Historical Engravings and Portraits

A collection of intricate engravings featuring historical figures and allegorical representations, with themes of history, anatomy, and royalty, in a classical style.

Bourbon Court Scene World History/France(- ) Engraving Culver Pictures Inc.

Karl VI., Roman-German Kaiser.

Rostail, Charles Marquis and Comte de.

Thomas Cecil, Frontispiece, published 1627 Frontispiece

History sitting on a throne; Title page for: Liutprand, Opera, Antwerp, 1640. The female personification of history is on a stone throne and writes with a feather in a book. On either side of the throne are Mercury and a woman who hangs garlands with medals to a palm and a deciduous tree. On the base of the throne a reference to the roof of Europe.

TitelPrent Voor 'Myograph Nova or Muscles of all (...) accurate description' van John Browne, Romeyn de Hooghe, 1694 print A gentleman with a laurel wreath on the head and a book and a skull on their lap points with a wise stick to a human figure without skin (anatomical model of the human muscle tissue). Two putti at his feet. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving anatomical model of the muscles, muscle-man, 'écorché'. cupids together with attributes of the arts, sciences, etc.

Titelblad: Vases in ancient, Jean Lepautre, 1661 print Vase on a pedestal that contains two women who hold a tablet with a vase. From series of 6 unnumbered magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Schenk of Castell, Marquard.

The Hague, Limburg, Gillis van, Kaarsgieter, François de, Amsterdam, Gouwen, Gilliam van der, De Haagse Mercurius, Title page for Gillis van Limburg, 1698, Triumphal chariot of Mercury, verso bottom center - stamped, In front of a triumphal arch the triumphal chariot of Mercury, drawn by satyrs. Mercury is sitting in the triumphal chariot. Next to him Minerva with a standard on which the title of the book. Next to the triumphal chariot the personifications of music and poetry., print, title page, prints, height 185 mm, width 147 mm, South Netherlands - 1740, print maker, printmaker, 1698 - 1698, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Coat of arms of the gaocrowed society of Suriname, Bernard Picart, 1720 drawing Design drawing with the coat of arms of the gaocrowed society of Suriname. Design for a print. paper. ink pen / brush coat of arms (as symbol of the state, etc.) (+ nation; national) Suriname

Bourbon Court Scene World History/France(- ) Engraving Culver Pictures Inc.

Münster, Sebastian.

Six, Jan .

Cardinal virtues; Title page for: Joannes de Dicastillo, the Justitia et Jure Ceterisque Virtutibus CardinaLibus Libri Duo, 1641. On a pedestal, the personalized cardinal virtues are located. In the middle there are justice, with sword and scales and caution with mirror and snake. On the left is strength with the club and on the right moderation with horse steam is. Middle above the Christmonogram on a cartouche with rollerwork. Middle under the title of the book on a cartouche.

Zamoyski, Jan Savius .

Dutch Virgin flanked by Mars and Mercury, 1730 print Hollandse Virgin with bundles of arrows on her throne, on either side Mars and Mercury. The Dutch Lion lies at her feet. paper engraving / etching personifications of countries, nations, states, districts, etc.. (story of) Mars (Ares). (story of) Mercury (Hermes)

Allegorian print, Cornelis Schut (I), 1618 - 1655 print Two lions hold banners and the family crest of the Italian general Don Andrea Cantelmo. There is an eagle on top of the crowned weapon. The assignment, in a cartouche, is flanked by two harpes and guns. In a cartouche at the bottom of a river god and a nymph with the city of Antwerp in the background. paper etching / engraving Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'Gagliardezza', 'Value', 'Herica virtue', 'Virtue of the soul and body' (Ripa)

Cartouche with allegory on the demise of Persia; Title page for: Kornelis Westerbaen, General Histori, 1736. At the body of the murdered Persian King Darius, an angel hands over a laurel wreath and a paper as a symbol of the Persian rich in Macedonian soldiers, including king Alexander the Great. In the background a ruin landscape. In the picture frame of the cartouche sitting putti with globes and a representation of the four world riches as animals, seen by Daniel.

Amsterdam, Houthaeck, Tymon, Isaacsz., Isaac, Savery, Salomon, The six performances that are shown at the theater on June 23, 1648, Allegories on the Peace of Munster, Desired Freedom, Performance of the Desired Freedom, Isaacsz, verso - stamped, Performance of the Desired Freedom. Part of the performances staged on 23 June 1648 at the Schouwburg in Amsterdam on the occasion of the signing of the Peace of Munster. The second performance shows the personification of Freedom sitting on a pedestal, Fame in the air. In the caption a verse of 4 lines in Dutch., print, prent, prints, prenten, height 267 mm, width 188 mm, Noord-Nederlands, 1594 - 1683-10-16, print maker, printmaker, 1649 - 1649, paper, papier, etching, etsen, 1598 - 1649-07-03, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Title page for: monumenta Paderbornensia, 1672, Lambert Visscher, 1672 print Title page and a few pages from 'Monumenta Paderbornensia'. A classic arch with the title and a family crest. Under the title four river gods with water jugs and other attributes. Amsterdam paper engraving river. armorial bearing, heraldry. predatory birds: eagle. plants and herbs: ivy

Title page for 'relationship succincte et veritable de tout ce qui s'est passé pendant le siege de vienne etc.'; Jovi Propitio MARTI BIS ULTORI MDCLXXXII (...) Vere Heröica. Title page for 'Relations succiny et veritable de tout ce qui s'est passé pendant le siege de vienne etc.' On the pedestal an allegorical figure of the Habsburg Empire that travels a turban, symbol of the Turks who were beaten to be Vienna.

Allegory on the peace of Nijmegen and other events in the year 1678. Allegory on the peace of Nijmegen and other events in the year 1678. In the middle, a small representation of the oath bearings worn by two floured prisoners and weapons of Spain, France and the Republic. These are the main players: Louis XIV, Karel II of England and Willem III for the Temple of Janus on which portrait medallions of seven German princes. Below an open space intended for the almanac of 1679. Downstairs a few small scenes, including the battle of Saint-Denis.

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, First six months of the year, Majus, May, verso - stamped, In a rocaille cartouche people are dancing around the maypole. Around the representation rocaille ornaments, putti with flowers, twins and the associated sign of the zodiac. Publisher number 74., print, ornament print, prints, ornament prints, height 295 mm, width 187 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Monument raised by F. Girardon in memory of Claude Berbier of Metz. (YOUR)

Happel, Eberhard Werner.

Allegorical representation on the occasion of the marriage of Adriaan van Maten and Maria van Vollenhoven, Bernard Picart, 1721 print Allegorical representation on the occasion of the marriage of Adriaan van Maten and Maria van Vollenhoven in Amsterdam in 1721. The bridal couple holds each other's right hand and stands at the altar of Juno, where the marriage god Hymen marries them. Amor crowns the two with laurel wreaths. In the middle of the arms of the couple. Under the show The motto: Soli Tibi Pronuba Juno. Amsterdam paper etching / engraving (story of) Hymen(aeus). (story of) Cupid, Amor (Eros). (story of) Juno (Hera). (story of) Mercury (Hermes). marriage, married couple, 'matrimonium'

Müller, Heinrich.

Farmer and farmer's wife between agricultural equipment and horse and cow as a frame of cartouche with Vers, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1614 print Amsterdam paper etching / engraving farmers. agricultural implements. horse. cow

Funeral monument or epitaph for German theologian Johannes Schelhammer in the Evangelical Lutheran Church on the Lutheran Burgwal in The Hague A slab with Latin inscription commemorating him is the centerpiece of an architectural frame This is crowned by a medallion depicting the symbol of Christ's suffering: a pelican feeds her young with her own blood Two mourning women flank a portrait of Schelhammer, Tomb monument for Johannes Schelhammer Siste gradum viator Schelhammer IVL Hamb , print maker: François van Bleyswijck, (mentioned on object), intermediary draughtsman: Augustinus Terwesten (II), (mentioned on object), Johannes Hannart, (mentioned on object), print maker: Leiden, intermediary draughtsman: The Hague, The Hague, publisher: Delft, publisher: Amsterdam, 1730 - 1736, paper, etching, h 300 mm × w 182 mm

Church administration in England, 1708, Anonymous, 1706 - 1708 print Leaf on the ecclesiastical administration in England, 1708. On the left a show about the University of Oxford, in the middle of a meeting of the Anglican Church, on the right the University of Cambridge. With legends and explanations in French. At the top right marked: Tome 2 No. 50. From Chatelains Atlas Historique. paper etching / engraving university. organizations, assemblies, etc. ~ episcopal Protestant churches Oxford. Cambridge

History sitting on a throne, Cornelis Galle (II), After Peter Paul Rubens, after Erasmus Quellinus (II), 1640 print The female personification of history is on a stone throne and writes with a spring in a book. On either side of the throne are Mercury and a woman who hang garlands with medals on a palm and a deciduous tree. On the pedestal of the throne a reference to the robbery of Europe. Antwerp paper engraving 'Historia'; 'Historia' (Ripa). (story of) Mercury (Hermes). Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Allegory on Spain and Portugal, Jan Caspar Philips, 1759 print History is writing next to a map of Spain and Portugal on a pedestal. At her, putti with a horn of abundance and cityscapes of Madrid and Lisbon are standing. Above the pedestal the coats of arms of the two countries. In addition, a man with a hat and a Dominican with a banner with Dominicus with sword, olive branch and lamb. On the left, a putto reveals the map of America on a globe. paper etching / engraving 'History'; 'History' (ripe). Cupids: 'Amores', 'Amoretti', 'Putti' Maps, atlases. Coat of Arms (AS Symbol of the State, etc.) Spain. Portugal. Madrid. Lissabon

Rome, Rossi, Giovanni Giacomo de', Italy, Romano, Giulio, Bartoli, Pietro Sante, History of Emperor Constantine, Monocromata, in Constantiniana Vaticani aula, ab artifice summo Iulio Pippio Romano, Emperor Constantine, verso - stamped, Emperor Constantine stands before an altar. Next to him are soldiers. Two men kneel in the front left. On the far left and right lie two river gods. Title and legend in the lower margin., print, prints, height 135 mm, width 283 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

The Imperial Divan in Constantinople of the Ottoman Empire hears news of the capture of Ochakiv, 1788. Versammlung der Divans in der Nacht da die Nachricht von der Eroberung von Oczahow in Constantinople angekommen. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from 12 Blätter Darstellungen aus der neuen Geschichte, 12 Pictures Illustrating Modern History, Germany, 1789.

Symbidified column with statue for Amsterdam mayor E. de Vrij Temminck, Cornelis Bogerts, after Pieter Wagenaar (II), 1781 print Statue in honor of Amsterdam mayor Egbert de Vrijinminck because of the word at the Prince of Orange on 8 June 1781. Standing figure with the keys of the city of Amsterdam in one hand, with the other he pierces with the Het Men of The freedom the envy. At the foot of the Hair De Amsterdamse Stadsmandaag and an allegorical female figure with key and ring (possibly the loyalty). In the background on the right the town hall and on the left the Kalverstraat. A four -line verse in the caption. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. personification of a city, town-patron(ess) Kalverstraat. Amsterdam

Display of the Crowned Peace, 1648; The crowned sweetheart; Allegories on the Peace of Munster; The six shows that exhibits on the Schouburg (...) are the 1648 Iunij 1648. Display of the Crowned Peace. Part of the impressions raised on June 23, 1648 at the Schouwburg in Amsterdam following the conclusion of the Munster peace. The first show shows the arrival of the triumphy of peace with the justice and coronation of peace by two putti. In the caption a verse of 4 lines in Dutch.

Jacques Callot (1592-1635). "Frontispiece of miracles and graces of Notre-Dame de Bon-Secours-les-Nancy (Lieure 669, Meaume 197). Eau-tie. 1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-13 Etching, engraving

Antwerp, Moretus, Balthasar (II), Rubens, Peter Paul, Galle, Cornelis (I), Title page for: Hubert Goltzius, Icones Imperatorum Romanum, 1645, Julius Caesar enthroned on a pedestal, verso - stamped, Julius Caesar enthroned on a pedestal with in his right hand a statue of Victory, in his left hand a globe. On the left Emperor Constantine with globe and a banner with the chi-rho symbol. On the right Emperor Rudolf I with sword and orb. The coat of arms of the House of Habsburg is next to his feet., print, engraving, title page, prints, engravings, height 309 mm, width 207 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, printmaker, 1645 - 1645, paper, papier, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, Belgian, 1615 - 1674, publisher

Vos, Maerten de, Antwerp, Wierix, Medallions with the conquest of the citadel of Antwerp in 1577, The digging up of the bulwarks by the people of Antwerp, 1577, verso lower left - stamped, 23 August 1577. Procession of inhabitants of Antwerp armed with spades and baskets on their way to the citadel. In the background the demolition and excavation of the fortress. Representation in a round medallion with ornamental allegorical frame with at the top the seated female personifications of Diligence (Diligentia) and Freedom (Libertas). At the bottom a cartouche with 2 verses of 6 lines each in French and Dutch., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 280 mm, width 219 mm, print maker, printmaker, 1578 - 1578, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), South Netherlands, 1532 - 1603-12-04, intermediary draughtsman

Promotion print assigned to Innocentus XII, May 1693, Robert van Audenaerd, After Giovanni Battista Gaulli, 1673 - 1743 print paper etching / engraving

Title page for the Hollandsche Mercury for the year 1671, 1672 print Title page for the Hollandsche Mercury for the year 1671. Mercury standing on an elevation with the Wapen van Holland, right father time, around several small scenes of historical events. print maker: Netherlandspublisher: Haarlem paper etching specific aspects, allegorical aspects of Mercury; Mercury as patron. Father Time, man with wings and scythe

Charles III, Duke of Bourbon (1490-1527). French nobleman and military leader. Trial of the Constable of Bourbon before the court of Peers of France, 1523. 19th-century engraving after "La Monarchie Françoise", by Bernard de Montfaucon (1655-1741). Published in Paris, 1729. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Non -hearted slave attacks another servant, Anonymous, After Gerard van Groeningen, After Hans Vredeman de Vries, after Maarten van Heemskerck, 1568 - 1577 print The servant, whose debts have just been abandoned by the king, attacks another servant who is guilty of some money. On the right in the background, the man begs for grace, but the non -heartless servant takes him to prison. The show is caught in a list of rolling and ornaments, in which lion masks are incorporated. Antwerp paper etching / engraving / letterpress printing the unmerciful servant attacks his fellow-servant who owes him money, and casts him into prison ~ parable of the unmerciful servant. scrollwork, strapwork ~ ornament

Chimneys in the Italian Manner. Jean Le Pautre; French, 1618-1682. Date: 1669-1670. Dimensions: 215 × 149 mm (plate); 224 × 155 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Monument to the Remonstrants, approx. 1800; Monument to the remonstrators. The history of the remonstrants depicted in various historical shows, portraits and allegorical figures, depicted in medallions against the portal of a church, approx. 1800. Central De Haag conference in 1611, the Synod of Dordrecht in 1619 and the first meeting Antwerp in 1619. Upper portraits of Jacobus Arminius, Johan van Oldenbarneveld, Simon Episcopius, Johannes Wtenbogaert and Hugo de Groot.

Allegory of death and transience of life, 1599 print In a round tent, a putto is blowing ('Homo Bulla' - 'Man is a bubble' - is on the edge of the niche in which he is in), flanked by a emperor and a farm worker. Above the putto a representation of the last judgment. At the top left a cartouche with a round representation of the fall; At the top right a cartouche with round representation of the crucifixion. There are two corpses in the foreground (the emperor and the farmer, according to the broken crown the far left and the battered scoop at the front right). On the left in the foreground also a vase with flowers; On the right a vase from which smoke rises and a broken hourglass. Provided with explanatory texts that refer to death (which makes no distinction between the positions) and the transience of human life. With Latin caption in the form of four quatrains. Netherlands paper engraving (personifications of) 'Vanitas', the vanity of human life; Fragilití humana, Fugacití delle gr

Memorial monument for Adolf Frederik van der Scheer, Jan Gerritsz. Visser, 1811 - 1813 print Memorial monument for the pastor Adolf Frederik van der Scheer. On the right an allegorical female figure with a jet wreath on her chest, in the personification of the hope, with an anchor. Above the portrait an angel with a laurel wreath. Amsterdam paper etching / engraving grave-building, monumental tomb. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

The caption for this engraving reads: 'General History of the Century. The small image, inserted at the base of the piece, is a view of Paris by Merian.' The century involved is the 17th (1600s). The illustration served as a frontispiece and was done by Boquet. The banner at top reads, in French: Histoire Generale du Siecle 1700. Seated in the forefront are the kings of France in the 1600s - Henry IV, Louis XIII, Louis XIV. Members of the clergy are in a semi-circle behind.

Title page for the Hollandsche Mercurius for the year 1671. Title page for the Hollandsche Mercurius for the year 1671. Mercury standing on an increase with the coat of arms of Holland, right father time, surrounding various small scenes of historical events.

Portraits of Andrea and Giorgio Barbarigo, the Spanish king and the personification of Venice, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. A medallion with the portraits of Andrea and Giorgio Barbarigo on the front. They wear a kuras or breast harness. On the back Victoria. The pedestal is surrounded by the Spanish king (Philip II), The Pope and the female personification of Venice (as a dogana with dogehoed). The king and the dogana reach each other's hand. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). other sovereign: doge. king. pope

Haarlem, Casteleyn, Pieter, Hooghe, Romeyn de, Netherlands, Title page for the Hollandsche Mercurius for the year 1671, Title page for the Hollandsche Mercurius for the year 1671. Mercury standing on a dais with the coat of arms of Holland, on the right Father Time, around him various small scenes of historical events., print, engraving, title page, prints, engravings, Frederik Muller Historieplaten, height 168 mm, width 130 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1672 - 1672, third quarter 17th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1618 - 1676, publisher

Allegorie on the arrival of Ferdinand from Austria to Antwerp, Jacob Neefs, after Peter Paul Rubens, 1642 print Allegorical representation in honor of the entry of Ferdinand of Austria, governor of the Southern Netherlands, on 5 May 1635 in Antwerp. A classic temple is crowned by the portrait of Philip IV of Spain, and profil to the left. The portrait is placed in a round laurel wreath, flanked on either side by a cornucopia. On the pediment you can see how Ferdinand of Austria is given the scepter of Philip IV. A eagle flies above this scene, behind Ferdinand of Austria stands a woman with a staff and a snake winds around a column. The four columns of the temple represent the victory, Mars, Mercury and the Peace. At the top of the personalized sun and moon. Antwerp paper engraving 'Victoria'; 'Vittoria', 'Vittoria navale', 'Vittoria degl'antichi' (Ripa). (story of) Mars (Ares). (story of) Mercury (Hermes). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). the chariot of the sun. the

Mathematician and Putti, Cornelis Galle (II), Abraham van Diepenbeeck, 1647 print A lion skin is tense between two columns with the title of the book. A man draws a circle and a triangle in the sand with a stick. Two men behind him look at it. On the right two putti showing medals, behind three putti that draw a circle with a passer. Antwerp paper engraving drawing, measuring, calculating. cupids: 'amores', 'amoretti', 'putti'

Amsterdam, Danckerts, Justus, Nieulandt, Adriaen van (I), Northern Netherlands, Passe, Simon van de, Wilhem Hendrick DG Prince of Orange, Count of Nassau Cap. and Admiral General of the United Netherlands, Emblematic print in honour of William III, Emblematic representation with in the middle the portrait of William III surrounded by various allegorical figures. Below the representation a Dutch verse of eight lines. This print was printed from a plate from 1624 in which the original portrait of Frederik Hendrik has been replaced by that of Willem III., print, prent, prints, prenten, Frederik Muller Historieplaten, height 572 mm, width 440 mm, Noord-Nederlands, 1595 - 1647-05-06, print maker, prentmaker, 1624 - 1624, first quarter 17th century, eerste kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, engraving (printing process), etching, 1586 - 1658-07-07, after, after painting by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publ

Montaigne, Michel de.

Leopold II, Emperor from , Johann Hieronymus Delete Kohl -, publishing house

The death of Jacob, Jacob is lying on the bed surrounded by his sons. His son Joseph kneels beside the bed and receives his father's blessing. Presentation in an ornamental table with two caryatids. Below the show a cartouche with a Latin verse from Gen 49:28., Jacob's death (Genesis 49:33, 50: 1-14), Zacharias Dolendo (mentioned on object), Leiden (possibly), c. 1599, paper, engraving, h 158 mm × w 110 mm

Louis XIV (King of France), Paris, Errard, Charles II, Polidoro da Caravaggio, France, Lochon, René, Divers Trophées, Title page: Divers Trophées, Two putti sit in front of a trophy of arms next to an oval shield with the title. From a series of title page and five leaves., print, ornamental print, title page, prints, ornamental prints, height 221 mm, width 300 mm, 1636 - 1675, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1607 - 1689-05-25, after a design by, Italian, 1490 - 1543, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

View of Utrecht and allegory with Minerva and virtues, A view of the city of Utrecht with the silhouette of the Dom church in an architectural setting with the goddess Minerva and three personifications of virtues: Temperance, Justice and Caution. The list is crowned with a round shield with the motto of the University of Utrecht between two putti blowing on trumpets, (story of) Minerva (Pallas, Athena), Prudence, 'Prudentia', 'Prudenza' (Ripa), one of the Four Cardinal Virtues, Temperance, 'Temperantia', 'Temperanza' (Ripa), Justice, 'Justitia', 'Giustitia divina' (Ripa), Utrecht, François van Bleyswijck (mentioned on object), 1728 - 1771, paper, etching, h 230 mm × w 163 mm

Vos, Maerten de, Southern Netherlands, Wierix, Medallions with the conquest of the citadel of Antwerp in 1577, The Digging Down of the Bulwarks by the Antwerp Citizens, 1577, verso - stamped, 23 August 1577. Procession of Antwerp citizens armed with spades and baskets on their way to the citadel. In the background the demolition and digging down of the fortress. Representation in a round medallion with ornamental allegorical frame with at the top the seated female personifications of Diligence (Diligentia) and Liberty (Libertas). At the bottom a cartouche with 2 verses of 6 lines each in French and Dutch., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 283 mm, width 220 mm, print maker, printmaker, 1578 - 1578, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), South Netherlands, 1532 - 1603-12-04, intermediary draughtsman

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Marco Barbarigo and the personifications of Vigilance and Justice, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the front a portrait of Marco Barbarigo with a doge's hat. On the back a laurel wreath with the text: Servavi Bello Patriam ... The pedestal is surrounded by personifications. On the left stands Vigilance with a crane on her helmet and a torch and shield in her hands. On the pedestal Justice defeats evil with sword and scales. The print is part of an album., print, prent, albumblad, prints, prenten, height 219 mm, width 235 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Chimneys in the Italian Manner 1669-1670 France. Etching on ivory laid paper . Jean Le Pautre

Graftombe of the H. Cecilia in the Santa Cecilia in Trastevere in Rome. The graftombe of the H. Cecilia in the Santa Cecilia in Trastevere in Rome. The saint lies in the grave. The tomb in the middle is surrounded by nine cartouches with scenes from the life of the H. Cecilia and explanatory text.

Intake of Den Briel, Simon Fokke, After Jan Luyken, 1722 - 1784 print The intake of Den Briel depicted with two historical figures in oval portrait. Between the portraits is the personification of freedom with freedom hat on a stick. Amsterdam paper etching Freedom, Liberty; 'Libertà' (Ripa). historical events and situations

Martyrdom of Saint Andrew, plate three from The Martyrdoms of the Apostles Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Northern Netherlands, Monument for Abraham Valentijn and the conquest of Kattenburg, 1787, verso - stamped, Allegory with a representation of the conquest of Kattenburg from the rebellious Orange supporters by the armed citizens of Amsterdam on a pedestal on May 30, 1787. On the monument a portrait of Colonel Abraham Valentijn who was in charge of this action, with engineers, de Faam and two soldiers on guard., print, prent, prints, Frederik Muller Historieplaten, height 125 mm, width 85 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process)

Statue of the Duke of Alva, 1571. The Statue of the Duke of Alva, established by himself in the courtyard of the Citadel in Antwerp, 1571. In accompaniment made up of scenes of executions, represented, torture tools and allegorical elements that refer to the tyranny In the Netherlands under Alva.

The parents of Bibiana; Paintings and images from the Santa Bibiana church in Rome. The images of the parents of Bibiana and her sister Demetria placed in a wall in two niches. Left Dafrosa The mother of Bibiana, right her father Flavian. Both were murdered on memory of the Roman governor Apronianus.

. A grateful fatherlander, member of a Vrijkborig, depends a portrait of Hendrik Hooft Danielsz. At an honorary column, 1787. Behind the monument, the fame blows on Har Bazuin, a Keeshond is on the floor.

Almanac for the year 1667 (IT)

Ferdinand III (German Emperor), Antwerp, Meurs, Jacob van, Johannes van, Diepenbeeck, Abraham van, Galle, Cornelis (II), Title page for: Gregorius à Sancto Vincentio, Problema Austriacum plvs vltra qvadratvra circvli, Antwerp: 1647, verso - stamped, Title page for a mathematical book on measuring the area of a circle. A lion's skin is stretched between two columns with the title of the book. A man draws a circle and a triangle in the sand with a stick. Two men are looking at it. On the right two putti showing medals, behind three putti drawing a circle with a compass., print, engraving, title page, prints, height 320 mm, width 205 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1647 - 1647, paper, engraving (printing process), 1596-05-09 - 1675, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, 1620 - 1680-05-20, German, 1608-07-13 - 1657-04-02, granter of privilege

. In the middle of a bow there is an allegorical figure that depicts the twelve months. The figure has a Januskop (old and young), raised sword in the right hand, keys in the left hand. On the banderole above his head: Menses Anni Solaris. In four Nissen the personnifications of the four seasons. On the Frisian the signs of the zodiac. At the top left Apollo (SOL) on his solar car; At the top right Diana (Luna) in her victory.

Dissidium In Ecclesia, from Allegories of the Christian Faith, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 10 3/16 x 7 5/16 in. (25.8 x 18.6 cm). Date: 1575-1617. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

Illustration at Canto XIX of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a performance at Canto XVII of TASSO's 'Gerusalemme Liberata'. A large army of Christian fighters tries to open the city gates of Jerusalem.

Monument to Willem IV with coat of arms of Utrecht, 1747. Monument with a portrait medallion of Stadholder Willem IV between Minerva and justice. The weapon of Utrecht is on the monument and the shield of Minerva. Books, writings and university staff from the University of Utrecht on the ground.

Emperor Charles V surrounded by his conquered opponents; Victories of Charles V; Divi Caroli. V. Imp. opt. Max victoriae, ex multis praecipuae. Emperor Charles V sits on a throne, with an eagle between his feet. In its beak, the eagle has a ring to which ropes are attached to which the conquered enemies of the emperor are bound. To the left of the throne: French I, king of France, Pope Clemens VII and the Turkish prince Süleyman I. On the right side, the German Protestant Principles Philip I, Landgraaf van Hessen, Maurits, the Keurvorst of Saxony and Willem II, Duke van Gelre, Kleef, Gulik and Berg. The print has a Latin caption and is part of a twelve-part series about the victories of Karel V.

Amsterdam, Visscher, Nicolaes (I), Hooghe, Romeyn de, Jovi Propitio Marti bis ultori MDCLXXXII Vere Heröica, Title page for 'Relation succincte et veritable de tout ce qui s'est passé pendant le Siege de Vienne etc.', Title page for 'Relation succincte et veritable de tout ce qui s'est passé pendant le Siege de Vienne etc.' On a pedestal an allegorical figure of the Habsburg Empire trampling on a turban, symbol of the Turks defeated at the Battle of Vienna., print, engraving, title print, prints, height 164 mm, width 159 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1684 - 1684, fourth quarter 17th century, paper, papier, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1618-01-25 - 1679, publisher

Allegorical composition in honor of William V Prince of Orange-Nassau, 11 July 1787, 11 July 1787. A bust portrait hangs from an altar a medallion by Willem V. Below the portrait four other medallions with from left to right, justice, agriculture, harmony, weapons and the cornucopia. The portrait of Willem V is flanked by two emblematic figures. On the left the winged Faam with her trumpet and on the right a lady with the freedom hat and in her left hand the coats of arms of Orange and Prussia. The Dutch lion watches over her. On the altar stands the orange tree, which is illuminated from heaven by God's eye. Below the image a fourteen line verse in two columns, between which the Zeeland and the Prussian arms, Fame, 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (personification), head-gear (with NAME), Freedom, Liberty, 'Libertà' (Ripa) (symbolical representation of concept), beasts of prey, predatory animals: lion, the all-seeing eye, triangle with eye, symbol of God the Father, attribut

Reproduction of the print with excavating the strongholds by the Antwerp resources, 1577; Reproductions of the medallions with the conquest of the Citadel of Antwerp in 1577. Reproduction of the print with excavating the strongholds by Antwerpen, August 23, 1577. Procession of residents of Antwerp armed with spades and baskets on the way to the citadel. In the background demolishing and excavating the fortress. Presentation in a round medallion with ornamental allegorical frame with the sitting female Personifications of Vlijt (Diligentia) and Freedom (Libertas). At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Allegorical grave monument for the Petrus Broes pastor. On the right the personification of time, with corners and a sickle, which makes an end to life. On the left a whimping woman with a book under the arm. They flank the oval portrait of Broes, which is framed by the Ouroboros: a snake that bites in his own tail: the sign of eternity. Behind the portrait a column with the family arm decorated with flowers. Three skulls under the monument.

Summer ca. 1637 Abraham Bosse French. Summer 371587

Vos, Jan, Verhulst, Rombout, Northern Netherlands, Jemaar, Philippe, Pieter, Grave monument for Pieter Adriaansz. van der Werff in the Hooglandse church in Leiden, Grave monument for Pieter Adriaansz. van der Werff, mayor of Leiden during the siege in 1574, in the Hooglandse church in Leiden by Rombout Verhulst (1661). At the top a portrait, in the middle an oval with Latin text in a frame with a border with oak leaves and two putti, at the bottom two coats of arms and an hourglass. In the caption 2 verses of 7 lines each in Dutch., print, prints, Frederik Muller Historieplaten, height 391 mm, width 268 mm, 1635 - 1702, print maker, printmaker, 1661 - 1667, third quarter 17th century, paper, engraving, engraving (printing process), 1624-01-15 - 1698-11-27, after image of, 1610 - 1667, writer

Minerva and Kneeling Scholars, Anonymous, After Jan Goeree, 1710 - 1750 print On the left on a throne is a woman, possibly Minerva as a personification of justice, with a tablet with the mus publicum et private UM. Left of her state a soldier, on the right three scholars are. In front of her is a group of men, possibly also scholars, kneeling and all with the gesture. In the background, scholars sit at the table for a temple of Honos and Virtus. At the top, Mercury with Caduceus and Fama with Bazuin flank a medallion with title worn by two putto. In her hand, Fama holds a paper role with text Dii Laboribus Omnia Promittunt. paper engraving / etching (story of) Minerva (Pallas, Athena). group of scholars or philosophers

Title Print for: Les Portraits de Tous les Souverains, Princes et ducs de Brabant. Title shield with the name of the print series worn by two lions. There are two putti on the shield, one with a laurel wreath, the other with a palm branch. The putti lean against the coat of arms of Brabant. Under the show an assignment to Karel van den Bosch, in the middle his weapon and motto.

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge an allegorical representation of transience. On either side of the show a curtain. Under the show a twelve arrangement fresh in two columns. Numbered in the middle: No. 42.

Portrait of Karel Theodoor van Beieren in Allegorical frame, Jacob Andreas Fridrich (II), 1734 - 1779 print Print maker: Augsburg print maker: Augsburg Publisher: Augsbugal Roman Empire paper engraving / etching historical persons. ruler, sovereign. rocaille ornament. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). armour. symbols, allegories of war; 'Guerra' (Ripa)

Leiden, Hackius, Franciscus, Otter, E. den, Northern Netherlands, Holsteyn, Pieter (II), Title page for: La veritable origin maison de Sohier, 1661, Many putti with arms, The arms of Constantin Sohier under a canopy held up by putti, each individually holding more arms. On the left and right a female figure on a pedestal. At the bottom two putti hold a cartouche with the imprint. At the top two putti hold a banderole with the title in three lines in French, print, prent, prints, prenten, height 405 mm, width 240 mm, 1614 - 1673-11, print maker, printmaker, 1661 - 1661, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Dutch virgin flanked by Mars and Mercury; Title page for: Jean Le Clerc, History of the United Netherlands, Part 2, 1730.Dutch Virgin With Arrows Bundles on Her Throne, On Both Sides Mars and Mercury. The Dutch Lion is located at Her Feet.

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV, Charles Grignion, 1717-1810, British, or Charles Grignion, 1754-1804, British, after unknown artist, undated, Etching and line engraving on moderately thick, slightly textured, beige wove paper, Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm), Plate: 6 15/16 x 4 5/16 inches (17.7 x 10.9 cm), and Image: 6 x 3 15/16 inches (15.2 x 10 cm), book, boy, capes, cloaks, crowns, Dictes and Sayings of the Philosophers, 1477, emblems, ermine, fur, historical subject, illustration, interior, king (person), kneeling, men, orbs, peers, plaque, prince, queen (person), royalty, scepters, servants, tunic, women

Antwerp, Plantiniana, Officina, Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: B. Cordier, Catena sexaginta quinque graecorum patrum in S. Lucam, Antwerp: 1628, Augustine and Athanasius with the four evangelist symbols, verso - stamped, The two church fathers Augustine (left) and Athanasius (right) next to an oxhide with the title of the book. The ox, the lion, the eagle and the angel symbolize the evangelists. The evangelist Luke sits above the ox's head and receives a chain from the personification of Truth. Under the arms of Emperor Ferdinand II., print, title page, prints, height 315 mm, width 207 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1628 - 1628, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher

HENLE DE BOURBON IIII (TI)

Title print of Passio, Mors et Resurrection DN. Nostri Jesu Christ, Philips Galle, After Jan van der Straet, 1585 - 1586 print In an octagonal list the title of the series. In addition, Fernando de 'Medici's coat of arms. Under the title a cartouche with a dedication. In addition to the title the tools of the passion. One of the four evangelists in the four corners of the print. The print has a Latin caption and is part of a series about passion, by and resurrection of Christ. paper engraving title-page. the four symbols of the evangelists, 'the apocalyptic beasts'. evangelists, usually with books or scrolls (not in biblical context). single instruments of the Passion. armorial bearing, heraldry

Amsterdam, Esveldt, Steven van, Goeree, Jan, Baptist, Jacobus, Title page for: Willem Focquenbroch, All the works First part, 1766, Monument of Willem van Focquenbroch, verso - stamped, A woman, putti and children with goat legs bring offerings to a monument with a portrait medallion of the Dutch poet Willem van Focquenbroch. On the monument sit two satyrs., print, engraving, title page, prints, height 157 mm, width 96 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1766 - 1766, paper, papier, etching, etchings, engraving (printing process), 1670-10-20 - 1731-01-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrenees ca. 1664-5 François Chauveau Monument to Cardinal Mazarin, with a statue of the Cardinal at top, flanked by two eagles and flags. The Cardinal's coat of arms is at center.. Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrenees 700249

Staten van Holland en West-Friesland, Marot, Daniël (I), Noordelijke Nederlanden, The four large Tableaux illuminated by a fire of art representing the Conquests rampage in France and Spain by the Arms of the High Allies in 1702, Ruremonde dated 7 October 1702, Panel with the victory at Roermond, 1702, Northern Netherlands, Panel with a representation of the victory at Roermond on 7 October 1702. Part of the decorations on the scaffolding with the Temple of Mars during the fireworks on the Hofvijver on 13 December 1702 in The Hague. The Temple of Mars was decorated with eight panels depicting victories of the Allies over France and Spain in the year 1702., print, prent, prints, prenten, Frederik Muller Historieplaten, height 272 mm, width 185 mm, 1663 - 1752-06-04, print maker, prentmaker, 1702 - 1702, first quarter 18th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher, uitgever, verlener, verlener van privilege

Rome, Aelst, Nicolaus van, Tempesta, Antonio, Battle scenes (series 3), Frontispiece with a coat of arms with a goat, flanked by Fraud and Envy, verso - stamped, flanked by the personifications of fraud and envy. Below a cartouche with dedication in Italian. In the background a battle scene with soldiers on horseback., print, engraving, title print, prints, engravings, height 239 mm, width 327 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1601 - 1601, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

The revolutions of Paris: honors returned to the memory of Le Peletier: Thursday, January 24, 1793, the body of the martyr of freedom ... ". Estampe. Paris, Musée Carnavalet. 39975-6 Corps, print, funeral, politician, honor rendered, French lawyer, martyr freedom, memory, French revolution

People at the age of ninety, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments, a performance of an old bought man who runs on two crutches and is guided by a boy. The boy points to a lumberjack. A winter landscape in the background. The print has a Latin and French caption. Antwerp paper etching / engraving old man. winter landscape; landscape symbolizing winter (the four seasons of the year). hunchback. woodcutting, woodcutter ~ forestry. crutches

Wszyscy Święci w MNK Monogramista J.F.

Unterschiedlich Augspurgische Goldschmidts Arbeit, Suite 1, Title Page, Abraham Drentwet, 1647 - 1727, Georg Heinrich Schifflen, German, 1666 - 1745, Jeremias Wolff, German, 1663-1750, Engraving, Germany, 1721-40, furniture, Print, Print

Lyon, Deville, Chauveau, François, Scotin, Gérard Jean Baptiste (II), Title page for: Pierre Danet, Grand Dictionnaire François et Latin, 1728, Arion jumps overboard on a dolphin, verso - stamped, The singer Arion plays his lyre on the afterdeck of a ship and jumps overboard at the end of his song. On the left in the sea the dolphin on whose back Arion will travel to Tainaron. Above the representation two angels with the coat of arms of the Dauphin. At the bottom a merman and -minus on either side of the title., print, title page, prints, height 238 mm, width 179 mm, French, 1698-09-13 - 1755, print maker, printmaker, 1728 - 1728, paper, engraving, engraving (printing process), Work conception, 1613-05-10 - 1676-02-03, after a design by, Publication (Event), Publication, publisher

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