Ink and Pen Sketches of Figures

A collection of monochromatic ink and pen sketches depicting various human subjects, including scenes of interaction and emotion, focusing on poses and proportions.

Adoration of the kings, draughtsman: Salomon de Bray, (attributed to), 1607 - 1664, paper, pen, brush, h 145 mm × w 93 mm

Brown ink drawing by Andries Both showing studies of a half-lying figure, a half figure, and a child, focusing on pose and proportion.

David and Nathan, Louis Bernard Coclers, After Rembrandt van Rijn, 1756 - 1817 print The prophet Nathan declared King David that God will punish him for the sentence. unknown paper etching / drypoint in his palace of cedar, David speaks with Nathan

Le voleur de poires (1st plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Raising of the Daughter of Jairus, Jan Victors (attributed to), c. 1635 - c. 1638, draughtsman: Jan Victors, (attributed to), draughtsman: Rembrandt van Rijn, (rejected attribution), Amsterdam, c. 1635 - c. 1638, paper, pen, brush, h 122 mm × w 173 mm

The Martyrdom of SaintErasmus. After: Pietro Testa, Italian, 1611/12-1650

Francesco la Marra depicted the birth of Mary using gray chalk and feder, showing figures, interior setting, and gestures of attendants.

Visitation ca. 1716-18 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 11.. Visitation 336452

Women, Johannes Josephus Aarts, 1881 - 1934 print A group of women looks open with an incident outside the performance. Other women turn their heads off. Japanese paper (handmade paper) etching Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa). Weeping

Adoration of the kings, draughtsman: Salomon de Bray, (attributed to), 1607 - 1664, paper, pen, brush, h 145 mm × w 93 mm

Mary with the Child, Graphite, pen and ink on paper, Oval with Mary, child and cherubs., Italy, ca. 1720, figures, Drawing, Drawing

Domingo Antonio de Sequeira / 'Rest on the flight into Egypt'. XVIII century. Pencil, Pencil on paper. Museum: Museo del Prado, Madrid, España.

A brown ink drawing by Franz Anton Maulbertsch from around 1745-1749 depicting Abraham before Melchizedek, showing figures, gestures, and interaction in the scene.

Prince Willem I, after the failed assassination attempt by Jean Jauregui in 1582, nursed by Charlotte de Bourbon. Prince Willem I repairing the attack by Jean de Jaoregui, committed on March 18, 1582, in Antwerp. The prince lying in bed cared for by doctors and comforted by his wife Charlotte de Bourbon.

Draft of a card game brawl ('Rauferei in the card game') by Josef Danhauser, executed in black chalk in 1838-1839, showing figures, gestures, and interaction.

Old couple handing out wares to children in the open air, Carel Fabritius (attributed to), 1640 - 1645, draughtsman: Carel Fabritius, (attributed to), 1640 - 1645, paper, pen, brush, h 98 mm × w 109 mm

Just take the bad child, they come to my stove later, Newspaper excerpt with caricature on the Balkan crisis , Germany, Austria, England and Italy, the children are dragging Bulgaria, Serbia, Greece and Albania from the kitchen of Russia, Unknown

Boaz speaks with Ruth, Bernard Picart, After Rembrandt van Rijn, 1683 - 1733 print Ruth kneels for the rich farmer Boaz. They eventually marry each other. paper etching Boaz speaks to Ruth; Ruth usually bowing down, or kneeling before him

Pencil draft by Theodor Zasche from 1906 for a poster promoting the general hygiene exhibition, showing layout, symbols, and illustrative elements.

Drouets drawing, one of sixteen copies after Herculaneum wall paintings, shows three dancing girls, executed in gray ink and wash.

Sailors and Women 19th century Constantin Guys French. Sailors and Women 337260

Children and adults around a print box on a square, 1725 - 1790 print Numbered in the bottom right: 2; Bottom left Aa. paper etching peep-show. performance in the open air (pleasure fair)

The triumph of Mordecai.

Adoration of the shepherds: with the oil lamp, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Satire on Art Criticism. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 6 1/8 x 7 15/16 in. (15.5 x 20.1 cm). Date: 1644.An atypical subject and approach to composition, Rembrandt's "Satire on Art Criticism" buffoons the rhetoric of his contemporary art critics. The posturing "connoisseur" at left comments on painted portraits brought before him. Rembrandt has drawn his composition from a classical subject, "The Calumny of Apelles", which he knew from a drawing by the Renaissance master Andrea Mantegna (1430/31-1506). In Mantegna's drawing the beautiful Calumny, urged on by Treachery and Deceit, drags an innocent youth who is the victim of slander before a judge bearing the ears of an ass; the judge is flanked by Ignorance and Suspicion, and Repentance and Truth linger in the background. Here Rembrandt has reduced the number of personifications and transformed them into onlookers in contemporary dress. He has substituted two painted portraits f

Coal drawing by Francesco la Marra depicting henchmen positioned at the front, showing figures, posture, and arrangement.

Joan of Flanders refuses to recognize the man who pretends to be her father, Gustave Wappers, 1855, Joan of Flanders, daughter of Baudouin, Count of Flanders and Emperor of Constantinople, refuses to recognize the monk who pretends to be her father who was captured by the Bulgarians and died., draughtsman: Gustave Wappers, 1855, paper, h 378 mm × w 264 mm

Homer. Pierre Nolasque Bergeret; French, 1782-1863. Date: 1804-1806. Dimensions: 201 × 288 mm (image); 224 × 309 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A black chalk sketch by Cornelis Troost showing a wife and two men with overlapping figures, including traces of folds and minor discoloration, emphasizing composition and figure placement.

Giuseppe Diamantini / 'The Virgin and Child with Saints'. Second half of the XVII century. Grey-brown wash, Black chalk, Red chalk on dark yellow paper. Museum: Museo del Prado, Madrid, España.

The revival of Eutychus Tables from the Acts of the Apostles (series title), draughtsman: Pieter Fransz. de Grebber, (attributed to), 1610 - 1652, paper, h 306 mm × w 196 mm

The Holy Family. Dated: 1754/1762. Dimensions: sheet: 22.3 x 19.2 cm (8 3/4 x 7 9/16 in.). Medium: pen and brown ink with gray-brown wash on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Illustration for Boccaccio decamerone. Illustration for Boccaccio Decamerone, History Xlix. Pieter from Vinciolo comes home and caught his wife and her lover.

Louis Michel Halbou and Antoine Jean Duclos after Jean Honoré Fragonard, Le gascon puni Le gascon puni

Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

The Death of the Virgin. Dated: 1750s. Dimensions: overall: 11 x 14.4 cm (4 5/16 x 5 11/16 in.). Medium: pen and brown ink and brown wash over red chalk on cream laid paper, laid down. Museum: National Gallery of Art, Washington DC. Author: Francois Boucher.

Sketch for a Funeral Monument. John Bacon, the elder; English, 1740-1799. Date: 1760-1799. Dimensions: 166 × 146 mm. Pen and brown ink, over graphite, on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Supper at Emmaus, James Ensor, 1880, drawing, between circa 1885 and circa 1886, Belgian Art

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1770-1771. Dimensions: 357 × 572 mm (both sides); 420 × 369 mm (secondary support). Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The covenant of Romulus and Titus Tatius, king of the Sabines. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 318 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Artist Sketching a Young Girl ca. 1773 Hubert Robert French Using red chalk, his favorite drawing material, Hubert Robert rapidly sketched this vignette of a seated artist drawing a young model. Although executed in a loose and confident manner, it was probably made in the artists studio. The hatching used for the modelling and shading differs from the technique Robert typically used in his sketches made on the spot, especially those done around 1773 of his wife, Anne-Gabrielle, and his children. Indeed, on several pages of a sketchbook recently acquired by the Louvre, the artist captured scenes of family life in a few lines of red chalk quickly reworked with pen and ink (exh. cat Paris, Musée du Louvre, 2016, Hubert Robert (1733-1808) Un peintre visionnaire, No. 90). By locating the subject of our drawing in an undefined space, the artist draws the viewer's attention to the standing girl who admirably holds her pose—obedient and modest under the attentive gaze of her governess.An ide

Screaming Child, Joannis Jacobus Bijlaert, After Rembrandt van Rijn, 1749 - 1809 print Old woman, opening the door for younger woman with struggling, half nude child in the arms; In the background two watching children. Leiden paper etching crying, shouting. child

Jean Louis Forain, The Chefs, c 1914 1919 The Chefs

Jean-Honoré Fragonard; Jean de La Fontaine. Tales of the fountain "Le Gascon punished: Volume 1, page. 79", around 1775. Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Tale, tales of the fountain, drawing, punishment, punishment, bed

Adoration by the shepherds, Carel Fabritius (attributed to), 1644 - 1648, draughtsman: Carel Fabritius, (attributed to), 1644 - 1648, paper, pen, brush, h 130 mm × w 128 mm

Francis Hayman, 1707/8-1776, British, Falstaff Inspecting the Recruits, between 1761 and 1765. Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper.

Lattanzio Gambara / 'Study for an Ecce Homo'. Third quarter of the XVI century. Pencil, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Musiculating company in a garden.

Study sheet with a love couple, bull and women, c. 1840 - c. 1860 Leaf 11 Verso from a sketchbook with 38 sheets. Low Countries paper. pencil couple of lovers. bull

Chalk drawing by Christian Wilhelm Ernst Dietrich depicting the Adoration of the Shepherds, created around 1750.

The Holy Family 1775 Giuseppe Canale. The Holy Family. Etchings after Raphael, Parmigianino, Reni and other masters. Giuseppe Canale (Italian, Rome 1725-1802 Dresden). 1775. Etching. John Boydell (British, Dorrington, Shropshire 1720-1804 London). Prints

Seen three kneeling boys on the back and parrot, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, c. 1751 - c. 1755 print paper etching male infant. ornamental birds: parrot

Gabriel Jacques de Saint Aubin, Draftsmen Outdoors, c 1760 Draftsmen Outdoors

Napoleon's Divorce fr.Josephine , Draw.

Adam M�ller (1811-1844), Valdemar victory and his sowner in the faint, (1831)

Classic scene, in which one is helped on the ground. Design for a print.

The Discovery of Pulcinella's Grave, Giovanni Battista Tiepolo, in or Before c. 1750 print Italy paper etching types in 'commedia dell'arte': Pulcinella. sorcerer, magician, wizard, warlock

Rijn, Rembrandt van, Beggar and beggar woman, coming from behind a hillock, verso top middle - pencil, print, prints, RHL, bottom right, verso bottom right, JM, height 113 mm, width 80 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1628 - 1632, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

The Pancake Woman, Anonymous, After Rembrandt van Rijn, After 1635 print paper etching pancakes

The Confirmation 1725-1735 France. Etching in brown on tan laid paper . Pierre Charles Trémolières

Three Full-Length Figures of Men Talking, Thomas Rowlandson, 1756-1827, British, ca. 1815, Pen and red-brown ink on moderately thick, moderately textured, blued white, wove paper, Sheet: 9 1/4 x 7 3/8 inches (23.5 x 18.7 cm), coats (outer garments), figures, genre subject, hats, men, standing

Original sketch, unpublished, to illustrate 'The Drunkard's Children' or 'The Bottle' , Alcoholism, Poverty, Families. George Cruikshank (1792-1878). Prints and Drawings

Persons on a balustrade with festoons Designs for murals in castle Honselaersdijk (series title), draughtsman: Cornelis Holsteyn, 1633 - 1638, paper, h 208 mm × w 650 mm

Allegory with music figures in a garden. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 160 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

Group of people, draughtsman: Georges Michel, 1773 - 1843, paper, h 56 mm × w 118 mm

Volatile sketch for the apostle Thomas, draughtsman: Federico Barocci, 1545 - 1595, paper, h 204 mm × w 273 mm

The Arabs are always entrenched on vast plateau. (IT)

Study sheet with man with Takkebos and kneeling woman at ice sleigh.

Repin, Ilja Jefimoviš, work, Treasure hunters, two men opening a chest, pencil drawing, drawing, 22.1 cm x 35.8 cm, Ilya Yefimovich Repin 1844 - 1930, Ukrainian-born Russian painter.

Four Men Standing, Wearing Hats, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1650, paper, h 153 mm × w 103 mm

Fishermen 1774 England. One of many works produced late in John Mortimerís career as designs for prints executed by his apprentice, Robert Blyth, this drawing reflects Mortimerís interest in picturesque scenes of bandits, pirates, and smugglers. Blythís etching faithfully includes the vague or unfinished elements in the periphery of the this drawing, including the house at the right margin and the seemingly allegorical female figure on the left. As a natural outcome of translating a drawn invention onto a printing matrix, the etching reverses the direction of this drawing.. Pen and black ink on off-white laid paper . John Hamilton Mortimer

Sheet of Sketches 1735 François Boucher French. Sheet of Sketches. Livre détude daprès les desseins originaux de Blomart [sic. François Boucher (French, Paris 1703-1770 Paris). 1735. Etching. Prints

Pencil sketches by Josef Danhauser on gray natural paper depicting three images, showing figures, composition, and visual detail.

Study sheet with two standing men and a seated man, whose head is repeated three times, Cornelis Troost, 1706 - 1750, draughtsman: Cornelis Troost, 1706 - 1750, paper, h 188 mm × w 295 mm

Four gentlemen and a lady around a table in a room, busy with papers, anonymous, 1700 - 1800, Design for a painting., draughtsman: anonymous, draughtsman: Cornelis Troost, (rejected attribution), 1700 - 1800, paper, pen, h 265 mm × w 378 mm

Study before the departure of William V to England, January 18, 1795. Draughtsman: Dirk Langendijk. Dating: 1795. Place: Netherlands. Measurements: h 223 mm × w 313 mm. Museum: Rijksmuseum, Amsterdam.

A feather drawing by Francesco la Marra depicting the Crucifixion with figures, including a left figure cut out and glued in.

Rijn, Rembrandt van, Flameng, Léopold, Vlucht naar Egypte: Schets, The flight into Egypt: a sketch, verso - gestempeld, print, prent, prints, prenten, height 132 mm, width 106 mm, 1831 - 1911-09-04, print maker, printmaker, 1859 - 1859, paper, papier, etching, etchings, plaattoon, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Destroyed Peuter, Bernhard Schreuder, After Rembrandt van Rijn, 1767 - 1780 print A woman lifts a screaming and opposing child. A man keeps the door open for her. Behind her two other children. Netherlands paper etching mother and baby or young child. childhood sorrows

The adorning of the bride. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 196 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Denys, Tyran de Syracuse, maître d'école , Kings, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

Study for Right Group. Sir David Wilkie; Scottish, 1785-1841. Date: 1810-1841. Dimensions: 93 x 138 mm. Pen and brown ink on tan wove paper. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

The Adoration of the Shepherds. Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Dimensions: sheet: 8 1/8 x 6 5/16 in. (20.6 x 16 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Farming around the fireplace. Interior with adult cobblestone figures and children. The one reads a leaflet; Another smokes no. 6 from a series.

Francisco de Goya y Lucientes / 'This is the worst of it!'. 1814 - 1815. Etching, Burnisher on ivory paper. Museum: Museo del Prado, Madrid, España.

Sketch of a composition to many characters Narcisse Diaz de la Pena (1807-1876). Sketch of a composition to many characters. Black stone on laid paper.

PORDIOSEROS - SIGLO XIX - DIBUJO A PLUMA Y AGUADA- PAPEL- 105x145mm. Author: LEONARDO ALENZA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso). Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 6 x 4 in. (15.3 x 10.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Vizier on a horse, Marius Bauer, 1894 print A visor drives a horse among a crowd of people in a city. paper etching official; civil servant; functionary (in general). head-gear: turban

Thomas Rowlandson, 1756-1827, British, The Prospect Before Us, 1788. Pen and black ink and wash over graphite on medium, moderately textured, blued white, laid paper.

(From Sketchbook) 1810-20 Thomas Sully American. (From Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, wash, on paper

Carl Goebels pencil drawing depicts a group of farmers standing in front of the Moritzenkirche in the Pusztatal, with sand textures and brown washes.

A feather drawing by Gaspare Traversi depicting a cavalier in the background of a women's shelter, executed with brown and gray washes, emphasizing figure and spatial arrangement.

Rembrandt van Rijn, Lot and His Family Leaving Sodom, 1652 1655 Lot and His Family Leaving Sodom

Anonymous drawing of the Holy Family, executed in brown ink (Feder) with washes and deck white highlights, including horizontal lines at the left edge, around 1650.

Disparate matrimonial (Matrimonial Folly), pl. 7 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Study sheet, including with figures at a gate, 1839 - 1894 Also studies of figures on the street. Page 27 Recto from a sketchbook with 51 sheets. paper. pencil street (+ city(-scape) with figures, staffage)

One of Two Paintings by Titian in the Church of the Corpus Christi, Titian, Italian, ca. 1488 - 1576, Red chalk on paper, Below, left: Vus de due Quadretti di Tiziano, che sous riel Corpus d.?? Urbino 107… (One of the two paintings by Titian with Church of the Corpus Christi in Urbino 107), Italy, 1761, Drawing, Drawing

Domestic Scene. Artist: Anonymous, French, 19th century. Dimensions: sheet: 7 7/8 x 11 3/8 in. (20 x 28.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Christopher Columbus landing in America 1494. Red crayon by Jean-Robert Ango (active 1759-1770) French painter and draughtsman. Four male figures, two kneeling and two standing.

Marguerite Gérard, The Child and the Bulldog, 1778 The Child and the Bulldog

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