Historical Portraits and Emblems

A collection of prints featuring royal figures with elaborate heraldry, coats of arms, and ornate decorations, showcasing historical imperial representations.

Lazio Viterbo Bagnaia Villa Lante86. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rudolf II, Roman-German Kaiser.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa1. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Panel with the Element Water, Daniël Marot (I), 1712 print In the middle of the top is a crowned coat of arms with the Monogram RWR (William Rex), a large cartouche with Neptune and Amphitrite at the bottom. The edges of the cartouche are formed by a cascade, crowned with two tritons with the crown and trident of Nepunes. From series of 6 sheets, including 4 sheets with the four elements and two sheets on which there are two vertical panels each. print maker: Netherlands (possibly)after own design by: Netherlandspublisher: Amsterdam paper etching water (one of the four elements). Neptune in love with Amphitrite. ornament ~ grotesque

Rudolf I of Habsburg, King.

Maximilian II., Roman-German Emperor.

Konrad of Züphden, Duke of Bavaria.

Lazio Viterbo Bagnaia Villa Lante86. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 207 mm × w 167 mm. Museum: Rijksmuseum, Amsterdam.

Louvre (Façade sur le Quai). Édouard Baldus (French, born Germany, 1813 - 1889)

Women at open fire; Figures in landscapes; 9ME Livre I Morceaux de Caprices, Propre a Divers Usages. A woman stands next to an open fire in a landscape. On the right beside her sitting a woman and a child with a ruin. They warm to the fire. Around the show an oramic frame.

Vignette for the Tapestry ofElements. Artist: Sébastien Le Clerc the Younger, French, 1637-1714 After: Francois Chauveau, French, 1613-1676

Smoke barrel and women with vase; A Premier Cahier d'Arabesques.twee women support a pedestal with a vase, including a mask with two horns of plenty and two vases on either side of a smoke vessel.

Henry Zwysen, Cast Ornament, c 1941 Cast Ornament

Campania Napoli Naples S. Lorenzo Maggiore84. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Compendiosa totius anatomie delineatio, ære exarata, page. Geminus, Thomas, d. 1562. Prints, Illustrations, Title pages. 1545. Rare Book Division. Human anatomy, Anatomy

Lazio Viterbo Bagnaia Villa Lante040. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Grotesk Ornament with the throne goddess Minerva in the middle, Anonymous, After Antonio Tempesta, 1624 - 1679 print print maker: Italyafter print by: Italypublisher: Antwerp paper etching (story of) Minerva (Pallas, Athena). ornaments ~ art. fabulous beings with wings - AA - female human figure

Gerhard Ludvig Lahde (1765-1833), vignette with woman with superfluous horn, 1765 - 1833

TRANSPARENT PAINTED BLIND, BACH

Maria de Médicis to the Minerva, 1708 print Allegorical portrait of the French Queen Maria de Médicis as Minerva. Standing between weapons and parts of armor, a statue of Victoria in the left hand. Two angels crown her with a laurel wreath. In frame between curtains, at the top of the weapon with the French lilies. print maker: Francepublisher: ParisFranceFrance paper etching / engraving historical persons (portraits and scenes from the life) (+ all kinds of 'portrait historié': mythological portrait, allegorical portrait, 'Rollenporträt', etc.). specific aspects, allegorical aspects of Minerva; Minerva as patroness

Lazio Viterbo Bagnaia Villa Lante38. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Daniel Mignot, Large Pendant, Prudence Standing at Centre, 1593 Large Pendant, Prudence Standing at Centre

In love couple in landscape, Louis Crépy, After Jean Antoine Watteau, in Or Before 1727 print A pair of in love is in a landscape near a waterfall. Around the show a ornamental frame with dolphins, a trophy with torch, arrow sleeve and arch, garlands, a flower wreath and dodden. Paris paper etching couple of lovers. landscapes (+ landscape with figures, staffage)

Bekroond pendulum puts bust; New liens of duty boxes of cocks and watches etuys and other needed to the ortergivers. Travele Awarded has female bust. The Pendulum is surrounded by oven decorations for dials and twelve other motifs. Copy of Leaf 5 from The New Linide Series The Pendulles, Published by Daniel Marot Around 1706. Leaf from Second Edition.

Vase and standing women, Unknown, After Juste Nathan François Boucher, 1752 - 1782 print Two standing women support a pedestal with a vase. Paris paper etching ornament ~ arabesque. standing figure - AA - female human figure. vase ~ ornament

Etching by Philipp Otto Runge from 1802-1807 titled 'The Four Times of the Day: Day,' depicting a daytime scene with figures, landscape, and symbolic elements.

Print, Architecture, Gallery ceiling of the Sechetti Palace (left portion); France; 1935-10-2

Candelabrum with Two Victory Figures (for 'Ornamenti Diversi') ca. 1782 Attributed to Giocondo (Giuseppe) Albertolli Italian Giocondo Albertolli was one of the great minds of architecture and design during the neoclassical period in Italy. He was appointed professor of architectural ornament at the Accademia di Belli Arti di Brera (Milan) and further instructed and spread his ideas through four important print publications. The first one, published in 1782, was simply called Ornamenti Diversi’ (Various Ornaments). This design for a candelabrum with two Victory figures is the preparatory drawing for one of the prints in this album. Characteristic for his works is the sculptural quality of his rendering, making it easy to understand and visualize the intended relief in the executed work. The subtitle to the album, invented, drawn and executed by Giocondo Albertolli’, indicates that the candelabrum was in fact realized, and not just an idea on paper. The marble or perhaps bronze pendant

Bacchus, Edouard Taurel, after Jan Saenredam, after Hendrick Goltzius, 1832 - 1880 print Bacchus as God of wine, with winebokal and grape bunches. In oval ornamental frame. paper. engraving / etching (story of) Bacchus (Dionysus), Liber

Hans Janssen, Handle for Knife or Fork, Ornamented with Figures Handle for Knife or Fork, Ornamented with Figures

Design for a Knife Handle with the Personification of Charity. Artist: attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 5/8 × 1 1/4 in. (9.2 × 3.2 cm). Date: 1580-1600.Design for a knife handle with Charity personified as a full-length female figure holding a child in her left arm and another at her right side, in an oval, above a candelabrum with squirrels and snails in blackwork. Museum: Metropolitan Museum of Art, New York, USA.

Architecture (Arquitraicture) 1540-83 Etienne Delaune French. Architecture (Arquitraicture) 399347

Chinese keizer, anonymous, after Jean Antoine Watteau, in or after 1729 print In a landscape there is a Chinese man in the middle, a emperor, in front of a throne with stairwells under a natural canopy. On the left are two men, on the right is a man with a parasol. Around the show a ornamented frame with garlands, vases with flowers, rocailles, flower motifs, winged figures and a dragon. In the lower margin a two -line French and German text. Germany paper etching Chinese. emperor

Print, Plate from Compertimenta Pictoriis Flosculis Manubiis que Bellicis Variegata; Engraved by Pieter van der Heyden; Workshop of Hieronymus Cock (Netherlandish, ca. 1510 - 1570); After Jacob Floris the Elder (Flemish, 1524 - 1581); Netherlands; engraving on laid paper; 13.8 × 10.3 cm (5 7/16 × 4 1/16 in.)

Vase (XVI Siecle) Musee duLouvre. Artist: Leon Gaucherel, French, 1816-1886

Ferdinand III., Roman-German Kaiser.

Umbria Terni Acquasparta Palazzo Cesi3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Marine Trophy, Pencil, pen, and ink with Chinese black ink on paper, pricked, The stern of a sail ship with the Napoleonic eagle as a mast head, a trident, an oar are shown in the top part, an axe, a sword, an anchor, a laurel wreath and a compass suspended from a scarf, in the bottom part. Laurel boughs form the background. Colored ground., France, ca. 1810, ornament, Drawing, Drawing

Grotesk Ornament Met Landschap in Het Midden; Groteske Ornamente; Exemplary of the drawing in gratia of beginners in the art of the pitty and sculpture. .

Lazio Roma Velletri S. Clemente, Cathedral0. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

An Elaborate Rococo Setting with the Virgin and Child and Saints Defeating Evil, Heresy, and Profane Love. Dated: 1760s. Dimensions: overall: 44.1 x 34.2 cm (17 3/8 x 13 7/16 in.). Medium: pen and black ink with wash and white heightening on blue prepared laid paper, incised for transfer. Museum: National Gallery of Art, Washington DC. Author: Vitus Felix Rigl.

Gilles. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Crépy after Antoine Watteau.

Rocaille met de personificatie van het werelddeel Amerika; America; De vier werelddelen.An original occupant of America (Indian) with a spear and a scepter between seed beads. On the left a seated figure above a cartouche with a card. A lion and possibly a leopard in the front. Numbered in the middle of 27.

Lazio Viterbo Bagnaia Villa Lante75. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

While some ancient authorities believe this to be a portrait of Dido as described by Virgil, modern opinion holds that this is Melpomene, the Muse of Tragedy, wearing Carthaginian costume, holding a sword in a strange sheath with a mushroom-shaped tip. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Medallion with man with shovel. A round medallion with flowers and a representation of a man with a shovel working on the land. Around Rocaille ornaments, a shovel, a staff and two birds on branches.

Lazio Roma Rome S. Ignazio di Loyola68. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Lazio Roma Rome Gesu69. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Upper part of a retable with the coronation of Maria, Wendel Dietterlin (I), 1560 - 1598 print On top is Christ. One of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Indië, Etienne Claude Voysard, Charles Le Père & Pierre -Michel Avaulez, After Jean Charles Delafosse, 1772 - 1779 print Two trophies with shields. Left with weapons, an elephant head, a caduceus, grapes, a smoking vessel and a shield with animals. On the right with weapons, a lion sheet, a leopard sheet and a shield with a chained lion. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. In the

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

The Ambassador. 1933. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

TESTIMONIAL PRESENTED TO C.W.C. HUTTON, ESQ.

Umbria Perugia Caso Parish church. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italian 16th Century, Tree with Crown and Two Birds, 16th century, woodcut

The mensa is in the center of the socle zone; beside it are two panels with escutcheons. Laterally stand rectangular pedestals, either of them with a medallion above crossed branches at the front, and with a group of standing figures between two sitting angels. In the next zone are three projecting pedestals. The outer ones, with a representation at their fronts, support two columns each; the central one, decorated with a festoon, supports a group, consisting of a woman with a cross, and angels. The retable forms a niche, the conch of which his above the entablature. On top is a triangular pediment, with two figures standing upon the lower corners, and on top the triangle in a globe, with a glory of rays, supported apparently by two sitting angels. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Two cartouches one above the other, the upper contains the head of a woman, 1567 print The head of the woman is between two fantastic birds. The lower cartouche contains a sea god on a fish. Shaded background. Belongs to series of 14 magazines cartouches with rolling work, grotesken, trophies and Frisians. The title page is missing. Netherlands (possibly) paper engraving

Portière of fame. Le Brun, Charles (French, 1619-1690) (author of design) painter Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) painter c. 1670-1725 Tapestry Dimensions: H 9'2" x W 6'7" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Kenneth O'Brien, invoiced 12/18/1929; sold to Jean Mikaeloff 6/24/1961. Inscriptions: Inscription on banderole, top center: LIBERTAS Cartouche with arms of Marquis of Lorraine flanked by 2 female allegorical figures (=Victory & fame) holding mantle; 2 cherubim hold crown at top; bird (L) & lion (R) at bottom; scene enclosed by egg-&-dart frame (BRD) laurel & oak leaf garland, tied ribbons in corners; (UPR & LWR BRD) centered by tied ribbons French & Co. stock sheet in archive, 16724 also lists: 37837 Fénaille, Gobelins 2 (1903-1923), 1-8 Göbel, Wandteppiche II:1 (1928), 120-21 Related Works: Panels in set: GCPA 0243900-0243902, 0243904-0243906; compositionally

Le Serment d'Amour n.d. After Jean Honoré Fragonard French. Le Serment d'Amour 369384

The Perpetual Calendar with Portraits of Leopold I and his sons Joseph and Charles 1702 Johann Michael Püchler. The Perpetual Calendar with Portraits of Leopold I and his sons Joseph and Charles. Johann Michael Püchler (German, born Schwäbisch-Gmünd, active ca. 1680-1702). 1702. Engraving. Prints

Savior depicted by Nikolaus Alexander Mair von Landshut, executed with brush and white on black primed paper around 1500, showing figure, gesture, and drapery.

Romulus, Brutus and Julius Caesar; 1eme Age Deput Romulus Jusqu'à Brutus. 2eme Age Deput Brutus Jusqu'à Jules César. Livre 3rd.; Q piedestaux et socles; Nouvelle iconology historique ou attributs hereogliphyques (...). A pedestal with a table with weapons, a shield with three moons, a snake around torches, a pomegranates, crosses, a can and a shield with swans. On the pedestal are weapons, a helmet, a crown with a snake, a can, torches and shields with an eagle and a dragon and lion chained to a crowned globe. Print number 20.

Upper part of a retable with the coronation of Mary; Fountains, water wells, chimney jackets, capitals, windows and retabels; Title page and 11 sheets of "Architectura und Auftsheilung der V Senln (...)" 1593. On the other hand, Christ is. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets, spread over five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Copper engraving by Marco Dente, 1515-1527, depicting a decorative plate with ornamental patterns and detailed engraving work.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Camines Italienes, Italiänische Camine, Fireplaces, Fireplace with putto on sea creature, Rocaille fireplace with putto with a trident on a sea creature. Publisher number 58., print, ornamental print, prints, ornamental prints, height 294 mm, width 178 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Election from Charles III to German Keizer Charles VI, 1711, 1712 - 1715 Election of King Charles III of Spain (Archduke Charles of Austria) to German Emperor Charles VI, 12 October 1711. Central an allegorical representation of Karel's election in a throne room with Mercury in the foreground. The whole caught in a very richly decorated ornamental frame with allegorical figures and emblems. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Frankfurt am Main Election of King Charles III of Spain (Archduke Charles of Austria) to German Emperor Charles VI, 12 October 1711. Central an allegorical representation of Karel's election in a throne room with Mercury in the foreground. The whole caught in a very richly decorated ornamental frame with allegorical figures and emblems. At the bottom a cartouch

Tombe de messire Geoffroy de Charney.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Print, Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, Print

Design for a Term with the Head of Woman, Strapwork and Trophies 1535-55 Jean Mignon French. Design for a Term with the Head of Woman, Strapwork and Trophies. Jean Mignon (French, active 1535-ca. 1555). 1535-55. Etching

, Central Cemetery - honorary grave by Anton Rückauf, postcard, Brothers Kohn KG B, producer

Maria Theresia, Roman-German Empress Portrait medallion Maria Theresias in allegorant framing.Chorse stitch without an artist note.Titleblatt for the work published by Roch-Joseph Julien 1758 "Atlas Topographique et militaire (...)

Copper engraving and etching by Sébastien Le Clerc, 1681-1714, depicting air as an allegorical element, including symbolic figures and composition.

THE PARIS INTERNATIONAL EXHIBITION

Lazio Roma Subiaco Rocca Abbaziale2. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pretty Reflection.. Attributed to J. Reynolds (British, active 1860s)

Second version of the title page of Le Francq van Berkheys 'Kort message' about the visit of the Prince and Princess of Orange to Leiden, 1788; That Leydens Maejes: Now Flowers Sprinkle / Orange Honor Adds Deeze TOOJ.Second Version of the Title Page of Le Francq from Berkheys 'Kort Message' About The Visit of the Prince and Princess of Orange to Leiden and Offering Flowers by 25 Leiden Flower Girls, October 4, 1788. Two Girls on Either Side of a Medallion with the Portraits of the Prince and Princess. Without The Flowers on the Face of the Princess. At the top of a Pelican That Pockets Itself in Breast, Down a Family Swans.

Ludwik Markus's exlibris; Marcoussis, Ludwik Kazimierz W Adys AW (1878-1941); 1903-1908 (1903-00-00-1908-00-00);Markus (MarcousSis) Ludwik, addressee, Wellsz, Leopold (1882-1972) - collections, purchase (provenance)

Lazio Viterbo Caprarola Palazzo Farnese53. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Caritas, trapped in a shell -like form from which water flows, 1556 print She is flanked by two women who point to her. Leaf K from series of 12 magazines, numbered A-m with flat decorations of grotesken with rolling work, saters, garlands, trophies, animals and fantasy bows. Netherlands (possibly) paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. scallop, shell ~ ornament

Print, Vignette; Manufactured by François Joullain (France, 1697 - 1778); etching on paper; 1919-10-52

Nero, Roman Emperor Stecher: Bry, Theodor Dedation: 1543/1598

Handel; Intelligence le Commerce; Trofeeën; 4e Cahier.Two trophies with shields. Links with a smoke vessel, weapons, vases, grapes and corners. Right with weapons, measuring instruments, a mask and a hose.

Umbria Terni Orvieto Museo Etrusco Faina. Hutzel, Max 1960-1990 Prints H-271 through 285 are found in the Hutzel Collection. Interior views of the museum: 18th-century ceiling paintings, display cases of ancient pottery. One portrait in oil of a young woman, unsigned. Antiquities: Attic Black figure and Red figure vases; South Italian Red figure vases; Etruscan Black and Red figure vases, Bucchero, Banded Ware, Plastic and Relief vases, and Masks; Corinthian Black figure vases. (700 B.C. - 300 B.C.) Object Notes: Hutzel shot two seperate photo campaigns of this monument. General Notes: All but 15 of the 995 prints are found in the Antiquities core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, a

Flat decoration with double goal and bottom two putti. Double jar, of which both halves in almost equally rich are decorated with grotesken and leaf rights. Seat two putti with cartouches at the bottom, leaf reflections at the top. Shaded background.

Vignet with Lier and Apollo. Vignette with winch on which the head of Apollo in beams wreath. In ornamental frame.

A wooden stitch book illustration from 1847 by Eduard Duller based on Moritz von Schwinds design showing Archduke Carl of Austria, emphasizing portrait and composition.

Greeting letter with a group of women on the street. Greeting letter with unwritten cartouche inside a decorative frame with representations of a group of women on the street and children playing. Numbered at the top right: N. 19.

Vazen en meerminnen; D 4e Suite d'Arabesques.Two winged mermaids sit on either side of a vase, above that a standing woman, a tablet and a second vase.

Design for a baptismal print, Johann Klein (attributed to), 1851 drawing Design for a print. paper. deck paint. pencil

Umbria Terni Terni S. Maria dell'Oro, Convent church4. Hutzel, Max 1960-1990 One exterior view of this 15th-century convent church rebuilt in the 17th century. Interior views focus on the coffered ceiling; a saint or friar is painted on each coffer. Also views of paintings and a crucifix. Negatives show immured relief sculpture, perhaps Roman spolia. Object Notes: Hutzel photo campaign date: 9/29/82 General Notes: This monument is discussed in Hutzel's notes "Terni - Konvent di S. Maria dell'Oro" but does not appear in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then

Treuttel & Würtz, Lenoir, Alexandre, Paris, Guyot, Laurent, Lavallée-Poussin, Etienne de, Nouvelle Collection D'Arabesques, Propres A La Décoration Des Apartemens, 2e Cahier, Fountain with Sphinxes, verso - stamped, A fountain with birds, tendrils, arabesques, two peacocks, two putti, two birds, satyrs, garlands and two sphinxes., print, ornamental print, prints, ornamental prints, height 277 mm, width 210 mm, French, 1756 - 1806, print maker, printmaker, 1810 - 1810, paper, papier, etching, etchings, aquatint, 1733 - 1793-11-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, 1761-12-27 - 1839-06-11

Campania Napoli Naples S. Lorenzo Maggiore04. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Design for a tapestry with the arms of Cardinal Ippolito de Medici. Draughtsman: Francesco Salviati. Dating: 1529 - 1535. Measurements: h 195 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I. Artist: Anonymous, French, School of Fontainebleau, 16th century; Close to the manner of Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: 12 5/8 x 11 1/8 in. (32 x 28.2 cm). Date: ca. 1530-47.The complex layering, extreme flatness, ornamental line, and compression and crowding of forms in the design of this work are all characteristic of the style that evolved at the chteau at Fontainebleau during the reign of Francis I. At his palace in the woods outside Paris, the king had assembled such talented Italian artists as Rosso Fiorentino (1494-1540) and Francesco Primaticcio (1504-1570) to head a workshop dedicated to every facet of the palace's decoration. This drawing's technique seems closest to that of one of Rosso's collaborators, Léonard Thiry (1500-ca. 1550), particularly his designs for engraved book illustrations. Museum: Metropolitan Museum of Art, New

Louis XIV (king of France), Paris, Leblond, Jean (II), France, Lepautre, Jean, Trophez à l'Antique, Title page: Trophez à l'Antique, Armorial trophies à l'antique, the title is at the bottom of the left trophy. From a series of 6 sheets, second edition., print, ornament print, title page, prints, ornament prints, height 322 mm, width 225 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1680 - 1680, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1635 - 1709, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Design for a Knife Handle with Well-Dressed Couples. Artist: attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 1/4 × 1 in. (8.3 × 2.5 cm). Date: 1580-1600.Panel with a knife handle design. At top, sections of ornament with a decorative bird and a monkey; below, a rectangle containing a scene with a well-dressed man in a hat and a woman walking left. At bottom, another scene of a well-dressed couple, in which the man wears a top hat. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with the coat of arms of Karelia, Johannes Jacobsz van den Aveele, 1714 The print is part of an album. Stockholm paper etching Finland The print is part of an album. Stockholm paper etching Finland

Peregrino da Cesena (Italian, active c. 1490-1520), Panel of Ornament with Two Naked Children on Monstrous Beasts, c. 1505-1520, niello print

Stiehl Otto (1860-1940): Sketch and photo album 4: Seminario, Crema

Abraham de Bruyn (Flemish, 1540-1587), Juno, engraving

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