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Historical Carved Artifacts

A collection of carved artifacts, including marble fragments, wood chest fronts, and iron plaques, showcasing intricate designs and historical significance.

Mirror, 4th-3rd century BCE, H.5-1/4 x W.5-1/4 in., Bronze, China, 4th-3rd century BCE
Mirror, 4th-3rd century BCE, H.5-1/4 x W.5-1/4 in., Bronze, China, 4th-3rd century BCE
190 assets in this story
Tile, flower pot in blue on white, corner pattern french lily, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedBanknote motif: a small six lobed ornament with a rope border, the interior adorned with lathe work florets ca. 1824-42 Associated with Cyrus Durand American. Banknote motif: a small six lobed ornament with a rope border, the interior adorned with lathe work florets 393985Ornament with a vase and leaf reflences..a vase between two volutes of leaf refrences, starting on the vase.Two chalkboard attachments in the form of flower vases with artificial flower decoration. .MirrorPILA BAUTISMAL PROCEDENTE DE LA IGLESIA DE SAN SALVADOR (TOLEDO), EN EL MUSEO DE SANTA CRUZ.Grahal-Manzara. Carnavalet 2013-2016 collection sites. Numismatics.Almanach impérial, pour l'année M. DCCC. XIII présente a S. M. l'Empereur et Roi, par Testu. Dimensions: 778 i.e. 978 pages ; Height: 8 1/4 in. (21 cm). Date: 1813.Un volume grand in-8, velin blanc. Aus armes peintes de Pierre Antoine Noel-Bruno, Comte Daru, sur le premier plat. Le second plat est orne de son chiffre couronne A.M.D. peint en vert, rose, bleu, jaune et violet. Museum: Metropolitan Museum of Art, New York, USA.Tile, blue draft, orange, yellow, brown and green on white, central flowerpot with marigolds, corner pattern, rosette, wall tile tile sculpture ceramics pottery glaze, baked 2x glazed painted Yellow reddish and red shard square two nail holes.German anonymous (Dresden). Rectangular white and gold rectangular box, with a burgundy lacquer decor. Hard stone (quartz) and chopped gold frame. 1740-1760. Paris, Cognacq-Jay museum. 58053-1 Rectangular box, decor, burgaint lacquer, chiseli frame, gold, hard stone, white quartz, view aboveFragmento sarcófago aquita. Museu de Empúries.Box of King Louis IX of France, seen on the lid, Léon Vidal, c. 1876 - c. 1883 photomechanical print Paris paper collotype chasing, embossing (industrial process). fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). coat of arms (as symbol of the state, etc.). chest, cofferDouble-sided Scout's banner. unknown, authorFragment of a linen tunic band, decorated with a grid pattern of lozenges and medallions with symmetrical motifs. From Egypt, 8th-9th century.Sundial probably ca. 1860-90 European. Sundial 202011Tile, flower on ground in orange, yellow, green and blue on white, corner motif oxen head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedMask French 17th-18th century View more. Mask. French. 17th-18th century. Gilt bronze. Metalwork-Gilt BronzeChest Front 15th century French. Chest Front. French. 15th century. Walnut. Woodwork-FurnitureFrame with the inscription: The Genuine Court Plaister London; "Blades, Jan Nikodem (1747-1810); around 1800 (1790-00-00-1810-00-00);Decorated lock plate, anonymous, 1587 Slot plate in the form of a classic porch with two columns on either side and a Roman head at the top. Between the Zalen, the city coat of arms, possibly that of Arkel, Gorinchem or Asperen, is installed with the year 1587 underneath. iron (metal) Buren Slot plate in the form of a classic porch with two columns on either side and a Roman head at the top. Between the Zalen, the city coat of arms, possibly that of Arkel, Gorinchem or Asperen, is installed with the year 1587 underneath. iron (metal) BurenOrnaments, Roman Szewczykowski's product in Warsaw; around 1915 (1914-00-00-1939-00-00);Fireback ca. 1797 Hopewell Furnace. Fireback. American. ca. 1797. Cast iron. Made in Elverson, Pennsylvania, United StatesRoundel with Animal Decoration Coptic. Roundel with Animal Decoration, 5th-7th century C.E. Wool, 3 x 4 in. (7.6 x 10.2 cm). Egyptian, Classical, Ancient Near Eastern Art 5th-7th century C.E.borders, Block-printed and flocked paper, Yellow and buff six-point rosettes printed on dark green flock. Between rosettes are rinceaux printed in light green parallel lines; entire design bordered within buff and yellow lines., France, ca. 1850, Wallcoverings, bordersTabernacle Frame style 16th century, made ca. 1920 Italian, Tuscan. Tabernacle Frame. Italian, Tuscan. style 16th century, made ca. 1920. Poplar and walnut. FramesFrame, c. 1600. Germany, Augsburg, 17th century. Glass, tortoise shell, silver enamel, gilt-bronze inner and outer frames; overall: 18.7 x 15.9 cm (7 3/8 x 6 1/4 in.).British, Neoclassical frame, Unknown framemaker, 4th quarter of 18th century, Wood and compo, later oil gilding and over original oil and water gildingseal of Jan Pilecki, Starost of Horodło. Pilecki, Jan (pocz.XVI w.-1574), signatoryPresentation box for a brush. Culture: China. Dimensions: Box (bottom): H. 1 1/2 in. (3.8 cm); W. 1 3/4 in. (4.4 cm); L. 12 3/8 in. (31.4 cm)Lid: H. 9/16 in. (1.4 cm); W. 1 1/2 in. (3.8 cm); L. 12 1/8 in. (30.8 cm)Box closed: H. 2 in. (5.1 cm).This luxurious lacquer box was designed to hold a writing brush from the imperial workshops. The main images on the box are of bats flying over waves. In Chinese, the word for "bat" is pronounced the same as "fortune" (fu). Thus, the bat is an auspicious animal symbolizing good fortune, as opposed to its negative connotations in the West. Museum: Metropolitan Museum of Art, New York, USA.Box -Binders. Seneca Binders. Seneca. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).Tile of chimney pilaster, blue on white, between two blue shaded edges 1644, above it floral motifs, chimney pilaster tile pilaster footage fragment ceramic pottery glaze, baked 2x glazed painted in the decoration: 1644 adornGalon sewn for cloth; 19th century (1801-00-00-1900-00-00);Comb and trial-piece made from carved bone and antler. Dated 9th CenturyTile, flower on spot in yellow, brown, green and blue on white, corner motif oxen head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedBracket 18th century British. Bracket. British. 18th century. Deal. WoodworkBeaded Bag. Dated: c. 1936. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.). Medium: watercolor, goauche, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James McLellan.Animal tile, sitting monkey to the left, in blue on white, corner motif ox's head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Red shard square two nail holes. Blue on white fond.Book Box 15th century Italian During the Norman rule of the eleventh century, southern Italy, particularly Salerno and its neighboring cities, developed, under Arabic influence, into a major center of medieval studies. By the twelfth century, much of the extant medieval knowledge had been complied in alphabetical compendia, which served as a basis of knowledge for the ensuing centuries of the Middle Ages. While the compendia, herbals, and the like reflected a considerable scientific knowledge, medical practices were still influenced by superstitions, horoscopic prognostications, and traditional remedies. Consequently, late medieval texts in common usage were mixtures of scientific and fallacious information. The widely circulated Gart der Gesundheit was typical, containing herbal cures of demonstrated medicinal value, some of which are still in use today, as well as more fantastic compounds such as ground unicorn horn, considered a universal cure. Nonetheless, these books were valued hBand Fragment with Botanical Decoration Coptic. Band Fragment with Botanical Decoration, 5th-7th century C.E. Linen, wool, 4 1/4 x 4 3/4 in. (10.8 x 12.1 cm). Egyptian, Classical, Ancient Near Eastern Art 5th-7th century C.E.Carved Date Stone. Dated: c. 1939. Dimensions: overall: 28.2 x 23.3 cm (11 1/8 x 9 3/16 in.) Original IAD Object: 28" high; 22" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Leslie Macklem.Stick; 19th century (1801-00-00-1900-00-00);Floor tile, brown draft, green and yellow on white ground, central green oblique glass in which white flower with yellow heart, half yellow diamonds, half green diamonds, floor tile tile images ceramic earthenware glaze, d 2.3Sarajevo, Bosnia and Herzegovina A bosniac embroidery plate (bands at the top) , 1912 - Balkans, Italy - Jean Brunhes and Auguste Léon - (October 13 - 27) (French - Sarajevo , Bosnie-Herzégovine Une plaque de broderies bosniaques ( bandes en haut )). Embroidery, decorative arts, textile work, Art, Bosnia, Sarajevo, a bosnian embroidery plate (bands at the top)CASULLA BORDADA - DETALLE.Flower Tile, flower on ground in orange, yellow, brown green and blue on white, corner pattern French lily, corner point orange, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Orange yellow brown green and blue on white.Comb and Brush Rack. Dated: c. 1936. Dimensions: overall: 30.3 x 22.9 cm (11 15/16 x 9 in.) Original IAD Object: 13 1/2"x10". Medium: watercolor, graphite and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: James M. Lawson.Pair of doors 1301-1400 Morocco. Wood with iron bolts and rings .Match Safe. Dated: c. 1940. Dimensions: overall: 29 x 23 cm (11 7/16 x 9 1/16 in.) Original IAD Object: 7 3/8" long; 3 1/2" wide. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Helen Hobart.Reliquary Diptych. 14th century with later modifications. Detail. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnu_tgen. Cologne, Germany.Dial with unusual decoration. A dial notable for its engraving of two Ottoman Turks on the outer surface of both leaves.Textile Swatches Onondaga Silk Company, Inc. (1925-1981). Textile Swatches, 1948-1959. silk; metal, (a) - (e): 8 1/2 x 4 1/2 in. (21.6 x 11.4 cm). 1948-1959Glasierte Fliese mit Bürstendekor Glazed tile with brush decoration, 15th century, Aragonese workshop, Huesca Diocesan Museum, Aragon community, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 22307741Remnant of Napoleon Parade Bed. Napoleon I remnant of the parade bed; A piece of beige textile with a stitched black floral pattern.Fireplace Surround Made 1870-1880 Norwich. Throughout the 1870s, Thomas Jeckyll designed a variety of Japonesque fireplace surrounds for the Norwich iron manufactory Barnard, Bishop and Barnards. The design for this surround was registered in 1874. Surrounds like this were so popular that the firm and designer opted to stamp this version with their emblematic signatures embedded within the design. This helped to ensure authenticity in a period when designs were still widely copied by competing manufactories. The design utilizes circular discs, called mon after Japanese heraldic emblems. When observed closely, the emblems for Barnard, Bishop and Barnards (four bees) and Thomas Jeckyll (a double moth motif) can be found in two mon in the upper register.. Cast iron . Thomas Jeckyll (Designer)Field of six tiles, Anonymous, c. 1660 - c. 1690 Field of 6 tiles (2 x 3) each with a blue painted Chinese with in the corners, a spider. Netherlands earthenware. tin glaze majolica Field of 6 tiles (2 x 3) each with a blue painted Chinese with in the corners, a spider. Netherlands earthenware. tin glaze majolicaCundall, Joseph, 22 cameos, photograph, photo, page, photos, photographically illustrated books, height 361 mm, width 270 mm, English, 1818-09-22 - 1895-01-10, photographer, 1868 - 1873, paper, carbon printFragment, Medium: silk, metallic thread, gold paint Technique: embroidered using satin, stem and couching stiches on satin weave; painted, Small fragment with a bouquet of multicolored flowers, leaves and buds tied with a ribbon. Satin weave ground is painted gold., France, early 18th century, embroidery & stitching, FragmentA question stamp depicting the stars surrounded A around 1913 1921 (1913-00-00-1921-00-00);Love Tokens. Dated: c. 1938. Dimensions: overall: 30.7 x 39.2 cm (12 1/16 x 15 7/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Bowman.Faience sign with image of woman with yoke in blue, plate crockery holder soil find ceramic earthenware glaze tin glaze lead glaze, faience shaped baked glazed painted baked Plate with flat mirror shallow shoulder and slightly slanted edge. White. Pictured is woman with wide hat with yoke and two buckets. Blue image on white background. Monochrome Pretty rough turnings at the bottom. Baked in cassette but the impressions of the pens are missing archeology decorate serving food interiorAnonymous / "Corner of the pool", XII-XIV centuries, Ceramics (stamped and glazed ceramics), 75 x 39 x 26 cm.Scene tile, landscape tile with house or chapel, blue decor on white ground, corner fill spider, wall tile tile sculpture ceramic earthenware glaze tin glaze, in shape made baked glazed painted baked Wall tile with blue decor on white background. Landscape tile landscape tile with house or chapel. Central representation two buildings of which the highest building is crowned by cross possibly church or chapel Right there three sailing ships. brown-yellow shard Scraped earthenware. Corner filling spins Slightly slanted sides of indigenous potteryTile, flower on ground in yellow, brown, green and blue on white, corner pattern french lily, corner point yellow, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedbake Sygnetowa Hebrew; 1562 (1562-00-00-1562-00-00);Judaica Symbols - SidurScene tile, blue with landscape with house with flag and haystack, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed paintedOttoman marble carving art in detailline in morocco africa old tile and colorated floor ceramic abstractConfessional. Dated: 1935/1942. Dimensions: overall: 36.6 x 24.5 cm (14 7/16 x 9 5/8 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.Playing cards. Homemade playing cards were used at sea. Norwegian Maritime Museum. Oslo. Norway.Symbolic photo on the topic Israel, Star of David, North Rhine-Westphalia, Germany, EuropeAntiker Teppich aus Stein. Antiker Teppich aus Stein. LicenseRF Copyright: xZoonar.com/DMITRIxMARUTAx 23224669Porcelain plate, decorated with the Golden Gate of the Palace of Fontainebleau, France 19th Century.Old books on white backgroundCarnavalet museum, medal collectionItaly, Brescia, Lake Garda, Floor mosaic from Roman Villa of DesenzanoCase (Inrō) with Design of Peacock and Pea Hen beside Flowering Malvern Plants 19th century Japan. Case (Inrō) with Design of Peacock and Pea Hen beside Flowering Malvern Plants 58907STRATY WOJENNE MNKStone altar consecrated to Endovellicus, by Marcus Licinius Nigellius. The inscription can be translated as "Marcus Licinius Nigellius, to the God Endovellico, fulfilled his vow for the health of his daughter Licinia Marciana". 2nd century AD. Sao Miguel da Mota. Terena. Alandroal, Evora. Portugal. National Archaeology Museum. Lisbon, Portugal.seal, lost wax cast, 15th century, Plentzia, Arkeologi Museoa, museo aqueologico, Bilbao, Bizkaia, Pais Vasco, Spain.Salon du Consul, Tuileries, 1st arrondissement, Paris Tuileries Palace. "Salon of the consul, Paris (IER ARR.)". Anonymous photography. Transparent stereoscopic view colored (night effect), albuminum paper, light holes. Between 1860 and 1870.Card case, Medium: leather, metal Technique: embroidered, Envelope-shaped case with embroidery in conventionalized floral design and initials F.M., in couched silver thread on red leather. Pieces of leather divide interior into four pockets. Clasp of silver filigree., Spain, 19th century, costume & accessories, Card caseButtons 5 (Ireland); bogwood oakTile ca. 1640-75 Dutch, Holland or Friesland. Tile 196170Facing brick with inscription anno. ,, c. 1736 Cartouche with curls, volutes and acanthus leaves, within which an oval in which the inscription anno. The top right corner has been demolished. The stone belongs to a stone (KOG-ALS-149-1) with D Dutch Hoedemakerij and a stone (KOG-ALS-149-3) with 1736. Netherlands (possibly) .Alf Bruseth, Firemark, 1935 1942 FiremarkBeer duty stamp, two gallons, 1883, New Zealand, by Bock and Cousins, Government Printer (N.Z.).Pouch 1830-60 American. Pouch 168412Large drum at the South Gate beside the city wall, Xian, Shaanxi Province, China