Harbor Views and Landscapes

Engravings of serene harbor scenes and landscapes, featuring boats, architectural structures, and the interplay of nature, reflecting historical environments.

Dieudonné, Emmanuel de, Portrait of Baroness Delort de Gléon, technique text: oil on canvas, painting, 62.5 cm x 52 cm

View of a Harbor#9. Artist: Franz Edmund Weirotter, Austrian, 1730-1771

View of a harbor with sailing boats, Franz Edmund Weirotter, 1760 print Numbered at the top right: 3. paper etching harbour. sailing-ship, sailing-boat

Salt extraction in Zeeland, ca. 1600, Jan Caspar Philips, After Cornelis Pronk, after Anonymous, in or after 1770 print Salt extraction in Zeeland according to the so -called Darinkdelven, approx. 1600. Sticking the Darink from the land, drying and burning to axle, transport by barge to the salt chain, mixing with seawater and firing to white salt. To an old painting in Zierikzee. In the margin a three -faced caption in Dutch. Amsterdam paper etching / engraving salt. opencast mine; strip mining Zeeland

Haven van La Rochelle, Charles Nicolas Cochin (II), after Claude Joseph Vernet, 1767 print With two -way caption in French. print maker: Parisprint maker: Parisafter painting by: La Rochelle paper etching / engraving harbour La Rochelle

Landscape with lime oven in rain, Jan van de Velde (II), 1603 - 1641 print Landscape with lime kilns along the Spaarne south of Haarlem in a stormy rain shower. Two figures run in the foreground on the right. Fifth print from a series of six. Northern Netherlands paper etching lime works. rain. river. rowing facing backward, pulling. smoke-stack

Harlingen harbour, seen from the Zuiderzee, Port de Harlingue, pris du cot, print maker: Antonio Suntach, (possibly), intermediary draughtsman: Dirk de Jong, (mentioned on object), publisher: Antonio Suntach, (mentioned on object), print maker: Italy, intermediary draughtsman: Harlingen, publisher: Italy, 1754 - 1828, paper, etching, engraving, h 196 mm - w 236 mm

James T. Willmore, 1800-1863, British, Venice, The Dogana, 1859-1879. Steel engraving.

Assembly of German naturalists and doctors in Vienna in September , Water trip in Laxenburg, Unknown

Dieudonné, Emmanuel de, Portrait of Baroness Delort de Gléon, technique text: oil on canvas, painting, 62.5 cm x 52 cm

Colored etching by Johann Ziegler depicting the Grenadian Cases, created in 1780.

Lancaster from the Aqueduct Bridge, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Rhine, Rembrandt van, Baillie, William, River view at night, River view with mills, a bridge and ships. A man and a child are walking in the foreground. The print is part of an album., print, album leaf, prints, height 176 mm, width 304 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1765 - 1765, paper, papier, chine collé, print drawing, pasting, etching, etchings, drypoint, dry needle, roulette, Noord-Nederlands, 1606-07-15 - 1669-10-08, intermediary draughtsman

`Dresda`. View of Dresden with Augustus Bridge on the River Elbe and castle on the right. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Lancaster from the Aqueduct Bridge, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

River landscape with Veer, Abraham Delfos, after Jan van Goyen, 1741 - 1820 drawing paper. chalk brush

A Port (Port de Mer d'Italie), Claude-Joseph Vernet, French, 1714 - 1789, Etching on paper, A Mediterranean port. A ship at middle distance, behind it, at right a lighthouse. In foreground several figures, most of them around a fountain at left. The fountain is decorated with two reclining dog figures. Behind it a ruined wall with a standing Egyptian male figure. In background, mountains., England, After 1750, Print, Print

Robert Wallis, 1794-1878, British, Lancaster from the Aqueduct Bridge, 1827-1838. Line engraving, first published state.

View of St Cloud. In the margin a five-line Latin's caption. The Lincler DelineAvit Ad Vivum Colignon Jucidit.

Lancaster from the Aqueduct Bridge, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (later)

Bordeaux, quai desChartrons. Artist: Maxime Lalanne, French, 1827-1886

Charles Meryon after Reinier Nooms, called Zeeman, Le Pavillion de Mlle et une partie du Louvre, 1849 Le Pavillion de Mlle. et une partie du Louvre

Winter face in Harlingen, draughtsman: Nicolaas Baur, 1777 - 1820, paper, pen, brush, h 225 mm × w 338 mm

Venice, The Dogana, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Brown ink, watercolor, and graphite drawing by Jan de Bisschop depicting a Dutch river landscape with numerous boats and an active riverbank.

Siege of Haarlem, 1572-1573, 1742 - 1779 print Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large show with a face on the city from the north, in print to a contemporary drawing in three magazines. At the bottom of the coat of arms of Haarlem. On the right the Ter Kleef house, in the distance the Sint Bavo. Under the show the titles and the legends 1-35 in Dutch and French. Haarlem paper etching Victory, position was Sint-Bavokerk. Huis ter Kleef. Haarlem

W. R. Smith, active 1819-1851, Leicester, Leicestershire, 1827-1838. Line engraving, engraver's proof.

L'Embarquement des Marchandises (The Embarkation of Goods), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. L'Embarquement des Marchandises (The Embarkation of Goods), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618. Etching; second state of three (Lieure). Israël Henriet (Frenc

Wide landscape with two figures and sailing ships; A face of the Rhenenschen mountain over the Betuwe van Gelderland. View of the Rhenian mountain over the Betuwe in Gelderland. Sailing ships on the water and two figures on the front grid of which a points with extensive arm.

Liverpool, from the Mersey, No. IV, Print made by Robert Wallis, 1794-1878, British, after Samuel Austin, 1796-1834, British, Published by Fisher, Son & Co., active 1821-1848, British, 1829, Line engraving on medium, slightly textured, cream wove paper

View of the Buitenplaats Vreedenoord aan de Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 29. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. Fracture

COTTON FROM INDIA

The view of Canal Grande from the Rialto bridge towards Ca 'Foscari, in: Urbis Venetiarum Prospectus celebrosres ex antonia Canal tabulis xl aere expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Ville d'Albany, Capitale de l'etat de New York. Prints. 1798 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Albany (N.Y.)

Haven Van Dieppe, Charles Nicolas Cochin (II), after Jacques-Philippe le Bas, After Pietro Antonio Martini, after Claude Joseph Vernet, 1778 print With three -faced caption in French. paper etching / engraving harbour Dieppe

The Grand Canal Looking Toward the Salute and the Dogana. Dated: 1770s. Dimensions: overall: 29.3 x 50.5 cm (11 9/16 x 19 7/8 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO TIRONI.

Sand excavation in the dunes at The Hague, 1846. Draughtsman: anonymous. Dating: 1846. Place: The Hague. Measurements: h 156 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Robert Wallis, 1794-1878, British, St. Germain-en-Laye, 1828-1837. Line engraving, engraver's proof on thick, moderately textured, beige, wove paper, with cream, chine colle.

Londinum Urbs Praecipua Regnianglice, unknown artist, eighteenth century, after unknown artist, undated, Engraving

View at Malta by Dyce, Charles Andrew (1816-1853) Yale University ca. 1849 Great Britain Watercolour on paper Painting Landscape

Watercolor by Claude-Joseph Vernet depicting the Bay of Naples from Posilipo, showing coastal landscape, buildings, sea, and sky around 1750.

The entrance to the Seehaven zu Marseille, 1755 - 1779 print View of the harbor and the city from Mount Tête de More. Large and small ships on the water for a city with a pier and a high tower or lighthouse. In the foreground a bank with fishermen, walkers and swimmers. Under the figure -on a German and on the right a French text. paper. watercolor (paint) etching / brush Marseille

View of Emmerik, Anonymous, in or after 1575 print At the top left the coat of arms of the Graafschap Kleef, at the top right the city coat of arms. With Latin text in book print on Verso. paper etching / letterpress printing prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial) Bucket

View of Angers Angers (title on object) River views in France (series title), print maker: François Collignon, (attributed to), intermediary draughtsman: L. de Lincler, Franse kroon, Paris, 1620 - 1687, paper, etching, h 207 mm × w 417 mm

River face, Paulus van Liender, 1776 drawing paper. ink pen / brush

City by the water, draughtsman: Hendrik Abraham Klinkhamer, 1845, paper, ink, brush, pen, height 310 mm × width 420 mm

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Print made by Edward Goodall, 1795-1870, British, Cologne, 1824. Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper.

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Hernösand, View of Härnösand, The print is part of an album., print, album sheet, prints, height 134 mm, width 383 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1692 - 1692, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

A View of Florence on the Side of Arno and of Trinity Bridge, Nathaniel Parr, British, active 1742 - 1751, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Robert Sayer, British, 1725 - 1794, Engraving, brush and watercolor on paper, Both banks and two bridges of the Arno can be seen. Open and covered gondolas and small sailboats on the river. Title, artists', and publisher's names below., Europe, London, England, ca. 1750, Print, Print

The village of Lekkerkerk on the Lek, Hendrik Spilman, after Abraham de Haen (II), 1733 - 1784 drawing paper. ink pen / brush prospect of village, silhouette of village. river Lekkerkerk. Leak

The Thames at Rotherhithe. Illustration from the Charles Dickens novel Little Dorrit by Hablot Knight Browne (1815-1882) English artist known as Phiz

Nooms, Reinier, France, Meryon, Charles, Le Pavillon de Mademoiselle et une partie du Louvre, Bank of the Seine with the Pavillon de Mademoiselle and part of the Louvre on the other side, verso middle - stamped, Cityscape in Paris with the Pavillon de Mademoiselle or Pavillon de Flore and part of the Louvre on the other side of the Seine. In the foreground women are washing clothes on a boat. In the distance lies a hilly landscape., print, prints, verso right - stamped, height 136 mm, width 248 mm, height 310 mm, width 430 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1849 - 1849, second quarter 19th century, chine collé, etching, etchings, Work conception, Northern Netherlands, 1624 - 1664

On a frozen body of water or river people are skating and ice sailing. In the background a village, Frozen river with skaters and ice sails., print maker: Elias Stark, Netherlands, 1859 - 1891, paper, etching, drypoint, h 178 mm × w 341 mm

New Orleans, Taken From the opposite side a short distance above the middle or PicayuneFerry. Artist: William James Bennett, American, 1787-1844 After: Antoine Mondelli, American, 1821-1856

Cityscape, draughtsman: anonymous, draughtsman: Hendrik Meijer, (rejected attribution), 1700 - 1800, paper, brush, h 93 mm × w 154 mm

Canal of the Loire and Cher, near Tours, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Soleil Couchant - Port dAnvers (Sunset - Port of Anvers). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Cityscape, anonymous, 1700 - 1800 drawing paper. pencil brush

New London Bridge from Billingsgate (low water), Edward William Cooke, 1811-1880, British, after Edward William Cooke, 1811-1880, British, 1832, Hand colored engraving, Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)

Artist: Johannes Christianus Schotel, Dutch, 1787-1838, An Estuary in aStorm, Brush and gray ink and gray wash over preliminary drawing in black chalk, 20 × 32.2 cm (7 7/8 × 12 11/16in.), Made in The Netherlands, Dutch, 19thcentury, Works on Paper - Drawings andWatercolors

Rivierlandschap met twee figuren op een paard.Two figures on a horse walking on a country road. On the left a number of boats and right a house. In the background a mill and a city.

Fines of the fishing nets; Adjusting or fining of the Haringh nets / The Mending or Repairing of the Broken Herring Netts.; Groote Vissery. Figures figure the fishing nets that herring is caught on the quay. On the right are boats ashore, in the background houses and a church tower. The print is part of a 32-part series of prints with performances about herring catch.

View of Delft (right part), Coenraet Decker, After Jan Verkolje (I), 1678 - 1703 print Right part of a face on Delft, seen from the West. paper etching / engraving bird's eye view ~ representation of building. prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Delft

Peace celebrated at Foro Bonaparte in Milan in the year IX, April 30, 1801, for the Treaty of Luneville, watercolour by Bordiga and Perego. Detail. Napoleonic era, Italy, 19th century.

ADUANA DE LONDRES SOBRE EL TAMESIS - GRABADO SIGLO XVIII. Location: BIBLIOTECA DE LAS ARTES DECORATIVAS. France.

William Collins, 1788-1847, British, Dartmouth, undated. Pen and black ink, watercolor and graphite on medium, moderately textured, brown wove paper.

View of the city of Lisbon, Anonymous, 1760 print Nummered at the top left: 36. paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat Lisbon

Moreau, Louis Gabriel, Seascape, Round tower, The signal post, The signal and House on the river, Five landscapes, recto lower right - stamped, Five representations on one plate. Top: view of a harbour with sailing ships. Below: landscape with a large round tower. Middle left: a signal post. Middle right: a harbour building and two men. Below: a large house on the bank of a river., print, prints, verso middle and middle bottom - stamped, height 243 mm, width 173 mm, 1740 - 1806, print maker, printmaker, 1770 - 1779, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by

Antwerp, Peeters, Jacob, Jan, Vorsterman, Lucas (II), Short description and directions of the places in this book(...), Topographical views, Ladimitri nel Arcipelago, View of a port city, verso - stamped, print, prints, height 111 mm, width 264 mm, South Netherlands, 1624-05-27, print maker, printmaker, 1683 - 1685, paper, papier, etching, etchings, Work conception, 1624 - 1678, after a design by, Publication (Event), Publication, 1637 - 1695, publisher

A View of the Firgates Stationed in the Hope under the Command of the Elder Brethren of the Trinity House, William Daniell, 1769-1837, British, after William Daniell, 1769-1837, British, 1804, Colored aquatint, Sheet: 17 1/2 x 29in. (44.5 x 73.7cm)

Pier at Antwerp, Bonaventura Peeters (I), 1652, draughtsman: Bonaventura Peeters (I), , 1652, paper, pen, brush, h 238 mm × w 374 mm

Prospectus Westmonasteriensis Londini, unknown artist, eighteenth century, after unknown artist, undated, Engraving, Sheet: 14 1/4 x 18 11/16in. (36.2 x 47.5cm)

View of Rembrandt's mill, the ramparts near the Morspoort and the Pelikaansbolwerk, Jan de Bisschop, 1649, View of the malt mill the 'Pelikaan' (Pellicaen) on the Pelikaansbolwerk and the Morspoort in Leiden., draughtsman: Jan de Bisschop, 1649, paper, brush, h 89 mm × w 157 mm

At Tenby. Dated: 1790s. Dimensions: sheet: 21 x 24.6 cm (8 1/4 x 9 11/16 in.) mount: 27.2 x 31.4 cm (10 11/16 x 12 3/8 in.). Medium: pen and gray and brown ink with gray and brown wash and touches of red chalk over traces of graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Heneage Finch 4th Earl of Aylesford.

Face from the sea on the Rammekens Fort in Zeeland, Carel Frederik Bendorp (I), 1785 print print maker: Dordrechtpublisher: Amsterdam paper etching fortress. ships (in general) Fort Rammekens

Sand delivery by the Vistula near Warsaw. Gorazdowski, Edward (1843-1901), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist

View of Geertruidenberg, North Brabant, Barend Klotz, 1672, View of Geertruidenberg, 1672. Classified by Muller among the plates around 1709 because peace talks were held in Geertruidenberg in that year., draughtsman: Barend Klotz, Northern Netherlands, 3-Nov-1672, paper, pen, brush, h 159 mm × w 204 mm

Giovanni Battista Brustolon after Canaletto (Italian, 1712 - 1796), The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, 1763-1766, etching and engraving on laid paper

Namhun. Holland, circa 1665. Prints; etchings. Etching

unknown artist, Areley Hall, 1739.

Woman Seated on a Mule. Dated: 1769. Medium: transfer technique and roulette. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel and Johannes Kornlein after Nicolaes Pietersz Berchem.

Print made by Edward Francis Finden, 1791-1857, British, Solway Firth from Allonby, Cumberland, 1833. Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé.

Cityscape in the winter, Martinus Schouman, 1780 - 1848 drawing Cityscape in the winter; In the shift a river and figures on the ice. paper. watercolor (paint) brush prospect of city, town panorama, silhouette of city. city-walls. frost, freezing weather. skates (winter sports). river

Jansen Hermann (1869-1945), spatial studies using the example of ideal landscape. Outdoor spaces for pedestrians (10.1923): (Break of light from Inv.No. 21264): Perspective view. Light break on the cardboard, 84.8 x 108.6 cm (including scan edges) Jansen Hermann (1869-1945): Räumliche Studien am Beispiel idealtypischer Landschaft. Freiflächen für Fußgänger

View of the town of Sydney, New South Wales, Australia, 1808. With 250 houses, observatory tower, windmills, vice-governor William Paterson's botanical garden, and ships in the harbour. In the foreground, Eora (Yura) Aborigines light a fire, and sailors camp in tents on the shore. Vue de la ville de Sidney, Nouvelle-Hollande. Copied from illustrations by Charles Alexander Lesueur and Nicolas-Martin Petit in Francois Peron's Voyage, 1807. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1813. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Arrival of the Amsterdammers in Utrecht, 1787, Anonymous, After Daniël Kerkhoff, 1787 print Face in Utrecht with the arrival of the barges with the 600 armed Amsterdam citizens, July 17, 1787. Pendant of the print with the departure from Amsterdam. Northern Netherlands paper etching / engraving arrival and return ~ travelling (+ propulsion of vehicle, ship, etc. by ...) Utrecht

View of New York from Brooklyn Heights 1849 Frances Flora Bond Palmer American, born England This view of Lower Manhattan, from across the East River, includes church spires, warehouses and the densely clustered masts of anchored ships. In the middle ground paddle steamers and sailing ships ply the river and, in the foreground, eight people sit and stand on a strip of grass along Brooklyn Heights.When Frances "Fanny" Flora Bond Palmer moved to New York from England in 1844, she already was an accomplished artist and printmaker. Palmer and her husband Seymour initially operated a small printshop in lower Manhattan. By the time their business closed and they moved to Brooklyn in 1849, Nathaniel Currier was commissioning drawings from Fanny. After Currier & Ives was established in 1857, Palmer was hired as a staff artist and became one of the leading women lithographers of the 19th century. This print is one of her first for Nathaniel Currier.. View of New York from Brooklyn Heights 3440

Newcastle-on-Tyne, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1823-1827, Mezzotint

The 'Pavillon de Mademoiselle' and Part of the Louvre 1849 France. Etching, drypoint and roulette on cream laid paper . Charles Meryon

Ice convenience for Rotterdam, ca. 1784. Ice fun on the frozen Maas for Rotterdam. On the right the old main gate, left the trees. With many people and groups on the ice, on the left an ice tray with four people, right a Arrenslee with two people, in the foreground a boy pulls a sled at which his mother with a boiler. In the air geese flying in formation. Possible at the beginning of the year 1784.

Le Procuratie niove e S. Ziminian V, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 140 x 211 mm (image); 145 x 212 mm (plate); 433 x 581 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

View of Kleef van de Galgenberg, Jan van Call (I), 1680 - 1685 drawing paper. watercolor (paint). chalk brush Cleves

Winter face, Johannes Philippus Lange, After Andreas Schelfhout, 1843 print Winter face with figures on the ice. paper steel engraving winter landscape; landscape symbolizing winter (the four seasons of the year). sleigh, sledge (non-sport)

Scene in Venice The Cannaregio on the Grand Canal, with the Ghetto in the background seen from the riva di Biasio. Marieschi, Michele, 1710-1743. 1760 - 1780. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Venice (Italy)

A brown pen drawing by Johann Wilhelm Baur depicting the arrival to Naples, laved with wash, created in the first half of the 17th century.

The City of Philadelphia in the State of Pennsylvania, North America. Date/Period: 1801. Hand-colored line engraving on wove paper. Width: 62.2 cm. Height: 53.3 cm (sheet). Author: Samuel Seymour.

View of a harbor with rocks, Anonymous, 1700 - 1799 print On the left and in the middle reinforced buildings on the waterfront. In the foreground an anchor. France paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. civic architecture; edifices; dwellings. rocky coast

William Radclyffe, 1780-1855, British, Mantes, 1835. Line engraving, engraver's proof (finished, without any lettering).

Puerto de Barcelona. Grabado siglo XVIII. Museo de Historia de la ciudad de Barcelona.

View of the Binnen -Amstel between the Blauwbrug and the Hogesluis in Amsterdam, Georg Balthasar Probst, After Karl Remhard, 1742 - 1801 print Numbered at the top right: 3. Numbered in the bottom left: 10. publisher: Augsburgprint maker: Germany paper. watercolor (paint) etching / brush sluice, weir (+ landscape with figures, staffage). bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage). windmill in landscape. rowing-boat, canoe, etc.. sailing-ship, sailing-boat Hogesluis. Binnen-Amstel. Blue bridge

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