Japanese Landscape Prints

Vibrant woodblock prints illustrating serene Japanese landscapes, populated with figures and nature, showcasing cultural heritage from the Edo period.

Odawara (second version), board 10 from the series: Fifty three stages of the Tokaido road/Tokaido gojusan zugi no uchi HIROSHIGE, Ichiryusai (1797 1858)

Chiyoda Castle (Album of Men) 1897 Ysh (Hashimoto) Chikanobu Japanese. Chiyoda Castle (Album of Men). Ysh (Hashimoto) Chikanobu (Japanese, 1838-1912). Japan. 1897. Triptych of woodblock prints; ink and color on paper. Meiji period (1868-1912). Prints

Akasaka, 1906 The courtyard of a tea house. On the left, travelers rest from their journey, Geisha on the right are ready for a performance. cardboard color woodcut

Futagawa Teahouse, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Left, teahouse with sign at which one traveler has just arrived. Center, three musicians pass towards teahouse. Beyond is slope with pine trees and flat fields dotted with pines., Japan, ca. 1834, figures, Print, Print

Akasaka, Fujikawa, Okazaki, Chiryu, and Narumi, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)". Utagawa Kuniyoshi; Japanese, 1797-1861. Date: 1825-1840. Dimensions: 25.1 x 37.6 cm (9 7/8 x 14 13/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Kameyama: Weather Clearing after Snow (Kameyama, yukibare), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 9 1/2 x 14 1/2 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

People bathing in lake by Katsushika Hokusai, color woodcut, 1830-1833, 1760-1849, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 25x37

Night View of the Yamato Tea-house in Nawate Dori Seen from Shijo Bridge. Artist: Hasegawa Sadanobu (Japanese, active mid-19th century). Culture: Japan. Dimensions: H. 5 7/8 in. (14.9 cm); W. 8 3/4 in. (22.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Mariko, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Gyosho Tokaido 1836-1849 Japan. Color woodblock print; aiban . Utagawa Hiroshige

CHIRIFU, Board 40 from the Series: Fifty Three Stages of The Tokyo Roado Road/TOKAIDO GOJUSAN TSUGI NO UCHI

Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1801-1811. Dimensions: Approx. 24 × 18.3 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Utagawa Hiroshige (川広重, 1797 - October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重). The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.

Hara, Asa no Fuji, 1832, Hoeido, Andō Hiroshige, 1797-1858, Additional, Hara (Station 14), Fuji in morning, 1832, Japan, 1 print woodblock, color; 24.3 x 37.5 cm

Snow on New Year's Day at Susaki (Susaki yuki no hatsuhi), from the series Famous Views of the Eastern Capital (Toto Meisho) 1826-1836 Japan. Color woodblock print; oban . Utagawa Hiroshige

Hara, asa no Fuji, c. 1832-1833, Utagawa Hiroshige; Publisher: Takenouchi Magohachi, Japanese, 1797 - 1858, 9 1/2 × 13 13/16 in. (24.1 × 35.1 cm) (image, sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

The Ono at Ryogoku Yanagibashi. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 7/8 in. (25.1 cm); W. 14 9/16 in. (37 cm). Date: ca. 1835-42.Formulaic, yet still punctuated by surprising points of view, Hiroshige's lighthearted survey of Edo's famous gastronomic sites includes a punning couplet about each place in the fan-shaped cartouches at the upper right. The eclectic mix of Edo denizens that appears in this series is delightful. Museum: Metropolitan Museum of Art, New York, USA.

Hara: Mount Fuji in the Morning (Hara, asa no Fuji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 36 cm (9 1/2 x 14 3/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Snow on Mt. Haruna in Kōzuke Province. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1853, 8th month. Prints; woodblocks. Color woodblock print

Ehon Azuma Kagami, Vol. I Kitao Masayoshi (Japanese, 1764-1824). Ehon Azuma Kagami, Vol. I, 1810. Paper, 8 7/8 x 6 1/8 in. (22.5 x 15.6 cm). Asian Art 1810

Hashiba ferry (Hashiba Setchû), from the series "Duma Edo: Thirties' six scenes" (Edo Jiman Sanjû rokkei)woodcuts, Fukeiga

Rain of the Fifth Month (Samidare). Artist: Utagawa Kunisada (Japanese, 1786-1865). Culture: Japan. Dimensions: H. 9 3/8 in. (23.8 cm); W. 14 3/8 in. (36.5 cm). Date: 19th century.Kunisada's vision of an early summer scene, luxuriant in the soft rain of the fifth month, reflects a new sensibility for landscape among late Edo artists. The unhurried pleasures of a warm summer day seem heightened by the soft rain, which hardly affects the activities of the travelers, fisherman, and groom. A bright light infuses the atmosphere and is enhanced by the unusual use of blue pigment for the evenly spaced, vertical lines of rain. Utagawa Kunisada, known as Toyokuni III, designed more prints for the mass market than any other artist of his time. Museum: Metropolitan Museum of Art, New York, USA.

Aoigaoka Falls in the Eastern Capital (Toto Aoigaoka no taki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1825-1835. Dimensions: Approx. 38.2 x 25.4 cm (15 x 10 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Kinryuzan Temple at Asakusa (Asakusa Kinryuzan), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1856. Dimensions: 35.5 x 23.8 cm (14 x 9 3/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Evening Cherries on Gotem Yama 1830 Utagawa Hiroshige Japanese. Evening Cherries on Gotem Yama. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. 1830. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Inokashira Pond and Benzaiten Shrine in Snow. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, circa 1844-1845. Prints; woodblocks. Color woodblock print

Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryuzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depicted with particular skill: individual snowflakes drift through the gray sky, while below, on the roof of a distant temple, dots of snow are embossed for visual effect. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art nam

Senju in Musashi Province (Bushū Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830-32 Katsushika Hokusai Japanese. Senju in Musashi Province (Bushū Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56390

A Modern Version of Shosho visiting Komachi (Furyu Shosho kayoi Komachi) 1710-1720 Japan. Hand-colored woodblock print; oban, sumizuri-e . Okumura Masanobu

Snow (Yuki), from the series Famous Places of Edo (Edo meisho) 1844-1859 Japan. Color woodblock print; uchiwa-e . Utagawa Hiroshige

Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryuzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depicted with particular skill: individual snowflakes drift through the gray sky, while below, on the roof of a distant temple, dots of snow are embossed for visual effect. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art nam

Otsu, from the series Fifty-three Stations of the Tokaido (Gojusan tsugi), also known as the Figure Tokaido (Jinbutsu Tokaido) 1852 Japan. Color woodblock print; chuban . Utagawa Hiroshige

Utagawa Hirokage (active 1855-1865), also known as Ichiyusai Hirokage, was a Japanese woodblock printer living and working in the mid-19th century. He was a pupil of Utagawa Hiroshige I, and his main noteworthy work is the series Edo meisho doke zukushi (Joyful Events in Famous Places in Edo).

Lady of the Drifting Boat, a chapter from the Tale ofGenji. Artist: Totoya Hokkei, Japanese, 1780-1850

Hamamatsu. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, circa 1847-1852. Prints; woodblocks. Color woodblock print

Narumi. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.

No. 48, Seki, from the series The Tōkaidō Road - The Fifty-three Stations Utagawa Hiroshige (Ando) (Japanese, 1797-1858). No. 48, Seki, from the series The Tōkaidō Road - The Fifty-three Stations, ca. 1847-1852. Color woodblock print on paper, Sheet: 9 11/16 x 14 5/8 in. (24.5 x 37.0 cm). Asian Art ca. 1847-1852

No.40 Chiryu_, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 7/16 x 13 9/16 in. (21.4 x 34.4 cm) (image)8 7/8 x 14 in. (22.5 x 35.5 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is also commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which provi

Ko, from the series Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari) 1767-1778 Japan. Color woodblock print; koban . Katsukawa Shunsho

The Plum Orchard at Kamata (One Hundred Famous Views of Edo) by Hiroshige, Utagawa (1797-1858) State Hermitage, St. Petersburg 1856-1858 Japan Colour woodcut Graphic arts Landscape

Futagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1801-1811. Dimensions: Approx. 24 × 18.3 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Shônenko, Return of a young aristocrat; illustration of a scene from a poem of the Chinese poet Gui Gupou (618-906). Moriya, Jihei ( c. 1797-1886), publisher, Katsushika, Hokusai (1760-1849), painter

No. 40: Suhara, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1830-1843. Dimensions: 24.5 x 36.6 cm (9 5/8 x 14 3/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Night Rain at Koizumi: The Eight Views ofKanazawa. Artist: Utagawa Hiroshige, Japanese, 1797-1858

The Plum Garden at Komeido (Kameido ume yashiki no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1827-1843. Dimensions: 25 x 37.9 cm (9 13/16 x 14 15/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ejiri: Distant View of Shimizu Harbor in Clear Weather after Snowfall (Ejiri, Shimizu no minato enbo, yukibare), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Gyosho Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1836-1849. Dimensions: 22 x 34.6 cm (8 11/16 x 13 5/8 in.). Color woodblock print; aiban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Atagoshita and Yabu Lane, 1857, 12th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 14 3/16 × 9 1/2 in. (36 × 24.1 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Kinryuzan Temple in Asakusa in Falling Snow (Asakusa Kinryuzan setchu no zu), from the series Famous Views of the Eastern Capital (Toto meisho no uchi) 1840 Japan. Color woodblock print; tanzaku . Utagawa Hiroshige

Kanaya, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

海道五十三次　原 early 20th century Formerly Attributed to Utagawa Hiroshige Japanese. 海道五十三次　原 55661

No.5 Hodogaya, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 9/16 x 13 9/16 in. (21.8 x 34.5 cm) (image)9 11/16 x 14 1/2 in. (24.6 x 36.9 cm) (sheet)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Ishiyakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Gyosho Tokaido. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1836-1849. Dimensions: 19.9 x 31.8 cm (7 13/16 x 12 1/2 in.). Color woodblock print; aiban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Two Women Admiring the Sights from a Vantage Point Overlooking the Zenpukuji Temple. Artist: Utagawa (Gountei) Sadahide (Japanese, 1807-1878/79). Culture: Japan. Dimensions: Image: 9 1/2 x 12 in. (24.1 x 30.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Bush Clover at Ryuganji Temple, Kameido, from the series An Array of Flowers, Beauties and Famous Places (Hanabijin meisho awase kameido ryuganji no hagi). Artist: Ogata Gekko (Japanese, 1859-1920). Culture: Japan. Dimensions: Image (each): 14 in. × 9 3/8 in. (35.6 × 23.8 cm). Date: 1895.In the series An Array of Flowers, Beauties, and Famous Places, Gekko combines images of famous places for viewing seasonal flowers in Tokyo with depictions of women dressed in kimonos. These images of women are based on the socially constructed ideal of a good wife and mother of the modern era. Avoiding loud urban locations, Gekko's graceful ladies inhabit tranquil and natural landscapes and are meant to conjure feelings of nostalgia. Museum: Metropolitan Museum of Art, New York, USA. Author: Ogata Gekko.

Mishima, Ando, Hiroshige, 1797-1858, artist, 1855., 1 print : woodcut, color ; 36.4 x 24.5 cm., Print shows travelers and residents at the shrine and inns at the Mishima station on the Tokaido Road.

Night Snow at Kanbara, from the series Fifty-three Stations of theT?kaid?. Artist: Utagawa Hiroshige, Japanese, 1797-1858

Nihon Bridge to Edo Bridge (Nihonbashi Edobashi), from the series "Famous Places in Edo (Edo meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1853. Dimensions: 25.6 x 37.4 cm (10 1/16 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Satta Pass on the Tōkaidō. Kobayashi Kiyochika (Japan, 1847-1915). Japan, 1896, 11th month. Prints; woodblocks. Color woodblock print

Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi) 1861 Japan. Color woodblock print; oban triptych . Utagawa Yoshikazu

Tatekawa in Honj (Honj Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjrokkei) ca. 1830-32 Katsushika Hokusai Japanese. Tatekawa in Honj (Honj Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjrokkei). Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. ca. 1830-32. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Gathering spring greens, from the album "Fuji in Spring (Haru no Fuji)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1803. Dimensions: 21.6 x 31.7 cm (8 1/2 x 12 1/4 in.). Color woodblock print; double-page illustration from book. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Imadogawa ca. 1801-4 Katsushika Hokusai Japanese Imado, a famous site in the capital, Edo, was known for the production of roof tiles and sculptural pottery. Against the background of the Imadogawa, a tributary of the Sumidagawa, Hokusai portrayed two potters whose elastic bodies are uniquely stretched. Even though there is no author's signature, the rhythmically fluctuating brushwork in the folds of the potters' robes suggests that it was made during the artist's Sōri period 1794-1804).. Imadogawa 54888

The Seido Museum, 1875 - 1900, Woodcuts, Color, Paper/Sheet Size 7 1/16 x 9 3/16 in. (18 x 23.4 cm)

Japan, Tsutaya Kichizo, Hiroshige (I), Utagawa, Gojusan tsugi meisho zue, Famous Views of the 53 Stations, Fujikawa sanchu no sato Fujiyama, Fujikawa, a mountain village also called Fujiyama, Travelers in the snow on a hill before the village of Fujikawa; in the background mountains and a gray sky with snowflakes., print, prent, prints, Japan (collection), height 361 mm, width 243 mm, Japanese, 1797 - 1858, print maker, printmaker, 1855 - 1855, third quarter 19th century, paper, nishiki-e, colour woodcut, color woodblock, Publication (Event), Publication, publisher

Act XI: Moronao is Dragged from Hiding and Identified by Yuranosuke, then Killed; Moronao's Retainers Being Pursued. Utagawa Kunisada (Toyokuni III) (Japan, Edo, 1786-1865). Japan, circa 1835. Prints; woodblocks. Color woodblock print

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1852-1863 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) ca. 1832 Katsushika Hokusai Japanese. The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) 45027

Kasumigaseki, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)” 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Kanbara, Ando, Hiroshige, 1797-1858, artist, between 1833 and 1836, printed later, 1 print : woodcut, color., Print shows people walking during an evening snowfall at the Kanbara station on the Tokaido Road.

Parting at the Eastern Capital 1423-1495 China. Handscroll; ink and color on paper . Yao Shou

Anonymous watercolor depicting a meal scene with figures engaged in dining, showing food, table, and utensils.

Yoshiwara, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) 1801-1811 Japan. Color woodblock print; chuban . Katsushika Hokusai

Umbrellas in Snow, 1931. Ohara Shoson (Japanese, 1877-1945). Color woodblock print; overall: 38.5 x 25.5 cm (15 3/16 x 10 1/16 in.).

Hunters by a fire in the snow, c1835.Artist: Hokusai

Snow on Willow Bridge. Ohara Shōson (Japan, 1877-1945). Japan, 1927. Prints; woodblocks. Color woodblock print

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Orlik, Emil (1870 1932)

China: Qingming Shang Tu or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

Kinryuzan Temple at Asakusa, Japanese Prints - Hiroshige

HET ZOJO HEILIGDOM in SHIBA, KAWASE HASUI, 1925 print At the red temple the Zojoji, a woman walks under an umbrella in the snow. print maker: Japanpublisher: Tokyo paper color woodcut snow. umbrella. walking - AA - female human figure

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