1/4 in. (23.5 cm) W. 14 1/2 in. (36.8 cm)Mount: H. 14 in. (35.6 cm) W. 19 in. (48.3 cm). Date: late 10th century.The manufacture of this undated tiraz textile can be definitively linked to the last quarter of the tenth century, specifically to the reign of the fifth Fatimid Caliph, al-'Aziz bi'llah (r. 975-996). Covering the entire field, the tapestry-woven Arabic inscription in kufic script reads, "In the name of God, the Merciful, the Beneficent, Victory is from God . Al-Mansur, the Imam al-'Aziz bi'llah, Commander of the Faithful." Under al-'Aziz bi'llah, Egypt's economy prospered and the Fatimid dynasty's territory reached its furthest extent. This fortune is reflected materially in the elaborate building program and the large number of luxurious textiles that date to his reign. Museum: Metropolitan Museum of Art, New York, USA.

Herdsman and his Flock. Dimensions: 4.12 in. high 5.75 in. wide (10.5 cm high 14.6 cm wide). Date: second half of 12th century.Although the five quadrupeds attended by this bearded herdsman are difficult to identify, they most closely resemble medieval Arab and Persian renderings of boars. This suggests that the scene represents a swine-herd, most likely a Christian, and his flock. Museum: Metropolitan Museum of Art, New York, USA.

Panel with Puppet Show figures, 20th century, 21 × 82 in. (53.34 × 208.28 cm), Cotton; dyed, Indonesia, 20th century

Foot Combat with Poles, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Volume III), pen and black ink with watercolor on laid paper, sheet: 33.6 × 26.4 cm (13 1/4 × 10 3/8 in.), German 16th Century (artist)

Pedigree of the Brandes family. Draughtsman: Jan Brandes. Dating: c. 1760 - c. 1790. Measurements: h 192 mm × w 239 mm. Museum: Rijksmuseum, Amsterdam.

Textile fragment 1600-1799 Russian. Textile fragment 173388

Sketch sheet with two women and birds and a horse. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 152 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

PINTURA DE POMPEYA CON ESCENA SACRIFICIAL - SIGLO I. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

Pokhod slavnogo rytsaria Koleandra Lodvika. V pribavlenii k kn. IV.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Medallion, Medium: Warp:Tightly Z-plyed linen, Weft: S-twist linen, S-twist wool, Z-twist weft wrapping Technique: slit tapestry woven with supplementary weft wrapping. Warp: S-spun two ply Z-twist linen Weft: S-spun linen, S-spun wool, Multicolored roundel depicting two lions and a bird flanking a tree on a red ground. The roundel has a purple and blue geometric outer border, and a multicolored inner border with organic motifs., Egypt, 5th-6th century, woven textiles, Medallion

Netherlands, 's-Hertogenbosch, Lutkie & Cranenburg, New Arlequin game, s Hertogenbosch, verso - stamped, Board game with in the middle of the playing field a harlequin holding in his open hands a bag with the number 7 on it. Around him is a garland from which hang medallions with the numbers 2 to 12. In the bottom margin the rules of the game in letterpress. Numbered top right: No. 21., print, volksprent, gameboard, speelbord, prints, prenten, volksprenten, height 390 mm, width 315 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1848 - 1881, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Elephant Throne, from a Set of Initiation Cards (Tsakali). Tibet. Date: 1299-1499. Dimensions: 16 x 14.5 cm (6 1/4 x 5 3/4 in.). Ink and watercolor on paper. Origin: Tibet. Museum: The Chicago Art Institute, Chicago, USA.

caldera of Pedro Botero, Gothic paintings, Church of San Martín de Tours, Gazeo, Álava, Spain, Europe.

Century old Murals fresco painting in Sree Annapoorneswary temple at Cherukunnu near Kannur, Kerala, South India, India, Asia

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Sir Lancelot Crossing Sword Bridge & Defeating Lions 1350.

Frescoes in the church of Barolo, Piedmont, Italy, Europe

Men let horses get off the ship, detail of Queen Mathilda's Tapestry or Bayeux Tapestry depicting Norman conquest of England in 1066, France, 11th century.

Duke William of Normandy and his army arrive at Mont-Saint-Michel. Harold Godwinson saves the Duke and another warrior from the quicksands of the River Coesnon. The Normans besiege the castle at Dol. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Embroidered picture, Medium: silk, metal Technique: embroidery, Two ladies flanking a fountain surmounted by a Cupid worked in silks and metal purl., England, ca. 1670, embroidery & stitching, Embroidered picture

PaintedTextile. Artist: Unknown

Part of the 12th Century Winchester Bible, a Romanesque illuminated manuscript produced in Winchester. Dated 12th Century

Japan, Norimaru, Kichôtei, Shunman, Kubota, Two ladies and a man seen from the back, Two women each with a poem in their hand. With their backs to them stands the warrior Soga no Goro, recognizable by the emblem of the butterfly on the back of his kimono. The woman with the butterfly pattern on her kimono is his mistress; the other woman is his brother's mistress. The exchange of poems was a important part in starting relationships. The poem on the poetry strips that the women are holding refers to the rivalry between the two ladies over the love of Soga no Goro., print, prent, surimono, prints, Japan (collection), height 135 mm, width 185 mm, Japanese, 1757 - 1820, print maker, prentmaker, 1809 - 1809, first quarter 19th century, paper, colour woodcut, blind printing, poet

Textile Fragment with Cotton Goddess, 800-500 BC. Andes, south coast, Ica Valley, Chavín style. Cotton, pigments; overall: 34.3 x 36.2 cm (13 1/2 x 14 1/4 in.); mounted: 39.1 x 41.3 cm (15 3/8 x 16 1/4 in.). The figure painted on this fragment represents a female deity with a large, fanged mouth. Further fanged heads occur on the chest, legs, feet, waist, and staffs of authority she holds. Edging both the staffs and the top of the head are white cotton bolls that have caused the deity to be dubbed the Cotton Goddess and associated with nature’s fertility.

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

CANTIGA DE SANTA MARIA Nº317 - F116V - LA VIRGEN SE VENGA DEL ESCUDERO QUE DA UNA PATADA A LA PUERTA DE LA IGLESIA. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

Pillar fresco depicting wool manufacturing, from Pompei, Fullonica of Veranio Ipseo

Booklet illustrations for Columbia's courtship , Explorers, Ships, Columbia Symbolic character, World's Columbian Exposition 1893 : Chicago, Ill., Columbus, Christopher. Louis Prang & Company Collection

Incantation 2000 Leslie Xuereb (b.1959/French)

Standard of Ur. Chariot detail. Sumerian. 2500 BC. Bronze Age. MESOPOTAMIA.

Cod. 11093, fol. 46r: Book on Swordsmanship and Wrestling Full page: fencing scene on horseback; pen and brush drawing, Southwestern Germany, mid-15th c.

Household lararium in the House of the Vetti, Pompeii. Serpent under two household gods Lars either side of a guardian Genius loci. Fourth Pompeian Style. Polychrome moulding in the Third Style (below) Laraire de la maison des Vettii, Region VI.15, quatrieme style. Moulure polychrome du troisieme style. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

PANTEON REAL - CALENDARIO - DETALLE DE LOS MESES DE SEPTIEMBRE Y OCTUBRE - SIGLO XII - PINTURAS ROMANICAS. Location: COLEGIATA DE SAN ISIDORO. LEON. SPAIN.

Neu künstlich Modelbuch (page 40r) 1598 () Bernhard Jobin Swiss Published by Bernhard Jobin, Strassburg.Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.. Neu künstlich Modelbuch (page 40r) 684046

Hanging depicting a European conflict in South India before 1763 Indian, Coromandel Coast, for British market This multilayered tableau of a battle is the most spectacular, complex, and complete surviving example of a rare chintz history painting. The hanging may celebrate the successful 1760-61 English siege of Pondicherry, on the southeast coast of India, headquarters of the French East India Company. The English forces (under a stylized Union Jack) are shown fighting alongside allied local soldiers. Indian regiments appear to be distinguished by dressMuslims with long gowns and bushy beards, the Hindus in skirt clothsindicative of the complex web of regional alliances forged by the European trading companies. Two ships (upper register, center) flying a simplified version of the triple fleur-de-lis and crown, the insignia of the French East India Company flag from 1756, represent the defeated French.. Hanging depicting a European conflict in South India 21466

. Facsimile. Page of the Tro-Cortesianus Codex: Gods. Mayan culture. 13th-15th centuries. Madrid, Museum of America. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

FRAGMENTO DE VENDA CON DIBUJO DE FARAON Y MESA DE OFRENDAS. EGIPCIO. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).

USA, Illinois, Chicago: The Loop: The Four Seasons Mosaic by Marc Chagall 1974

Flower Van Dreams, 1906 book Collection of poems; white-pink hard cover with image of poppies; cover and bract, pink stripes with pattern of flowers, leaves and three stylized butterflies; 166 magazines, numbered: one page, title page; Two sheets, text rules; 1-155, poems, with inserted four unnumbered prints; Three sheets with book titles; one page, colophon; one page, book sales points; Two magazines, publications of the publisher Bunendo. paper letterpress printing / color woodcut

Traditional 18th century, Russian woodcut of a bird of paradise

Inhabited Initial B. Date/Period: 1153. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 192 mm (7.55 in); Width: 132 mm (5.19 in). Author: UNKNOWN.

Bali painting, Indonesia.

Mosaico griego en blanco y negro, con dos personajes centrales y rostros en las esquinas.

A banquet, 11th century (1892). Artist: Unknown

Ancient Egyptian Painting, by Nina M. Davies,1936

Mural paintings in the ruins of the Monastery of St Apollo at Bawit, Egypt, (1928). '1st Half of 7th Century A.D...The painting is on the S. wall of chapel 18...whether the boy among the scattered flowers should be interpreted as a symbol or is merely a profane character is open to doubt'. After Jean Clédat. Plate XL, fig 93, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Fragment (Hanging). Byzantine; Egypt. Date: 401 AD-600 AD. Dimensions: 136.5 x 88.3 cm (53 3/4 x 34 3/4 in.). Linen and wool, plain weave with weft uncut pile and embroidered linen pile formed by variations of back and stem stitches. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: COPTIC.

LIBRO DE LOS CABALLEROS DE LA ORDEN DE SANTIAGO - 1361 - FOLIO 37 - PRESTINES - GONEL - FERNANDEZ -. Location: ARCHIVO MUNICIPAL. BURGOS. SPAIN. PRESTINES BELTRAN. GONEL PERO "EL MOZO". FERNANDEZ PERO. LOPEZ DE SANZOLES JUAN.

Mural of ceramic tiles Mural of ceramic tiles, Mallapuram rock garden, Pollakkad, Kerala, India Copyright: xZoonar.com/yogeshxmorex 5715072

Nakamura Utaemon IV dancing Hikinuki Sanbaso by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1841

Poncho or Tunic Nasca. Poncho or Tunic, 100-200 C.E. Camelid fiber, 74 7/16 x 27 9/16 in. (189.1 x 70 cm). This large panel is the most elaborate example of the discontinuous warp and weft technique in the Museums collection. With this technique, the warps and wefts on the textile change with every color and weaving session, rather than being continuous along the length and width of the fabric (see diagram). The bold designs on the red background include three large, colorful supernatural beings connected to several smaller figures. The largest figure wears a green and yellow feline pelt and is associated with two mythological animals devouring humans: an anthropomorphic bird and a shark depicted with a human arm. These composite beings combine animals of the natural world with Nasca supernatural deities who keep the world in order. The panel was converted into a poncho in antiquity, when a head opening was made at the center and long tassels were added at the shoulders. ___________

Battle Scene from a Bhagavata Purana Series Indian. Battle Scene from a Bhagavata Purana Series, ca. 1625-1650. Opaque watercolor and gold on thin paper, sheet: 4 3/4 x 8 3/4 in. (12.1 x 22.2 cm). Asian Art ca. 1625-1650

Mock Joust of War with Flying Shields and Without Bevors, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Horseback (Volume II), pen and brown ink with watercolor over black chalk on laid paper, sheet: 32.9 × 26.3 cm (12 15/16 × 10 3/8 in.), German 16th Century (artist)

SIGHISOARA, TRANSYLVANIA/ROMANIA - SEPTEMBER 17 : View of a fresco in the Church on the Hill in Sighisoara Transylvania Romania on September 17, 2018

Hunting wild geese in ancient Egypt using a type of net. After a painting in the subterranean temples of Beni-Hassan. From The Universe or, The Infinitely Great and the Infinitely Little, published 1

Triumph of Neptune and Amphitrite, from Constantine, Mosaic

TELA DE ALGODON ESTAMPADO A MANO (INDIA). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Illustrator by Andre Masson, 1896-1987, Private Collection

Frescoes painting, ajanta caves, aurangabad, maharashtra, india, asia Copyright: xAnilxDave/DinodiaxPhotox

Folk Painting 1725 India (Rajasthan, Marwar). Folk Painting 38024

Funeral Ritual in a Garden, Tomb of Minnakht. Artist: Charles K. Wilkinson. Dimensions: facsimile: h. 71.4 cm (28 1/8 in); w. 122 cm (48 1/16 in)scale 1:1framed: h. 73.3 cm (28 7/8 in); w. 128.6 cm (50 5/8 in). Dynasty: Dynasty 18. Reign: reign of Thutmose III. Date: ca. 1479-1425 B.C..This facsimile painting copies a section of wall painting in the tomb of Minnakht (TT 87) in western Thebes. The scene depicts a garden surrounding a building with a large pool in front of it. In the lowest register, two men stand in front of small offering tables. Each man pours a libation with one hand and holds a brazier with buring incense in the other. The facsimile was painted at the tomb in 1921 by Charles K. Wilkinson, a member of the Graphic Section of the Museum's Egyptian Expedition. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles K. Wilkinson.

Azulejo Tiles, Porto Cathedral, Se do Porto, Barredo Quarter, UNESCO World Heritage Site, Barredo, Porto, Porto District, Portugal, Europe

Knights during a falcon hunt, detail of the Encounter of the three dead and the three living, fresco in Saint-Germain Church, La Ferte-Loupiere, Burgundy-Franche-Comte, France, 15th-16th century.

LAS CIHUATETEO, ALMAS DE LAS MUJERES SACRIFICADAS O MUERTAS DE PARTO. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.

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