Furniture and Interior Design Plans

Design sketches for furniture and interior layouts, featuring ornate styles and elaborate details, showcasing the artistry in functional aesthetics.

An armchair, a fire screen with a top view underneath, and a cartonnier with a pendulum. Size indication along the bottom, armchair, fire screen and cartonnier., draughtsman: anonymous, Paris, 1751, paper, pen, brush, h 288 mm × w 441 mm

Sofa, Pierre Claude Delagardette, After Richard de Lalonde, 1784 - 1785 print Front view of an ornamented sofa with striped upholstery. Left and right details of the ornaments on the furniture. Paris paper etching couch, sofa, settee

Drawing, Design for an Inkstand; Belgium; brush and watercolor, black wash, graphite, on cream laid paper; 23.7 × 42.7 cm (9 5/16 × 16 13/16 in.)

Print (France)

Design for an Inkstand, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular box on cushion feet, drawer in open position, at right. Front panel decorated with swans, scrolling leaves and masks. Top of box shows a center urn flanked by half-cupids, covered cups at either end., Belgium, 1805-1820, metalwork, Drawing, Drawing

Drawing, Design for Round Table with Stylized Square Shelves; Designed by A.N. Davenport Co.

DENUELLE, Alexandre-Dominique (n.1818-03-18-D.1879-12-04), project for the Saint-Sulpice church, Saint-François de Sales chapel: Flower vase (Chinestone) (Main title), 1855. Watercolor on yellow paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Designs for Two Chairs. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 9 15/16 x 14 1/2 in. (25.3 x 36.8 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Hindley and Sons.

Utrecht, Nolet & Zoon, Grau, Florent, Chambre a coucher (St. Cloud), 56, photograph, foto, stereograph, stereofoto, photos, height 75 mm, width 150 mm, French, photographer, 1855 - 1875, third quarter 19th century, cardboard, photography, seller

Design for an Etruscan style room wall with a sofa, draughtsman: anonymous, Rome, 1790 - 1795, paper, brush, h 295 mm × w 363 mm × h 308 mm × w 408 mm

A recess decorated with a bearded mask with a curtain partly pushed aside, behind which a bed emerges, Design drawing for a recess decorated with a bearded mask., draughtsman: Guillaume Thomas Raphaël Taraval, (possibly), Paris, (possibly), c. 1735 - c. 1750, graphite (mineral), brush, h 194 mm × w 226 mm

Designs for Chairs, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for the five chairs. Seen from an oblique angle, on a washed ground. Detail of one chair leg at lower left., Italy, ca. 1800, furniture, Drawing, Drawing

Design for Curtains. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 x 9 15/16 in. (35.5 x 25.2 cm). Date: 1841-1917. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Hindley and Sons.

Bad puts Rugleuning, Nicolas Dupin, after just Nathan François Boucher, 1772 - 1779 print An ornamented bath with a backrest on the left. Print number 30. Paris paper etching / engraving bath-tub

Design for a carved and painted ceiling with clouds and ducks in the central circular panel 1830-97 Jules-Edmond-Charles Lachaise French. Design for a carved and painted ceiling with clouds and ducks in the central circular panel 385018

Piano Giraffe from 1815-1825 by Fryderyk Buchholtz (1792-1837) from the collections of the National Museum in Warsaw-view from the front and from the side; Not after 31.03.1935 (1933-00-00-1935-00-00);

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Fireplaces, Fireplace with putti, Fireplace with rocaille ornaments and two winged putti. Publisher number 164., print, ornament print, prints, ornament prints, height 300 mm, width 190 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Drawing, Bedroom alcove with a figure; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, lined; Image: 40.5 x 34.4 cm (15 15/16 x 13 9/16 in.)

Sofa; Sopha orné the sculpture et total fini; G Viaieme Cahier d'Ameublements Dessinés Par La Londe. Front view of an ornamented sofa with striped upholstery. Left and right details of the ornaments on the furniture.

Interior. .

Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains Anonymous, British, 19th century British 19th century

Design for Two Sèvres Porcelain Flower Pots 19th century Anonymous, French, 19th century French. Design for Two Sèvres Porcelain Flower Pots. Anonymous, French, 19th century. 19th century. Graphite, watercolor, gouache, and gold gilt. Drawings

The Garden. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 305 x 240 mm (image, trimmed within plate mark); 312 x 240 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Apartments of Queen Elizabeth of Prussia, Charlottenburg Palace, Berlin. Date/Period: 1864. Drawing. Brush and watercolor, white gouache, gold paint, over graphite on thick white wove paper. Height: 243 mm (9.56 in); Width: 306 mm (12.04 in). Author: Elizabeth Pochhammer.

Design for a room wall with paintings, draperies and furniture, draughtsman: anonymous, Rome, 1790 - 1795, paper, brush, h 324 mm × w 422 mm × h 286 mm × w 371 mm

Cabinet Design. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 7/8 x 7 9/16 in. (12.4 x 19.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Cabinet-making: designs for a chair. Etching by J. Verchère after himself, 1880.

Etching: Biting the Plate, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Benoît-Louis Prévost (French, c. 1735-1809); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 210 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Armchair. Dated: c. 1936. Dimensions: overall: 29.3 x 23 cm (11 9/16 x 9 1/16 in.) Original IAD Object: 29cm high, 57 cm wide. Medium: watercolor, gouache, colored pencil, graphite, andpen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Robert Brigadier.

Painted Cabinet. Dated: c. 1939. Dimensions: overall: 42.8 x 29.7 cm (16 7/8 x 11 11/16 in.) Original IAD Object: 79" high; 53 1/2" wide; 20 3/4" deep. Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Carl Strehlau.

Study for Wedgwood and Byerly, York Street, St James' Square from London in Miniature (recto); Sketches of Women, Cabinet (verso) 1807-1809 England. Graphite with touches of brush and watercolor (recto), and graphite (verso), on cream wove paper . Augustus Charles Pugin

Trois Pendules, style duConsulat. Artist: Unknown

The third of the wage; Benoist, Philippe (1813 1905), Lemertcier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

Design for a Chair. Artist: Attributed to Gillows (British, 19th century). Dimensions: sheet: 7 1/4 x 4 7/16 in. (18.4 x 11.3 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

Two chairs with striped upholstery, anonymous, After Jean Charles Delafosse, 1745 - 1775 print On the left a chair with a bow at the top. On the right a chair with armrests with two pigeons and garlands. Paris paper engraving chair

Chair in Villa Negroni. The famous painter David drew this well-known chair from Roman antiquity during his sojourn in Rome. He made use of it when at a later time he wished to depict authentic furniture in his history paintings with subjects from Roman times. David himself also designed furniture in a severe classical style.

Drawing, The Royal Pavilion, Brighton, Ceiling Design: a trellised balustrade, opening to the sky, possibly for entrance hall; Designed by Frederick Crace (English, 1779-1859); England; brush and watercolor, pen and black ink, graphite on white wove paper; 16.2 x 25.2 cm (6 3/8 x 9 15/16 in.)

Design von Luxusmöbeln, hier ein Spiegel, von Otto Rothe, 1890, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert

Design for 4 Seat Sleigh, no. 3418 1878 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alf

Thomas Shotter Boys, 1803-1874, British, Queen Anne Boleyn's Room, Windsor Castle, undated. Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper.

Drawing, Design for Mechanical Furniture: Tables; Germany; pen and gray ink, brush and watercolor on paper; 36.9 x 30.1 cm (14 1/2 x 11 7/8 in.)

Drawing, Design for Six-Legged Round Dining Table; Designed by A.N. Davenport Co.; pen and black in , graphite on thin cream paper; 15.6 x 24.4 cm (6 1/8 x 9 5/8 in. )

Peep-show Section: A Coff, Martin Engelbrecht, German, 1684-1756, C.P. Maj., Hand-colored etching, with engraving Support: white laid paper laid down on thick gray paper, Interior of three rooms, furniture and costumes of the times. Men and women engaged in drinking coffee, smoking, and gaming., Augsburg, Germany, Germany, ca. 1750, architecture, Peep-show, Peep-show

Design for Two Armchairs with Red and Green Upholstery early 19th century Anonymous, British, 19th century British. Design for Two Armchairs with Red and Green Upholstery 386826

Siennica (woj. mazowieckie). Ławka sosnowa malowana znajdująca się w prezbiterium kościoła drewnianego p.w. Przemienienia Pańskiego. Poprzęcki, Szymon (ok. 1864-1942), painter

Le a C. Elysee; E. Lamy (French, active 1860s - 1870s); about 1868; Hand-colored Albumen silver print

Drawing, Design for Massive Library Table with Plank Legs Decorated Along Edges; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper

The oblong panel over the door is not decorated. The wall panels show dados and friezes. The upper panel at left: upon an oblong landscape painting stands a grotesque pavilion with the statue of a woman. The panel at right: a group of two figures stands upon a pedestal, which is flanked by two figures. An ovoidal landscape painting hangs on top. Rising plants from the background. Another design has been initiated. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

Donald Streeter, Snuff Box, 1935 1942 Snuff Box

Pencil and watercolor sketch by Franz Alt depicting Princess Carl Schwarzenberg in Prague, created on April 19, 1874, showing figure, attire, and compositional placement.

theatre stage stage design stage decoration design by Giuseppe Galli Bibiena (1696 - 1756) drawing,

Print, Tables à déjeuner; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Pierre-Gabriel Berthault (French, 1737-1831); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Pompeiian Design for Wall and Doorway. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 6 5/8 x 11 1/4 in. (16.8 x 28.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb. The cresting border is formed by circles, connected by small ones; in the larger ones a central diamond is framed by smaller ones; in the smaller circles one diamond. In the band below two laurel branches are springing from a central stone. Below a strip engraved as in 1938-88-760., Italy, ca. 1830, jewelry, Drawing, Drawing

Design for Pink, Mauve and White Floral Curtains with a Gold and White Pediment. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/8 x 15 1/16 in. (22.5 x 38.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Furniture from the turn of the century 1900, carved oak dressoir - Louis XII. In the Musée Cluny, Paris. (1910, 1911), Carved oak dressoir-Louis XII. In the Musée Cluny, 1911) .jpg

Imperial sledge or sleigh used by the Emperors of Austria and Russia at a sledge party in Vienna, January 1815. Phaeton carriage with elaborate gilt work upholstered in gold and green velvet. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1816.

The Study of Prince Karl of Prussia. Date/Period: 1848. Drawing. Brush and watercolor over graphite. Author: EDUARD GAERTNER.

Design of the Bassinet for His Majesty the King of Rome by Percier, Charles (1764-1838)/ Patrimoine comte Charles-Andre Colonna Walewski/ 1811/ France/ Watercolour on paper/ Empire/ 58,3x43,3/ Architecture, Interior

Giraffe piano (Vienna, around 1820-1830) according to the oil study of Julian Machyński from the collection of the Warsaw Artistic Society - general view; Zawadzki, Stanisław Jan (1878-1960); 1915 (1915-00-00-1915-00-00);

Warsaw. Ash chair from the Palace in the Royal Łazienki Park - front and side views in the scale of 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Three Designs for Candlesticks, Pen and black ink, brush and gray wash, watercolor, traces of graphite on off-white laid paper, Horizontal rectangle. Three designs for candlesticks, all supported by lion feet. At left, the bottom part of the shaft consists of acanthus scrolls, worked à jour, showing inside a standing escutcheon. A foliated, scalloped and fluted balustrade supporting the bowl with the socket from the top part. At center, the shafts consisting of seated griffins, worked à jour, connected by festoons and flanking a papal escutcheon. On them stands a base upon which the animals of the Evangelists support the sphere upon which are shown the allegorical figures of Justice or Strength, Faith, and Love. A calyx rises over them, supporting the bowl and socket. At right, a calyx supports a baluster, the bottom part of which is covered by a calyx, from which vine stem rises. The top is similar to other designs. A scale at bottom. Two framing lines at bottom, partly cut off., Rome

Drawing, Design for a Monument; Italy; pen and ink, brush and wash on paper

Drawing, Mourning Picture, 1815; Unknown (American); USA; graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper; diam of image: 9-1/2 in.

Chinese Still Life with Porcelain Vase and Heron, Fassan, Butterfly, Flowers, Detail Chinese Wallpaper, Chinoiserie, Chinese Room, Sala cinese 18th c., Castle, Castello Govone, Architect Guarino Guarini, Baroque, Govone, Roero, Province of Cuneo, Piedmont, Italy, UNESCO World Heritage Site, Europe

Wall decoration, Pompeii, Italy, (1928). Panels with trompe l'oeil mirrors and floral borders, 'About 50 A.D...wall of the tablinum in the "Casa della seconda (piccola) Fontana".' After Antonio Niccolini. Plate XXXIII, fig 81, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Design for a Ceiling Decoration. Artist: Anonymous, Italian, 19th century. Dimensions: 7-5/8 x 7-5/8 in. Date: 1850-70. Museum: Metropolitan Museum of Art, New York, USA.

The legs are lion legs st anding upon circular bases. The frame is formed of what seems to be a skin connecting the legs, with a head, presumably of Heracles, in the center. Plain top. Usual background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: ca. 1785-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Sofa on Casters. Artist: Attributed to Gillows (British, 19th century). Dimensions: sheet: 5 1/16 x 6 7/16 in. (12.9 x 16.4 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls. Artist: Gilles Paul Cauvet (French, Aix 1731-1788 Paris). Dimensions: 1 11/16 x 11 13/16 in. (4.3 x 30. cm). Date: ca. 1760-80. Museum: Metropolitan Museum of Art, New York, USA.

Pardow, stucco ceiling in Ziegelstraße, Berlin. (From: Architectural sketchbook, H. 54/1, 1862.) (1862-1862): View. Lithography colored on paper, 24.8 x 34.7 cm (including scan edges)

Turkish Interior, World Fashion - Racinet

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