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Historical Clothing and Accessories

A collection of vintage garments including capes, veils, and coats, showcasing intricate embroidery and diverse cultural influences in soft colors.

Shawl; 1. PO. 19th century (1801-00-00-1850-00-00);
Shawl; 1. PO. 19th century (1801-00-00-1850-00-00);
121 assets in this story
Cape. Culture: American. Date: 1866-69. Museum: Metropolitan Museum of Art, New York, USA.Veil. Culture: probably British. Date: ca. 1835.Hat veils like this were worn both to veil the face modestly and also around the hat, off the face, to decorate the hat and facilitate flirtatious glances. The color of this one is particularly attention-getting. The motifs and their linear configuration, standard on veils of this type and period, show influence of Indian textile patterns. Museum: Metropolitan Museum of Art, New York, USA.American 20th Century, Cape, 1935 1942 CapeCoat, early 1900s. India, Kashmir, early 20th century. Woven and embroidered wool; overall: 128 x 175 cm (50 3/8 x 68 7/8 in.).Spencerek, women's hat; End of the 18th century (1790-00-00-1800-00-00), the beginning of the 19th century (1801-00-00-1810-00-00);Bailly, Rosa (1890-1976) - collection, gift (provenance), hatShawl; 1. PO. 19th century (1801-00-00-1850-00-00);Chasuble made of silk fabric unknownCape. unknown, authorPelerine ca. 1840 Irish. Pelerine 168483Cape ca. 1855 British. Cape 107633Pelerine first quarter 19th century American. Pelerine 168474Cape 1890s American. Cape 107152Fichu van Linnenbatist with whitework, anonymous, c. 1800 - c. 1900 Fichu van Linnenbatist with embroidered flower and leaf motifs in whitework. Netherlands (possibly) linen (material) Fichu van Linnenbatist with embroidered flower and leaf motifs in whitework. Netherlands (possibly) linen (material)Textile Fragment, 1500s. Italy, 16th century. Damask, silk; overall: 72 x 37.5 cm (28 3/8 x 14 3/4 in.).Banyan first quarter 18th century British. Banyan 94443Cap 1800-1810 American. Cap 116330Nightcap ca. 1835 American. Nightcap 169703Tie from printed side with edges and inserts of machining. Das of printed silk with edges and inserts of natural-colored machining, imitation of alençon side. Elongated rectangular model with halfway a narrowing of the width, by strength in wrinkle from the side. The natural silk is printed at the ends with red roses and blue daisifs. The long sides of the tie are trimmed with an edge side, with a pattern of garlands and flowers. The ends have two inserts lace, with a pattern of a rosette flower interspersed by a circular leaf sling. At the ends a strip side has been pleated to the tie, with a pattern of mates, a row of curved flower branches and a slot edge of cloud-shaped cartouches.Accessory set 1830s American or European. Accessory set. American or European. 1830s. cottonFragment ; silk, metallic threadCap 1830-50 Slovak. Cap 157090Wrapper 1849 probably American. Wrapper 109163Ensemble 18th century Greek. Ensemble 85882Corset ca. 1870 Royal Worcester Corset Company American. Corset 173651Headdress, 1700s. Germany, Swabia, 18th century. Embroidery, decorated with silver thread, imitation pearls, colored stones, and streamers of moiré ribbon; overall: 118.1 x 21.6 cm (46 1/2 x 8 1/2 in.).Bonnet ca. 1890 American. Bonnet 169569Stomacher ca. 1720 British. Stomacher 107921Skirt, jubka, cherry mourn and after. 18th century (1740-00-00-1760-00-00), 2. PO. 18th century (1750-00-00-1800-00-00), end of the 18th century (1791-00-00-1800-00-00);Flowers (ornament), geometric ornamental, szelążki (ornament)Stole ca. 1820 American. Stole 169919Choga late 19th century. Choga 86171Mantle 1885-90 American or European. Mantle 106943Crinoline ca. 1860 American This petticoat is made from metal wire and cotton tape. It would have been covered with an additional fabric petticoat to protect the dress worn over it. The hooping of cage crinolines could be made of whalebone, cane, or steel. The concentric skeleton of the cage would be held together with cloth tapes or it could be wholly encased in fabric. The expanse that could be achieved with this understructure was even greater than that provided by eighteenth-century panniers.. Crinoline. American. ca. 1860. metal, cottonBag ca. 1870 American. Bag 117197Hat late 19th century American. Hat 113059Court Robe, Imperial 19th century China. Court Robe, Imperial 68293Silk fabric from two dalmaticas unknownAmulet of the Feathers of Amon 1070 BCE-656 BCE Egypt. Granite . Ancient EgyptianKimono 19th century Japanese. Kimono 88312Saccos. Culture: Russian. Dimensions: L. 48 1/2 x W. (includ. sleeves) 50 inches (123.2 x 127.0 cm). Date: 1829. Museum: Metropolitan Museum of Art, New York, USA.Fragment of fabric unknownParasol 1885-90 Dupuy French Seen here is an example of the ultimate French parasol made by Dupuy which specialized in luxury goods. The maker was located on the exclusive street, the rue de la Paix, also home to the couture designers Paquin, Worth and Doucet. This parasol is of particular interest because of the claw motif. In the 1880s there was a thirst for novelty parasols and all manner of living creatures were used as inspiration for the handle and canopy decoration.. Parasol 157400Fragment multicolored silk tampas, anonymous, 1720 - 1730 Three fragments of silk tissue, with a mid -motif of silver leaves, palmets and flowers. NOTE: Self -sides: 1.1 cm, Effenbinding Satin (2 different colors 3 jobs) France (possibly) silk lampas (textile material) Three fragments of silk tissue, with a mid -motif of silver leaves, palmets and flowers. NOTE: Self -sides: 1.1 cm, Effenbinding Satin (2 different colors 3 jobs) France (possibly) silk lampas (textile material)Hat of gray and white silver thread and black satin bow with springs, c. 1948 - c. 1952 Hat of gray, white and silver thread tissue with stylized birds and black satin bow with feathers. Paris whole: velvet (fabric weave). whole: Satin. whole: Silver thread. Hat of gray, white and silver thread tissue with stylized birds and black satin bow with feathers. Paris whole: velvet (fabric weave). whole: Satin. whole: Silver thread.Smoking cap -Mantle. Culture: American or European. Date: 1840s. Museum: Metropolitan Museum of Art, New York, USA.Apron Front, late 20th century, 25 x 32in. (63.5 x 81.3cm), Cotton, metal, China, 20th centuryElongated wrap of ecrukligious nettle cloth with woven stripe, bordered with a rough along the bottom edge, double rough along the neck side, anonymous, c. 1820 - c. 1830 Elongated wrap of ecrukligious nettle cloth with vertical woven stripe, bordered with a rough with a very fine fold along the lower edge, double rough along the neck side. Middle part is made of four parts sewn together. Netherlands (possibly) whole: Cotton (textile) Elongated wrap of ecrukligious nettle cloth with vertical woven stripe, bordered with a rough with a very fine fold along the lower edge, double rough along the neck side. Middle part is made of four parts sewn together. Netherlands (possibly) whole: Cotton (textile)Tricorne 18th century Austrian. Tricorne 112627garnish unknownPhotographic print portraits of the Stots-Bashi. By Frederick William Beato. Dated 1870Hat of tulle transition, anonymous, c. 1835 - c. 1850 Tulle-transmission hat. Part of Regional Department, probably Het Gooi. Smooth and wrinkled from the front of the front, consisting of two parts with a length of lengths over the crown. A strip of tulle runs all around. From the front narrow and runs slightly wider. A strip of tulle transition is switched on smoothly. Bulb with pattern of oval leaves and blossoms on a stalk, field littered with florets. Veil with pattern of Drieblad, hanging down from a stem with flowers, field with litter. Throw, the (Possible) . Tulle-transmission hat. Part of Regional Department, probably Het Gooi. Smooth and wrinkled from the front of the front, consisting of two parts with a length of lengths over the crown. A strip of tulle runs all around. From the front narrow and runs slightly wider. A strip of tulle transition is switched on smoothly. Bulb with pattern of oval leaves and blossoms on a stalk, field littered with florets. Veil with pattern oHat ca. 1860 probably American. Hat 85413Stole. unknown, authorBonnet 1886-88 American. Bonnet 116497Headgear for a costume ball unknownA man figurine Troger, Simon (1693 1768)Miser's Purse (France); silk, metal; L: 21 cm (8 1/4 in.)Apron, 20th century, 18 x 28 3/4 in. (45.7 x 73 cm), Cotton, China, 20th centuryHat of black hair felt and black woolen jersey with two yellow button pins, Katja Robinski, c. 1958 - c. 1965 Hat of black hair felt and black woolen tricot with two yellow -lugs. Amsterdam Wool. pin: copper (metal). lining: Hat of black hair felt and black woolen tricot with two yellow -lugs. Amsterdam Wool. pin: copper (metal). lining:Textile, Medium: silk on silk Technique: satin stitch embroidery, Each fragment shows a portion of a design of a bouquet of tulips and small flowers, incomplete bouquets at either side. Worked in satin stitch., France, ca. 1770, embroidery & stitching, TextileChildren's hat with a low wide sphere, with satin bow ribbon, c. 1900 Children's hat with a low wide sphere and scalloped edge of natural cotton decorated with whitework and machine bobbin and intermediate sinks and strips, with satin bow ribbon. Model: from one whole. Equipped with lower edge of cotton batist with three laitond wires for reinforcement. Entrée with laitan wire. Decoration: Four concentric circles of whitework flowers and leaf garlands, dots, mechanical lace -in -the -edges with garlands and narrow, wrinkled strip of mechanical bobbin. The edge is trimmed with a ditto strip side. A salmon -colored satin bow ribbon around the sphere. Netherlands whole: Cotton (textile). whole: Silk. whole:. satin bobbin lace Children's hat with a low wide sphere and scalloped edge of natural cotton decorated with whitework and machine bobbin and intermediate sinks and strips, with satin bow ribbon. Model: from one whole. Equipped with lower edge of cotton batist with three laitond wires Waistcoat ca. 1740 British. Waistcoat 90105Fan unknownPromenade bonnet 1882 American. Promenade bonnet 113218Bliżej Kultury unknownCollar 1830s American. Collar 81578Chasuble. Culture: Italian. Dimensions: L. 40 1/2 x W. 28 1/4 inches (102.9 x 71.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.Panier consisting of two parts and made of ribs and blue checked linen; Part of a dress: BK-NM-13109., Anonymous, 1740-1760 Panier consisting of two parts and made of ribs and blue -checked linen. Belonging to inv.nr bk-nm-13109 (ladies' Japon). Netherlands (possibly) linen (material) Panier consisting of two parts and made of ribs and blue -checked linen. Belonging to inv.nr bk-nm-13109 (ladies' Japon). Netherlands (possibly) linen (material)Anonymous Capot in Plum silk velvet with oval cap, silk lace applications with satin ribbon brides, feathered fantasies, around 1875: front view 1875 velvet Silk Satin Degraces feather 25944-11 Woman, Mode (accessories), XIXth centuryNightcap, anonymous, c. 1808 Cotton sleeping hat, knitted with a symmetrical pattern of trees and birds. The hat has a knitted, scalloped edge with a repetitive pattern of a bush in a square container. Birds with long tail feathers on a barge shape on the bol. Do they refer to the Dutch garden with the freedom tree in the middle A small flap on top of the hat. Netherlands (possibly) linen (material). cotton (textile) knitting Cotton sleeping hat, knitted with a symmetrical pattern of trees and birds. The hat has a knitted, scalloped edge with a repetitive pattern of a bush in a square container. Birds with long tail feathers on a barge shape on the bol. Do they refer to the Dutch garden with the freedom tree in the middle A small flap on top of the hat. Netherlands (possibly) linen (material). cotton (textile) knittingCap ca. 1810 American. Cap. American. ca. 1810. CottonJacket for Tea Ceremony (chabaori). Culture: Japan. Dimensions: Overall: 40 3/16 x 50 3/8 in. (102 x 128 cm). Date: late 18th-mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.Cap 18th century French. Cap 98306Ladies underwear. unknown, authorChasuble; 18th century (1701-00-00-1800-00-00);Dance ensemble 20th century Japan. Dance ensemble 126312Cap ca. 1830 American. Cap 157754Fringe, Medium: silk Technique: plain weave, Yellow, brown and red fringe with a heading and skirt threads tied in loops; every fourth supporting a tassel with wired ornaments., Spain, 18th century, trimmings, FringeNoh robe, Medium: silk, gilded paper Technique: twill weave with supplementary weft patterning Label: silk twill with supplementary weft patterning in silk and gilded paper, Noh theatrical robe of terracotta silk twill brocaded heavily in colored silks and gilded paper with a design of chrysanthemums and five-petal flowers. Lined with solid terracotta silk., Japan, ca. 1800, costume & accessories, Noh robePoke bonnet. Culture: American. Date: ca. 1865.Poke bonnets, named for their small crown and large brim that extends past the face, shielded the profile of the wearer and provided for ample surface area for decoration. With its exuberant ribbon detail, this cheerful bonnet exudes youthfulness and the enchantment of spring. The feminine flourish of the decoration invites the passerby to see who is hiding beneath the brim of the bonnet. Museum: Metropolitan Museum of Art, New York, USA.Purse (France); silkCape unknownMobcap early 19th century American or European. Mobcap 82057Standing Figure 206 BCE-220 CE China. Jade .Sidewall (USA); block-printed; 37 x 26 cm (14 9/16 x 10 1/4 in. )Scholar's Robe, 20th century, 48 1/2 x 68in. (123.2 x 172.7cm), Silk, China, 20th centuryPiece 16th-17th century Italian. Piece 223415Bottle 18th century probably German. Bottle. probably German. 18th century. Glass; pewter. GlassMen Haori with the hills near the Daikyoan temple, 1920 - 1940 Haori For a man with a decoration on the lining of a circular image of a hilly landscape with a calligraphy poem above it, visible between two sliding doors with calligraphy and a seal, bottom left a triangular surface with a diamond pattern on which an image of a black tea cum, right Above a tea scoop (chashaku) with its box. On the right sliding door: "Takagamine Koetsu", seal "Daikyoan"; On the left door "Konu Ozan", Signature (KAO), possibly not from Ozan. The Culograaf Konu Nobuhiro (1599-1649), priestname Ozan, also trained in poetry, the tea ceremony and the incense play, played an important role in art life at the imperial court of the first half of the 17th century. He was in the same circles as the Caligraph and ceramist Honami Koetsu (1558-1637); The shown tea is in Koetsu's style and shows similarities with De Kom "Azuma". The drawing on the bowl is reminiscent of the round hills of Takagamine, visible here throLazio Roma Rome SS. Giovanni e Paolo, Museum22. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Baby carrier, ChinaMitaine van Silk, Green, Beige and Witstragen, Anonymous, c. 1800 - c. 1820 Mitaine van Zijde, alternating green, beige and white in width. Set with paved black tulle. Zaanstreek whole: Silk. knitting Mitaine van Zijde, alternating green, beige and white in width. Set with paved black tulle. Zaanstreek whole: Silk. knittingWoman's Cape. Dated: c. 1936. Dimensions: overall: 32.1 x 28.6 cm (12 5/8 x 11 1/4 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Helen E. Gilman.Rustic Christmas angel made out of hessian and gold cord. Shoulder-length wig of curled (people) Hair knotted on coarse linen supported by a grid of coarse mesh knotted rope, lined with a cap of glossed linen. The net is dropped off with a blue / white striped cotton band. Back at the bottom in the cap A tunnel with cotton cord to attract to head for closing fit. The dependent strands curled hair are kept together with linen straps. The pipe curls in the middle are held in place by a linen strip, which hangs on the cap with tires. Separation in the mid-front with curls left and right. Remains of powder (flour). The hair is planted from the front to the rear with three layers curls up.Pointed Morion Made 1570-1590 Italy. Steel .Hat used for the uniform of the Maltese bachelor after Otmar Łazarski Anton Uzel & SohnPouch 1840-60 American. Pouch 168393Ensemble ca. 1844 Philippine. Ensemble. Philippine. ca. 1844. piña