Historical Fashion Illustrations

19th-century fashion prints depicting women in traditional attire, highlighting intricate designs and cultural styles from history.

French aristocrat in formal 'costume de Cour' Date: circa 1800

Fashion Plate, 'Morning Walking Dress' for 'La Belle Assemblée'. England, London, September 1, 1816. Prints; engravings. Hand-colored engraving on paper

Marie Dorval in Charles Duveyrier's Lady Seymour, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Journal of ladies and fashions, 1803 - 1804 paper. printing ink. watercolor (paint) etching fashion plates

Journal of the ladies and modes 1826, Parisian costume (2375), 1826 Plain velvet beret decorated with fringes and silk acorns. Scottish dress in silk. Casimir coat bordered by gances. paper etching Plain velvet beret decorated with fringes and silk acorns. Scottish dress in silk. Casimir coat bordered by gances. paper etching

Woman in a bonnet, turned to the left, with scissors hanging from a ribbon by her waist. Hollar, Wenceslaus (1607-1677), graphic artist

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (620) Réseau et Broderies en Chenille..Woman to the left, in a pink dress with embroidery at neck and hem. White shawl with embroidery; long gloves, hairstyle with diadem and hairnet; Necklace around the neck. Tuil flowers in hand.

The Lady's Magazine, 1825, No. 2 : Evening Dress (...), 1825 Evening Japon, decorated at the hem with a flower and leaf motif. Evening mantle, trimmed with fur, with shoulder collar with scalloped hem and brushes. Accessories: earrings, necklaces and long gloves. Print from the fashion magazine The Lady's Magazine (1770-1837). paper engraving fashion plates. dress, gown: evening dress (+ women's clothes). coat (EVENING COAT) (+ women's clothes). border, ribbon, braid (+ fur used for clothes). necklace (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). ear-rings (+ women's clothes)

Margaret of Provence, consort of King Louis IX of France, died 1285. She wears a crown above a high Greek headdress and veil, full blue cape trimmed with ermine and embroidered with fleurs de lys, ermine surcoat, and violet dress with gold hem and brown sleeves. Handcoloured copperplate drawn and engraved by Leopold Massard from "French Costumes from King Clovis to Our Days," Massard, Mifliez, Paris, 1834.

Princesa turca, en la Edad Moderna. Grabado en color de 1870.

Ladies' diary and modes 1821, Parisian costume (1966). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1821.

Madlle. Duvernay as Florinda in the Devil on two sticks Diable boiteux. Prints. 1837. Jerome Robbins Dance Division. Cachucha (Choreographic work : Elssler), Diable boiteux (Choreographic work : Coralli), Ballet , 19th century, Ballet , England , 19th century, Duvernay, Pauline Yolande Marie Louise, 1813-1894

Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1818. Prints; engravings. Hand-colored engraving on paper

Fashion Plate, 'Parisian Opera Costume' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, May 1, 1819. Prints; engravings. Hand-colored engraving on paper

Noblewoman of Nuremberg, after Josse Amman, 1586. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Catherine de Medicis, vintage engraved illustration. 12th to 18th century Fashion By Image.

Journal des Luxus und der Moden 1786, Band I, T. 29.Woman to the right, in Caraco of Pink Beijing, with skirt and bodice of white Beijing. Caraco in a new form: from below cut ((check) And trimmed with white band. Skirt and bodice deposited with pink band. On the head a straw hat with a thick 'soubise' from black crepe. Decorated with five white Feathers. Fichu and Chemise. Accessories: elongated earrings, white gloves and walking stick. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Popolane - Coriste , Operas & operettas, Costumes, Allen A. Brown Collection

Woman dressed for the Jardin dIdalie pleasure gardens, 1798. Her long dress is decorated with comete ribbon. Her hat has pleats and bows and she holds a medallion with an insignia. The Jardin dIdalie was a pleasure garden with daily balls in the 1790s. Chapeau plissé et lassé. Médaillon en ecusson. Garniture di robe en comète. Dessiné au Jardin d'Idalie. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.

Journal of Luxury and Fashion 1786, Volume I, T. 26, Friedrich Justin Bertuch, 1786 Large black straw hat, the edge of which is trimmed with black ostrich. Around the sphere a triangular 'Soubise' from Black Lace, which depends on the back in a veil; Decorated with ostriches. Fichu 'à la Ceinture de Didon', consisting of a corner cloth and an antique belt that was worn under the breasts by the Greek and Roman women. English dress from blue taf side. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Large black straw hat, the edge of which is trimmed with black ostrich. Around the sphere a triangular 'Soubise' from Black Lace, which depends on the back in a veil; Decorated with ostriches. Fichu 'à la Ceinture de Didon', consisting of a corner cloth and an antique belt that was worn under the breasts by the Greek and Roman women. English dress from blue taf side. Print f

Costume écossais ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Ladies' diary and modes 1821, Parisian costume (1967). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1821.

Lady of the court of King Louis XVI, France, 1782. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Gallery des Modes et Costumes Français, 1785, DDD 304: La Tendre Aspasi (...). Aspasia, sitting in casual attitude, after her amorous pleasures. The hat she is wearing was called "Chapeau à la Nouvelle omphale." Jap of striped muslin with an elegant border. Fichu and small shoulder sheath, deposited with a wrinkled strip of fabric. Further accessories: earring in the left ear, stretched neckerchief, flower corsage, shoes. From series ddd. 48e Cahier de Costumes Français, 42nd Suite d'Habillemens à la Mode and 1785, Gallery des Modes et Costumes Français.

Petit Courrier des Dames, 1823, No. 131 : Robe de Mousselin (...).Standing woman, with the back to a mirror, dressed in a junior of 'mousseline jaconas' decorated with 'crevés' and entre-deux. Hat from 'Paille de Riz', decorated with a plume. 'Zéba' () By Mr. Bonnafoux. Further accessories: long gloves, handkerchief. Print from the fashion magazine Petit Courier des Ladies (1821-1868).

French costume, then new Parisian costume 1799-1810, no. 132: heart dress (...), 1799 - 1810 Woman, standing at a table, dressed in a 'Robe and Coeur' decorated with bows. On the head a small hat, tied under the chin, decorated with flowers. Further accessories: earring in the right ear, necklace, long gloves, flat shoes. She is cutting a fruit (melon). The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving / etching fashion plates. head-gear: cap (+ women's clothes). dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). fruits. shoes, sandals (+ women's clothes). ear-rings (+ women's clothes). necklace (+ women's clothes). table-ware

Kahn, Cécile. Fashion drawing (dummy title), 1900. Lavis in black ink, black pencil, white gouache on a map. Palais Galliera, fashion museum of the city of Paris.

Woman in casual outfit, violet and yellow taffeta bonnet, hair in small ringlets, white gauze fichu, sky blue shawl, white caraco and petticoat trimmed with red silk. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 26me Cahier, 5 November 1790.

Marie Olympe de la Porte-Mazarin, Marquise de Bellefonds 1665-1754. Handcoloured lithograph after a portrait by Bonnard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Servant girl of Basel, Switzerland, 19th century. She wears a tiny cap secured with a ribbon, and wears a polka dot fichu. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Journal of the ladies and fashions ", an XI, Parisian costume, board 424: hairstyle decorated with an arrow and a reversed comb. Galliera, fashion museum of the city of Paris. 26001-16 Easel, hairstyle, consulate, feminine, woman, streche, comb, painter, canvas

Woman of Majorca, Spain, 19th century. She wears a white veil over a fichu-wimple combination, blue bodice, white petticoat trimmed with floral design. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Woman in costume of a sutler to the French Guards (Vivandiere, Garde Francaise) for a masquerade ball, Paris, late 19th century. She carries a barrel of rum and a glass. Handcoloured lithograph after Chatiniere published by Martinet, Paris, 1880s.

Mlle. Marie Cico as Simonne in "Les Contes de Boccace" in costume as an Italian lady, 1550. Mlle. Cico (1843-1875) was a French actress and singer, and mistress to her mentor Jacques Offenbach. Taken from "Galerie Dramatique" 1853. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Journal of the ladies and fashions, Parisian costume, July 24, 1800, an 8, (132) of (232): double front, 1800 Woman, sitting on a chair, on the head a 'capote' decorated with smoking. She wears a dress with a pattern of arcs. Pofal sleeves and drag. A striped fichu () Around the neck. Flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving dress, gown (+ women's clothes). head-gear (CAPOTE) (+ women's clothes). fashion plates. shoes, sandals (+ women's clothes). chair

Girl of the Canton of Lucerne, Switzerland, 19th century. Her straw hat is decorated with ribbons and bows. She wears a ruff over a laced bodice, apron and short petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Journal des Luxus und der Moden, 1795, T 23.Standing woman dressed in a dress with three-quarter sleeves and drag. Around the means a stretched ribbon. Further accessories: Small hat decorated with bows, earring in the right ear, around the neck a collette, long gloves, shoes. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

ITALIENNE. Robe delaine,…. Artist: Paul Gavarni, French, 1804-1866

Journal of the ladies and fashions 1823, Parisian costume (2203), 1823 Print from the journal Journal des Dames et des Modes, 1823. paper etching Print from the journal Journal des Dames et des Modes, 1823. paper etching

Elegantia, or magazine of fashion, luxury and taste for women, November 1807, no.27: fichu-Guimpe Brodé ..., 1807 According to the description in the magazine (p. 360): Kapon of cotton batist. 'Fichu and Guimpe Brodé' (embroidered toku). 'Ceinture and Écharpe Nouée' (knotted Ceintuur). Yellow sides 'capote à plates fronsés'. According to the caption: 'Remplis' from cotton batist (percale). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving fashion plates. head-gear: hat (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). piece of clothing covering the breast or décolleté (GUIMPE) (+ women's clothes). belt, girdle, waistband (+ women's clothes). dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes)

Journal des Ladies et des Modes, Costume Parisien, 24 Avril 1799, AN 7, (103.): Chapeau Casqu (...). Woman seen angle on the back, with on the head 'Chapeau Casque' with red feathers. She is wearing a white / red striped decorative short or 'tablier à fichu' on a white Robe-Fourreau with short sleeves. Pouch in the left hand. Flat shoe with pointed nose. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Woman of Valencia, Spain, 19th century. She wears a veil hanging from her chignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Woman in worsted Spencer jacket decorated with black velvet, lace dress, plumed bonnet. Spencer de casimir, garni de velours noir. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1815.

Thomassine Spinola, Genoan beauty and admirer of King Louis XII. She died in 1505 of heartbreak when she heard a false rumor of the king's death. Handcoloured lithograph after an Italian print of 1500 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Fashion, Italy, 18th century. Women's fashion plate from the fashion periodical ""La donna galante ed erudita. Giornale dedicato al Bel Sesso"" (The gallant and learned woman: journal dedicated to the fair sex), Venice, 1787.

Fashionable woman in pleated bonnet with garland of flowers and aigrette, hair in chignon and small curls, gauze fichu, pink satin robe, gauze piece and linen petticoat decorated with violet ribbons, violet slippers. Handcoloured copperplate engraving from Jean-Antoine le Brun or Lebrun-Tossas Journal de la Mode et du Gout, previously Cabinet des Modes, Chez Buisson, Paris, and Joseph le Boffe, London, 3me Cahier, 15 March 1790.

Journal des Dames et des Modes, Costume Parisien, 14 janvier 1799, An 7, (84) : Chapeau de velours Souc (...).Standing woman, seen on the back, with a hat of velvet, decorated with an ostrich and 'gances d'Argent'. To the shoulders a scarf decorated with embroidered Meander motif. She is wearing a dress, which she stops with the right hand. Stockings with contrasting sound. Flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.

Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman wearing a beach dress in red with white polka dots, corset with lace and a hat with ribbons and feathers, creation by Blanche Lebouvier, Mont Saint-Michel in the background, colored engraving from La Mode Illustree, No 32, August 11, 1907.

Dresden, Rittner, Heinrich, Gränicher, Samuel, Saxon costumes, Dresdner Köchin, Costume of a cook from Dresden, verso - stamped, print, prints, height 247 mm, width 145 mm, German, 1758-12-18 - 1813-12-14, print maker, printmaker, 1803 - 1808, paper, aquatint, etching, etchings, hand coloring, Publication (Event), Publication, 1765, publisher

Fashion Plate, 'Opera Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1824. Prints; engravings. Hand-colored engraving on paper

Journal of the ladies and fashions, Parisian costume, June 8, 1798, year 6 (42): hats off (...), 1798 White straw hat decorated with a checkered fichu, linging on the side and flowers. Klapon with short sleeves and tow. A long scarf of silk and tulle around the shoulders. Further accessories: long glove, fan, flat shoes with pointed noses. R.o. The mention that this costume is drawn to life on the 'Champs Élysées'. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). gloves, mittens, etc. (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes)

Gallery des Modes et Costumes Francais, 1778, G 40: Femme de Qualité and Deshabillé (...). Woman of stand, walking in the countryside in a white morning juice or 'deshabillé'. The 'Demi-Polonaise' consists of a bodice and a shoulder lady with hood and a small queu skirt. Straw hat with ribbons and flowers to protect the face against the sun. Shoes with heels and rosettes. Further accessories: collette, long gloves, bracelet, impeller, walking stick. Print from Series G. 7th Cahier des Costumes Français, 1Re Suite d'Habillemens de Femmes à la Mode, Gallery des Modes et Costumes Français.

Marie of Hautefort, vintage engraved illustration. 12th to 18th century Fashion By Image.

Gallerie des modes et costumes français, 1787, SSS 381: courtyard with its basket (...), 1787 Hofjapon over Paniers, decorated with garlands of oak leaves, bows and cords with brushes. Pointed body with 'heats and sabot'. The curled hair is decorated with ribbon, feathers and flowers. Accessories: long gloves, bracelet, shoes with heels and bows. Print from the SSS series. 3rd Cahier de Grandes Robes d'étiquette de la Cour Faisant Suite Aux Costumes Français, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown: court gown or court dress (+ women's clothes). styles of hairdress - AA - ~ women. gloves, mittens (LONG GLOVES) (+ women's clothes). bracelet, wristlet (+ women's clothes). ornamental parts of clothing (+ women's clothes). shoes, sandals (+ women's clothes)

Young woman walking through great wind.

Dress design; Jankowski, Czes Aw Borys (1862-1941); 1912 (1912-00-00-1912-00-00);moda

Regency woman in Pomeranian mantle of pale olive silk, tall muslin collar to the Roman robe beneath, black velvet cap with silk tassel and ostrich feathers, pink embroidered ridicule. Half dress. Designed by milliner Mrs Elizabeth Gill, 1 Cork Street, Burlington Gardens. Plate 4, Vol. 7, January 1, 1812. Handcoloured copperplate engraving perhaps by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London.

Cabinet of modes or new modes, August 1, 1786, pl. I, A.B. Duhamel, After Pugin, 1786 Woman in heavy mourning. (Portant Le Dueil Suivant La Première Époque). According to the accompanying text, she is wearing a dress of black taf side and a skirt of the same fabric. Around the neck a wide fichu with ruffles of white 'gaze d'Italie' and cuffs 'and sabot' from the same gaze. On the head a 'Chapeau-Bonnette' from Witte Crepe with a black ribbon and four black feathers. The long hair is held together from behind with a bronze band. Accessories: long gloves, black taf side, handkerchief shoes. The print is part of the 18th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. Paris paper engraving Woman in heavy mourning. (Portant Le Dueil Suivant La Première Époque). According to the accompanying text, she is wearing a dress of black taf side and a skirt of the same fabric. Around t

Saxon Costumes published by H. Rittner ..

Gallerie of French modes and costumes, 1785, nr. 3, nr.6, kopie naar l 64: pretty woman in deshabilled (...), c. 1785 Handsome woman dressed in an elegant 'Deshabillé'. On the head a 'chapeau à l'Angloise' and a walking stick in the left hand, which can also be used as a parasol. She is walking with her dog. Copy to L 64 from series L. 11th Cosier des Costumes Français, 5th Suite d'Habillemens à la Mode and 1778, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dog. dress, gown (+ women's clothes). neck-gear ~ clothing (+ women's clothes). head-gear (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ women's clothes). parasol, sunshade (+ women's clothes). bracelet, wristlet (+ women's clothes)

Young woman of Bujaruelo, Aragon, Spanish Pyrenees, 19th century. She wears a white kerchief tied over her long hair braided with ribbon, a red fichu, laced corset, petticoat and pleated apron. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Itinerant haberdasher, Paris, early 19th century, in black apron over green coat with epaulettes, lace collar. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (668) Costume Paré..Woman to the left, in a "Costume Paré": White Cloth with yellow striped puffy sleeves and a yellow ribbon as belt around the high waist. The bottom edge of the skirt is embroidered with flowers. Around the neck a pink long scarf. Kpsel ..... Small impeller in the right hand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Young peasant girl, Holland, 19th century. She wears a bonnet, blouse with puff sleeves, bodice, aprong and skirts. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Habit of a country woman near Pisa in 1768, depicted by Jean-Baptiste Greuze (1725-1805). Issued between 1757 and 1772 in London by publisher T. Jefferys. The artwork features the clothing and dress of a woman from the rural areas surrounding Pisa, Italy, during the 18th century. It is an engraving that has been hand-colored, illustrating the historical context of women's fashion in that period

Costume Français, No.3: Robe à la Turcque. Woman walking to the right, dressed in a dress with trail: 'Robe à la Turcque'. On the head a hat with veil: 'Capotte Négligé'. Fan. Stocking. Flat shoe with pointed nose. The print is part of a series of 142 fashion prints, 115 of which have been identified, issued by J. Chéreau, Paris, 1799-1810.

French soprano Anne-Benoite-Louise Lavoye as Haydee the Cypriot slave girl in Daniel Auber's comic opera "Haydee," 1847. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Woman of Naples with a feather fan attached by a gold chain to her belt, 16th century. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" Vienna, 1811. Illustration based on Thomas Jefferys A Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

España. Madrid. La moda elegante ilustrada. Una mujer en el hipódromo observando la carrera con ayuda de unos prismáticos. Grabado de 1896.

Fashion Plate, Sea-Side Costume’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, early 19th century. Prints; engravings. Hand-colored engraving on paper

Gallery of costumes. / Marquise Louis XV.

John Collet, ca. 1725-1780, British, A Lady of Fashion with Black Shawl and Red Shoes, ca. 1778. Pen, black ink and watercolor on medium, moderately textured, beige laid paper mounted to medium, moderately textured, brown laid paper.

Louise-Jeanne-Henriette Pujol Vernet, Femme en robe bleue, c. 1811, etching on paper.

A bergere in the comic opera Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Doll of Mlle. Porphirin Brocard as Amy Robsart, Lady Leicester, dressed in green satin from the ballet Kenliworth by young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H. Lows Queen Victorias Dolls, George Newness, London, 1894.

Wiener Zeitung for Art, Literature and Mode, XXV (25), 1818, No. 73: Wiener Moden, 1818 Double edge strips at the bottom of the skirt. Tall hat. Print from the magazine Wiener Zeitung Für Kunst, Literatur und Mode (Vienna, 1816-1848). paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). shoes, sandals (+ women's clothes). book. bow (ornamental part of clothing) (+ women's clothes)

French mezzo soprano Mlle. Delille or Octavia de Lille as Mary in Gibby la Cornemuse by Clapisson, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Woman in felt hat, long ridingcoat, men's slippers. Chapeau de feutre, souliers d'homme. Handcoloured copperplate engraving by Pierre-Charles Baquoy after Carle Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, December 1803.

Fashion Plate (Dinner Dress). John Bell (England, 1745 - 1831). England, London, August 1, 1821. Prints; engravings. Hand-colored engraving on paper

Soprano singer Madame Antoinette-Eugenie Rigaud as Ines in L'Alcalde de la Vega by Andre George Louis Onslow, Theatre Royal de l'Opera Comique, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

A married woman from France, 1569 A married woman from France, seen from the front, glove in the right hand, cloth in the left hand, dressed according to the fashion of ca. 1550. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venetia 1569 . Re -release from 1569 of the first edition from 1563. paper engraving fashion plates. Europeans (with NAME) (+ costume). gloves, mittens (SHORT GLOVES) (+ women's clothes) France

COSTUME OF LADY CUST

Journal of the ladies and fashions, Parisian costume, May 11, 1798, year 6, (19): turban in Spiral (...), 1798 Klapon with short sleeves, decorated with black tire at the hem. Turban: 'Turban and Spirale', decorated with beads of git. Around the neck a fichu of tulle, decorated with velvet and sequins. Flat shoes with crossed tires and pointed noses (Cothurnes). The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: turban (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). shoes, sandals. stockings, socks (+ women's clothes). cut flowers; nosegay, bunch of flowers. ornamental parts of clothing (+ women's clothes)

Woman in the costume of the Queen of Sheba (Reine du Sabbat) from the 19th century opera by Charles Gounod. Costume designed by M. Robin. Handcoloured lithograph published by Martinet, Paris, 1862.

Traditional woman from Zaandam.traditional Costume from Zaandam. Plate IV in a Series of Four Illustrations of Market Forces in The Netherlands in 1792.

Anne de Thou, Lady Cheverny, wife of Philippe Hurault, Count Cheverny. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio X 10 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Lady of honor of the 16th century (under Henri II), Elias Spanier, after l & g, 1840 - 1850 Woman in historic costume of a court lady at the court of Henry II, 16th century. Presentation added to the sheet metal about the costumed ball held on the Palace of the Prince of Orange (the later King William III) in The Hague on February 26, 1845. print maker: The Hagueafter drawing by: Netherlands paper historical costume

fashion ladie's fashion 19th century England two women coloured engraving January 1821,

Costume of Pont-Leveque, Calvados. This woman wears bonnet of her village on top of a cornet "a la Parisienne." The cornet is decorated with chiffon. Her clothes show her to be a lady of leisure: merino-wool redingote trimmed with velvet, a shawl in imitation cashmere, a cashmere bag and a lace collar of three layers. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Costume of a medieval princess (from Victorian staging of Shakespeare's As You Like It, Love's Labour's Lost). Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Costume of Coutances. View from the front of a bonnet similar to the one in Plate 76, with the bonnet's papillon (butterfly) wings horizontal. It does not produce a good effect, and does not complement the face. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Costume of a lady at court during the French Regency. In frontage, green gown with embroidered bodice, lace tucker, gold embroidered petticoat. Costume de Cour pendant la Regence. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

JANE POPE actress as Rosetta in 'The Foundling' Date: 1742 - 1818

Woman of Paris, 16th century, wearing a square headdress, dark grey dress, upright lace collar, scarlet underdress.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

Princesa griega, en la Edad Moderna. Grabado en color de 1870.

Woman used to the right, her skirt slightly linning from the front, Johann Rudolph Schellenberg (Possible), Christian von Mechel, 1790 print Basel paper etching clothes, costume. dress, gown: court gown or court dress Switzerland

Fashion Plate, 'Evening Dress'. England, London, early 19th century. Prints; engravings. Engraving on paper

TRAJES DE ESPAÑA- ANDALUCIA, MUJER DE CONTRABANDISTA, AGUAFUERTE Y BURIL 24x15, COBRE, NºINV 2912. Author: RIBELLES JOSE / CARRAFA JUAN. Location: CALCOGRAFIA NACIONAL. MADRID. SPAIN.

PARIS FASHIONS FOR OCTOBER, 1854

Fashionable woman on the Champs Elyseess, 1798. She wears a white straw hat decorated with flowers and a kerchief tied on the side. Seethrough shawl of silk and tulle. Chapeau de paille blanc garni de son fichu et lassé sur le côté. Schall de soie en tulle. Dessiné aux Champs-Élysées. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.

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