Historic Reliefs and Fireplaces

Architectural reliefs depicting historical and biblical scenes, with rich designs and intricate representations of figures and nature, from various eras.

Hearing stone with the representation of Johannes de Baptist, preaching, anonymous, anonymous, c. 1525 - c. 1575 Highstone with a representation of John the Baptist, preaching by a tree. Next to him three sitting and two standing figures Antwerp earthenware Highstone with a representation of John the Baptist, preaching by a tree. Next to him three sitting and two standing figures Antwerp earthenware

Fireplace with Adam and Eva presentation in paradise. Fireplace with Adam and Eva presentation in paradise.

Relief in the Old Castle Schleissheim Munich Bavaria Germany

Fireplace with representation of St. Hieronimus with the lion. Fireplace, representing St. Hieronimus with the lion.

Scene of Ashurbanipal hunting with deers trapped in the net, Relief from Royal Palaces of Nineveh, circa 645 B.C.

Fireplace with the year 1598 and two climbing lions. Fireplace with the year 1598 and two climbing lions.

Fragment of a terracotta plaque late 5th century B.C. Greek Dancing womanThe figure belongs to the type commonly known as a kalathiskos dancer. The identification comes from the headdress and may refer to performances at a festival in honor of Apollo known as the Karneia.. Fragment of a terracotta plaque 254764 Greek, Fragment of a terracotta plaque, late 5th century B.C., Terracotta, 7 1/4 in. x 4 1/2 in. (18.4 cm x 11.4 cm). The Metropolitan Museum of Art, New York. Gift of the Archaeological Institute of America, 1953 (53.5.39)

Hearing stone with image, anonymous, c. 1400 - c. 1950 Hearing stone with windows, in which medallions with mans and women's bust. Southern Netherlands earthenware Hearing stone with windows, in which medallions with mans and women's bust. Southern Netherlands earthenware

Hearing stone with the representation of Johannes de Baptist, preaching, anonymous, anonymous, c. 1525 - c. 1575 Highstone with a representation of John the Baptist, preaching by a tree. Next to him three sitting and two standing figures Antwerp earthenware Highstone with a representation of John the Baptist, preaching by a tree. Next to him three sitting and two standing figures Antwerp earthenware

Altar screen slab. Marble. 13th-14th centuries AD. From the floor of St. George Golemi Church in Mesambria (Nesebur), Burgas region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.

A fragment of the tile with a representation of a pelican feeding three small, standing in the nest flowing on the water the Greater Poland Museum, Poznań

Fragment of baked clay brick, moulded and unglazed, with a mushussu-dragon's head in relief. Reign of Nebuchadnezzar II (630-562 BC). Neo-Babylonian Empire or Chaldean Empire. Louvre Museum. Paris, France.

Victoria entre roleos, siglo I antes de Cristo , arcilla con restos de policromia, Italia, coleccion Campana.

Figural Ostracon Depicting a Man Worshipping a Tree. Egypt, New Kingdom, 19th -20th Dynasty (1315 - 1081 BCE). Tools and Equipment; ostraka. Limestone

CoffinPanel

Fragment of a relief.Women's Head (Fragment of A Relief).

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre. ca. 1981-1975 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), MMA excavations, 1920. Dynasty 12

Hearing stone with representation of Sint Joris on Horse, Anonymous, Anonymous, c. 1575 - c. 1599 Hearing stone with representation of Sint Joris on horseback, riding to the left. With a lance he kills the dragon in the bottom left. Left in the background the kneeling figure of the princess Antwerp earthenware Hearing stone with representation of Sint Joris on horseback, riding to the left. With a lance he kills the dragon in the bottom left. Left in the background the kneeling figure of the princess Antwerp earthenware

Greece, Athens. Area of Kerameikos (Ceramicus). Northwest of the Acropolis. Grave relief depicting Demetria and Pamphile, ca. 325-310 BC. Replica. The original piece is located at the Kerameikos Archaeological Museum in Athens.

Hearing stone with the year 1598 and two climbing lions, 1598 Hearing stone with the year 1598 and two climbing lions. Southern Netherlands earthenware Hearing stone with the year 1598 and two climbing lions. Southern Netherlands earthenware

Campania Napoli Naples S. Lorenzo Maggiore46. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

CUADRANTE SOLAR EN MARMOL-30X46 CM-S X-INCOMPLE. Location: ARCHAEOLOGICAL MUSEUM. Almería. SPAIN.

Tile from Side of Stairway to Dais New Kingdom, Ramesside ca. 1279-1213 B.C. This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as Raamses. The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of

Archers ca. 2551-2494 B.C. Old Kingdom This fragment of relief shows one of the most elaborately composed scenes preserved from the Old Kingdom. A careful examination reveals parts of at least four archers, three standing and one kneeling below them, his extended left arm and the upper part of his head just visible along the lower edge of the fragment. Each man has his left arm stretched in front of him, the left hand grasping the shaft of a long bow with the thumb and last three fingers, while the index finger keeps an arrow steady. With his right hand, each archer draws the string of the bow, with the notch of the arrow set against it. Each man also grasps two extra arrows in his right hand.The archers wear crossed bands on their chests identifying them as soldiers. The style of the block places it in Dynasty 4, making it the earliest preserved battle scene. It was probably carved during the period spanning the reigns of Khufu, the builder of the Great Pyramid at Giza, and Khafre, bu

Ivory pyxis featuring a carved scene of griffons attacking stags. Late 15th century BC. Museum of the Ancient Agora. Athens, Greece.

Hispanic west Gothic marble script Hispanic West Gothic marble script

decorated breastplate, Muisca culture, Tumbaga, Musei Vaticani, State of the Vatican City, Roma, Lazio, Italia.

Pre-islamic cultures. Slab with inscription. Floral and fauna. 2nd century AD. Yemen. Istanbul Archaeological Museum. Turkey.

Fragment of relief plaque with a child god, inscribed on reverse 500-200 B.C. Late Period-Ptolemaic Period Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptors models / votives," were the material of a donation practice, perhaps connected with the prolific templ

Five Putti Making Wine. Dated: early 16th century. Dimensions: overall: 4.3 x 9.9 cm (1 11/16 x 3 7/8 in.) gross weight: 78 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Marble akroterion of the grave monument of Timotheos and Nikon ca. 350-325 B.C. Greek, Attic This akroterion once crowned a tall marble shaft now in the National Archaeological Museum, Athens. The inscription states that the grave monument was erected to honor Timotheos and his son Nikon, both of the deme (political district) of Kephale. The front of the akroterion is decorated in relief with a palmette, the stems of which rise as spiral tendrils from a bed of acanthus leaves. At the top is a flower that once had a painted stem.. Marble akroterion of the grave monument of Timotheos and Nikon. Greek, Attic. ca. 350-325 B.C.. Marble. Late Classical. Stone Sculpture

Capital with an Angel Emerging from a Cloud. Culture: French. Dimensions: Overall: 12 7/8 x 12 15/16 x 13 in. (32.7 x 32.9 x 33 cm)Base Diameter: 7 5/16 in. (18.5 cm)Weight: 83lb. (37.6kg). Date: ca. 1150-1200.The angel emerging from a cloud suggests that a figure on a column below completed the composition, perhaps one of the Virgin of the Annunciation. Capitals decorated with similar acanthus foliage are found in other churches in Burgundy, for instance at Avallon, Vezelay, and Donzy-le-Pré. Museum: Metropolitan Museum of Art, New York, USA.

ESTELA DE VICTORIA FRAGMENTADA DE UN REY DE AKKAD O ESTELA DE MANISHTUSU - DIORITA - EPOCA DE AKKAD HACIA EL 2300 AC. Location: MUSEO DEL LOUVRE-ESCULTURAS. France. SARGON. ARGON DE AGADE REY. MANISHTUSHU.

Capital with Acanthus Leaves 6th-7th century In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.. Capital with Acanthus Leaves 456186

Relief Fragment with Floral Design 6th-7th century Coptic. Relief Fragment with Floral Design 464674 Coptic, Relief Fragment with Floral Design, 6th7th century, Ivory, Overall: 4 1/4 x 13/16 x 3/16 in. (10.8 x 2 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.81)

Facade ornament with female bust, facing stone sculpture sculpture building component sandstone stone, Facade decoration with bust of woman with bare chest in frame sea hero admiral Rotterdam City Center Stadsdriehoek Korte Hoogstraat Originating from building on the Korte Hoogstraat east side of Rotterdam.

Glazed Faience Tiles Representing Nubians 1186 B.C. From Tell el-Yahudiya

Voussoirs mit der Strafe der Lust Voussoirs mit der Strafe der Lust Copyright: xZoonar.com/Tolox 22711307

Mirror with Aphrodite and Eros ca. 350 B.C. Greek. Mirror with Aphrodite and Eros. Greek. ca. 350 B.C.. Bronze. Late Classical. Bronzes

Arqueta, siglo XV. Fundación Juan March.

Della Robbia workshop. Bas-relief: "The Virgin and the Child" (Back). Enameled terracotta, northern Italy, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee

Dionysos, Limestone relief, Ahnassia El-Medina, Beni-Souef, 3rd Century. Artist: Unknown.

Jar fragment, Apophis I, Herti, Ahmose I New Kingdom ca. 1525-1504 B.C. View more. Jar fragment, Apophis I, Herti, Ahmose I. ca. 1525-1504 B.C.. Travertine (Egyptian alabaster). New Kingdom. From Egypt, Upper Egypt, Thebes, Dra Abu el-Naga, Tomb AN-B, Carnarvon/Carter excavations. Dynasty 18

Hearing Coverstone With Position Of Sint Maarten And The Begelaar, Anonymous, 1554 Semi -round hairstone; Ruiter (St Maarten) who cuts piece of his cloak for a numb begging man, on the left a tree; Inscription in Gothisch: ... blame ghu as a lesson of. the ... in..u..beering AD 1554; Blacked black, chunks from the edge, broken, made with cement. Southern Netherlands earthenware St. Martin divides his cloak (i.e. the charity of St. Martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him. crutches Amiens

Hauptstadt aus dem 12. 12th century capital, comes from the Provincial Hospital of Santa Caterina, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/Tolox 22282987

Léopold Morice (1846-1920). "September 21, 1792, abolition of royalty". Plaster on wooden soul. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 144755-22

Maestro de Cabestany (o taller) / Fuste de columna, segundo tercio del siglo XII, mármol, procedente del portal mayor de la iglesia del monasterio de Sant Pere de Rodes. Museum: Museu del Empordà.

Limestone stele from tomb number 89 of the Charterhouse of Bologna, detail

Fragment. Dimensions: L27 cm x W 18.5 x H4. Date: probably 8th-12th century. Museum: Metropolitan Museum of Art, New York, USA.

Zeus on ceramic lid, Early Iron-Age (Dark Age) Early Geometric period. Greece.

Relief fragment of a man carrying an ostrich ca. 1981-1950 B.C. Middle Kingdom. Relief fragment of a man carrying an ostrich 552337

Hearing stone with representation of Suzanna, who is fed by the two elders, anonymous, c. 1400 - c. 1950 Highstone with representation of Suzanna, who is taken to court by the two elders. Southern Netherlands earthenware Highstone with representation of Suzanna, who is taken to court by the two elders. Southern Netherlands earthenware

Double -sided gingerbread form

Relief (detail) depicting a men offering bearers with wine and figs. Tomb of Atet. C. 2550 BC. 4th. dynasty. Limestone.

Spartan ivory- warship. GREECE.

Roman soldeir with horse carrying his belongings weapons.

Panel 14th century. Panel 451038

Paralytic Grzesnik I a cornice of the cornice crowning the northern wall of the presbytery (N3A) Basilica Assumption of the Virgin Mary (Mariacki), Kraków

Sculpted style of oak, from the so -called house of Alva, Warmoestraat in Amsterdam, Anonymous, c. 1500 - c. 1699 Carryed oak style without finish from the so -called Huis van Alva, Warmoestraat in Amsterdam. In total it concerns two consoles, three wide and three narrow styles (BK-KOG-755-A, B, D to H). See also BK-KOG-754-1 to 7, these are 6 painted styles that come from the same house. Northern Netherlands (possibly) wood (plant material). oak (wood) Carryed oak style without finish from the so -called Huis van Alva, Warmoestraat in Amsterdam. In total it concerns two consoles, three wide and three narrow styles (BK-KOG-755-A, B, D to H). See also BK-KOG-754-1 to 7, these are 6 painted styles that come from the same house. Northern Netherlands (possibly) wood (plant material). oak (wood)

Seated limestone kourotrophos 4th century B.C. Cypriot Seated "nursing mother" with child seated upright.. Seated limestone kourotrophos 242110

Frieze with Apsaras, late 1100s. Cambodia, Angkor, the Bayon, Reign of Jayavarman VII, late 12th-early 13th Century. Sandstone; overall: 25.4 x 87.6 cm (10 x 34 1/2 in.).

GREECE, CRETE, Hania Province, Hania: Bas Reliefs for Sale with themes from Greek Mythology

Jade plaque showing Mayan king seated, 400-800.

Base of Kouros with relief depicting procession with hoplites

Column with dwarfs and garland .. Half of an octagonal column; Relief with three dwarfs wearing a garland.

Relief of the tympanum depicting the Adoration of the Magi. 14th century. Convent of Santo Domingo (Convent of Saint Dominic). La Corua, Galicia, Spain. Archaeological and History Museum of A Corua (San Anton Castle). Galicia, Spain.

Tile with a bound Nubian from the the side of a dais New Kingdom, Ramesside ca. 1279-1213 B.C. This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories " when fully written, came to us through the Old Testament as 'Raamses.' The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a numbe

Painted limestone funerary slab with a soldier taking a kantharos from his attendant. Culture: Greek. Dimensions: Other: 14 13/16 × 9 5/8 × 3 3/8 in. (37.6 × 24.4 × 8.6 cm)Other (Panel): 9 3/4 × 7 7/8 in. (24.8 × 20 cm). Date: 2nd half of 3rd century B.C..A boy with dark brown skin, standing at the left, holds out a black cup to a tall soldier in a long blue cloak, at the right. The boy holds a lance and supports the soldier's large oval shield against his chest. Almost all the preserved evidence for painting in the Hellenistic period comes from funerary monuments. Some like the vaulted tombs of Macedonia and Thrace show large scale figures and friezes. More modest painted stelai like the ones displayed here have been found in many places in the Eastern Meditereanean. Museum: Metropolitan Museum of Art, New York, USA.

Antefix. Unknown

Relief with people setting down braziers ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with people setting down braziers. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten). Dynasty 18

five-armed swastika in relief, second Lombera stele, giant disc-shaped Cantabrian stele, 1st century BC. C., Corrales de Buelna, Lombera, Museum of prehistory and archeology , Santander, Cantabria, Spain.

Upper part of a military tombstone from Kirkby Thore, Cumbria. Dated 2nd Century

Hittite artefact- King Maradas hunting deer, 9th cent. BC. TURKEY.

Greece, Athens. Theatre of Dionysus. Panoramic of the orchestra, floored in varicoloured marble, 5th century BC.

Double Capital with Vine Tendrils 1170-80 French. Double Capital with Vine Tendrils. French. 1170-80. Marble. Made in Gascony. Sculpture-Architectural

Grave Stele of Moschion with his Dog; Unknown; Greece (Attica); about 375 B.C.; Marble; Object: H: 61.5 x W (bottom): 29.5 x D: 6.4 cm (24 3/16 x 11 5/8 x 2 1/2 in.)

Anonymous artist created a Puttenfries using feather, assembled from four fragile parts circa 1470-1480.

Stela of Two Brothers ca. 1981-1802 B.C. Middle Kingdom This beautifully executed round-topped stela, reconstructed from fragments, belongs to a man on the right, whose name is now missing, and his brother, Dedusobek, shown on the left. The owner was clearly a high official to deserve such a high quality monument, and his status is reflected in his long string of titles and epithets that are inscribed on the third to fifth lines: elite member…, controller of every kilt, privy to the [divine writing?, imy-khenet staff in every robing room…, overseer of the double granary, favorite of the king in every work….” Dedusobek’s administrative titles, inscribed on the left half of the sixth and seventh lines included that of chamberlain. Wearing identical broad collars and calf-length kilts with triangular front panels, the two brothers stand face to face and raise their arms in adoration, presumably of the god Osiris mentioned in the inscription above them. Between the two men is a table lad

Hearing stone with representation of two climbing lions, c. 1875 - c. 1900 Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware

Museum Abodiacum, Roman Museum, Epfach, Pfaffenwinkel, Upper Bavaria, Bavaria, Germany, Europe

Léopold Morice (1846-1920). "January 30, 1875, vote of the Republic". Patinated plaster. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 144755-25

Plaque, wood, carved, probably Italy, possibly late 17th century, Decorative Arts, Plaque

tile with the representation of a Libyan prisoner, faience, 20th dynasty, reign of Remeses III, 1184-1153 BC, Tell el-Yahudiya, Egypt, collection of the British Museum.

Campania Napoli Naples S. Lorenzo Maggiore48. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lintel ca. 1130-40 Catalan. Lintel. Catalan. ca. 1130-40. Marble. Made in present-day France. Sculpture-Architectural-Stone

Coat of arms of Spain. From the ancient "Gate of Aires" (Puerta de Aires). Wall of La Corua. Galicia, Spain. 18th century. Archaeological and History Museum (San Anton Castle). A Corua, Galicia, Spain.

Serdica circus poster, 4th century, Bulgarian National Archaeological Museum, Sofia, Republic of Bulgaria, Europe.

Relief plaque of cobra on a neb basket 400-30 B.C. Late Period-Ptolemaic Period Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptors models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuri

Fragment of the lintel; I-III century (Meroic period) (1-00-00-300-00-00);Faras (Sudan), Solar Diski, architectural elements, ureusze, Polish excavations in Faras (Sudan)

Capital of a pillar.. Marble. Spain, city of Madinat al-Zahra. Location: MEDINA AZAHARA / MADINAT AL-ZAHRA-MUSEO-ARQUITECTURA. PROVINCIA. CORDOBA. SPAIN.

Grave Stele of Pollis. Unknown

CAPITEL EN MARMOL-S X-XI. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Statue. Painted clay. God wearing a headdress. Mesopotamia. Iraq, British Museum. London. UK.

Antoni Viladomat/ DIBUJO VILADOMAT, SIGLO XVIII. Museum: Museo Nacional D'Art de Catalunya.

Inscribed element, Akhenaten ca. 1353-1336 B.C. New Kingdom, Amarna Period. Inscribed element, Akhenaten. ca. 1353-1336 B.C.. Indurated limestone. New Kingdom, Amarna Period. From Egypt, Middle Egypt, Amarna (Akhetaten), Great Temple of the Aten, pit outside southern wall, Petrie/Carter excavations, 1891-92. Dynasty 18

Magical wand of ivory of hippopotamus tusk with images depicting deities and protective spirits to ward off evil spirits. To provide magical protection for mother and child. 1750 BC. 12th Dynasty. Middle Kingdom. From Thebes. British Museum. London. United Kingdom.

Greek Civilization, Stele depicting wrestling competition, Relief from Kerameikos necropolis in Athens, Greece

VASO DE LOS CAZADORES, VASO CAZURRO. EMPURIES, GERONA.

Plant frieze at the height of the windows presbytery, Basilica Assumption of the Virgin Mary (Mariacki), Kraków

Tomb Slab of Madame Blanche of France, Duchesse d'Orléans. Culture: French. Dimensions: 24 1/2 x 29 1/2 in. (62.2 x 74.9 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

roman lion roman lion, Archeological Museum. Úbeda, Jaén province, Andalusia, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21702818

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