Historic Landscapes

Artworks showcasing landscapes with ruins, castles, and natural elements. The scenes are filled with trees and skies, blending human figures into historical backgrounds.

Italian Landscape with Figures, 17th-18th century, Johan van Haensbergen, Dutch, 1642 - 1705, 12 1/2 x 15 in. (31.75 x 38.1 cm) (sight)17 13/16 x 20 5/16 in. (45.24 x 51.59 cm) (outer frame), Oil on wood panel, Netherlands, 17th-18th century

Landscape with Figures, by Roman artist, 17th Century, oil on canvas. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Landscape trees wood sky clouds figures.

Chepstow Castle. Date/Period: Ca. 1795. Painting. Oil on panel. Height: 673 mm (26.49 in); Width: 838 mm (32.99 in). Author: Hendrik-Frans De Cort.

Italian Landscape, c. 1630. Claude Lorrain (French, 1604-1682). Oil on canvas; framed: 126.5 x 162.5 x 5 cm (49 13/16 x 64 x 1 15/16 in.); unframed: 97.5 x 134.2 cm (38 3/8 x 52 13/16 in.).

John Varley, 1778-1842, British, Barnard Castle, County Durham, undated. Watercolor on moderately thick, slightly textured, cream wove paper.

The Stoning of St. Stephen; Bartholomeus Breenbergh, Dutch, 1598 - 1657; 1632; Oil on panel; Unframed: 67.5 x 92.1 cm (26 9/16 x 36 1/4 in.), Framed: 89.9 x 116.2 x 6.7 cm (35 3/8 x 45 3/4 x 2 5/8 in.)

Rush Gatherers, 1657. Nicolaes Berchem (Dutch, 1620-1683). Oil on canvas; unframed: 101.6 x 137.2 cm (40 x 54 in.).

A View of Jerusalem in 1857, by Mrs Robertson Blaine, oil on canvas, England, London, Christie's Images, 19th Century

'Landscape'. France, 17th century. Dimensions: 122x199 cm. Museum: State Hermitage, St. Petersburg. Author: Nicolas Poussin (after).

Italian Landscape with Figures, 17th-18th century, Johan van Haensbergen, Dutch, 1642 - 1705, 12 1/2 x 15 in. (31.75 x 38.1 cm) (sight)17 13/16 x 20 5/16 in. (45.24 x 51.59 cm) (outer frame), Oil on wood panel, Netherlands, 17th-18th century

'Lanscape ', 1773, Oil on canvas, 56 cm x 76 cm, P02303. Author: JEAN PILLEMENT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Watermill by a Wooded Outcrop, Gillis Peeters (I), 1633 painting Oval mountain landscape with a water mill located on a mountain stream. In the foreground a shepherdin with a herd goats and a man with a mule on a country road. panel. oil paint (paint) watermill in landscape

Tivoli, The Villa Of Maecenas, 1767 Richard Wilson, Landscape, Oil Painting, Classical Roman, Italy, Rome

Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 painting Shepherds with cattle resting under the vaults of the Colosseum in Rome. panel. oil paint (paint) herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins Colosseum

(PAISAJE CON VACAS) - ESCUELA HOLANDESA - SIGLO XVII. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Dovecote, Francois Boucher, 1758, Saint Louis Art Museum, Missouri, USA, North America

Painting titled 'Regulus returning to Carthage' by Francisque Millet (1642-1679) Flemish-French landscape painter of the Baroque era. Dated 17th Century

Regulus Returning to Carthage, 1700 By Francisque Millet, Landscape, Roman Mythology, Oil Painting, Baroque

CASTILLOS EN LA COSTA-1840-OLEO LIENZO, 94,5x126,2 CM. Author: JENARO PEREZ VILLAAMIL. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Orpheus, by Roelandt Savery, 1628, National Gallery, London, England, UK, GB, Europe

Pastoral Landscape, 1638, Claude Gellée (called Le Lorrain), French, 1603-1682, 38 1/4 x 51 1/4 in. (97.16 x 130.18 cm) (sight)39 1/2 x 52 in. (100.33 x 132.08 cm) (canvas), Oil on canvas, France, 17th century, Claude Gellée, called Le Lorrain, was apprenticed to a pastry chef in his native France, but in 1628 he moved to Rome and studied painting. This work is the best example from his brilliant, pivotal years between 1635 and 1640. His compositions from that time express an awareness of light and its effects gained from his direct experience with nature. Claude was the supreme master of the ideal landscape and the founder of the modern landscape tradition. Previously, landscape as such wasnt considered a subject worthy of painting. Claudes influence was felt for hundreds of years by countless artists, including Claude Monet.

'Finding of Moses'. Flanders. Dimensions: 103x202 cm. Museum: State Hermitage, St. Petersburg. Author: Jasper van der Lanen. Hans Jordaens III (figures).

The Swing, Jean-Honore Fragonard, circa 1775-1780, National Gallery of Art, Washington DC, USA, North America

Castel Gandolfo, Dancing Tyrolean Shepherds by Lake Albano, Jean-Baptiste-Camille Corot, 1855-1860,

The Swing. Dated: c. 1775/1780. Dimensions: overall: 215.9 x 185.5 cm (85 x 73 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Landscape with David at the Cave of Adullam by Lorrain, Claude (1600-1682) National Gallery, London 1658 Oil on canvas 111,4x187 France Baroque Landscape,Bible Painting

Rembrandt van Rijn, The Mill, 1645 1648 The Mill

Claudio de Lorena / 'The Archangel Raphael and Tobias', 1639-1640, French School, Oil on canvas, 211 cm x 145 cm, P02255. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: CLAUDE LORRAIN.

'Landscape with Tobias and the Angel'. Netherlands, Between 1560 and 1635. Dimensions: 40x63 cm. Museum: State Hermitage, St. Petersburg. Author: Kerstiaen de Keuninck (Coninck).

A Woman Mounts her Robbers Horse: De Gestrafte Rover, Sebastiaen Vrancx, c. 1635 painting The punished Rover. On the road between Sint Truiden and Thienen, a woman was robbed to the shirt by a Spanish rider from her clothing, she uses a moment of inattention to climb and flee his horse. panel. oil paint (paint) traveller(s) attacked by robber(s). robbery. horse Sint Truiden

Regulus Returning to Carthage, 1700. By Francisque Millet

'Landscape with Hunters'. Holland. Dimensions: 36,5x52,8 cm. Museum: State Hermitage, St. Petersburg. Author: Simon Johannes van Douw (attributed).

Pleasure Party by a Mill. Date/Period: 1785/1789. Painting. Oil on canvas. Width: 101.9 cm. Height: 66.7 cm (without frame). Author: James Peale.

'Venus at Rest'. Italy. Dimensions: 58x76,5 cm. Museum: State Hermitage, St. Petersburg. Author: Andrea Sacchi (attributed).

Diana with her nymphs; about 1645 Abraham van Cuylenborch Dutch early 17th century Utrecht -1658 Utrecht

Travelers ambushed by a storm at Castle Doorwerth, draughtsman: Cornelis van Hardenbergh, (mentioned on object), 1765 - 1843, paper, pen, brush, h 320 mm × w 441 mm

Jan Both / 'El paso del puerto', 1639-1641, Dutch School, Oil on canvas, 175 cm x 274 cm, P05451. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'Brinkburn Priory, Northumberland', c1830. Artist: JMW Turner.

Paintings of Claude Lorrain, * 1600 in Chamagne, Lorraine November 23, 1682 in Rome, French painter, reconciliation of Cephalus and Procris, Kephalos and Prokris, figures of Greek mythology, historically, digitally restored reproduction of a template from the 19th century, record date not stated

'Paisaje con pescadores y caminantes', 18th century, Oil on panel, 27 x 44 cm, P03709. Author: VICENTE BONAY. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

PAISAJE CON UNA ANACORETA BENDICIENDO A LOS ANIMALES - 1637-1638 - OLEO/LIENZO - 159 x 233 cm - NP 2305 - BARROCO ITALIANO. Author: GASPARD DUGHET (1615-75) GASPARD POUSSIN o PUSSINO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Landscape with Saint John on Patmos. Date/Period: 1640. Painting. Oil on canvas Oil on canvas. Height: 1,003 mm (39.48 in); Width: 1,364 mm (53.70 in). Author: NICOLAS POUSSIN.

Allegory Of Patience Engelbert Ergo (ca.1629-1652 Flemish) Oil On Wood Pushkin Museum of Fine Arts, Moscow, Russia

Monks Praying in a Grotto, c. 1705-06, Alessandro Magnasco; Artist: Antonio Francesco Peruzzini, Italian (Genoa), Italian (Genoa), 1667 - 1749, 38 x 27 1/2 in. (96.52 x 69.85 cm) (canvas)48 1/2 x 39 x 2 3/4 in. (123.19 x 99.06 x 6.99 cm) (outer frame), Oil on canvas, Italy, 18th century, The paintings of Alessandro Magnasco present mysterious worldsdark, moody landscapes in flickering light, populated by wild, expressive figures. Monks were a favored subject. Here they are scattered about a woodland grotto praying, in seeming anguish. Magnasco’s interest in fantasy combined with his raw, rapid handling of paint, was very forward-looking in the early 1700s.

'Landscape'. Germany, 18th century. Dimensions: 53,5x68 cm. Museum: State Hermitage, St. Petersburg. Author: Christian Wilhelm Ernst Dietrich (Dietricy).

Exterior view of the Apollon grotto in Arlesheim by Johann Baptist Stuntz, executed in watercolor with cover colors, showing the grotto entrance, rock formations, and surrounding landscape around 1789.

A Castle at the Waterside, John Varley, 1778-1842, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 x 10 1/4 inches (18.4 x 26 cm), boaters, boats, castles, clouds, landscape, marine art, trees, water

The Parting of Hero and Leander by Turner, Joseph Mallord William (1775-1851)/ National Gallery, London/ before 1837/ England/ Oil on canvas/ Romanticism/ 146x236/ Landscape,Mythology, Allegory and Literature

Jacob with Laban and his Daughters. Date/Period: 1676. Painting. Oil on canvas Oil. Height: 720 mm (28.34 in); Width: 945 mm (37.20 in). Author: Claude.

Claude Lorrain (1600-1682). Landscape with the Finding of Moses. ca. 1637 - ca. 1639. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

War of Grand Alliance by Jean-Baptiste Martin, Oil on canvas, 1659-1735, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 113x151

The Valkhof at Nijmegen. Date/Period: Ca. 1652-1654. Oil paintings. Oil on wood. Height: 19.2 in (48.8 cm); Width: 29 in (73.6 cm). Author: Aelbert Cuyp.

Landscape with villagers by David Teniers Younger, oil on wood , 1610-1690, 17th century, Russia, St Petersburg, State Hermitage, 26, 7x38

J. M. W. Turner, Landscape with Walton Bridges , c. 1830-40 , Oil paint on canvas, London, England.

Joseph Mallord William Turner, 1775-1851, British, Lake Avernus: Aeneas and the Cumaean Sibyl, between 1814 and 1815. Oil on canvas.

Paris, Beaumont, Pierre François, Wouwerman, Pieter, Philips, Pouwels Joostensz., France, Le repos, Landscape with resting figures, verso - stamped, Numbered 8. lower right, print, prints, height 274 mm, width 361 mm, 1719 - 1769, print maker, printmaker, 1729 - 1769, paper, papier, etching, etchings, Nederlands, 1586 - 1642-09-26, after, after a painting by, Noord-Nederlands, 1619-05-24 - 1668-05-19, 1623-09-13 - 1682-05-09, Publication (Event), Publication, publisher

Landscape with Two Towers by David II Teniers, 1610-1690

Bath Of Diana Jean-Baptiste-Camille Corot (1796-1875 French) Oil On Canvas Musee des Beaux-Arts, Bordeaux, France

The Fountain at Grottaferrata 1832 Germany. Although he worked primarily in Dresden, a center for Romantic landscape painting during the early 19th century, Ludwig Richterólike many artists of the periodótraveled to Rome as a young art student (1822ñ26). The Fountain at Grottaferrata, completed some years after Richterís return to Germany, is based on his detailed drawings of the Italian countryside just outside of Rome and carefully captures the features that made this site famous, such as the fortified monastery in the background. With its classically composed yet acutely naturalistic landscape, folkish figures, and dramatic light, this work epitomizes a generation of artists who viewed the Italian landscape with Germanic sensibilities.. Oil on canvas . Adrian Ludwig (Ludwig) Richter

Landscape with Figures in the Foreground. Date/Period: 1800s. Painting. Oil on cardboard. Height: 276 mm (10.86 in); Width: 441 mm (17.36 in). Author: George Howland Beaumont.

Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 painting Bathseba's toilet. On the left in the foreground is the naked Bathseba with her feet in the water of a basin with fountains. On the path to the palace, they walked. King David stands on the balcony of the palace with his entourage. In the distance mountains and rocks. Utrecht panel. oil paint (paint) Bathsheba (not in biblical context). David, from the roof (or balcony) of his palace, sees Bathsheba bathing. water-works in garden

'Warlock Knowe', 1872. Artist: William Leighton Leitch.

Hunting Party at a Fountain, Pieter Wouwerman, 1660 - 1682

View of Rhenen. Dated: 1646. Dimensions: overall: 101.6 × 135.26 cm (40 × 53 1/4 in.) framed: 127.64 × 161.93 × 5.72 cm (50 1/4 × 63 3/4 × 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JAN VAN GOYEN.

Pillaging a village, by Jan Baptist van der Meiren (1664-1708 circa), oil on wood.

Ruined Archway 1775-1793 Italy. Oil on canvas . Francesco Guardi

Perspective box of black lacquered wood with three painted glass plates: Muiderpoort in Amsterdam, perspective glass panel glass wood oak wood brass, hand painted Perspective cupboard made of black lacquered oak (circa 1875-1900). Metal wackets on both sides; on one side brass knob to pull the box out of the storage chest. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background creating three-dimensional effect On the right side with white paint: 39 optics perspective glass painting diafanorama Muiderpoort Amsterdam

EL REY CARLOS IV Y GODOY DE CACERIA - SIGLO XIX. Author: ZACARIAS GONZALEZ VELAZQUEZ (1763-1834). Location: REAL CASA DEL LABRADOR, LA. Aranjuez. MADRID. SPAIN. Prince of Asturias Charles de Bourbon (Charles IV). MANUEL GODOY Y ALVAREZ DE FARIA (1767-1851). MANUEL GODOY (1767-1851) PRINCIPE DE LA PAZ.

Claude Joseph Vernet (14 August 1714 - 3 December 1789), French painter, here his work, View Of Tivoli, Italian landscape depicting the Temple of Vesta on a rock above the waterfalls, Painting, Reproduction of the painting, Work of art, Historical

Egmond Castle, G.W. Berckhout, 1653 painting Landscape with the Egmond aan den Hoef Slot, in the original state. canvas. oil paint (paint) castle Egmond aan den Hoef

'Apullia in Search of Appullus', c1814. Artist: JMW Turner

Hugh William "Grecian" Williams, 1773-1829, British, Birnam Wood, before 1801. Watercolor on medium, slightly textured, blued white wove paper.

Schloß am Strom / Castle by the River. Date/Period: 1820. Painting. Oil on canvas. Height: 70 cm (27.5 in); Width: 94 cm (37 in). Author: Karl Friedrich Schinkel.

Landscape skirmish; Unknown Dutch painter; XVII century (1601-00-00-1700-00-00);battle, trees, Dutch painting, battle scenes, scenes against the background of landscape, buildings

Ruins by the sea, painted by Leonardo Coccorante (1680-1750).

John Constable, 1776-1837, British, Stratford Mill, 1819 to 1820. Oil on canvas.

fine arts, Ostade, Isaac (1621 - 1649), painting, ""A Winter Scene"", oil on wood, circa 1645, National Gallery, London,

view of Bermeo, Luis Paret and Alcazar,. 1783, oil on copper, Museo de Bellas Artes, Bilbao, Spain.

Ladies' Outing at Hünkr Iskelesi along the Bosporus. Damesfeest in Hünkr Iskelesi aan de Bosporus. Dating: c. 1720 - c. 1737. Measurements: h 78 cm × w 101 cm; w 9.6 kg. Museum: Rijksmuseum, Amsterdam. Author: Jean Baptiste Vanmour.

Isaac Weld, 1774-1856, Irish, Canton/ Berne (Switzerland), ca. 1817. Watercolor, gouache, graphite, and gum arabic, with sponging on moderately thick, moderately textured, cream, wove paper.

Moonlight on the Yare. Dated: c. 1816/1817. Dimensions: overall: 98.4 x 125.7 cm (38 3/4 x 49 1/2 in.) framed: 122.4 x 149.9 x 9.2 cm (48 3/16 x 59 x 3 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Crome.

John Varley, 1778-1842, British, Chepstow Castle, 1832. Watercolor on medium, slightly textured, cream wove paper.

After the Hunt, Jan Baptist Weenix, c. 1656 painting In an Italianizing landscape, some hunters, dressed in first name costume, stop at the ruins of an antique Roman structure. A young beggar, sitting next to one of the columns, has a hat in his hand in the hope of receiving alms. In the foreground, a boy in a red hunting suit is in clear light for a monumental gate. He is accompanied by three dogs. In his hands he holds a collapsed hunting network. A blue hunting bag and the catch of the day - a hare, a heron and two partridges - are at his feet. Utrecht oil paint (paint). panel painting return from the hunt

Romantic ruin, painting by Ferdinand Schubert (1824-1853).

The Voyage of Life: Old Age. Dated: 1842. Dimensions: overall: 133.4 x 196.2 cm (52 1/2 x 77 1/4 in.) framed: 162.9 x 225.7 x 17.8 cm (64 1/8 x 88 7/8 x 7 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.

The Sailor's Departure, Nicholas Pocock, 1740-1821, British, ca. 1795, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/2 × 22 1/4 inches (39.4 × 56.5 cm) and Mount: 17 1/4 × 23 5/8 inches (43.8 × 60 cm)

Watering the horses. Querfurt, August (1696-1761), painter

Winter Landscape, c. 1680-1718. Attributed to Jan Griffier (Dutch, 1648-1718). Oil on copper, mounted on wood; framed: 32 x 41 x 4 cm (12 5/8 x 16 1/8 x 1 9/16 in.); unframed: 19.6 x 29 cm (7 11/16 x 11 7/16 in.).

Marine: Waterspout by Gustave Courbet (1819 - 1877); Oil on canvas; 1869

Willewalde, Gottfried (Bogdan Pavlovich) (1818-1903) State Tretyakov Gallery, Moscow Painting 84,3x120 Genre,History Russian Forces Crosses the Caucasus Mountains in Adjara

Austria, Vienna, The Prater painting

Landscape with Rock and Fortress. Domenico Gargiulo (Micco Spadaro), attributed to; Italian, 1609-1675. Date: 1630-1660. Dimensions: 22 1/4 x 34 7/8 in. (56.6 x 88.6 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Domenico Gargiuli (Micco Spadaro).

George Stubbs, 1724-1806, British, A Repose after Shooting, 1770. Oil on canvas.

The four times of day: Night. Date/Period: 1757. Painting. Oil on silvered copper. Height: 29.50 mm (1.16 in); Width: 43.50 mm (1.71 in). Author: Claude-Joseph Vernet.

fine arts, Elsheimer, Adam, (1578 - 1610), painting, ""flight to Egypt"", 1609, oil on copper, 31 cm x 41 cm, Old Pinakothek, Munich,

Panoramic Landscape with Tobias and the Angel. Dating: 1615 - 1625. Measurements: h 28.7 cm × w 52.4 cm × h 37 cm × w 60.5 cm × t 3.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Kerstiaen de Keuninck (attributed to).

Ferrau and the shadow of Argalia, 1834, by Massimo d'Azeglio (1798-1866), painting.

View of the new and old town from the night; Gerson, Wojciech (1831-1901); around 1854 (1850-00-00-1860-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Fakir's Rock at Sultanganj, on the Ganges River, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, ca. 1790, Watercolor and graphite on thick, slightly textured, cream laid paper, Sheet: 21 3/8 x 29 7/8 inches (54.3 x 75.9 cm), Ganges

fine arts, Hubert, Robert, (1733 - 1808), painting, ""scene in a park"", Gulbenkian collection, Lisbon,

Ruins of a Temple, Sunset, George Chinnery, 1774-1852, British, undated, Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 × 7 7/8 inches (12.7 × 20 cm), architectural subject, boulders, ruins, storm, sunset, temple

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