Idyllic Landscapes and Nature

Etchings of serene landscapes with pastoral scenes, natural elements, and classical aesthetics, highlighting tranquil rural life.

In the gardens of the Borghese villa; Reinhart, Johann Christian (1761-1847); 1794 (1794-00-00-1794-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Villa Borghese (Rome), Italy (state), landscapes, landscapes, relay

Frontispiece to Clubbe's Physiognomy (or the Weighing House) 19th century After William Hogarth British. Frontispiece to Clubbe's Physiognomy (or the Weighing House) 399364

Samuel Davis, 1757-1819, British, A Country House with Figures on the Drive, undated. Watercolor and graphite on moderately thick, moderately textured, cream, wove paper.

Wide landscape with corn harvest, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print A wide landscape with a man in the foreground in conversation with a sitting woman. A corn field is mowed in the distance. Haarlem paper etching August and its 'labours' (+ with scenes showing human occupations ~ seasons and months). hay-wagon. reaping, picking, mowing ~ harvest. harvest festivities. transporting ~ harvest. pedlar

A Castle on a River. Painting. Watercolor and pen and black ink on medium, cream, slightly textured wove paper. Height: 137 mm (5.39 in); Width: 206 mm (8.11 in). Author: Paul Sandby.

Three faces around Haarlem D; Invite by De Hofstede the monastery over the Kleverlaan / looks of the Garen Blijkeen, on the new Cingel / looks by Halfwegen Overveen; Trifles faces around Haarlem; Faces in the entertaining land drips from Haarlem.Three Images on a plate.

Stary Sącz Alt Sandecz Lang, Rudolf ( 1884), Alt, Rudolf von (1812 1905)

View from the colonnade on the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View from the colonnade on the French garden of Huis ter Meer in Maarssen, with walking figures. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden House Ter Meer

Conquest from Utrecht by the French on June 24, 1672; Utrecht; Grandes Conquêtes du Roi. The surrender of the city of Utrecht to the French armies on 24 June 1672. The print is part of a French series of 28 prints with the conquests of the French king Louis XIV between 1672 and 1678 entitled: Grandes Conquêtes du Roi. In an ornamental picture frame with a map of the fortifications of the city, further weapons, parts of armrests and trimmed prisoners. At the bottom of a cartouche with inscription of 5 rules in French.

The Prince of Wales' Visit to Egypt: Djizeh - from a drawing by Frank Dillon, 1862. The future King Edward VII in Africa. From "Illustrated London News", 1862.

Park scene by Isaac de Moucheron featuring monumental architecture, a large basin with fountain, and a shepherd couple in the foreground, executed with ink, watercolor, cover colors, and black chalk.

Arcadian landscape with dancing figures; Arcadian landscape / passage d'arcadie. In the foreground in an arcadic landscape a boy embraces a woman who plays triangel. Links in the forest make shepherdess a round dance. On the right a bridge over a river and a temple against high mountains. The landscape is illuminated by the right by sunlight. In the middle of the margin a putto with the coat of arms of society Felix Meritis.

Christ Church, Oxford: the bath and gardens. Coloured etching by C.G. Lewis after J.M. Ince.

Chateau des Flowers.

Danube views, Hungary, Magazine to Danubewetz, After, Ludwig Erminy, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Illustration honouring Stephen Hales 1677-1761

A View near Richmond, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. A View near Richmond, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

The Mabille Ball to Champs-Elysées

Stirling, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, engraver's proof

Replacement of the woman in Arnhem, 1783, Mathias de Sallieth, After Willem Kok, 1787 print Reference of the woman in Arnhem, 4 August 1783. Fragment of a larger album entitled 'Atlas of the histories of our Tyd. Plate i '. This was a test episode of a new series of performances of historical events from the years 1780-1787, the series was not continued after this first issue. Northern Netherlands paper etching / engraving opening of grave, exhumation Arnhem

Transience; DAS Mergängliche; Eternity and transience. Allegorical representation of the perishable. In a ruin landscape a man with a book meets a woman with walking stick. Right a grave monument with a sarcophagus with shifted lid. On the left in the background a city with church dome. Publisher number LVI.

Driebergen

Laudons recreation and resting place near Hadersdorf next Vienna, Portrait and tomb by Ernst Gideon von Laudon, Hadersdorf Castle from Ueber and Sea, General Illustrirte Zeitung , After, Johann Josef Kirchner -, artist

Title page of the cycle `Troisieme Livre de Perspectives`. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Cotton Garden, Westminster, John Thomas Smith, 1766-1833, British, after John Thomas Smith, 1766-1833, British, 1804, Engraving

To celebrate the completion of the quick press from King and Bauer in Oberzell, Fr, König, Andr, Ms, Bauer, Oberzell monastery near Würzburg, Friedrich Koenig, book printer and inventor of the quick press, and his business partner Andreas Bauer, Oberzell monastery, Koenigs grave, the machine, Koenigs noble fir from Illustrirte Zeitung , Unknown

M (Al) Lefebvre. / September 14, 1820.

Twickenham. Western Suburb, unknown artist, (S. K. D.), after unknown artist, ( S. K. D. ), 1822, Lithograph

View of the Church and Village of St. Cue, Cornwall, from "Views in Cornwall" April 12, 1812 Thomas Rowlandson. View of the Church and Village of St. Cue, Cornwall, from "Views in Cornwall". "Views in Cornwall". Thomas Rowlandson (British, London 1757-1827 London). April 12, 1812. Hand-colored etching. Prints

View of a Chteau. Artist: Attributed to Nicolas Pérignon the Elder (French, Nancy 1726-1782 Paris). Dimensions: 8 5/16 x 14 1/4 in. (21.1 x 36.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

The winter garden, Humphry Repton architecture and landscape designs, 1807-1813, Report concerning the gardens at Ashridge, respectfully submitted to the Earl of Bridgewater, Repton, Humphry, 1752-1818, Pencil, ink and watercolor on paper, 1813, Numbered page 20 in manuscript.

Alexandre Jean-Baptiste Le Blond created a title page design showing profiles and elevations of the Saint-Cloud waterfall and great jet using brown brushwork, brown wash, white highlights, and black chalk traces in 1699.

Central Park, Statue of the Indian Hunter. Artist: Anonymous, American, 19th century; Sculpted by John Quincy Adams Ward (American, Urbana, Ohio 1830-1910 New York). Dimensions: image: 4 13/16 x 8 in. (12.3 x 20.3 cm)sheet: 5 9/16 x 8 7/16 in. (14.1 x 21.5 cm). Series/Portfolio: Manual of the Corporation of the City of New York. Date: 1869.In 1869, a committee of public spirited New Yorkers raised funds for a monumental new bronze cast of Ward's famous sculpture, then presented the work to the commmissioners of Central Park. This lithograph appeared in the city's annual report, and shows the sculpture on its pedestal admired by strolling families. The contributors noted that, "both in Europe and America Ward's work...justly ranks as among the best examples of the plastic art for its bold and vigorous treatment, and its truthful delineation....truly American in subject...admirably executed by one of our native and most celebrated sculptors. We trust it may find a fitting place in the gr

Chester, 1821 1821 England. Lithograph on paper . Francis Nicholson

Figures at a table for an inn, Angélique Charbonnée, After David Teniers, 1700 - 1799 print France paper etching hotel, hostelry, inn

Amorini Celebrate the Rape of Proserpine. Artist: Francesco Rosaspina (Italian, Montescudo 1762-1841 Bologna); After Francesco Albani (Italian, Bologna 1578-1660 Bologna). Dimensions: oval image: 22 1/8 x 27 in. (56.2 x 68.6 cm)sheet (trimmed within platemark): 24 3/8 x 29 7/8 in. (61.9 x 75.9 cm). Date: 1805-12.Rosaspina believed that he could translate the color and style of a painting only if the work was in front of him as he engraved, which is one reason it took him so long to complete this, his most famous print. Because there were long intervals between his visits to Milan, where Albani's painting was located, several proofs in different stages of completion survive. Albani's famous painting of dancing cupids, now in the Pinacoteca di Brera, Milan, is based on Ovid's account of Proserpina's ravishment by Pluto (the Greek Hades). See 45.78.123 for the finished state. Museum: Metropolitan Museum of Art, New York, USA.

Anne Rushout, ca. 1768-1849, British, Temple and Falls, Sezincote, 1824 to 1832. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Fireworks decoration shot in front of the Paris City Hall on October 28, 1758 (IT)

In the vast future, in this immense abyme; ... (IT)

The fire in the house of the French Ambassador in The Hague, 27 March 1782. Draughtsman: Aert Schouman. Dating: 1782. Measurements: h 182 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

Print made by Michael van der Gucht, 1660-1725, Flemish, A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, between 1675 and 1725. Etching on medium, slightly textured, cream laid paper.

A gouache painting showing a second scene of Marienbad with architectural and landscape elements, 1819.

Rural Halt. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 15/16 × 13 1/4 in. (27.8 × 33.7 cm)Plate: 9 7/16 × 11 3/4 in. (24 × 29.8 cm). Publisher: John Harris (British, ca. 1740-1812). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Art of Scaling 1792 Samuel Alken. Art of Scaling. After Thomas Rowlandson (British, London 1757-1827 London). 1792. Hand-colored etching and aquatint. S. W. Fores (London). Prints

A zoological garden. Wood engraving by H. Linton.

De Weerdpoort in Utregt.

Marienbad; Stark, Johann (Fl. Ca 1840-1853), Höfelich, Johann (Vienna; Litographic Plant; Fl. Ca 1833-1850); XIXW. (1801-00-00-1900-00-00), around 1845 (1840-00-00-1850-00-00);

Monument Voor Henri Daniël Guyot, Alphonse Pierre Giraud, After Charles Joseph François Sigault, after Jean François Sigault, 1829 print The monument for Henri Daniël Guyot on Guyotplein in Groningen. Guyot was a pastor and the founder of Deaf Education in the Netherlands. The memorial made by father and son Sigault contains his portrait. Right and left of the performance four smaller performances with the ornaments and inscriptions of the monument. Amsterdam paper etching monument, statue Guyotplein

Illustration from Les Amours pastorales de Daphnis et Chloe 1787 edition

View of Vauxhall Gardens in London, Jean -François Daumont, 1745 - 1775 print In the title numbered: 76. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. ornamental plants. garden fountain. garden ornaments Vauxhall Gardens

Belvedere from the Azienkowski Park; Skarbek, Fryderyk (1792-1866); 2. W. 19th century (1826-00-00-1850-00-00);message

Rural Halt 1787 Thomas Rowlandson. Rural Halt. Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching and aquatint. John Harris (British, ca. 1740-1812). Prints

London from Greenwich Hill. Date/Period: 1869 to 1870. Painting. Oil on canvas. Height: 1,829 mm (72 in); Width: 2,731 mm (107.51 in). Author: Henry Dawson.

Chinoiserie from Nouvelle Suite de Cahiers de Dessins Chinois 1790-99 Designed by Jean Pillement French. Chinoiserie from Nouvelle Suite de Cahiers de Dessins Chinois. Designed by Jean Pillement (French, Lyons 1728-1808 Lyons). 1790-99. Etching à la poupée

Monument to Jean-Jacques Rousseau Claude-Louis Bernier (1755-1830). Funerary monument - Tomb of Jean-Jacques Rousseau. Feather and wash.

Flower Garden Follower of Pieter de Hooch (Dutch, 1629-1684). Flower Garden, ca. 1660. Oil on panel, 20 1/2 x 17 3/16 in. (52.1 x 43.7 cm). European Art ca. 1660

In the Park of Saint Cloud, 1800s. Constant Troyon (French, 1810-1865). Watercolor and gouache; sheet: 26.7 x 36.6 cm (10 1/2 x 14 7/16 in.); secondary support: 35.5 x 45.2 cm (14 x 17 13/16 in.).

A part of the Augarten , Partie de lAugarten rd budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, publishing house

The WaysideInn. Artist: Currier & Ives, American, active 1834-1907 After: Frances Flora Bond Palmer, American, 1812-1876

After Winslow Homer, The Nooning, 16 Aug. 1873, wood engraving on newsprint.

Obeliske in the K, Garden of Schönbrunn , Obelisque dans Le Jardin Imp, Et Roy, de Schoenbrunn later, changed edition of the leaf, which was first moved in , Johann Andreas Ziegler -, Copper Engraver, After, Laursenz Janscha -, Drawer, Johann Giovanni Cappi -, Publishing house

Print made by Bradshaw & Blacklock, active ca.1850, British, Greenwich Hospital, after 1850. Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper.

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

July 18: Rejoicing and joust on the water on the occasion of the Federation. Joutes on the Seine, seen from the Quai du Louvre Philippe Joseph Maillart (1764-1856). "18 July: Rightness and joust on the water on the occasion of the Federation. Jousts on the Seine, seen from the Quai du Louvre". Water-Strong colored, 1790.

The Chinese Lusthaus fictitious title.

Archery Scene Early 19th C. Artist Unknown Watercolor Ackermann and Johnson Ltd., London, England

A Snowy Morning Published 1864 United States. Lithograph, with hand-coloring on ivory wove paper . Fanny F. Palmer

Cricket at Moulsey Hurst, 1780, (1912). Artist: Unknown

Thomas Bradshaw, Born 1767, British, Album of Landscape and Figure Studies: Hatfield House. Graphite, pen, brush and ink, watercolor; verso: ink.

Writer, socialite and traveller Lady FLORENCE DIXIE is attacked under mysterious circumstances at her home, The Fishery : a connection with Irish Fenians is suspected. Date: 1883

Saratoga, Congress Spring, Plate 29 from a set of 54views. Lithographer: Isidore Laurent Deroy, French, 1797-1886 After: August Köllner, American, 1813-1906Printer: Cattier, active Paris, mid-19th century Publisher: Goupil & Cie, French, 1827-1879

Vienna: Garden House in the Arenberg Garden. Artist: Urban Janke (Austrian, Blottendorf/Vienna, 1887-1914). Dimensions: sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm). Publisher: Published by Wiener Werkstätte. Date: 1910. Museum: Metropolitan Museum of Art, New York, USA.

J. Howard Payne ; Home of John Howard Payne.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Payne, John Howard, 1791-1852, Payne, John Howard, 1791-1852 , Homes and haunts

Palace Flag Bourbon Jean-François Janinet (1752-1814). "Flag of the Bourbon Palace". Engraving.

Pulaski Monument, Monterey Square, Savannah, Geo.. Prints. 1778 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Pulaski, Kazimierz, 1747-1779 , Associated objects

The King's Mew, unknown artist, eighteenth century-nineteenth century, after unknown artist, undated, Hand colored engraving, Sheet: 6 1/4 x 4 3/4in. (15.9 x 12.1cm)

Print made by John Robert Cozens, 1752-1797, British, Bath: The North Parade, 1773. Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper.

1860s AMERICAN HOMESTEAD SPRING - CURRIER & IVES LITHOGRAPH - 1869

Leitch Castle. Style of William Leighton Leitch; Scottish, 1804-1883. Date: 1840-1850. Dimensions: 174 x 253 mm. Watercolor, over traces of graphite, with varnish, on cream wove paper. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

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