Historic Landscapes

Artworks showcasing landscapes with ruins, castles, and natural elements. The scenes are filled with trees and skies, blending human figures into historical backgrounds.

Italian Landscape with Figures, 17th-18th century, Johan van Haensbergen, Dutch, 1642 - 1705, 12 1/2 x 15 in. (31.75 x 38.1 cm) (sight)17 13/16 x 20 5/16 in. (45.24 x 51.59 cm) (outer frame), Oil on wood panel, Netherlands, 17th-18th century

View of the Roman Forone; 1735; Oil on canvas Giovanni Paolo Panini; Italian; 1691-1765

In park by Jacques de Lajoue, oil on canvas, 1730s, 1686-1761, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 129, 5x129

Caucasian Wars by Ivan Fyodorovich Alexandrovsky, Oil on canvas, 1895, 1817-, Russia, Makhatchkala, State Art Museum of the Dagestan Republic, 71x91

DIANA Y SUS NINFAS - SIGLO XVII - TABLA - 40X66 CM. Author: CUYLENBURGH ABRAHAM VAN. Location: PRIVATE COLLECTION. MADRID. SPAIN. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.

Erminia among the shepherds, by Michelangelo Cerquozzi known as Michelangelo delle Battaglie(1602-1660), oil on canvas, 75x97 cm.

Landscape with bridge and animal by Nicolaes Pietersz Berchem the Elder , oil on wood , 1656, 1620-1683, Russia, St. Petersburg , State Hermitage, 44, 5x61

A View of Het Steen in the Early Morning by Rubens, Pieter Paul (1577-1640)/ National Gallery, London/ ca 1636/ Flanders/ Oil on wood/ Baroque/ 131,2x229/ Landscape

A View of Vianen with a Herdsman and Cattle by a River 1640-1648 Dordrecht. In this picture, Aelbert Cuyp experimented with the depiction of dramatic atmospheric effects, silhouetting the standing cow and herdsman at the brightest point of the horizon in order to intensify the viewerís sense of the depth and movement of the stormy sky. Cuyp specialized in pastoral subjects and views of the waterways of the Netherlands. His later paintings display a brilliant, golden light that reflects a taste for Italian landscape subjects. In this relatively early painting, he used a warm, monochrome color palette that was influenced by the work of Jan van Goyen (1596ñ1656), a prolific Dutch landscape painter.. Oil on panel . Aelbert Cuyp

Landscape with Monks, Pilgrim and Peasant Woman, attributed to Antonio Francesco Peruzzini, 1690 - 1740

Stage Fort across Gloucester Harbor 1862 Oil on canvas Fitz Henry Lane American (1804-1865)

John Crome, 1768-1821, British, The River Wensum, Norwich, ca. 1814. Oil on panel.

Capriccio with Roman Ruins 1676-1730 Marco Ricci Italian. Capriccio with Roman Ruins 339948

Slaughtered pig in a moonlit landscape, Cornelis Symonsz van der Schalcke, 1644

George Chinnery, 1774-1852, British, Ruins of a Temple, Sunset, undated. Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper.

Powerscourt, County Wicklow, Ireland, George Barret RA, ca. 1728/32-1784, Irish, Formerly Thomas Roberts, 1748-1778, Irish, between 1760 and 1762, Oil on canvas, Support (PTG): 28 7/8 x 38 1/4 inches (73.3 x 97.2 cm), architectural subject, cattle, costume, country house, cows, dogs (animals), field, geology, horses (animals), landscape, mansion, men, mountains, obelisks, park (grounds), pediment, people, pilasters, science, sheep, trees, waterfall, Ireland, Leinster, United Kingdom, Wicklow, Wicklow

'At the Sutler's Tent'. Holland, Second half of the 17th century. Dimensions: 49,5x57,8 cm. Museum: State Hermitage, St. Petersburg. Author: Dutch painter. 17th century.

Second Italian Campaign. Siege of Fort Bard (14 May to 1st June 1800). "Napoleon at Fort Bard". Painting by Nicolas-Antoine Taunay (1755-1830), 1801. Napoleon is depicted lying down during a moment of rest. Oil on canvas. Museum of the Risorgimento. Milan. Italy. (On loan, MIBAC Soprintendenza Belle Arti e Paesaggio, Milan). Author: Nicolas-Antoine Taunay (1755-1830). French painter.

Shipbuilding on the Yorkshire Coast. Genre subject. Watercolor over graphite with scraping out on thick, cream, slightly textured wove paper. Height: 241 mm (9.48 in); Width: 422 mm (16.61 in). Author: Peter DeWint.

William Bell Scott, 1811-1890, British, The New Moon, 1863. Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper.

Landscape with robbers dividing the loot. Vrancx, Sebastiaan (1573-1647), painter, Brueghel, Jan, I (1568-1625), painter, Govaerts, Abraham (1589-1626), painter

14 June 1830 the Camp at Staoueli. The day of the landing of the French army. The Aga Ibrahims Tent. Jean Antoine Theodore Gudin (1802-1880) French painter and printmaker. The French invasion and occupation of Algiers in 1830 brought to an end 400 years of Ottoman (Turkish) rule and began 150 years of French colonisation.

View of a Village along a River. View of a Village on a River. Dating: 1604. Measurements: h 14.5 cm × w 20.5 cm; h 19.4 cm × w 25.8 cm × d 1.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Brueghel (I).

Crickhowell, Breconshire, unknown artist, nineteenth century, Formerly attributed to John Sell Cotman, 1782-1842, British, ca. 1800, Oil on canvas, Support (PTG): 9 1/4 x 14 inches (23.5 x 35.6 cm), basket, bridge (built work), buildings, church, costume, genre subject, geology, hills, horse (animal), landscape, laundering, laundry, mountain, people, science, steeple, town, village, waterfall, women, Black Mountains, Brecon Beacons National Park, Breconshire, Crickhowell, Cymru, Powys, United Kingdom, Usk, Wales

Diana and Callisto, by Andrea Locatelli (1660-1695 - 1741).

A Capriccio of Classical Ruins with the Pyramid of Cestius and Figures in a Landscape. Giovanni Paolo Panini (1691-1765). Oil on canvas. 123.2 x 172.8cm.

Holyhead, Ascent From South Lighthouse To Mainland, 1863 Henry Gastineau (d.1876), Boat, 19th Century, Watercolour, Paper, Wales, Cloud, Bird, Frame, Waves, Sky, Weather, Storm, Bridge, Cliff, Lightning, Works on Paper

Landscape with mountains and people at balcony by Hubert Robert, oil on canvas, 1733-1808, 18th century, Russia, St. Petersburg, State Open-air Museum Peterhof

Jean-Baptiste-Camille Corot, Bathers of the Borromean Isles, c. 1865-70, oil on canvas.

Paisaje (Suiza). Date/Period: 1840-1870 - 1840-1883. Painting. Sobre papel. Height: 1,190 mm (46.85 in); Width: 280 mm (11.02 in). Author: Prilidiano Pueyrredon.

Thomas Rowlandson, 1756-1827, British, A Woodcutter's Picnic, undated. Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream, wove paper on contemporary mount.

Alnwick Castle by Canaletto.

EL SENA EN EL BAJO MEUDON - S XIX. Author: GALERNE PROSPER. Location: MUSEO DE ARTE E HISTORIA. Meudon. France.

Francisco de Goya y Lucientes, Fiesta popular bajo un puente o Baile popular, 1808-1812, óleo sobre tabla, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Claude Joseph Vernet (14 August 1714 - 3 December 1789), French painter, here his work, Les Cascatelles de Tivoli (1740-1748), the picturesque landscape around the Italian town of Tivoli, including the famous ancient ruins and waterfalls, Painting, Reproduction of the painting, Work of art, Historical

Claude Joseph Vernet / 'Seascape, View of Sorrento', 1745-1750, French School, Oil on canvas, 59 cm x 109 cm, P02350. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fire by night in a Village, Adam Colonia, 1650 - 1685 painting Nocturnal fire in a village. The villagers get a house that is on fire. panel. oil paint (paint) village. on fire, ablaze

Afterglow. George Inness; American, 1825-1894. Date: 1893. Dimensions: 76.5 × 64.1 cm (30 1/8 × 25 1/4 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Smith, John Raphael, Morland, George, African Hospitality, print, prent, prints, prenten, British, 1752 - 1812-03-02, print maker, printmaker, 1762 - 1812, paper, papier, kleurmezzotint, Engels, 1763-06-26 - 1804-10-29, after, naar schildervan, Publicatie (Event), Publiek

Fountain and Pergola in Italy. Ernest Christian Frederick Petzholdt; Danish, 1805-1838. Date: 1830-1835. Dimensions: 39 × 50 cm (15 1/2 × 20 in.). Oil on paper mounted on canvas. Origin: Denmark. Museum: The Chicago Art Institute, Chicago, USA. Author: Ernest Christian Frederik Petzholdt.

Perspective box with three painted glass plates, ice face with skaters, windmill and city, perspective case glass plate glass paint multiplex, handpainted Later made-up perspective box made of plywood. In the cupboard three painted glass plates: medium and background creating three-dimensional effect optics perspective glass painting skating winter small ice age

Artist: Carl Johan Billmark, Swedish, 1804-1870, Printer: Rose-Joseph Lemercier, French, 1803-1887, Sigtuna, 19thcentury, Color lithograph, image: 24.4 × 38.3 cm (9 5/8 × 15 1/16in.), Made in Sweden, Swedish, 19thcentury, Works on Paper -Prints

VISION MEDITERRANEA - SALON DE BAILE DEL PRINCIPE ALEJO MDIVANI - ANTIGUA ABADIA DE SAN GREGORIO DE VENECIA - 1934-1935 - OLEO/LIENZO - 3,04 x 7,25 m. Author: SERT JOSE MARIA. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

An Old Bridge at Hendon, Middlesex ca. 1828 Frederick Waters Watts British A follower of John Constable, Watts exhibited widely as a landscapist but ceased painting around 1860. The charm of this rural scene is enlivened by small yet attentively depicted figures: passersby on the bridge, a wader in the water, a dog at the streams edge, and some cows picking their way over the terrain. This painting is thought to have been sent by Watts to the Royal Academy exhibition of 1828. A second version of the subject is in the Philadelphia Museum of Art; a third version is unlocated.. An Old Bridge at Hendon, Middlesex 437935

'Landscape with Tobias and the Angel'. Holland, 1630. Dimensions: 41x31 cm. Museum: State Hermitage, St. Petersburg. Author: BARTHOLOMEUS BREENBERGH.

PAISAJE CON RUINAS - SIGLO XVII - OLEO/LIENZO - 97 x 101 cm - NP 837 - BARROCO ESPAÑOL. Author: IGNACIO IRIARTE (1621-1670). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Robbery, Gauermann, Friedrich August Matthias (1807-1862)

View on ruins by Oswald Achenbach, oil on wood, 19th century, 1827-1905, Russia, Tula, State Art Museum, 51x72

Entrance in the garden of Arlesheim began. T..

Ramon Marti Alsina. "Paisaje con ruinas". Siglo XIX. Circulo Ecuestre. Barcelona.

Corfe Castle, Dorset, John Inigo Richards RA, 1730/31-1810, British, 1764, Oil on canvas, Support (PTG): 13 1/8 x 18 inches (33.3 x 45.7 cm), castle, clouds, couple, destroyed, figures, hills, landscape, man, meteorology, moon, moonlight, night, ruins, science, stone, storm, wall, woman, Corfe Castle, Dorset, England, Europe, United Kingdom

Modern Rome - Campo Vaccino. Joseph Mallord William Turner (British, 1775 - 1851)

GEORGE Otto(1819-1874) View Of Cairo 1867 Oil on canvas 51x78 State Pushkin Museum of Fane Arts Moscow

Arcadian local landscape with house and hunter with two dogs shooting at hare, landscape room wallpaper wallpaper painting canvas linen paint wood, Wide canvas with full frame. Arcadian local landscape with house toad and hunter with two dogs that shoots at haas Rotterdam Charlois Kerksingel topography life wisdom lesson symbol life course romance From house at the Kerksingel in Charlois.

City Square in Winter by Knappe, Karl Friedrich (1745-1808)/ State Tretyakov Gallery, Moscow/ Second Half of the 18th cen./ Germany/ Oil on cardboard/ Classicism/ 36,5x62/ Landscape

Avignon from the West by Corot, Jean-Baptiste Camille (1796-1875)/ National Gallery, London/ 1836/ France/ Oil on canvas/ Barbizon/ 34x73,2/ Landscape

Woman walking by river by anonymous artist, painting, Russia, Rostov on Don, Regional Art Museum, 120x192

castell del rei, -castle of the king-, 1870, Antoni Ribas Oliver, oil on canvas, pollensa museum, Majorca, Balearic Islands, Spain.

PAISAJE - SIGLO XVII - BARROCO HOLANDES. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: PRIVATE COLLECTION. MADRID. SPAIN.

View of Krakow believer, Saturnin (1820 1885)

unknown artist, eighteenth century, Pile Driving on the Banks of the Thames, undated. Watercolor, brown ink, gouache and graphite on medium, cream, moderatley textured laid paper.

Winter Landscape. Dating: c. 1620 - c. 1630. Measurements: support: h 9.1 cm × w 11.5 cm; frame: h 14.2 cm × w 16.6 cm × d 2.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan van de Velde (II) (attributed to).

Orlando and Rodomonte fighting in front of Fiordiligi, 1883, by Giuseppe Bisi (1787-1859), painting.

At Alushta by Orlovsky, Vladimir Donatovich (1842-1914)/ State Tretyakov Gallery, Moscow/ 1860/ Russia/ Oil on canvas/ Realism/ 94,5x150,3/ Landscape

Landscape with Sodoma and Gomora, Rombout van Troyen, Oil on canvas, circa 1605- circa 1650, 17th Century, Russia, Voronezh, Regional I. Kramskoi Art Museum

Charles Reginald Aston, 1832-1908, British, Mont Saint-Michel, undated. Watercolor and white gouache on medium, slightly textured, cream wove paper.

Park View. Dimensions: sight size: 28 x 22.5 cm (11 x 8 7/8 in.). Medium: gouache over graphite on vellum. Museum: National Gallery of Art, Washington DC. Author: Louis Gabriel Moreau.

The Former Winter Capital of Bhutan at Punakha Dzong, Samuel Davis, 1757-1819, British, 1783, Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream, wove paper, mounted on thick, moderately textured, beige, wove paper, Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm), Contemporary drawn border: 19 5/16 × 29 3/16 inches (49.1 × 74.1 cm), and Image: 17 1/2 × 27 5/16 inches (44.5 × 69.4 cm), architectural subject, building, landscape, men, mountains

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 7 x 13 1/2in. (17.8 x 34.3cm), architectural subject

View of the Castello di San Giuliano, near Trapani, Sicily. Dated: c. 1824/1826. Dimensions: overall: 22.9 x 29.9 cm (9 x 11 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Louise-Joséphine Sarazin de Belmont.

John Constable , A Boat Passing a Lock, 1826, Oil paint on canvas, London, England.

Isaac Weld, 1774-1856, Irish, Killarney (Ireland), ca. 1807. Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper.

Parable Of The Rich Man Who Built Great Barns Abel Grimmer (ca.1570-1619 Flemish) Christie's Images, London, England

Tityrus Restored to his Patrimony, 1877 Samuel Palmer, Landscape, Watercolour, Literature, Poetry, Animal, Cow, Shepherd, Classical Roman, Virgil

A grotto with figures, a stag and a stork, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Moon on the tables in a tavern (Moonlight), by Mario De Maria (1852-1924).

Venetian Capriccio With a Body Being Exhumed and a Franciscan Monk in Attendance, 1700-1729 Marco Ricci, The term 'Capriccio' refers to landscape or architectural compositions that combine real elements such as recognisable buildings or monuments with elements of fantasy or imagination., 18th Century, Watercolour, Gouache, Baroque, Frame, Death, Fantasy scenario, Italy, Venice, Religion, Monk, Works on Paper

An Imaginary Design for a Monument to Lord Nelson, Augustine Maria Aglio, 1777-1857, Italian, active in Britain, 1805, Watercolor, gouache, and chalk on Thick, slightly textured, beige wove paper, Sheet: 18 1/8 x 18 1/8in. (46 x 46cm), architectural subject, architecture, design, landscape, monument, pyramid (tomb), sculpture, trees

Théobald Chartran (1849-1907). Sketch for the wedding hall of the town hall of Montrouge: law and marriage (ceiling). Oil on canvas and fabrics reported. 1886. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, painted decor, sketch, town hall

unknown artist, eighteenth century, Kidbrooke Park, Kent, ca. 1745. Oil on canvas.

Charles Rochussen, View of the Leuvehaven Wz after the fire at the steam sugar refinery of P.H. Tromp, Rotterdam, cityscape painting painting material wood oil, Landscape format. Oil on panel panel signature: C. Rochussen cityscape topography Rotterdam Stadscentrum Stadsdriehoek Leuvehaven P.H. Tromp sugar factory industry sugar fire

Durham, unknown artist, 18th century, British

View of the Ivangorod Fortress by Hau, Johannes (1771-1838) / Private Collection / 1820 / Estland / Watercolour, Gouache on cardboard / Landscape / 27x40 / Classicism

Eruption of Vesuvius, by Pierre-Jacques Volaire (1729-1792), oil on canvas, 52x79 cm. Detail.

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