Historical Religious Figures

A collection of engravings and photographs depicting various historical religious figures in traditional attire, showcasing intricate details and somber hues.

Royer, Louis, Netherlands, Weissenbruch, Isaac, Statue of Laurens Jansz. Coster, print, prints, height 95 mm, width 54 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1856 - 1912, paper, wood engraving, 1793-08-02 - 1868-06-05, after image by

Tuscany Grosseto Seggiano Parish church0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St. Paul, from Christ, the Twelve Apostles and St. Paul 1525-76 Lambert Suavius Netherlandish. St. Paul, from Christ, the Twelve Apostles and St. Paul. Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1525-76. Engraving. Prints

Bliżej Kultury unknown

Winter. From the portfolio: The Work of E. Burne-Jones., 1870, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Saint Martin n.d. Israhel van Meckenem German. Saint Martin. Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt). n.d.. Engraving. Prints

Campania Caserta Sessa Aurunca S. Pietro (Duomo)39. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Attributed to Francesco Francia (Italian, c. 1447-1517), Hope, c. 1470-1480, niello print

Royer, Louis, Netherlands, Weissenbruch, Isaac, Statue of Laurens Jansz. Coster, print, prints, height 95 mm, width 54 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1856 - 1912, paper, wood engraving, 1793-08-02 - 1868-06-05, after image by

Jupiter, plate 46 from Planets and Spheres 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving on paper . Master of the E-Series Tarocchi

Drapery Study of a Young Man, 1861-64. Pencil on cream-toned paper. Artist: Edward Burne-Jones

The Apostle Simon. Dated: c. 1480/1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master WH after Martin Schongauer.

Jupiter (from the Tarocchi, series A: Firmaments of the Universe, #46), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Antwerp, Huys, Frans, Dukes of Brabant, Portrait of King Philip II of Spain, verso - stamped, Portrait of Philip II, King of Spain and Duke of Brabant, full-length in the clothes of the Order of the Golden Fleece. His coat of arms at the top right. The four-line caption in Latin is engraved on a separate plate., print, prent, prints, prenten, height 294 mm, width 179 mm, height 34 mm, width 178 mm, 1522 - 1562, print maker, prentmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

Pedanios Dioskurides.

Umbria Terni Orvieto S. Giovenale4. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco S. Francesco9. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Konrad I, Duke of Bohemia.

The figure of a man in an ancient robe with a measuring device (Tales from Milet) unknown

Matthew Paris.

Standing Saint; Attributed to Francesco Morone (Italian (Verona), 1471 - 1529); Italy; about 1510; Red chalk; 18.7 x 9.8 cm (7 3,8 x 3 7,8 in.)

Emilia-Romagna Modena Nonantola Abbazia di Nonantola33. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)98. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Perugia Foligno Palazzo Trinci9. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ludwig X., King of France.

Marches Macerata San Severino Marche S. Maria della Pieve. Hutzel, Max 1960-1990 Interior views focus on votive frescoes of the 14th and 15th centuries. One fresco shows a female saint (perhaps the Virgin), before a desk littered with instruments, in the presence of an angel and a cat. Other frescoes depict the Virgin and Child, the crucifixion and St. Anthony Abbot. Exterior views of architectural sculpture: Roman pilasters and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gramatica I; Artes liberals. Grammar.

Abruzzo Teramo Atri Cattedrale, Museo Capitolare8. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A standing woman wearing a cloak. With both hands she holds a stick., Woman with a cloak and a stick, print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1824, paper, etching, h 105 mm × w 62 mm

Southern Netherlands, Suavius, Lambertus, Sibyls, Sibyl seen from the back with her head inclined to the left, verso - stamped, A Sibyl, standing in a niche, seen from the back, her head slightly inclined to the left., print, prints, height 187 mm, width 85 mm, 1514 - 1564, print maker, printmaker, 1520 - 1567, paper, engraving, engraving (printing process)

Pencil drawing with white highlights on blue paper by Johann Evangelist Scheffer von Leonhartshoff showing a kneeling angel facing right for a proclamation, focusing on figure and posture.

Umbria Perugia Spoleto (environs) S. Sebastiano1. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Modern Venetian lady; Gentildonna Moderna; Habiti Antichi, ET Moderni Di Tutto Il Mondo ... According to the text of Vecellio, fashion changes so quickly that it is not possible to describe the mode of a certain moment. This noble Venetian wears the hair in the form of horses on the forehead (according to Vecellio not attractive because too high) covered with raised collar of lace, pearl necklace around the neck. Feather stick fan in hand. In ornament

Albrecht the Happy (Albrecht III De Kloekijke, Duke of Saxony), Albrecht Dürer (workshop of), 1515 print Albrecht the lucky one ('Gluckhatig' - perhaps it is Albrecht III the clumsy, Duke of Saxony), standing with a sword in one hand and a rich apple in the other hand. Under his portrait his name in German in Gothic script; Below that is coat of arms. Detail of the triumphal arch of Keizer Maximilian I. Nuremberg paper ruler, sovereign. orb (symbol of sovereignty; sphere with cross on top). crown (symbol of sovereignty). coat of arms (symbol of sovereignty). armorial bearing, heraldry

Copper engraving by Meister E.S. from the second third of the 15th century depicting Matthias, showing figure, gesture, and symbolic elements.

Portrait of Erasmus standing under an arch, with his hand resting on a statue of Terminus. The arch in Renaissance architecture is richly decorated with ornaments. In a cartouche under the arch are four lines of Latin text: Pallas Apellaeam nuper... Magnus ERASMUS opes. Portrait of Erasmus standing under arch with statue of Terminus, print maker: Hans Holbein (II), (mentioned on object), Veit Rudolf Specklin, (mentioned on object), 1536 - 1540, paper, h 281 mm × w 169 mm

Antwerp, Hendricx, Gilles, Rubens, Peter Paul, Lommelin, Adriaen, Four Evangelists, Evangelist Mark, verso - stamped, Mark the Evangelist with a book under his arm. The pedestal on which the evangelist stands is decorated with a winged lion. The print is part of a four-part series with representations of the four evangelists., print, prints, height 255 mm, width 134 mm, print maker, printmaker, 1630 - 1677, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Saint James the Less. Dated: 1519. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.

Lazio Latina Sezze S. Lucia2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro Fossombrone Cathedral8. Hutzel, Max 1960-1990 Medieval: Details of original parts of the church. Post-medieval: Neoclassical architecture (18th century): almost complete reconstruction of the much older Bededictine church; badly damaged frescos from c. 1600; paintings on canvas; elaborate marble altars and pavement; fresco, 14th century; wooden sculpture (17th century); carved wooden altar; organ, 18th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A 1516-1518 woodcut by Leonhard Beck depicting Saint Firminus, part of the saints associated with Emperor Maximilian I's family and court.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata18. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Pescara Penne Palazzo Vescovile, Museo32. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano5. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ulrich, Count of Wettin.

Abruzzo L'Aquila L'Aquila S. Silvestro9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, architectural sculpture, painting, fresco, baptismal font Nine exterior views, including 1320 facade. Views of interior both before and after 1968 restoration, many showing apse frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The GoodKnight. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896

St Ursula, 1868. Sir Edward Burne-Jones (d.1898). Cartoon for stained glass at St John the Baptist Church, Tuebrook, Liverpool

Schloss Märtenegg: Madonnengruppe in the gatehalle. .

Emilia-Romagna Ferrara Argenta S. Domenico1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Lazio Roma Subiaco Sacro Speco. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized

Preliminary study for the first Bossche Wand: Emperor Frederik Barbarossa, Antoon Derkinderen, 1869 - 1925 drawing paper brush historical persons

Antiking Rudolf of Rheinfelden or Rudolph von Schwaben (c.1025-1080), from his bronze tomb in Merseburg cathedral. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Lithographed by C.R. and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The Merchant, plate four from The Ranks and Conditions of Men 1460-1470 Italy. The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.. Engraving on paper . Master of the E-Series Tarocchi

Heinrich IV., Roman-German Kaiser Stecher: Kilian, Philippdatierung: 1643/1693

John the Evangelist, Hans Baldung Grien (school of), 1500 - 1599, John the Evangelist, holding the chalice in his left hand., draughtsman: Hans Baldung Grien, (school of), 1500 - 1599, prepared paper, pen, brush, h 255 mm × w 115 mm

Hans Baldung Grien (German, 1484-1485-1545), Saint Matthew, 1519, woodcut

Tuscany Grosseto Montemerano S. Giorgio1. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)48. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Woodcut by Hans Holbein the Younger depicting Erasmus of Rotterdam in full figure, first edition around 1538.

Umbria Perugia Arrone S. Maria2. Hutzel, Max 1960-1990 Views of the exterior, interior naves, and extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Verrière project representing Saint Roch Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Saint Roch. Pencil, Ink.

Merchadante (Merchant). Dated: c. 1465. Dimensions: sheet: 17.8 x 9.8 cm (7 x 3 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Woodcut by Leonhard Beck depicting Saint Wildrudis, part of the Sipp saints associated with Emperor Maximilian I. Produced around 1518 on wooden stick.

Wszyscy Święci w MNK unknown

Master of the E-Series Tarocchi (Italian, active c. 1465), Caliope (Calliope), c. 1465, engraving

Wszyscy Święci w MNK Cegliński, Julian (1827 1910), Rakowiecki, Teodor (fl. 1761 1790)

Lazio Roma Rome S. Croce in Gerusalemme99. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore75. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Louise of Savoy (1476-1531) French noble woman, Duchess regnant of Auvergne and Bourbon, Duchess of Nemours, mother of King Francis I of France. Seated on high backed throne of carved wood. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

unknown, Amsterdam, Nentwich, Sebalt, The figure of Jesus Christ, according to the letter Lentuli, Christ with orb, verso - stamped, Christ, standing in a niche, holds an orb in one hand and makes a blessing gesture with the other hand. On the left a text column in Dutch, on the right a text column in German., print, prints, By Sebalt Nentwich, Goudslager, in de Tuinstraat, in the Golden Hammer. With Privilege, right and lower left - letterpress printing, height 289 mm, width 148 mm, height 319 mm, width 370 mm, print maker, printmaker, 1800 - 1899, paper, papier, engraving, engraving (printing process), letterpress printing, Publication (Event), Publicatie, publisher, uitgever van privilege

Girolamo Muziano, A Standing Man in Classical Drapery, 1544 1549 A Standing Man in Classical Drapery

St George Series - Study of Chamberlain for 'The Petition to the King', 1865-1866. Artist: Sir Edward Burne-Jones

Charles VI of France (1368-1422). King of France (1380-1422). The monarch on his throne. Engraving after a miniature from "Rois de France", 16th century. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

"Audran", Statue by Jacques Maillet, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Wooden stick artwork by Leonhard Beck depicting Sancta Gertrudis, a saint associated with Emperor Maximilian I's family, created in 1517.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory3. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Stroncone S. Giovanni4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This circa 1510-1512 Clair-obscur woodcut by Hans Wechtlin depicts Maria with child, framed with a mussel motif, showing figures, gestures, attire, and religious narrative in early 16th-century German printmaking.

The Four Cardinal Virtues: Temperance. Dated: c. 1550/1600. Dimensions: overall: 207 x 66 cm (81 1/2 x 26 in.). Medium: undyed wool warp, dyed wool and dyed silk. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 16th Century.

Vicente Carducho / 'Saint Anselm'. 1620 - 1634. Grey-brown wash, White lead, Black chalk, Pencil, Squared-up on paper attached to canvas, laid paper. Museum: Museo del Prado, Madrid, España.

Saint Ursula as Protectress. Dated: in or after 1480. Medium: metalcut, hand-colored in light green, flesh, and rose. Museum: National Gallery of Art, Washington DC. Author: German 15th Century or Master of the Protective Saints of Cologne.

Bliżej Kultury unknown

Umbria Perugia Norcia S. Agostino5. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Galle, C., Rubens, Peter Paul, Clouwet, Petrus, SS Apostolorum Icons, Saint Simon the Zealot, verso bottom center - stamped, The print shows Saint Simon the Zealot. In his left hand is his instrument of torture, the saw. The series consists of prints based on paintings by Peter Paul Rubens., print, prints, height 259 mm, width 137 mm, Southern Netherlands, 1629-04-09 - 1670-04-29, print maker, printmaker, 1639 - 1670, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Tuscany Siena Poggibonsi S. Lucchese36. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Girolamo della Carita6. Hutzel, Max 1960-1990 Founded on site where saint lived in 382, church is located on Piazza della Rota and via di Monserrato. Reconstructed 1654-60. Exterior views of baroque facade and flank, with details of portals, capitals and architectural sculpture. Extensive coverage of interior altars, ceiling, sculpture, painting, frescoes, stucco, coffers. General Notes: Exterior views from via di Monserrato sequence integrated into this one. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

H. Willibrordus, Nicolaes van Lijnhoven, 1600 - before 1702

Lazio Latina Cori S. Oliva1. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ludwig the Bavarian, 1282-1347, House of Wittelsbach was Roman-German King from 1314 and Holy Roman Emperor from 1328, Historical, digitally restored reproduction of a 19th century original, exact date unknown

Tuscany Grosseto Seggiano S. Rocco3. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mozaika v gornom meste tserkvi sv. Marka v Venetsii. X v. Saint Mark's, Venice, mosaic.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

Tuscany Siena Montalcino Museo Diocesano7. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ludwig IV, Ludwig the Bavarian (1282) (11 October 1347) from the House of Wittelsbach was Roman-German King from 1314 and Holy Roman Emperor from 1328, digitally restored reproduction of a 19th century original, original date unknown

Brass Plate for unidentified Woman from Stoke Newington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm), architectural subject, brass, church, memorial, plate, England, Greater London, London, St Marys Church, Stoke Newington, United Kingdom

Lazio Roma Subiaco S. Francesco3. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cube, Stanislaus.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo69. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Luther, Martin .

of 2