Japanese Landscape Prints

Beautiful woodblock prints depicting serene landscapes and rural life in Japan, characterized by vivid colors and detailed scenery.

Ōiso: Tora's Rain, c. 1832-1833, Utagawa Hiroshige; Publisher: Takenouchi Magohachi, Japanese, 1797 - 1858, 9 1/4 × 14 in. (23.5 × 35.6 cm) (sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Summer Moon over Ryogoku (Ryogoku natsu no tsuki), from the series "Three Views of Famous Places in Edo (Edo meisho mittsu no nagame)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1840-1849. Dimensions: 23.7 x 35.7 cm (9 5/16 x 14 1/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Tokaido Hodogaya, from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 10 1/8 x 14 11/16 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Utagawa Hiroshige 1797 1858) Japanese artist,, Man on Horseback Crossing a Bridge. From Hiroshiges series Sixty-nine Stations of the Kisokaido (1834-1842),

fine arts, Shotei Hokuju (1759 - 1824), the monkey bridge in the Kai province, woodcut, 1st half 19th century, 26x37,9 cm, private collection, Copenhagen,

Naruto Whirlpool, Awa Province, from the series Views of Famous Places in the Sixty-Odd Provinces ca. 1853 Utagawa Hiroshige Japanese. Naruto Whirlpool, Awa Province, from the series Views of Famous Places in the Sixty-Odd Provinces 53783

A View of Timber Yards from a Bridge. Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1840-1850. Dimensions: 24.4 x 30.2 cm (9 1/8 x 11 3/8 in.). Color woodblock print; uchiwa-e. Origin: Japan. Museum: The Chicago Art Institute, USA.

View at of the distant Mount O yama in the Hoki province /Hoki , Ono, O yama enbo, board 41 from the series: Views of famous places in about sixty provinces /Rokuju yoshu meisho zue HIROSHIGE, UTAGAWA (1797 1858)

Tsuchiyama, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) 1801-1811 Japan. Color woodblock print; chuban . Katsushika Hokusai

A knight throwing the sword into the sea HIROSHIGE II, UTAGAWA (1826 1869), Yanagawa, Shigenobu (1787 1832)

A Fisherman is Struggling amid the Rocks and Currents of an Inlet of the Sea. Artist: Totoya Hokkei (Japanese, 1780-1850). Culture: Japan. Dimensions: H. 10 1/2 in. (26.7 cm); W. 8 in. (20.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Clear Weather After Snow at Nihon Bridge (Nihonbashi yukibare), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Hakone sanctuary in the snow; Hakone Jinja Yuki. Snow landscape with woman and child walking under red torii (gateway to a Shinto sanctuary). At the bottom right state when the sketch is made for the printing: early January at six afternoon.

No 32 Seba, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Act 8 (Hachidanme), from the series "The Revenge of the Loyal Retainers (Chushingura)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1829-1844. Dimensions: 35.3 x 38 cm (13 7/8 x 14 15/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Bitchu Province Gokei (Bitchu, Gokei), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue) 1853 Japan. Color woodblock print; oban . Utagawa Hiroshige

Poem by Fujiwara no Toshiyuki Ason, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1830-1841. Dimensions: 10 x 14 7/16 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Illustrated Book 'Souvenir of Edo' vol. 5, 1850-1853, Utagawa Hiroshige; Publisher: Kikuya Kōzaburō, Japanese, 1797 - 1858, 7 1/16 x 4 13/16 x 3/16 in. (18 x 12.3 x 0.5 cm) (outer frame), Woodblock printed book; ink on paper, with hand-applied color, Japan, 19th century

Shimada ca. 1840 Utagawa Hiroshige Japanese. Shimada 37218

Monkey Bridge 1835-1847 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Clearing Weather at Shibaura (Shibaura seiran), from the series Eight Views in the Environs of Edo (Edo kinko hakkei no uchi) 1832-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

SCENA Z Dramatu Teatralnego Onna Seigen ( HANA Butai Yoshiya Otoko ) / Onna SEIGEN Utagawa, kuniyoshi (1797 1861)

Fukeiga, Ando, Hiroshige, 1797-1858, artist, between 1900 and 1940, from an earlier print, 1 print : woodcut, color., Print shows a large boat carrying several passengers arriving at port among other smaller boats.

Nagakubo Station ca. 1836 Utagawa Hiroshige Japanese. Nagakubo Station 56921

Viewing Cherry Blossoms from Kiyomizu Hall at Toeizan in Ueno (Ueno Toeizan chu Kiyomizudo no hanami), from the series Famous Views of the Eastern Capital (Toto meisho) 1830-1849 Japan. Color woodblock print; chutanzaku . Utagawa Hiroshige

ATTACK ON Ichi no Tani Castle, from the Series: Biography of Yoshitsune in Paintings /Yoshitsune Ichidaiki Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue Zue

fine arts, Hiroshige Utagawa (1797 - 1858), bridge of Kameido, woodcut, 1856, 33,7x22 cm, Austrian Museum for Applied Arts, Vienna,

Evening rest in summer at the river in Shijo, board 10 from the series: Famous views of Kyoto /Kyoto meisho no uchi HIROSHIGE, Ichiryusai (1797 1858)

Oumayagashi, No. 105 from One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Oumayagashi, No. 105 from One Hundred Famous Views of Edo, December, 1857. Woodblock color print, sheet: 14 x 9 3/4 in. (35.5 x 24.7 cm). Asian Art December, 1857

Poem by Chūnagon Yakamochi, from the series: The 100 poems explained by the alarm. .

Igirisu funeEnglish Ship. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image: 14 x 9 3/4 in. (35.6 x 24.8 cm). Date: 2nd month, 1862. Museum: Metropolitan Museum of Art, New York, USA.

Mochizuki, Full Moon, from the Sixty-nine Stations of the Kisokaido Road by Ando Hiroshige, 1797-1858, also called Ando Tokutaro, colored woodblock print

Hodogaya on the Tokaido Road, Japanese Prints - Hokusai

Shono, board 46 from the series: Fifty three stages of the Tokaido road , the third version of the so called Reisho Tokaido

The Horse Track at Takata (One Hundred Famous Views of Edo) by Hiroshige, Utagawa (1797-1858) State Hermitage, St. Petersburg 1856-1858 Japan Colour woodcut Graphic arts Landscape

Under Mannen Bridge at Fukagawa,(Fukagawa Manne-bashi no shita) from Thirty-Six Views of Fuji, Woodblock print in colored ink on paper, This landscape view features a crowded bridge, filled with pedestrians. Below, a body of water decorated with boats and fishermen. Located on the bottom right is a man sitting on a pile of rocks, fishing, alone. In the distance, snow-covered Mt. Fuji and two pagodas. This print is from the series, Thirty-six Views of Mt. Fuji (Fugaku Sanjuroku Kei)., Japan, ca. 1830, landscapes, Print, Print

Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Minamoto no Yoshitsune (1159-1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the histor

The Kinryusan Temple at Asakusa 1856 Utagawa Hiroshige Japanese. The Kinryusan Temple at Asakusa 53680

Fireworks at Ryogoku (Ryogoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1858. Dimensions: 36 x 24.1 cm (14 3/16 x 9 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

'Landscape'. China, late 19th - early 20th century. Dimensions: 107x61 cm. Museum: State Hermitage, St. Petersburg.

Kamata no BaienPlum Garden at Kamata. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.

Triptych: Naval Battle Triptych: Naval Battle, 1894. Color woodblock print, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm). Asian Art 1894

Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryuzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depicted with particular skill: individual snowflakes drift through the gray sky, while below, on the roof of a distant temple, dots of snow are embossed for visual effect. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art nam

Kegon Waterfall. Artist: Keisai Eisen (Japanese, 1790-1848). Culture: Japan. Dimensions: H. 13 1/2 in. (34.3 cm); W. 8 11/16 in. (22.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Kameyama, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Gyosho Tokaido 1836-1849 Japan. Color woodblock print; aiban . Utagawa Hiroshige

Akasaka, 1841-1842, Utagawa Hiroshige; Publisher: Ezakiya Tatsuzō, Japanese, 1797 - 1858, 7 11/16 x 12 5/16 in. (19.6 x 31.2 cm) (image), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Yeijiri, board 19 from the series: Fifty three stages of the Tokaido road/Tokaido gojusan tsugi no uchi, second version so called Gyosho

View of the Theaters in Nichomachi (Nichomachi shibai no zu), from the series Famous Places in the Eastern Capital (Toto meisho) 1827-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Unexpected rainfall on the big bridge at Atake Ohashi Atake no yudachi (title on object) A hundred famous faces on Edo (series title) Meisho Edo hyakkei (series title on object), View of a wooden bridge where people try to protect themselves against unexpected rain showers by umbrella, a big hat or a wicker mat. On the river a man pushes a raft of tree trunks, bridge (four persons or more, traffic and transport), Hiroshige (I), Utagawa (mentioned on object), Tokyo, Sep-1857, paper, colour woodcut, h 361 mm × w 244 mm

Asakusa Honganji Temple in the Eastern Capital, Edo, Japanese Prints - Hokusai

The Sacrifice of Yojibei, right sheet of a triptych. Date: 1849-1851. Dimensions: 36.5 cm x 25.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA KUNIYOSHI.

Ishiyakushi, 1841-1842, Utagawa Hiroshige; Publisher: Ezakiya Kichibei, Japanese, 1797 - 1858, 7 9/16 x 12 1/2 in. (19.2 x 31.7 cm) (image), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Merrymaking at Goten Hill (Gotenyama yukyo), from the series Famous Places in Edo (Koto meisho) 1827-1839 Japan. Color woodblock print; oban . Utagawa Hiroshige

Namban Screens by Sanraku, Kano (ca. 1559-1635) / Suntory Museum of Art / First third of 17th cen. / Japan / Watercolour and ink on paper / Landscape / 166,8x357

Mimasaka Province: Yamabushi Valley (Mimasaka, Yamabushidani), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1852-1853. Dimensions: 35.2 x 24.4 cm (13 7/8 x 9 5/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Ohashi nakazu mitsumata, Island bridge in Mitsumata., Ando, Hiroshige, 1797-1858, artist, 1854., 1 print : woodcut, color ; 24.7 x 36.6 cm., Print shows two women in a boat with a man at the helm near the wooden structural supports for the bridge at Mitsumata.

Fireworks at the Ryogoku bridge; Ryogokubashi No Hanabi No zu; Famous places in the eastern capital; Toto Meisho. People on the Ryogoku bridge and at stalls on the shore of the pressure sailing the Sumida, looking at fireworks; At night.

Leisure pursuits on a summer's evening on and about the river. Colour woodcut, ca. 1900.

Futagawa: A low hill, covered with small cider trees; on the left a teahouse, at which a traveller is taking refreshment, and three others approaching it. Because of the poor soil in this barren district, only small pine trees and shrubs were able to grow. What relieved travellers from an otherwise monotonous walk was a teahouse which sold refreshments and sweet rice cakes. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. The Ti kaidi (East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendi, the Ti kaidi travelled along the sea coast of eastern Honshu, hence the route's name.

Unexpected rain shower on the large bridge in Atake, Hiroshige (I), Utagawa, 1891 print View of a wooden bridge where people try to protect themselves against an unexpected rain shower by umbrellas, a large hat or a wicker mat. On the river a man pushes a raft of tree trunks. Tokyo paper color woodcut / nishiki-e bridge (+ four persons or more ~ traffic and transport)

Scene from legend: Gentok knight flowing on a horse river Dankei, from the series: Popular images of the Three Kingdoms / Tsūzoku Sangokushi no Uchi

Washu yoshino yoshitsune uma arai no taki, Yoshitsune Umarai waterfall at Yoshino in Washu., Katsushika, Hokusai, 1760-1849, artist, 1832 or 1833, printed later, 1 print : woodcut, color ; 36.9 x 25.9 cm., Print shows two men standing in a stream washing a horse next to a waterfall.

Poem by Lady Akazome Emon Poem by Sosei Hoshi, from the series "One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1921. Dimensions: . Color woodblock print. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

No.18 Okitsu, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 9 3/16 x 14 in. (23.3 x 35.5 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series One Thousand Pictures of the Ocean (Chie no umi) 1828-1838 Japan. Color woodblock print, chubanChuban size . Katsushika Hokusai

Poem by Sosei Hoshi, from the series "One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1921. Dimensions: . Color woodblock print. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Mount Fuji by Katsushika Hokusai, color woodcut, 1830-1833, 1760-1849, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 25x37

Byobu (screen) scenes from the 12th century Gempei war. Japan Tosa School, Edo Period, early 17th century.

Nami ni tsuru, Crane in Waves., Ando, Hiroshige, 1797-1858, artist, between 1833 and 1835, 1 print : woodcut, color ; 37.4 x 16.5 cm.

Gyosho Tokaido: Ishikushi ca. 1842 Utagawa Hiroshige Japanese. Gyosho Tokaido: Ishikushi 37024

Utai (Singing) by Kiyonaga Torii; 1752-1815; Japanese artist. Created between 1781 and 1789. Print shows a young man sitting; holding a fan.

Tosa's province, from the series: Views of famous places in sixty several provinces / year of Yoshu Meisho ZUE HIROSHIGE, UTAGAWA (1797 1858)

Tea House at Koishikawa, Japanese Prints - Hokusai

Yoshitsune's Horse-washing Falls at Yoshino in Yamato Province (Washu Yoshino Yoshitsune uma arai no taki) from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1828-1838. Dimensions: Approx. 38.2 x 25.4 cm (15 x 10 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Thirty-six Views of Mount Fuji (Fuji Sanju-Rokkei) is the title of two series of woodblock prints by the Japanese ukiyo-e artist Andi Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances. The 1852 series are in landscape orientation; the 1858 series are in portrait orientation. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige.

Itsukushima in Aki Province Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Itsukushima in Aki Province, ca. 1855 (design); impression later. Color woodblock print on paper, Width: 11 5/8 in. (29.5 cm). Asian Art ca. 1855 (design); impression later

Dutch Ships Entering the Port of the Island of Rhodes (Rokosuto minato Oranda fune nyushin no zu). Utagawa Kunitora; Japanese, active c. 1804-44. Date: 1813-1835. Dimensions: 24.6 x 36 cm (9 11/16 x 14 3/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

View of Fuji from a Boat at Ushibori from "Thirty-Six Views of Fuji" Katsushika Hokusai (Japanese, 1760-1849). View of Fuji from a Boat at Ushibori from "Thirty-Six Views of Fuji," 1834. Woodblock color print, 10 3/8 x 15 1/4 in. (26.4 x 38.7 cm). Not only is this print among the most famous of the great printmaker Hokusais works, but it is also one of the earliest versions of this image. In later impressions, the central band of reeds behind the boat is lost. Also notable is the tilted perspective of the boat, which allows us see the vessels interior. Asian Art 1834

Sakai Cho Shibai no Zu ca. 1838 Japan. Sakai Cho Shibai no Zu 37049

Wang Da Guang, Summer in Peking, 20th century, Chinese

Working man by Katsushika Hokusai, color woodcut, circa 1830, 1760-1849, Russia, St. Petersburg, State Hermitage

3_D fresco, Tiger Balm Gardens, Singapore, Southeast Asia, Asia

A shogunal pleasure trip by boat in 1798. Colour woodcut, 1889.

Paris, France (Furansu Parisu no fu), from the series "Collection of Scenic Places in Foreign Lands (Bankoku meisho zukushi no uchi)". Utagawa Yoshitora; Japanese, active c. 1836-87. Date: 1862. Dimensions: . Color woodblock print; oban triptych. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Highlander wedding; Skoczylas, W Adys Aw (1883-1934); 1913 (1913-00-00-1913-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski, gift (provenance), sleigh, weddings

Yokohama tetsudo joki shussha no zu (First steam train leaving Yokohama) by Kunisada Utagawa, 1823-1880, japanese artist 1872. Japanese triptych print showing a train full of passengers with city, cliff, mountains, and ships sailing on sea in the background.

Mitsuke: A large sand-bank in the centre of the 'Heaven-dragon' River, and people crossing the further arm in boats; two other boats in foreground, moored to the sand-bank, and the distant shore enveloped in mist. The name of this station was derived from the fact that people travelling from Kyoto to Edo were able to get their first glimpse of Mount Fuji from here. The rapidly flowing river 'Tenryu' flowed west of the station and travellers had to cross the river by ferryboat. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. The Ti kaidi (East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendi, the Ti kaidi travelled along the sea coast of easter

Unloading an American ship in Yokohama harbour, Japan, 1861. Utagawa Sadahide (1807-1878/79) Japanese Ukiyo-e artist. United States Flag Rigging Bustle European Commerce Trade

View of Fuji from Miho Bay Utagawa Kunisada (Toyokuni III) (Japanese, 1786-1865). View of Fuji from Miho Bay, May 1830. Color woodblock print on paper, Sheet: 8 13/16 x 11 7/16 in. (22.4 x 29.1 cm). Asian Art May 1830

Ping, Pang and Pong, three courtiers. Date: first performed 1926

TEMPLO NEVADO - 1858 - 36,8x25,2 - GRABADO JAPONES. Author: UTAGAWA HIROSHIGE O ANDO TOKUTARO. Location: PRIVATE COLLECTION. France.

Clearing Weather after Snow at Nihon Bridge (One Hundred Famous Views of Edo) by Hiroshige, Utagawa (1797-1858) / State Hermitage, St. Petersburg / 1856-1858 / Japan / Colour woodcut / Landscape / 39x26

of 3