Historic Religious Frescoes

Black and white images of damaged frescoes in abbeys and chapels, showcasing scenes of religious figures and intricate architectural details from historical sites in Italy.

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church6. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Abruzzo L'Aquila Rosciolo dei Marsi (environs) S. Maria in Valle Porclaneta7. Hutzel, Max 1960-1990 Exterior views of this former Benedictine abbey church include an inscribed plaque before the narthex; a polygonal apse with foliate sculptural details (13th century); and windows. Interior views include the tomb of Mater Niccolo and damaged frescoes (13th-16th centuries), but most coverage is of the architectural sculpture. The choir screen (mid 12th-13th centuries) is decorated with seraphim, busts of apostles in relief, foliate forms, rosettes, eagles, a lion, dragon, griffin, acanthus molding and vine scroll. The pulpit decoration consists of foliage inhabited by bearded or nude men, griffins or beasts as well as narrative relief sculpture such as Jonah coughed up by a whale and Jonah sitting under a gourd tree. The ciborium, piers and impost blocks are also decorated with figures, rosettes, dentils, quadrupeds and foliage. German-born photographer and scholar Max Hutzel (1911-1988)

Umbria Perugia Spoleto (environs) S. Sebastiano4. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Umbria Perugia Trevi S. Francesco9. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

Abruzzo Teramo Teramo S. Berardo, Cathedral5. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Umbria Perugia Spoleto (environs) S. Sebastiano2. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Umbria Perugia Sant'Anatolia di Narco S. Maria delle Grazie. Hutzel, Max 1960-1990 Exterior views of this 16th century church are found in the Medieval core collection. Views of the romanesque interior focus mainly on the apse frescoes. In the sacristy are wooden crucifixes and two paintings of interesting iconograhpy: one of a female saint with a knife in her neck next to a dragon (perhaps St. Lucy or St. Martha), and one of a young Christ asleep on a cross in front of Joseph and Mary. He is amidst objects such as a skull, dice, a knife and ear, carpentry tools, Veronica's veil, and perhaps Judas' silver. Object Notes: Hutzel photo campaign date: February 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Roma

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church6. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Lazio Viterbo Montefiascone S. Flaviano3. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views o

Umbria Perugia Campi Vecchio S. Salvatore0. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Umbria Perugia Spello S. Maria della Rotonda0. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

Umbria Perugia San Giacomo di Spoleto S. Giacomo2. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)91. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Perugia Trevi S. Francesco. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develop

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in

Lazio Roma Velletri Museo Capitolare6. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Abruzzo, L'Aquila, Tornimparte, S. Panfilo, Parish church, Italy, 20th century, photo, photography, Europe

Lazio Rieti Casperia S. Maria di Legarano2. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Marches Macerata Tolentino S. Francesco1. Hutzel, Max 1960-1990 Exterior views of S. Francesco include its polygonal apse that faces the Piazza della Liberta, the facade, immured fragments of gothic architectural sculpture, and views of the arcaded cloister. Interior views of the church reveal its baroque remodelling. Most views are of frescoes from the gothic chapel (14th century) and various baroque altars. Also included are views of two organs, confessionals, choirstalls, a crucifix and various paintings in the Sacristy. Object Notes: Hutzel photo campaign date: December 27, 1984 General Notes: Many negatives for this monument are still missing. Several were misfiled under "Belforte del Chienti, S. Maria a Pie di Chienti" and it is possible that other negatives have been similarly misfiled under sites near Tolentino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutze

Umbria Perugia Trevi S. Francesco2. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develo

Abruzzo Pescara Loreto Aprutino S. Maria in Piano2. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Abruzzo L'Aquila Bazzano S. Giusta. Hutzel, Max 1960-1990 Exterior views of this 13th century church focus on the west facade and richly ornamented portal (1238). Prints in the Hutzel collection include views of the main altarpiece, east wall frescoes, crucifix, and 13th century nave frescoes. In the Medieval core collection are general views of the interior, including the arcade, and the crypt. Carved on the pulpit (1180) are signs of the Four Evangelists, the Lamb of God, and St. George Slaying the Dragon. Views of the crypt (13th century) show an entryway to the 3rd century catacombs and a wooden statue of S. Giusta. Views of the interior (remodelled in the 15th century) focus on reused Roman architectural elements (1st century BC - 1st century AD). The arcade includes piers, Roman columns, and a frescoed ancient Roman cornice frieze. In the crypt are Roman gravestones. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his d

Umbria Perugia Spoleto SS. Giovanni e Paolo. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans an

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Abruzzo, L'Aquila, Tornimparte, S. Panfilo, Parish church, Italy, 20th century, photo, photography, Europe

Lazio Latina Gaeta S. Francesco2. Hutzel, Max 1960-1990 Exterior views of neo-Gothic church, including detail views of main portal. Interior views emphasize ceiling's complicated nervature and main altar. View of Pieta fresco and crucifixion painting. Views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Montefiascone S. Flaviano3. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views o

Sardinia Sassari Tempio Pausania Oratorio del Rosario. Hutzel, Max 1960-1990 Medieval: Romanesque architectural elements including small decorative arches along cornice. Post-medieval: 18th century architectural elements and Aragonesque-style portal; 17th century wooden altarpiece. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PILA BAUTISMAL DE TRAZA RENACENTISTA CON LAS FIGURAS DE LOS DOCE APOSTOLES - SIGLO XVI. Author: GUIDO DEL BELLJOC JUAN ROIG Y EL MAESTRO TOMAS. Location: CATEDRAL DE SANTA MARIA-INTERIOR. GERONA. SPAIN. SANTO TOMAS APOSTOL.

Lazio Rieti Poggio Mirteto S. Paolo16. Hutzel, Max 1960-1990 Medieval: Architecture, post-restoration (12th century) Post-medieval: Interior: nave and chapels; votive frescoes (13-14th century); apse frescoes depicting Coronation of the Virgin, prophets, saints, and Conversion of St. Paul, by Lorenzo Torresani (1521) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spello S. Lorenzo7. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church2. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Abruzzo Pescara Loreto Aprutino S. Maria in Piano5. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Lazio Roma Genazzano S. Croce4. Hutzel, Max 1960-1990 Views of crenellated city wall (13th century) and facade of S. Croce. Interior views are all frescoes: scenes of the Apocalyspe in the lower register (15th century); Madonna of the Misericordia in the upper register; Apostles and other saints; Crucifixion and Madonna and Saints in the apse (16th century). Object Notes: Hutzel photo campaign date: May 3, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Abruzzo Pescara Loreto Aprutino S. Maria in Piano6. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Chapels in Saxony, Interior of Meissen Cathedral, 1919, Meißen, Dom, Georgskapelle, Portalrelief, Germany

Saint Michael Copy after Neroccio de' Landi Italian. Saint Michael 437197

Lazio Rieti Rieti Museo del Tesoro del Duomo. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site co

Emilia-Romagna Modena Nonantola Abbazia di Nonantola25. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Castel San Felice S. Felice di Narco3. Hutzel, Max 1960-1990 Extensive coverage of surrounding town and exterior church facade, including portal, windows, and bell tower. Interior views of altars and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Trial and tortures of Christ: Crowning with thorns, Flagellation by soldiers and Pilate showing Christ to people, 'Ostentatio Christi'. unknown c. 1520-1530 Tapestry Dimensions: H 284 x W 344 m Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Duchessa de Osuna y de Gandia coll., Madrid (by 1959 to at least 1990). Soldiers with sticks place thorny crown on Christ's head & give him rod (Matthew 27:27-31; Mark 15:16-20; John 19:2-3); flagellation with Christ tied to column (Matthew 27:26; Mark 15:15; John 19:1); Pilate showing Christ to people (John 19:4-6) (BRD) garlands of foliage, fruit & bunches of grapes Possibly woven in Brussels (Cavallo). This scene of the "Ostentatio Christi" is different from the "Ecce Homo" in which Christ is shown alone (Dimitrova). No French & Co. stock sheet in archive, no stock number Arazzi del cardinale (1990), 207, fig.138 Gand, Tapisseries flamandes (1959), 29,30, no.9

Abruzzo Teramo Teramo S. Berardo, Cathedral2. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Marches Macerata Montecosaro S. Maria a Pie di Chienti3. Hutzel, Max 1960-1990 This early Romanesque basilica (first erected in the 9th century) has a stark exterior, with the exception of the apse which is enlivened by 3 apsidioles and blind windows. Interior views include: a crucifix, ambulatory, terracotta staues of the Archangel Gabriel and the Virgin (15th century), and several views of the 14th-century frescoes in the upper church. A marble bust may be S. Claudio and actually be found in the church of S. Claudio al Chienti in Montegranaro. Antiquities: A pluteus, perhaps. Object Notes: Hutzel photo campaign date: November 19, 1984 General Notes: This monument was previously catalogued as being in the city of Belforte del Chienti. Several prints exist in duplicate. S. Maria a Pie di Chienti should not be confused with S. Claudio al Chienti in Montegranaro, though some prints may be labeled as such. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

Virgin of Mercy Unknown.. Oil on canvas, 13 x 11 in. (33 x 27.9 cm). American Art

Abruzzo Teramo Teramo S. Berardo, Cathedral8. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Umbria Perugia Spoleto SS. Giovanni e Paolo6. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Umbria Perugia Gubbio Palazzo dei Consoli8. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Umbria Perugia Spoleto S. Gregorio Maggiore8. Hutzel, Max 1960-1990 Exterior views of a restored 12th century church: bell tower; facade with niched saints, triforium windows (12th century), and porch (16th century); cloister; frescoed baptismal chapel (1536) and font (15th century). General views of interior and crypt: remnants of frescoes by Umbrian artists (13-16th centuries), including two of the Madonna lactans; altar frescoes of Saints Sebastian, Roch, and Abbondanza around a marble tabernacle (1526); holy water fonts (14th century); baroque domed chapel with fresco and stucco decoration and tabernacle; apse frescoes of clerical saints in medallions (11th century); Roman steles used as altar bases; sarcophagus of St. Abbondanza; columns and capitals of various styles. Object Notes: Hutzel photo campaign date: February 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

Lazio Rome Sant'Oreste S. Silvestro8. Hutzel, Max 1960-1990 Medieval: 6th century church with the original structure and some Carolingian framework largely intact (partially in ruins); carved altar, columns, and capitals; frescos German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spello S. Lorenzo9. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Umbria Terni Ferentillo Abbazia di S. Pietro in Valle0. Hutzel, Max 1960-1990 The abbey was founded on the location where two hermits, Lazzaro and Giovanni, lived during the sixth century. It was founded by the Duke of Spoleto Faroaldo II. The nave of the church is unique in that it is oriented to the east. The church was reconstructed in the tenth and eleventh centuries, and it was completely restored in 1931. Photographs include exterior views, courtyard views, frescoes, sarcophagi and relief sculpture. Iconography includes Madonna and Child with Sts. Peter and Paul, Christ in a mandorla, S. Benedetto, S. Sabina, S. Lucina, S. Cristina, S. Caterina, S. Sebastiano with Madonna and child, and the Creation of Adam and Eve Antiquities: Roman sarcophagi; Roman sculptural and architectural fragments. Object Notes: Hutzel photo campaign date: October 7, 1982. General Notes: Description from TCI 1978 and Hutzel notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed i

Bliżej Kultury unknown

Campania Caserta Capua Museo Campano34. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

In the treasuries of churches Cologne.(See accompanying article).Cologne cathedral.Epiphany shrine / detail. August 12, 1935.

Tuscany Siena Abbadia Isola Abbey (Cistercian) S. Salvatore, Abbey church. Hutzel, Max 1960-1990 Views of the monastery building, the cloister, and, primarily, the interior and exterior of the church. Antiquities: sarcophagus German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Luco dei Marsi, S. Maria delle Grazie, Italy, 20th century, photo, photography, Europe

Lazio Viterbo Ronciglione S. Maria della Provvidenza5. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescoes. The church originally dates to the Romanesque period (11th century), but was restored in Baroque style in 1742. The campanile dates to the 13th or 14th century. Within the main apse of the church are frescoes from the 15th century. Object Notes: 2 prints with same number. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Magliano Sabina Madonna delle Grazie. Hutzel, Max 1960-1990 One exterior view of facade. Interior views include: high altarpiece of a mixed-media Madonna--metalwork on painted panel (15th century, Umbrian), wood sarcophagus. Crypt: votive frescoes including St. Francis receiving the stigmata. (12th-15th century). Wooden statue of crucifixion (16th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The front hall of a Hindu temple, Vellore, India, c1925. Artist: Unknown

Umbria Perugia Pale Parrocchiale. Hutzel, Max 1960-1990 Medieval: Sculpture. Polychromed wooden statue of the Madonna and Child; a work of the Umbrian school from the first half of the 14th century. Post-medieval: Architecture, sculpture, painting. In a side altar is placed a painting of the Madonna and Child with saints, dated to 1584 and signed by Felice Damiani. Object Notes: 2 sets of prints: the earliest set does not have negatives, but the prints in both sets are almost identical. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and mo

Umbria Perugia Spello S. Silvestro. Hutzel, Max 1960-1990 Medieval: Architecture, fresco fragments Specific Location: Mount Subasio, 2 kilometers from Collepino Antiquities: Architectural fragments, sculptural fragments Object Notes: According to tradition, it was built in 1025 by S. Romualdo, the founder of the Camaldolese order. Documentation exists from 1083. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mosaïek in the Basilica of Sant'Apollinare in Classe in Ravenna, representing the archangel Michaël, c. 1875 - c. 1900 photograph Basilica of Sant'Apollinare in Classe cardboard. photographic support albumen print interior of church. art (+ mosaic making). the Archangel Michael (often in armour with sword or lance) Basilica of Sant'Apollinare in Classe

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime5. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Lazio Rieti Rieti Museo del Tesoro del Duomo1. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Salt paper photograph by Hermann Seligmann Emden from 1858 showing Mainz Cathedral, capturing towers, spires, façade, roof, and city surroundings.

Lazio Viterbo Sutri S. Maria Assunta, Duomo3. Hutzel, Max 1960-1990 Exterior views, views of crypt columns and capitals, and sacristy sculpture (Medieval core collection). Interior views of entry hall, nave, ceiling frescoes, corridor leading to sacristy, sacristy paintings, crypt paintings, and paintings in Cappella di S. Francesco. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Gregorio Maggiore4. Hutzel, Max 1960-1990 Exterior views of a restored 12th century church: bell tower; facade with niched saints, triforium windows (12th century), and porch (16th century); cloister; frescoed baptismal chapel (1536) and font (15th century). General views of interior and crypt: remnants of frescoes by Umbrian artists (13-16th centuries), including two of the Madonna lactans; altar frescoes of Saints Sebastian, Roch, and Abbondanza around a marble tabernacle (1526); holy water fonts (14th century); baroque domed chapel with fresco and stucco decoration and tabernacle; apse frescoes of clerical saints in medallions (11th century); Roman steles used as altar bases; sarcophagus of St. Abbondanza; columns and capitals of various styles. Object Notes: Hutzel photo campaign date: February 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

Saul chosen as king: anointment of Saul by Samuel. unknown c. 1540 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. In landscape, Samuel anointing Saul (1 Samuel 9-12); figures in background (BRD) garland of oversize flowers & fruit; (LWR BRD) centered by large bird No French & Co. stock sheet in archive, no stock number

The Hilandar monastery, Greece , 1918 - Greece - Fernand Cuville - (September) (French - Le monastère de Hilandar , Grèce). Christianity, monastery, painting, decorative arts, object of worship, saint, Religion , Art, Turkey, Hilendar, small Russian icon

Lazio Rieti Casperia S. Maria di Legarano3. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Childhood of the Virgin Mary 18th century possibly French, Provence. Childhood of the Virgin Mary. possibly French, Provence. 18th century. Wax, silk, satin, glass, paper. Sculpture-Miniature

Lazio Frosinone Veroli S. Maria Salome3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Abruzzo Pescara Loreto Aprutino S. Maria in Piano0. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Salt paper photograph by Hermann Seligmann Emden depicting Mainz Cathedral, focusing on the façade, towers, and surrounding urban landscape in 1858.

Lazio Rieti Poggio Mirteto S. Paolo4. Hutzel, Max 1960-1990 Medieval: Architecture, post-restoration (12th century) Post-medieval: Interior: nave and chapels; votive frescoes (13-14th century); apse frescoes depicting Coronation of the Virgin, prophets, saints, and Conversion of St. Paul, by Lorenzo Torresani (1521) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, Pescara, Cugnoli, S. Stefano, Parish church, Italy, 20th century, photo, photography, Europe

Historical illustration of the tomb of Joachim Winckelmann, Trieste, Italy. Johann Joachim Winckelmann, 1717 to 1768, was a German art historian and a...

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime9. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Pulpit in the Oratory of San Michele in Groppoli, Pistoia. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle 1871. Le Tour du Monde 1879

Vintage Photograph. Stained Glass window depecting Jesus and Mary.

Abruzzo Pescara Manoppello Scalo S. Maria Arabona. Hutzel, Max 1960-1990 Exterior views of this Cistercian church (begun in 1208) include details of the restored facade, aisle buttresses, chapter house and cloister buildings. Interior coverage of the nave, transept, aisles, vaulting, and the chapter house. Most prints are of the architectural sculpture: altar, piers, capitals, corbels, tabernacle (or reliquary), and a 13th-century paschal candlestick, gorgeously decorated with vinescroll and birds. Post-medieval: side altar frescoes of St. Sebastian, St. Anthony of Padua and the Pieta (15th century); apse frescoes (14th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Roma

Bliżej Kultury unknown

Abruzzo L'Aquila Celano S. Giovanni Battista. Hutzel, Max 1960-1990 Romanesque church begun in the 14th century. Exterior is covered in the local reddish stone. Exterior views of portal, rose window and sculptural details. Photos of the interior include general views in the Medieval core collection and details of frescoes in the Hutzel collection. There are frescoes in the vaults and on the arches. Scenes include evangelists and saints. There is also a painted Last Judgment. Objects of interest include a wooden ciborium and confessional stalls. There is also wooden statuary over the high altar from the 17th cent. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, R

, Michaelerplatz - Michaelerkirche - Interior view - Holy Grave of Käßmann, Bruno Reiffenstein -, photographer

Marches Macerata San Severino Marche S. Lorenzo in Doliolo1. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Image of the wall painting of an angel with large candle and incense vessel against the emergency side of the choir closure of the Jacobikerk (Jacobskerkhof) in Utrecht.

Lazio Roma Rome S. Ignazio di Loyola26. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Abruzzo Pescara Loreto Aprutino S. Maria in Piano4. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Krakow St. Mary's Church the main altar of Wita Stwosz Christmas unknown

Lazio Viterbo Tarquinia S. Giovanni Battista7. Hutzel, Max 1960-1990 The church was built in the 13th century, and was connected to the Knights of Malta. The main portal is flanked by two other portals using fronts of sarcophagi for architraves. Photos show the exterior generally, the details of the portals and some side walls. Interior photos show the nave, altar and absidal chapels with their gothic vaulting. There are several photos of capitals with vegetal, animal and human motifs, the baptismal font and miscellaneous architectural details. The paintings include a Deposition (1400s), and two from the 18th cent. of a bishop and of S. Carlo Borromeo. There is a large crucifix over the altar (1310) and a ciborium behind the altar. Object Notes: Hutzel photo campaign dates: February 20, 1984 and December, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime1. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Abruzzo Pescara Loreto Aprutino S. Maria in Piano4. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Spain, Andalusia region. Traditional Catholic Altar in public street for prayer, beginning XX century, Europe

Marches Macerata San Severino Marche S. Lorenzo in Doliolo6. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Abruzzo L'Aquila Sulmona Museo Civico6. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Umbria Terni Collestatte Parish Church3. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproduction of a detail of a Swebach-Desfonta dais: General view of the March field during the Federation Festival (TF)

Lazio Rieti Rieti Museo del Tesoro del Duomo6. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

St. Veronica holding 'Sudarium' (veil with image of Christ). Weyden, Rogier van der (Netherlandish (before 1600) - Flanders, ca.1399-1464) (designed after) painter c. 1530-1550 Tapestry Dimensions: H 220 x W 180 m Tapestry Materials/Techniques: wool & silk; metallic thread (gold) Culture: Flemish Weaving Center: unknown Ownership History: Venancio López de Ceballos coll., Madrid (in 1959). French & Co. Inscriptions: Inscription in central field at bottom of veil not legible in photograph St. Veronica holding up 'Vera Icon'; landscape with large foliage in background (BRD) scrolling foliage tied with ribbons interspersed with grotesques & vases; (UPR & LWR BRD) brackets left of center Possibly woven in Brussels (Campbell). This style of St. Veronica holding the veil to the side is based on Rogier van der Weyden's figure on the left wing of Crucifixion triptych at the Kunsthistorisches Museum in Vienna, dated c.1440-1445 (Dimitrova). No French & Co. stock sheet in archive, no stock numbe

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