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Historic Religious Frescoes

Black and white images of damaged frescoes in abbeys and chapels, showcasing scenes of religious figures and intricate architectural details from historical sites in Italy.

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church6. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Lazio Viterbo Ronciglione Ss. Pietro e Caterina. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi (1671-1695), and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of the Assumption by Francesco Trevisani. Also in the transept is the altar of the Madonna of the Rosary, by Giuseppe Ghezzi. Above the main altar is a painting of the Madonna and Child with saints, a work of the school of Giulio Romano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is th

Abruzzo L'Aquila Tagliacozzo S. Francesco1. Hutzel, Max 1960-1990 Exterior views of 14th century church and cloister with bell tower and well. Emphasis on portals to the cloister and church, and the rose window. Interior views of a hallway with a frescoed ceiling showing Thomas of Celano and a tree of Franciscan lineage--the lignum vitae. In the cloister are frescoed lunettes with scenes from the life of St. Francis and Pope Innocent III. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Paganica, Santuario della Madonna d'Appari, I, Italy, 20th century, photo, photography, Europe

Czchów Church of the Nativity of the Blessed Virgin Mary Polychrome Coronation of MB unknown

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Wooden stick print depicting Saint Walpurgis from the series of saints connected to Emperor Maximilian I by Leonhard Beck, 1517.

The Immaculata Unknown.. Oil on fabric, 17 x 13 1/2 in. (43.2 x 34.3 cm). American Art

Lazio Rieti Rieti Museo del Tesoro del Duomo2. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Lazio Roma Rome S. Ignazio di Loyola22. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Kraków Missionary Monastery in Stradom Cechymatic image: Christ with St. John and the Mother of God, Votive Imm of the Murderers of the Grzegorz knife from 1532 unknown

FRA Angelico: The Annunciation, Chiesa del Gesù, today Diocesan Museum, Cortona. .

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco2. Hutzel, Max 1960-1990 Interior and exterior views of the church architecture. Large fresco cycle (late 14th-early 15th centuries) of the life of S. Francis. Other photos depict the interior church decoration: the 17th century wood altar and nave sculptures as well as numerous 15th-16th century paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Angel sitting on a bracket second half 18th century probably Ecuadoran, Quito. Angel sitting on a bracket. probably Ecuadoran, Quito. second half 18th century. Wood, polychromed and gilt. Formerly considered made in Peru; Probably made in Quito, Ecuador

Lazio Roma Velletri Museo Capitolare0. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral6. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Lazio Latina Gaeta SS. Erasmo e Marziano, Cathedral4. Hutzel, Max 1960-1990 Views of objects in the pinacoteca, including paintings, 14th and 15th c. statues, fragments of Renaissance portals, 13th c. iconostasis, family crests. Views of interior nave, altar, chapels. Detailed coverage of silver and gold statues of Erasmus and Marciano. Views of sacristy painting, sculpture, choir stall and crypt altar, frescoes. Owner: Museo Diocesano Antiquities: Roman statue, fragments. Roman columns, capitals, sarcophagi. General Notes: No negs. for Medieval core collection prints. More than half of prints stored in Hutzel section have no matching negatives either. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Sculpture sacred Firminus in Amiens France, Paul Robert, 1890-1900.

Coronation of the Virgin mid-18th century Italian, Venice (Murano). Coronation of the Virgin. Italian, Venice (Murano). mid-18th century. Glass. Glass-Painted

Painting depicting the choir of the great Buddhist Temple of the Five hundred spirits in old Tokyo

Salt paper photograph by Pompeo Pozzi, 1854-1858, depicting the Glory of the Evangelio trophy at the main altar in the Certosa di Pavia, showing ornate religious decoration.

Benediction veil 18th century Flemish. Benediction veil 227693

Campania Salerno Teggiano Chiesa della Pieta. Hutzel, Max 1960-1990 Exterior views: church portal (1475); lunette relief of the Pieta; cloister with columns of various styles (13th-15th centuries); arcades with damaged frescoes; well in garden. Views of gothic interior: wood and ceramic tile ceiling, frescoes, altar painting of St. Diego, painting of the patron saint of Teggiano with saints Paul and Peter. In the school gymnasium (formerly the refectory of the convent), a large fresco (1487) of the Road to Calvary with clusters of saints present (painted in the style of Pieter Brueghel). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mon

Icons 1898, Middle East

Buurkerk Title on cover folder

Abruzzo, Civitaretenga, Madonna dell'Arco, Italy, 20th century, photo, photography, Europe

Perhaps the highest revered temple in Bagan, the Ananda Pagoda was built in 1105 CE during the reign of King Kyanzittha (1084-1113) of the Bagan Dynasty. It is one of four surviving original temples of Bagan (also called Pagan). The temple layout is in a cruciform with several terraces leading to a small pagoda at the top covered by an umbrella (hti’). The Buddhist temple houses four standing Buddhas—facing east, north, west and south. The temple is said to be an architectural wonder in a fusion of Mon and adopted Indian styles of architecture. It was damaged in the earthquake of 1975. However, it has been fully restored and is well maintained by frequent painting and whitewashing of the walls. On the occasion of 900th anniversary of its construction celebrated in 1990 the temple spires were gilded.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral0. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Adoration of the Magi Southern German or Austrian 19th century View more. Adoration of the Magi. Southern German or Austrian. 19th century. Paper, fabric, tin foil, glass. Paper

Abruzzo L'Aquila Pescocostanzo Basilica5. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Nuns Going to Distribute Food (Religieuses allant distribuer des vivres, intérieur) François Bonvin (French, 1817-1887). , 1866. Oil on panel, 20 1/2 x 16 3/8 in. (52.1 x 41.6 cm). European Art 1866

Bliej Kultury unknown

1858 salt paper photograph by Hermann Seligmann capturing the architectural details of Mainz Cathedral.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola21. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Lugnano in Teverina S. Francesco0. Hutzel, Max 1960-1990 Exterior views of this 13th-century church and cloister that was the site of a miracle by St. Francis (1212) include a bell tower, details of the medieval architecture and a well in the courtyard. The lunettes of the cloister are decorated with a cycle of frescoes that portray the miracles of St. Francis (1616) by an unknown master from Foligno. Interior views of the restored church interior focus on the altar paintings and marble intarsia altars, some of which also show scenes from the life of St. Francis. Object Notes: Hutzel photo campaign date: September 9, 1985 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Close-up of artwork at the Panagia Tourliani Monastery in Greece; Ano Mera, South Aegean, Greece

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Grace Church detail of reredos, Salem, Mass. , Altars. Samuel Chamberlain Photograph Negatives Collection

Campania Salerno Teggiano S. Maria Maggiore, Cathedral2. Hutzel, Max 1960-1990 This church was rebuilt after an earthquake in 1857, but kept elements of its 1274 construction and later additions; the two portals date to 1279 and 1509. Interior views focus on architectural sculpture and sculpture: a polychrome crucifix, a marble ambo with symbols of the Evangelists (1721); a holy water font (14th century); wooden states of angels; choirstalls (15th century); tomb monuments of Enrico Sanseverino (1336), the Malavolti (1479) and Eustachio de Eustachiis (1472); tomb slabs; capitals; a white barrel-vaulted ceiling with frescoes and stucco decoration. Negatives show another tomb, perhaps that of the Schifani. Also, a view of a 16th-century altarpiece and a painting in the sacristy of St. Michael or St. George and the Dragon. Antiquities: Immured spolia and the base of the holy water font. Object Notes: Hutzel photo campaign date: 12/29/82 General Notes: Some altar paintings and choirstalls t

libre. Location: -Sin documentar.

Lviv (Lviv, Ukraine). Cathedral of the Assumption of the Blessed Virgin Mary - epitaph plate of the metropolitan of Lviv Archbishop Jan Skarbek (1773) and the tombstone of Baltazar Bzowski (1574); Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-ok. 1922 (print) (1890-00-00-1927-00-00);

The Virgin and the Child Jesus Francisque Desportes (born in 1849). The Virgin and the Child Jesus. Sketch for the Chapel of Bois-Colombes. Oil on canvas, around 1875.

Saint John of God Cuzco School. Saint John of God, 18th century. Oil on canvas, 39 3/4 x 59 1/2in. (101 x 151.1cm). The unidentified artist who painted this bucolic scene, dominated by the figure of the sixteenth-century Portuguese monk Saint John of God holding the infant Christ, was part of a European-influenced painting tradition that first developed in the sixteenth century in Spanish colonial Cuzco, Peru. Delicate flowers, birds, and trees spread across the composition, unifying the saint with vignettes of the Flight into Egypt at left and other saints at right. Eighteenth-century estate inventories in New Spain described these types of paintings as landscapes inhabited by saints.” Although similar religious subjects hung in churches in colonial Peru, the prominence of landscape made this kind of painting equally desirable for private collectors. European Art 18th century

Umbria Perugia S. Giorgio Parish church9. Hutzel, Max 1960-1990 These photographs were formerly filed under Norcia. Prints of the two exterior views are lost or missing. Remaining coverage is of the church interior, mostly of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)35. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

12/31/1948. A scene from "Tenorio" with decorations by Dalí. Photo: Gyenes -Approximate date.

MISA DE SAN GREGORIO - ULTIMO CUARTO DEL SIGLO XV - O/T - ESCUELA CASTELLANA. Author: MAESTRO DE MANZANILLO. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. JESUS. CRISTO RESUCITADO. SAN GREGORIO MAGNO. PAPA GREGORIO I MAGNO.

Epitaphios 1772 () Russian. Epitaphios 219694

Poll photo collection. Moselle: Cross road stations at Kröv. 9th Kruiswegstation: Jesus falls for the third time. 1960. Germany, Kröv, Rhineland-Palatinate, West Germany

Toledo, Spain , 1914 - Spain - Auguste Léon - (June 15 -July 4) (French - Tolède , Espagne). Church, Christianity, inner view, sculpture, bas-relief, Renaissance, sculpted decor, Religion , Habitat , Architecture , Art, Spain, Toledo, interior of the cathedral (choir speaker)

Museum of the Orient. The Buddhist ceremony of Nehan'e. Commemoration of the death of Buddha. Lisbon. Portugal.

The Sorrowful Mother, from Coreggio, in Church of the Holy Sepulchre, Jerusalem. 1898, Israel

Meissen. Cathedral - Vorhall, Maria

God the Father. unknown c. 1500-1525 Tapestry Dimensions: H 3'2" x W 4'7" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Isaac Starr, invoiced 10/12/1929; sold to Mrs. Nancy Coe Wixom 12/7/1965. Within circular cloud formation, God the Father, wearing crown, holds orb surmounted by cross & banner; flanked by angels Borders missing. Tapestry was once framed (Stock sheet). French & Co. stock sheet in archive, 34847

Wat Phu was a part of the Khmer empire, centred on Angkor to the southwest, at least as early as the reign of Yashovarman I in the early 10th century. Later, the original buildings were replaced, but some of the original stone blocks were reused. The temple as it stands today was built primarily during the Koh Ker and Baphuon periods of the 11th century. Minor changes were made during the following two centuries, before the temple, like most in the empire, was converted to Theravada Buddhist use. This continued after the area came under control of the Lao, and a festival is held on the site each February. Little restoration work has been done, other than the restoration of boundary posts along the path. Wat Phou was designated a World Heritage Site in 2001.

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Model studies by Johann Victor Krämer from 1897 for the painting 'Mater Dolorosa', featuring figures Resi and Balam girl, used to prepare composition and detail.

The Christ Child strews a bed of roses for himself inside the believer's heart which is surrounded by roses and venerated by angels. Engraving by A. Wierix, ca. 1600.

Campania Caserta Capua Museo Campano97. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Krakow, Wawel Cathedral, Zygmuntów Chapel Interior, Statue of St. Zygmunt unknown

Virgin of Pomata with St. Nicholas Tolentino and St. Rose of Lima Unknown. Virgin of Pomata with St. Nicholas Tolentino and St. Rose of Lima, 1700-1750. Oil on canvas, 26 x 21 in. (66 x 53.3 cm). The town of Pomata, situated above Lake Titicaca in the highlands of Peru, was once a popular Christian pilgrimage shrine. In this painting, Our Lady of Pomata is depicted as a statue--a carved figure crowned and dressed in lavish garments and adorned with precious materials--that stood on the side altar of the parish church. This type of iconic image, found throughout Latin America, is known as a statue painting. A rosary encircles the hands of the Virgin, who holds a tiny doll-like Child Jesus, also crowned and finely dressed. Pearls were among the sensational finds of the Spanish in the New World, and swags of them, caught with huge rosettes, adorn the figure. She stands on an altar, covered with white lace-trimmed cloth, whose red drapery trimmed in gold has been opened for worship. Two a

VIRGEN CON NINO - SIGLO XVII - BARROCO ITALIANO. Author: BARTOLOMEO CAVAROZZI (1590-1625). Location: INTERIOR. Viterbo. ITALIA. INFANT JESUS. VIRGIN MARY.

Strasbourg Cathedral, Cathédrale Notre-Dame de Strasbourg, south west portal, wall figures: foolish virgin and prince of the world

Image of the choir hood of Bishop David van Bourgondia in the Old Catholic Museum of Church Arts and History (Mariahoek 9/10) in Utrecht.

Photo collection Service for army contacts Indonesia. DLC reproductions for the magazine "Weapon brothers". Cross collection. Copper group of the Yoruba (Africa). Indonesia, Dutch East Indies

07/20/1977. Christ of the Brotherhood of the Great Power.

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church9. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ of the earthquakes with Our Lady of Sorrows on the Altar Unknown. Christ of the earthquakes with Our Lady of Sorrows on the Altar. Oil on canvas, 25 1/2 × 31 × 2 in. (64.8 × 78.7 × 5.1 cm). American Art

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)70. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Abruzzo, L'Aquila, Celano, S. Maria Valleverde, Italy, 20th century, photo, photography, Europe

Vintage Photograph. Stained Glass in Lutheran Church in Mt Vernon New York.

The Albert Memorial, Hyde Park, London - Statue detail (2 of 2) depicting 'Asia', including a semi-naked Indian woman sitting astride an elephant and a seated Chinese merchant. Date: circa 1910s

Lazio Latina Bassiano S. Erasmo3. Hutzel, Max 1960-1990 Exterior photos of facade and courtyard. Interior photos show views and details. The major artifact is a horizontal wooden crucifix in front of the altar. Additional photos of paintings and baptismal font. Object Notes: Hutzel photo campaign is undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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