Historical Religious Figures

A collection of engravings and photographs depicting various historical religious figures in traditional attire, showcasing intricate details and somber hues.

Royer, Louis, Netherlands, Weissenbruch, Isaac, Statue of Laurens Jansz. Coster, print, prints, height 95 mm, width 54 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1856 - 1912, paper, wood engraving, 1793-08-02 - 1868-06-05, after image by

Doge of Venice in ceremonial costume. 16th century. Engraving after Cesare Vecellio (1521-1601) in "De gli habiti antichi et moderni di diversi parti del mondo", published in Venice, 1590. 2Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

The tomb of Friedrich the Wise in the castle church to Wittenberg, 1880, woodcut, Germany, Europe

Carved Figure 15th century China. Carved Figure. China. 15th century. Ivory. Ming dynasty (1368-1644). Ivories

Portrait of Lysbeth by Duvenvoorde (gest. 1472). Standing, up to the ankles, to the right. In the left hand a banderole with inscription. Above left the coat of arms. Part of a diptych, the whereabouts of the right wing with the portrait of her husband (in 1430) Symon van Adrichem, Portrait of Lysbeth by Duvenvoorde Portrait of Lysbeth by Duvenvoirde (-1472) is unknown., painter: anonymous, Cologne, (possibly), c. 1430, drager, :, painting, support: h 32 cm × w 20 cm, h 42 cm × w 29.3 cm × t 5.9 cm

Lady z Asiczk According to Leonardo da Vinci; Wolff, Jerzy (1902-1985); 1925 (1925-00-00-1925-00-00);

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory7. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 17 5/16 x 11 7/8 in. (44 x 30.2 cm)Other (Design): 11 5/16 x 5 15/16 in. (28.7 x 15.1 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Campania Salerno Cava dei Tirreni Museo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Corcumello, S. Nicola, Italy, 20th century, photo, photography, Europe

Bremen, Knight at Rathaus II, Louis Koch, 1904 photomechanical print City Hall of Bremen paper collotype monument, statue. townhall City Hall of Bremen

Saints Augustine and Francis, a Bishop Saint, and Saint Benedict. Artist: Fra Filippo Lippi (Italian, Florence ca. 1406-1469 Spoleto). Dimensions: 56 x 39 1/2 in. (142.2 x 100.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Vavassore, Giovanni Andrea, Portrait of Titus Livius, verso center bottom - stamped, Portrait of Titus Livius in half-length before semi-circular niche. In his hand he holds a book and he has raised one finger., print, engraving, woodcut, height 134 mm, width 115 mm, Italian, print maker, printmaker, 1510 - 1520, first quarter 16th century, paper, papier

Umbria Terni Narni S. Giovenale, Cathedral51. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Lazio Rieti Farfa (environs) Abbey of S. Martino0. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Knight in battle armour from 1401. Thomas Knebel von Katzenelnbogen. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by CR, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Bliżej Kultury Nuesser, Heinrich (1821 1883)

Study forJupiter. Artist: Elihu Vedder, American, 1836-1923

Lazio Roma Anguillara Sabazia S. Francesco19. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco2. Hutzel, Max 1960-1990 Interior and exterior views of the church architecture. Large fresco cycle (late 14th-early 15th centuries) of the life of S. Francis. Other photos depict the interior church decoration: the 17th century wood altar and nave sculptures as well as numerous 15th-16th century paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Sinalunga S. Bernardino8. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

EDWARD I, 1239-1307, King of England, drawing after stained glass window at All Souls' Library, Oxford

The H. Willibrord.

Image of a fragment of a 15th century epitaaf (Memorie Table), from the Mariakerk, from a canon of the Mariakerk, in the collection of the Centraal Museum (Agnietenstraat 1) in Utrecht.

Saint Bonaventure, Vittore Crivelli, 1481 - 1502

Lazio Roma Rome S. Ignazio di Loyola02. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Statue of Santo (probably St. Dominic). Dated: 1941. Dimensions: overall: 35.5 x 24.4 cm (14 x 9 5/8 in.) Original IAD Object: 54"high; 25"circ. at waist; circ. at base, 48". Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Juanita Donahoo.

Squated figure and two crowned men. A squat naked figure keeps a plateau up. Then two crowned men face each other with their hands on each other's shoulders.

St. Martin.

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti Museo Civico1. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

"Paré", Statue by Michel-Pascal, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Wszyscy Święci w MNK unknown

Lazio Viterbo Caprarola Palazzo Farnese286. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plaque with a Pair of Lovers 14th century North Italian. Plaque with a Pair of Lovers 464259

Lazio Frosinone Ausonia Santuario di S. Maria del Piano64. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Elisabeth of Austria, figure on console according to statue in a corridor on the castle of Stuttgart. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Lazio Frosinone Certosa di Trisulti Certosa di Trisulti, Monastery (S. Bartolomeo)2. Hutzel, Max 1960-1990 Interior views of church, including Coro dei Padri, Coro dei Conversi, presbytery (with main altar). Details of carved choir stalls, paintings, frescoed ceilings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Styfi, Jan (1841 1921)

Lazio Rieti Rieti Museo Civico09. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Portrait of Godfried V of Anjou, monogram miss M (Germany), 1850 - 1900 print paper etching historical persons. nobility and patriciate; chivalry, knighthood

PISANO, Andrea da Pontedera, called Andrea (1270-1349). Saturn. 1337-1341. Moulding which decorated Giotto's Campanile. Renaissance art. Trecento. Florentine school. Relief on rock. ITALY. TUSCANY. Florence. Opera del Duomo Museum.

LAS SIETE VIRTUDES 'LA ENVIDIA' - 1302-1305 - FRESCO - TRECENTO ITALIANO - ESCUELA FLORENTINA. Author: Giotto. Location: CAPILLA DE LOS SCROVEGNI. Padua. ITALIA.

Gutenberg, Johannes Gensfleich (c.1400-1468). German printer, inventor of the printing press. Reproduction of a sculpture by Juan Maria Danielli. Engraving of 1894. Engraving.

SaintGangolf. Artist: Peter Strüb the Younger (Master of Messkirch), German, ca. 1500-1543

OBIOLS PALAU, Josep (Barcelona, 1894-Barcelona, 1967). Pintor catalán. "EL BON PASTOR" (1951). Lápiz y carbón sobre papel de embalar (182 cm x 113 cm). Museo del Monasterio de Montserrat. Barcelona. Cataluña.

Head of Our Savior, from Arringhi's "Roma Subterranea". Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Henry Noel Humphreys after John Flaxman.

Veronica sweat cloth, Dirck De Bray, After Joseph De Bray, 1635 - 1694 print The cloth seems to be hanging on nails, which have been beaten in a rough board and is smeared with blood stains. Below two lines of Dutch text. Netherlands paper True icon '' napkin '' Veronica-portrait

Lazio Rieti Rieti Museo Civico. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

Manco Capac. Unknown

GRABADO DE LA NOVELA EL CURA DE ALDEA - 1863. Author: ENRIQUE PEREZ ESCRICH (1829-1897). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Marble sculpture of an old lady with a splendid robe, grave in the Staglieno Monumental Cemetery, Cimitero Monumentale di Staglieno, Piazzale Giovanni Battista Resasco, Genoa, Italy, Europe

Recto: Our Lady of Children Verso: A fragment of an unknown composition with the inscription "Aries"; 18th century (1701-00-00-1800-00-00);

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia3. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rudolf of Rheinfelden (1025-1080). Duke of Swabia. Engraving by Germania, 1882. Extracted from the graveslab, Merseburg Cathedral.

9. The Praalgraf of the Heeren van IJsselstein / (v. Amstel) after the restoration by E. F. Georges. "Recto, o.

Portrait of Sigmund von Herberstein by Anonymous painter, woodcut, watercolor, 1550s, Private Collection

Prince Maurits on his death bed.

Chłopiec wiejski grający Madonnie na skrzypcach. Grabowski, Wojciech (1850-1885), draughtsman, cartoonist

The Angels of the Hierarchy - Angeli, 1873. Artist: Sir Edward Burne-Jones (d.1898). Assistant: Charles Fairfax Murray (d.1919).. Manufacturer: Morris & Co. Figure holding hand of a boy and in left hand two other young people under his wing. Design for Jesus College, Cambridge .

Umbria Perugia Perugia Convent S. Pietro2. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Joseph of Arimathaea (Joseph d'Arimathie) James Tissot (French, 1836-1902). Joseph of Arimathaea (Joseph d'Arimathie), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 5 11/16 x 4 5/16 in. (14.4 x 11 cm). European Art 1886-1894

LUCAS CRANACH German painter, engraver and woodcut designer Date: 1472 - 1553

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Andrea Pozzo, Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician, 1642-1709. Painted the ceiling of the Church of Saint Ignatius of Loyola in Rome. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.

Lazio Roma Grottaferrata Museo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The King, miniature from a manuscript by Jacques de Cessoles, France 15th Century.

Unicorn caught by Maiden, tapestry, 1500.

marble in old historical construction italy europe milan and statue

N. P. Maria Latyczowska, in a class of flowers and lines; Thurwanger Freres (Fl. 1849-1865), Lemertcier, Rose Joseph (Paris 1845-1859 (1845-00-00-1859-00-00);

Middle ages initial capital letter I depicting an apostle. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

St Sinibald, decoration from an organ door, ca 1509, by Sebastiano del Piombo (ca 1485-1547), oil on canvas, 293x137 cm. Church of San Bartolomeo, Venice, Italy.

Embroidered Picture 1650-75 British. Embroidered Picture 13740

Adam Setkowicz (1876-1945), cheerful!; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948), Wanda (Kraków; Publisher); around 1910 (1905-00-00-1915-00-00);

Bliej Kultury unknown

Portrait of Pieter Spiering, François Dieussart, c. 1647 - c. 1651 The man is depicted frontally, used to the head to the right. His eyebrows are somewhat frowned. He has a big mustache and wavy hair that falls to the shoulders. Over his tube with split sleeves, he wears a fur -lined cloak. The flat collar is laid over the cloak. On profiled, swiveled pedestal. The Hague marble (rock) The man is depicted frontally, used to the head to the right. His eyebrows are somewhat frowned. He has a big mustache and wavy hair that falls to the shoulders. Over his tube with split sleeves, he wears a fur -lined cloak. The flat collar is laid over the cloak. On profiled, swiveled pedestal. The Hague marble (rock)

Campania Napoli Naples S. Lorenzo Maggiore082. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Tuscany Siena Montalcino Museo Diocesano05. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Perugia (Umbria - PG), Major Fountain in Piazza IV Novembre, Nicola and Giovanni Pisano, tiles. In each compartment there are two tiles. The Rhetoric

Abruzzo Teramo Campli S. Giovanni2. Hutzel, Max 1960-1990 Details of both the exterior and interior Medieval architecture of the church; interior photos show details of the Baroque paintings and Medieval Frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plato (428/427 BC-348/347 BC). Greek philosopher. Copy of an ancient bust from the Uffizi Gallery in Florence, drawn in Visconti's Greek iconography. Chromolithography. "Historia Universal", by César Cantú. Volume III, 1882.

GRABADO-DAMA DE PAMPLONA.

Jehan Obry, sergeant-at-arms in Amiens, kneeling with his hands joined in prayer, in fur-lined grey coat and red doublet. Bourgeois d'Amiens. After a miniature in a manuscript offered to Louise de Savoie. Handcolored lithograph after an illustration by Edmond Lechevallier-Chevignard from Georges Duplessis's Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris, 1867. Edmond Lechevallier-Chevignard was an artist, book illustrator, and interior designer.

Abruzzo Pescara Penne S. Maria in Colleromano, Convent church0. Hutzel, Max 1960-1990 Post-medieval: exterior views, including detailed views of main portal. Views of interior, including naves, altars, architectural (17-18th century) sculpture, painting, and frescoes. Several views of cloister and colonnade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Roman era. Stele of Lutatia Lupata. The young Lutatia is depicted playing a stringed instrument, of the "pandarium" type. The text gives us the name and age (16 years old) of the deceased, as well as the name of the dedicator Lutatia Severa. 60 x 36,50 cm. Marble. 2nd century AD. National Museum of Roman Art. Merida, Extremadura, Spain.

Exlibris of Józef Drzewiecki; Siedlecki, Franciszek (1867-1934); 1905 (print); 1904 (matrix) (1904-00-00-1905-00-00);Drzewiecki, Józef (1860-1907), Drzewiecki, Józef (1860-1907)-exlibris, Warsaw (Masovian Voivodeship)-headquarters of the addressee of the exlibris, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862- 1944) - collection, Egyptian architecture, gift (provenance), allegorical and symbolic exlibris, esoteric, Polish graphics, pentagram (esoter.), Poland (culture), portraits, women's portraits, Sphinx (mitol.), Symbolism (style)

Happiness and Peace 1926, Bernard Willem Wierink, 1926 print paper symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Juan Correa de Vivar / 'The Prophet Isaiah', ca. 1535, Spanish School, Oil on panel, 90 cm x 43,5 cm, P00684. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pan Jezus Brahiłowski. unknown, graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Bliżej Kultury Unknown, pills, Kornel (1823 1885)

Henri of Artois, Count of Chambord or Henri Charles Ferdinand Marie Dieudonne d'Artois, duc de Bordeaux, comte de Chambord, was disputedly King of France Henry V, political caricature, 1882, by Alphonse Hector Colomb pseudonym B. Moloch

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