Idyllic Landscapes and Nature

Etchings of serene landscapes with pastoral scenes, natural elements, and classical aesthetics, highlighting tranquil rural life.

In the gardens of the Borghese villa; Reinhart, Johann Christian (1761-1847); 1794 (1794-00-00-1794-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Villa Borghese (Rome), Italy (state), landscapes, landscapes, relay

Etched by Joseph Mallord William Turner, 1775-1851, British, Isis, 1819. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Landscape with Jacob struggling with the angel, Richard Earlom, After Claude Lorrain, 1777 print London paper etching landscape with ruins - II - ideal landscapes. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. river - HH - ideal landscapes. Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Woman drawing at the Marche-les ladies, Paulus Lauters, 1839-1841 print Numbered at the top: 22. Brussels paper. river. draughtsman at work - CC - out of doors Marche-les-Dames

Shepherds and their herd at an antique source, Salomon Gesner, 1767 - 1768 print Zurich (Stad) paper etching utilitarian, public pump or water fountain. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. bovine cattle. lyre, cithara, psaltery

Etching by Pierre Jacques Duret depicting a farrier at work in a village. Created between 1750 and 1799, illustrating rural professions and community life.

Landscape with Jacob, Laban, Lea and Rachel with a herd of sheep, Richard Earlom, After Claude Lorrain, 1776 print London paper etching landscape with bridge, viaduct or aqueduct - II - ideal landscapes. city-view, and landscape with man-made constructions - II - ideal landscapes. river - HH - ideal landscapes. Jacob asks Laban's permission to marry Rachel

Part of the Remains of Llanphor, near Pembroke, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales Made 1773-1775 England. Etching and aquatint on ivory laid paper . Paul Sandby

View of Lekkerkerk, seen from the other side of the Lek, c. 1750 - c. 1810 drawing At the front of figures and a horse. Sailing and rowing boats on the water. South-Holland paper. pencil. watercolor (paint). deck paint pen / brush village (+ city(-scape) with figures, staffage). river. church (exterior) Lekkerkerk. Leak

In the gardens of the Borghese villa; Reinhart, Johann Christian (1761-1847); 1794 (1794-00-00-1794-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Villa Borghese (Rome), Italy (state), landscapes, landscapes, relay

Joseph Mallord William Turner, St. Catherine's Hill near Guildford, June 1811, Etching and mezzotint printed in brown inks.

The Temple of Minerva Medica, plate 23 from Liber Studiorum Published 1811 England. Mixed intaglio in brown on ivory laid paper, edge-mounted to ivory wove paper . Joseph Mallord William Turner

Chatham, Kent, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

TheMilkmaid. Artist: Anthonie Waterloo, Dutch, 1610-1690

William Miller, 1796-1882, British, Chatham, Kent, 1832. Line engraving and etching, 3rd state on moderately thick, smooth, beige, wove paper.

Yale College. Bartlett, W. H. (William Henry) (1809-1854). 1836. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Universities & colleges , Connecticut , New Haven, Yale University

Lt. James George, ca. 1755-1795, Rendezvous Island, Solomon Islands, ca. 1812. Watercolor over graphite on medium, slightly textured, cream wove paper.

View of pond with fountains at Chantilly, Gabriel Perelle, 1650 - 1695 print Print is part of an album. publisher: ParisFrance paper etching French or architectonic garden; formal garden. landscape with tower or castle. garden fountain Chantilly castle

View of Monte Circello with a fish seller, Ludwig Richter, 1831 print paper etching landscapes. selling. fishes Latina

Zeedorp with Kerk, William Baillie, after Jan van Goyen, 1771 The print is part of an album. paper The print is part of an album. paper

William Byrne, 1743-1805, British, A View in the Villa Madama, near Rome, called II Teatro, 1765. Etching on moderately thick, slightly textured, cream wove paper.

Louis XIV (King of France), Paris, Meulen, Adam Frans van der, Genoels, Abraham, Architectural garden with basin, verso center bottom - stamped, An architectural garden with a large rectangular basin. In the foreground a couple in love. In the background a colonnade., print, prints, height 317 mm, width 484 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1690, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, South Netherlands, French, 1632-01-11 - 1690-10-15, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Robert Wallis, 1794-1878, British, Margate, Kent, 1827-1838. Etching and engraving, (Completed Engraver's Proof).

Rowing boat on pond at the Loo Palace; With the new ponds; Twelve faces in Park Het Loo; XII found in the Park Het Loo. A boat with seven passengers sail on the pond. On the side a man is gesturing. Numbered at the top right: pl. 4.

The Woman and Tambourine, plate 3 from Liber Studiorum Published 1807 England. Etching and engraving in brown on ivory wove paper, laid down on ivory laid paper . Joseph Mallord William Turner

Park landscape depicting a staircase, fountain, and antique figure staff, showing architecture, vegetation, and figures, created with brown brush, lavated in watercolor over drawing traces in 1782.

Title card "Nouveaux Fure de Berseaux. Et trilliages. Cabinet"; Marot, Daniel (1661-1752; st.), Unknown; after 1702 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, architecture, French (culture), title cards, gardens, pavilions (archite.), Projects, Łuki (architect.)

Etching by Benoît Audran produced between 1715 and 1772 titled 'The Happy Leisure' depicts leisurely activities and social interaction, reflecting early 18th-century French printmaking.

Christian Friedrich Duttenhoffer, 1778-1846, German, Solitude, 1802. Line engraving and etching on moderately thick, slightly textured, cream wove paper.

Man at Water pump, c. 1800 - c. 1825 print This print is part of an album. paper etching / engraving utilitarian, public pump or water fountain. pump

Haymaking, Thomas Hearne, 1744-1817, British, undated, Black and gray ink with watercolor over graphite on moderately thick, slightly textured, beige wove paper, Contemporary drawn border: 8 3/4 x 10 inches (22.2 x 25.4 cm) and Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm), carts, children, genre subject, harvest, hay, hay wagons, haymaking, houses, labor, men, pitchforks, river, trees, village, wagons, women, working

Landscape with Christ and two men for antique ruin, Nicolas Perelle, 1613 - 1695 print paper etching / engraving landscape with ruins. Christ

Optical Toy: 'Mount Vesuvius' (Spooner's Protean Views), William Spooner, England, active 1830 - 1854, Lithograph, brush and watercolor on paper, mounted, View through an open loggia across a body of water with mountains in the distance. When held to the light Vesuvius is seen erupting at night. Below, title and lengthy description; publisher's name below., London, England, ca. 1838, Print, Print

Reis Van Pius VII Over de Saône, Jean Jacques de Boissieu, 1805 print France paper. etching / drypoint historical persons. arrival and return ~ travelling. boat propelled by man or animal Saône

Etched by Joseph Mallord William Turner, 1775-1851, British, Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

The Rialto, Venice, John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), Chine collé: 8 3/4 × 11 9/16 inches (22.2 × 29.4 cm), and Image: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm)

View of the Grand Basin of the Tuileries (behind the statue of Autumn). Artist: Johann Heinrich Troll (Swiss, Winterthur 1756-1824 Winterthur). Dimensions: Sheet: 10 7/16 × 8 7/16 in. (26.5 × 21.5 cm). Date: ca. 1803. Museum: Metropolitan Museum of Art, New York, USA.

Ruins of the Ancient Archiepiscopal Palace at Otford in Kent, from Edward Hasted's, The History and Topographical Survey of the County of Kent, vols. 1-3. Artist: Etched by John Bayly (British, active 1755-1782). Dimensions: Book: 17 5/16 × 11 × 13/16 in. (44 × 28 × 2 cm)Sheet: 16 15/16 × 10 5/8 in. (43 × 27 cm)Plate: 10 1/16 × 14 in. (25.5 × 35.5 cm). Date: 1777-90.Plate 26, vol., I. inscribed to the Hon and most Rev Frederick (Cornwallis), Archbishop of Canterbury. See 2014.599.1-.30 for comments. Museum: Metropolitan Museum of Art, New York, USA.

Rock with fishermen. From a rock, a fisherman has thrown out his fishing rod in the water, while a second fisherman is attaching to the waterfront. On a path that carries through the rocks, a man with a donkey walks and a woman walks with a fishing rod over her shoulder. The show is framed by a window decorated with vegetation and two foxes.

View of the entry way to the Spa (Les délices de Spa et de ses environs). Fourmois, Théodore (1814-1871), graphic artist, Dewasme-Plétinckx, Antoine (1797-1851), publisher

Mannering, Hazlewood and Smugglers, William Finden, 1787-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, published state

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Etching by Pierre Charles Canot from 1759 titled 'The Little Family', depicting a domestic or pastoral family group.

Stonyhurst, Lancashire, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Face on well on the mesh; Well.

View of a bowling course in the Alkmaarder Hout, Leonard Schenk, After Abraham Rademaker, 1736 - 1746 print View of a bowling alley in the Alkmaarder wood. A few figures with children and dogs walk in the front. paper etching forest path or lane (+ landscape with figures, staffage). ninepins, skittles Alkmaarder wood

Scene in the Campagna, plate 38 from Liber Studiorum Published 1812 England. Etching and engraving in brown on ivory paper . Joseph Mallord William Turner

Rome, from Monte Testaccio, John Byrne, 1796-1847, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Engraving and etching on medium, smooth, cream, wove paper, Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm), Plate: 8 7/8 × 12 inches (22.5 × 30.5 cm), and Image: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, part XIII, plate 62) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Lupton here added mezzotint to describe a a rural scene where awoman picks cress in a stream near two children. At the end of bridge, above, figures with baskets are bathed in a burst of bright sunlight, as a horse-drawn gig moves away down a road through the rain. The changeable weather and shifting light, characterisitic of an English summer, are Turner's ture subject, and the letter "P" in the plate indicates his category of Pastoral landscape.. Water Cress

Jager with Weitas in Donker Bos, Antoine Severin, 1851 - 1852 print Brussels paper etching hunter. deciduous forest

Liber Studiorum: A Study, 1838. John Sell Cotman (British, 1782-1842). Etching;

Vue de la Villa Albani, not before 1784. Morel, François, approximately 1768- printmaker. not before 1784 Villa Albani The view from the Porta Pia of the Villa Albani seen in the distance and set in a lush vegetative landscape is after a painting by German landscape painter Jacob Philipp Hackert. In the foreground a dog barks playfully as a man climbs atop a mount being held by another. On the left two women sit beneath a tree and on the right a herd of goats are gathered. With Pecci-Blunt's collector's marks, in black ink, in the lower right hand corner and one on the verso. Imprint: Naples, George Hackert. Dedication to Prince Youssoupoff Nikolai Borisovisch Yusupov. By privilege of the King of the Two Sicilies. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development un

Allegorical grave monument for Louise, Princess of Oranje-Nassau, 1819. Allegorical grave monument for Louise, died in Amsterdam on October 15, 1819. Portrait of Louise in an oval on a column. Around it around a number of irritating allegorical figures. On a pedestal her date of birth and death date. Three lines of Dutch text in the undermarge. In the middle of 'proof.'

French 18th Century, L'Allee de Grenadiers, last third 18th century, watercolor heightened with gouache

Walkers at the entrance of the garden of the Tuileriën, Louis Albert Bacler d'Albe, 1822 - 1824 print Paris paper public gardens, park. strolling. garden fountain Tuileries garden

Seven Areas from Salzburg and Berchtesgaden. Arranged according to the seven days of the week, connected by two allegorical sheets: Friday. Meadow Plan in Front of Aigen Near Salzburg, 1818-23. Ferdinand Olivier (German, 1785-1841). Lithograph; sheet: 19.5 x 27.5 cm (7 11/16 x 10 13/16 in.).

Slow, Etienne Brion, After Jean Antoine Watteau, c. 1732 print Paris paper etching / engraving spring ~ other concepts (e.g. biblical scenes) (the four seasons of the year). gondola. making music; musician with instrument. garden of Love, court of Love, 'fíªte galante'

Grushauka. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Study of Trees. Louis Pierre Baltard; French, 1764-1846. Date: 1812-1822. Dimensions: 180 × 172 mm (image); 310 × 232 mm (sheet). Lithograph in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

David Lucas, East Bergholt, Suffolk, June 1832, mezzotint, trimmed to image and laid within false platemark, on cream wove paper.

A Sculpture Group in The Garden of Honselaarsdijk Castle, Jan de Bisschop, 1648 - 1671 drawing Sculpture group in the southern ground floor of the garden of Honselaarsdijk. Two figures are on the right. paper. chalk brush piece of sculpture, reproduction of a piece of sculpture. statues, sculptures in garden Honselersdijk. Palace Honselaarsdijk

Downlands, Sussex. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 6 3/4 × 10 1/4 in. (17.1 × 26 cm). Date: 1780-1827. Museum: Metropolitan Museum of Art, New York, USA.

Mythological ladies, with gentleman offering game, in front of garden park. unknown c. 1670-1700 Tapestry Dimensions: H 7'3" x W 14' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Felix Gouled, invoiced 12/2/1936; sold to G. () J. Darre or Barre 3/4/1948. Stock sheet note: "Bought at the American Art Gal.". Related Works: Compositionally similar tapestries (same cartoon, divided between 2 panels): GCPA 0236737-0236738

Face over the Lek on the village of Vreeswijk, Jan de Beijer, 1744 drawing paper. ink pen / brush river Leak. Vreeswijk

Frozen puddle with figures in rowing boat and skater, Hendrikus van de Sande Bakhuyzen, 1826 - 1833 print On a frozen puddle in front of a city wall with tower, a man with a gun is in conversation with a man sitting on a rowing boat. There is a girl next to them. On the right a man skates behind a sled. In the background stone figures at a tent on the ice. Dordrecht paper. winter sports. skates (winter sports)

Rybiszki. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Żamett, Albert (1821-1877), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Napoleon's Burial Place on St. Helena by Brunton, Richard, Lieutenant-Colonel (active ca. 1820) / Private Collection / c. 1826 / Great Britain / Watercolour on paper / Landscape,History / 18x21,8

Hanoteau, Hector, Goupil & Cie, Michelez, Charles, Les Biquets, Reproduction of Les Biquets by Hector Hanoteau, photomechanical print, photomechanical impression, reproduction, page, photographs, photographically illustrated books, height 192 mm, width 241 mm, 1817 - 1883, photographer, 1871 - 1876, paper, papier, Woodburytypie, French, clichémaker, Work conception, 1823-05-25 - 1890-04-07

The Great Elm Tree of Shackmaxon Now Kensington[Philadelphia. Artist: George H. Lehman, American, 1800-1870

Grotfontein in the herb garden of Paleis Het Loo, 1702 print View of the cave fountain in the herb garden of Paleis Het Loo. Print is part of an album. paper etching French or architectonic garden; formal garden. ornamental fountain Palace Het Loo

Panemune Castle. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Etching by Jean Michel Liotard around 1733 titled La conversation - a friend, depicting two figures engaged in conversation in an 18th-century setting.

Etching by Isidore Stanislas Henri Helman showing the entrance of Mr. Blanchard and the Chevalier Lepinard, created between 1785 and 1809.

Looting of the house of A.M. van Arssen in Amsterdam, 1748, Simon Fokke, 1777 print The looting of the house of tax tenny A.M. van Arssen and the warehouses and cellars below on Singel 187 during the tenant riot, 25 June 1748. From the house, figures throw all kinds of household goods on the street and in the canal. Amsterdam paper etching plundering ~ riot Amsterdam

View against the country road , Vue Verse La Rue Nommée Landstrasse single budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, publishing house

View of the Monument De Leeuw van Luzern, Franz Hegi, after Johann Jakob Meyer (1787-1858), 1820 - 1850 print paper beasts of prey, predatory animals: lion. landscape with monument (+ city(-scape) with figures, staffage) Lion monument

Italian landscape, Jacob van Liender, 1706 - 1759 drawing paper. ink. watercolor (paint) brush / pen

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Print made by David Lucas, 1802-1881, British, Mill Stream, 1831. Mezzotint on moderately thick, moderately textured, cream laid paper.

Janów. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

The Winter Garden 1843 Charles-François Daubigny French. The Winter Garden 336838

Horodło on the Bug River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

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Monument to the Prussia; Monument des Prussiens à Planancenoit, Près de Waterloo; Loose plates from a series of lithographs from the Waterloo area. The monument for the fallen Prussian soldiers, to plance near Waterloo. Part of a series of twelve plates (supplemented to fourteen) with faces from approx. 1840 of the area where the Battle of Waterloo took place on June 18, 1815.

Picture embroidered on paper unknown

Danube views, Bavaria, City on the Hof Regensburg, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

John Donowell, active 1753-1786, A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick. Hand-colored engraving on wove paper.

View in the garden of Penhaverde, Portugal, draughtsman: Pierre Lelu, (mentioned on object), Portugal, 1772 - 1778, paper, pen, brush, h 218 mm × w 330 mm

Face of Ter Zyde de Maliebaan in Utrecht, on 't Huijs Belle Vue "with assignment to" the Heeren Burgemeesten and Vroedenges of the city of Utrecht "

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church August 1, 1797 Thomas Gainsborough British. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church 382181 Artist: Thomas Gainsborough, British, Sudbury 17271788 London, Publisher: Republished by John & Josiah Boydell, London, Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, August 1, 1797, Soft-ground etching, hand-colored; fourth state of four, plate: 12 13/16 x 15 1/2 in. (32.5 x 39.4 cm) sheet: 14 1/4 x 17 1/4 in. (36.2 x 43.8 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1942 (42.27.2)

Image of one of the nine wall paintings in the Regentenzaal of the Diaconie Weeshuis der Nederduitsch Reformed municipality (Breedstraat 36) in Utrecht.n.b. The paintings were installed around 1760 by Pieter Jan van Liender. The orphanage was demolished in 1954, with the paintings being transferred to the Centraal Museum. Nowadays they are in a room in Paushuize.

Francis Seymour Haden, 1818-1910, British, Kensington Gardens, no. 1 (small plate), 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper.

Lazio Viterbo Caprarola Palazzo Farnese336. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

No. 32. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Drawing from album with 13 drawings made in Germany by captain Bagelaar, during the campaign of 1800, Kapel bij Ziegtelen., draughtsman: Ernst Willem Jan Bagelaar, 1800, paper, pen, brush, h 85 mm × w 110 mm

Colored etching by Lorenz Janscha from around 1810 depicting Brunn in a mountainous region, showing buildings, landscape, and terrain.

Print (France)

Cardiff Castle from the West. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 237 × 314 mm (plate); 320 × 463 mm (sheet). Aquatint, with etching, in brown on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Dordrecht, Zangers, Hartog, Backer, Hilmar Johannes, Netherlands, Key to the print: Solemn burial of HM the Queen of the Netherlands, on 26 October 1837, verso - stamped, Key to the print of the funeral procession of Queen Wilhelmina of Prussia on its way from The Hague to Delft, 26 October 1837. With explanation of the representation in numbers 1-23., print, prints, Frederik Muller Historieplaten, height 225 mm, width 285 mm, print maker, printmaker, 1837 - 1837, paper, papier, lithografie (techniek), Nederlands, 1804-09-17 - 1845-05-01, printer, drukker, Publication (Event), Publicatie, publisher

Landscape with a figure in a gown at an oval portrait of Napoleon; Perdona, Unico Eroe, Posso Adorarti, Esaltarti Non Poss (...); Illustrations at Melchiore Cesarotti poem pronea, apology for Napoleon Bonaparte; La Pronea del Cesarotti Delineata Ed Incisa Dal Matteini. Under the show a versitive in Italian. Print is part of an album.

The New Polish in Paris 1819 France. Lithograph in black on ivory laid paper, tipped onto ivory wove paper . Louis Jules Frederic Villeneuve

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