Harbor Views and Landscapes

Engravings of serene harbor scenes and landscapes, featuring boats, architectural structures, and the interplay of nature, reflecting historical environments.

Dieudonné, Emmanuel de, Portrait of Baroness Delort de Gléon, technique text: oil on canvas, painting, 62.5 cm x 52 cm

Print made by Edward Goodall, 1795-1870, British, Cologne, 1824. Etching; engraver's proof, open etched state on medium, moderately textured, cream laid paper.

Thomas Jeavons, ca. 1800-1867, British, Boston, Lincolnshire, 1835.

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Arx Stegborgh, View of Stegeborg Castle, The print is part of an album., print, album sheet, prints, height 206 mm, width 334 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1692 - 1692, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Paris, Notre Dame prise de L'Ile Louvier. Daniel Havell (English, 1785-1826); after John Gendall (English, 1790-1865); after Augustus Charles Pugin (English, born France, 1762/69-1832). Date: 1805-1826. Dimensions: . Aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Praemonstrate pen Töpl, in Pilsner circles, taken by Adalb. Juhn, engraved by Georg Döbler and subsequent from Joann Venuto 1815.

Giovanni Mannozzi drawing executed in reddish chalk, depicting figures in a scene described as amusements with ice cream.

Vue de la Baleine échouée le 4 Novembre 1827 (...) / looks from den on 4. And November 1827, stranded walvian, east of the port of Ostend, and where of the framework is offered to Zyne Majesty Willem I (. ..). The Walvis (Vinvis) on 4 November 1827 at Ostend. Various visitors around the whale, in the background buildings of Ostend. At the bottom of the Dutch national arm between French and Dutch titles. The print includes a pendant and a text sheet.

People on riverbank by Alexei Petrovich Bogolyubov, oil on canvas, 1861, 1824-1896, Russia, St. Petersburg, State Russian Museum, 26x39

The city of Philadelphia in the state of Pennsylvania North America.. Birch, Thomas (1779-1851). Prints. 1801. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Philadelphia (Pa.)

The flood of Vienna on July , Lukas Hochenleitter -, publisher

Gezicht op de haven van Curaçao. De Haven van Curacao (title on object). Draughtsman: Reinier Frederik baron van Raders (signed by artist). Dating: c. 1825. Place: Curaçao. Measurements: h 408 mm × w 514 mm. Museum: Rijksmuseum, Amsterdam.

The windmill on the water. Draughtsman: Anthonie van Borssom. Dating: 1660 - 1677. Measurements: h 209 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Sébastien Le Clerc depicting the Entry from Messina, executed in brown ink with reddish and gray washes, 1683-1687

The view of Canal Grande from Ca 'Foscari, in: Urbis Venetiarum Prospectus Celebriores ex Antonii Canal Tabulis XL Aere Expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Prospect of the City of Vienna in front of the Carinthian Thor , Prospect of the City of Vienna in front of the Carinthian Thor, Johann Adam Delsenbach -, Copper Engraver

George C. Winckler, Active 1760, Prospect der Koniglichen Marth in London. Engraving.

André Ulmann (aka Raoul Andre Ulmann, French, born 1867). Tristesse sur la mer, ca. 1898. Color lithograph on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

The port of London on the River Thames, with Nelson's column in the background, early 19th century. Handcoloured copperplate engraving by Gaetano Rossi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

Cloth with stone pressure decorated: Leeuwarder cityscapes and twelve images of Frisian costumes .. Cloth with stone pressure adorned: Leeuwarder cityscapes and twelve images of Frisian dressers. To J.H. Drawings Matthijssen.

View of the city of Batavia, Robert Sayer, After I. van Ryne, 1754 print In the foreground the sea. publisher: Londonprint maker: England paper. cardboard. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Batavia

Chatiment Militaire 18th century Quentin Pierre Chedel. Chatiment Militaire. Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). 18th century. Etching. Prints

Prospect of the Hospithal S, Marx , from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus -, Copper engraver, Johann Andreas d, Pfeffel -, publisher

VISTA DE FILADELFIA COLONIA INGLESA - GRABADO SIGLO XVIII. Author: LEIZELT BALTHAZAR FREDERIC. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Jägerzeile, Macks Sugar Africanry on the shaking, From the series Sketches of Vienna in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Rauh -, Printer, Anton Paternos widow, publishing house

' 't Huys Weeresteyn by the river Vecht' in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Artist: Johannes Leupenius (Dutch, Amsterdam 1643-1693 Amsterdam). Dimensions: Plate: 5 11/16 × 8 7/16 in. (14.5 × 21.5 cm). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the Weeresteyn Estate by the river Vecht. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

Ham Court, the Seat of John Martin, Esq., Print made by James Caldwall, 1739-1819, British, undated, Etching and line engraving on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm), Plate: 9 5/16 x 7 7/8 inches (23.7 x 20 cm), and Image: 4 9/16 x 7 5/16 inches (11.6 x 18.5 cm), birds, boats, building, castle, clouds, donkeys, field, flag, grazing, house, landscape, man, manor, mansion, marine art, masts, oars, pasture, poles, punt (boat), river, riverbanks, sailboats, sails, seaman, sheep, shepherd, trees, Bampton, Bampton Castle, England, Ham Court, Oxfordshire, United Kingdom

River landscape with a tower, c. 1828 - 1897 River landscape. There is a sailing ship on either side of the partly dilapidated tower in the middle. Left in the distance hills. Page 2 Verso from a sketchbook with 27 sheets. Netherlands paper. watercolor (paint). pencil river (+ landscape with figures, staffage). sailing-ship, sailing-boat. ruin of a building ~ architecture

Ouderkerk aan de Amstel; Ouderkerck; Six villages where Willem II troops were celebrated during the Siege of Amsterdam, 1650. View to Ouderkerk aan de Amstel. Part of a series of six faces in the villages where the troops of Prince Willem II were celebrated during the Siege of Amsterdam, from July 30 to August 4, 1650.

James T. Willmore, 1800-1863, British, Montjen, 1833. Line engraving, engraver's proof.

FABRIS, Pietro (1756-1779). Charles III of Spain departing from the bay of Naples. SPAIN. Madrid. Royal Palace. Oil on canvas.

James T. Willmore, 1800-1863, British, Paris from the Barriere de Passy, 1835. Line engraving.

The View from One Tree Hill in Greenwich Park, John Wood, 1728-1781, British, after Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), 1744, Hand colored engraving on moderately thick, moderately textured, beige, laid paper, Sheet: 16 3/16 × 26 inches (41.1 × 66 cm) and Image: 15 1/4 × 26 inches (38.7 × 66 cm)

Terapia' by Luigi Mayer, created in 1810, published in London by T. Bensley for R. Bowyer. The work features aquatints depicting city and town life in Istanbul, Turkey, within the Mediterranean region

Neva River by Benjamin Paterssen, Etching, watercolor, 1799, 1748-1815, Russia, St. Petersburg, State Hermitage, 49, 5x64, 8

Widok Riva degli Schiavoni, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

DIBUJO DE CADIZ SIGLO XIX. Author: ALFRED GUESDON (1808/1876). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Kips Bay bei Newyork.. Ernst, Freiherr. 1830. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. East River (N.Y.)

Jacques-François Blondel (1705-1774). "General view of decorations, illuminations and fireworks, from the party given by the city of Paris on the Seine river on August 29, 1739 on the occasion of the marriage of Madame Louise Elizabeth de France and Dom Philippe d'Espagne ". Engraving. Paris, Carnavalet museum. Arrondissement Ier i 1er 1, Bourbon, Decoration, Duke Parma, Royal Family, given, fireworks, Seine River, Infant Spain, Marriage, French Princess, Tuileries, General view, City, Engraving, Illumination

. Aquatint on cream laid paper . Paul Sandby

Fire on a canal in Leiden, ca. 1768, 1768 print Fire in a house on a canal in Leiden, probably in 1768. Numbered at the top right: V. Part of a series of five records about the fire of 1766 in Leiden. Northern Netherlands paper etching / engraving on fire, ablaze Leiden

The view of Canal Grande at the height of Ca 'Pesaro, in: Urbis Venetiarum Prospectus celebroses ex antonii canal tabulis xl aere expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

S. Torres, active 1752, Veue du Parc de St. Jacques, 1752. Hand colored engraving.

The Punta di Santa Marta, Opposite the Giudecca ca. 1804-28 Giacomo Guardi Italian. The Punta di Santa Marta, Opposite the Giudecca. Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). ca. 1804-28. Pen and brown ink, gray wash. Drawings

Landing at Newfoundland. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: 22 3/4 x 33 1/4 in. (57.8 x 84.5 cm). Date: ca. 1866. Museum: Metropolitan Museum of Art, New York, USA.

Part of Waterloo Bridge with the Shot Tower, &c., Print made by George Cooke, 1781-1834, British, after Clarkson Stanfield, 1793-1867, British, Published by Longman, active 1804-1914, British, 1832, Etching and line engraving on medium, slightly textured, cream wove paper

'San Francisco', California, 19th century.Artist: Landelot-Theodore Turpin de Crisse

Dover. Date/Period: 1832. Painting. Watercolor. Height: 146 mm (5.74 in); Width: 251 mm (9.88 in). Author: David Cox.

Saint Louis in America, in 1880, Historical, digital reproduction of an original from the 19th century

Considered to the Labebrog OVER THE AMSTLE A LEGURG TRE AMS MASTERAM; Froms you long pont it the door game of La Bouffer and Amsterdam. .

Billingsgate Market March 1, 1808 Designed and etched by Thomas Rowlandson. Billingsgate Market. Microcosm of London, pl. 9. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). March 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction, unknown artist, undated, Watercolor, pen, and black ink on medium, slightly textured, cream laid paper, Sheet: 9 5/8 × 17 inches (24.4 × 43.2 cm) and Mount: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)

Konkurs oraczy w Łowiczu we wrześniu 1859 roku. Piwarski, Jan Feliks (1794-1859), draughtsman, cartoonist

DIBUJO DE CADIZ SIGLO XIX. Author: ALFRED GUESDON (1808/1876). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Jacob More, 1740-1793, British, Naples from Posillipo, 1780's. Watercolor over graphite on textured, medium, white laid paper.

PUEBLO DE ZAMBOANGA EN ISLA MINDANAO (FILIPINAS) - SIGLO XVIII - TINTA A PLUMA Y AGUADA SEPIA - EXPEDICION MALASPINA. Author: Fernando Brambila. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Salt mining, sea salt, salt pans at Capo d'Istria, Istria, authentic reproduction of a school mural, historic, around 1900

First stone foundation for the Willemssluis, 1820. Draughtsman: Gerrit Lamberts (signed by artist). Dating: 1820. Place: Amsterdam. Measurements: h 235 mm × w 420 mm; h 100 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Kaiser Wilhelm Canal, Kiel Canal connects the North Sea with the Baltic Sea, Germany, authentic reproduction of a school mural, historic, around 1900

The Cornice Construction (From: The Construction of the Saint Isaac's Cathedral) by Montferrand, Auguste, de (1786-1858)/ Private Collection/ 1845/ France/ Lithograph/ Classicism/ Genre

A View of Albion Mill on Fire, John William Edye, 1760-1802, Danish, after John William Edye, 1760-1802, Danish, 1791, Aquatint, hand-colored

Carlsbad. Surroundings of the bubble. Les Environ you spraudel.

Moments and Scenen of October , started to the K, troops until the city of Vienna was uiber, representations of scenes from October th to the storming of the castle gate on October , Franz Kaliwoda, Lithograph

The "Juno" in Tenby Harbour. Artist: John Dillwyn Llewelyn (British, Swansea, Wales 1810-1882 Swansea, Wales). Dimensions: Image: 15.2 × 20.2 cm (6 in. × 7 15/16 in.). Date: 1853-56. Museum: Metropolitan Museum of Art, New York, USA.

HOFFBAUER, Theodor Josef Hubert (1839-1922). Le Louvre 1380. end 19th c. Paris. The Louvre in Charles V's times (1380). Watercolour. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe Carnavalet (Carnavalet Museum).

Casa de' Numi. Dated: c. 1760. Dimensions: plate: 21.2 x 29.5 cm (8 3/8 x 11 5/8 in.) sheet: 30.2 x 42.7 cm (11 7/8 x 16 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner after Canaletto.

Haven Van Toulon, Gaetano Testalini, After Nicolas Marie Ozanne, 1776 - c. 1850 print A face on the port of Toulon. Title in the end margin. France paper engraving / etching harbour. ships (in general) Toulon

Legins voutique anniversary The La Congature Late La Conquéated Lggéie, Le dey deals, Le Lieutnant-Gamerally the Bourmont, Le pavilion de la kasbah , the fuththest jerk-drenziest algeriage bourmont, scenes -, XYLOGRAPHER

MARTIN, Pierre Denis, called 'the Younger' (1663-1742). La Machine de Marly. ca. 1700. Central detail. Oil on canvas. FRANCE. LE-DE-FRANCE. YVELINES. Versailles. National Museum of Versailles.

The Champions of the Mississippi - "A Race for the Buckhorns". Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). Dimensions: image: 18 3/8 x 27 3/4 in. (46.7 x 70.5 cm). Publisher: Lithographed and published by Currier & Ives (American, active New York, 1857-1907). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

A Correct View of the Conflagration of Parliament as Seen from the River at 8 o'clock in the Evening Oct. 16th 1834, Charles Jameson Grant, active 1830-1852, British, after Charles Jameson Grant, active 1830-1852, British, 1834, Hand colored lithograph

The Illumination of Antwerp, at Her Majesty's Return, 1845. Firework display in honour of Queen Victoria's visit to Belgium: '...sheaves of rockets went roaring into the air, scattering their brilliant stars over the River Scheldt...thousands of boats...freighted with the worthy citizens of Antwerp, and carrying torches of pine in the bow and stern, floated to and fro, chanting their national airs in full, deep chorus, and with these were mingled the oaths...that followed the frequent collisions of the river craft...the whole of the magnificent tower of the cathedral was illuminated with B

Gerard van Keulen, active 1728, London, Panoramic View. Engraving, hand colored.

Who-Belvertious markets , kiloophoot K, product

Francis Seymour Haden, 1818-1910, British, Amstelodamum, no. 1, 1863. Etching and drypoint, printed with black ink and brown ink on medium, slightly textured, cream laid paper.

Reproduction of a painting: Józef Eismond (1862-1937), After the second bell; from: `Kłosy` 1889, no. 1240 (April 4th), p. 216. Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

De Nieuwe Vaart in Amsterdam, Willem Wenckebach, 1870 - 1926 drawing Amsterdam paper. deck paint. ink. pencil pen canals, waters (in city) New speed

The port of Trieste, Italy, authentic reproduction of a school mural, historical, around 1900

The Rio dei Greci, with the Ponte della Pieta in the Distance ca. 1804-28 Giacomo Guardi Italian. The Rio dei Greci, with the Ponte della Pieta in the Distance. Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). ca. 1804-28. Pen and brown ink, gray wash. Drawings

Regency men and women in flannel bathrobes and bonnets bathing in the King's Bath. Public Bathing at Bath, or Stewing Alive. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

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