Japanese Woodblock Landscapes

Depictions of serene Japanese landscapes featuring hills, rivers, and people interacting with nature, in the traditional style of woodblock prints.

Hodogaya, Japanese Prints - Hiroshige

Kanbara: View from Iwabuchi Hill from the 53 Stations of Tokaido, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, The arch of the hill delightfully plays with the slope of the foreground. In between is a buys river which is transporting people via boats. Directly in the foreground are three people about to descend the steep hill, while other folks are climbing up the hill. Two little shops are nestled on either side of the print. Three people are sitting under the pavilion, enjoying the scenery., Japan, 1797-1858, landscapes, Print, Print

Soshu, Shichi-ri ga Hama ca. 1830 Utagawa Hiroshige Japanese. Soshu, Shichi-ri ga Hama 37038

Hiratsuka, Nawatemichi Hiratatuka (Station 8), Nawate Road. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Mountains , Japan, Fuji, Mount (Japan), Messengers, Sedan chairs, Milestones, Koma, Mount (Japan), Hiratsuka-shi (Japan)

Totsuka, Japanese Prints - Hiroshige

Vesper Bells at Ikegami 1797-1858 Utagawa Hiroshige Japanese. Vesper Bells at Ikegami 57064

Mitsuke, Tenryugawa funa watashi (Mitsuke Station, view of boats on the Tenryu River); print from the series: Gojusan tsugi meisho zue (Famous Views from 53 Stations). Utagawa, Hiroshige I (1797-1858), graphic artist

Kameyama, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Tokaido with Poem (Kyoka iri Tokaido) 1832-1847 Japan. Color woodblock print; chuban . Utagawa Hiroshige

River with Fish Traps, Chikugo Province, 1855, 9th month, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 1/2 × 9 1/16 in. (34.3 × 23 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Shirasuka: View on Shiomizaka, no. 33 from the series Collection of Illustrations of Famous Places near the Fifty-Three Stations Along the Tokaido. Date: seventh month 1855. Dimensions: 36 cm x 23 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

Hodogaya, Japanese Prints - Hiroshige

Hiratsuka ca. 1838 Utagawa Hiroshige Japanese. Hiratsuka. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1838. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Azuma Shrine and the Entwined Camphor. Utagawa Hiroshige (Japan, Edo, 1797-1858). 1856, 7th month. Prints; woodblocks. Color woodblock print

Hilltop View from Yushima Tenjin Shrine (Yushima Tenjin sakaue tenbo), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Odawara, Sakawagawa Odawara (Station 10), Sakawa River. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Mountains , Japan, Rivers , Japan, Sedan chairs , Japan, Odawara-shi (Japan), Castles & palaces, Travelers, Odawara-han (Japan)

Kakegawa Crossing the Forty-eight Rapids on the Akiba Road (Kakegawa, Akiba michi shijuhachi segoe), no 27 from the series Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue), also known as the Vertical Tokaido 1855 Japan. Color woodblock print; oban . Utagawa Hiroshige

Viewing Snow at the Uekiya Restaurant at Mokubo Temple (Mokuboji yukimi, Uekiya) from the series "Famous Restaurants of Edo (Edo komei kaitei zukushi)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1833-1845. Dimensions: 26.0 x 38.1 cm (10 1/4 x 15 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Nihon Embankment, Yoshiwara (Yoshiwara Nihonzutsumi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

View of Mount Fuji from a Teahouse at Zoshigaya (Zoshigaya Fujimi chaya), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1858. Dimensions: 36.1 x 24.2 cm (14 3/16 x 9 1/2 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Wild Geese at Haneda 1797-1858 Utagawa Hiroshige Japanese. Wild Geese at Haneda 57059

Takino in Harima Province (Harima Takino), no 44 from the series Sixty-eight Views of the Various Provinces (Shokoku rokujuhakkei) 1862 Japan. Color woodblock print; chuban . Utagawa Hiroshige II (Shigenobu)

Castle Moat, Ando Hiroshige, Japanese, 1797-1858, Woodblock print in colored ink on paper, This unordinary print comprises of the rock wall and moat around a castle. The lower half of the print shows a bustling crowd of people heading toward the gateway of a Shinto shrine. Notice the matching sunset pink and ombre effect of the clouds in the front - Hiroshiges impeccable attention to detail comes through in this interesting scene., Japan, 1797-1858, landscapes, Print, Print

Mitsuki. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm). Date: ca. 1838. Museum: Metropolitan Museum of Art, New York, USA.

Otomo Kihan. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 1/4 x 14 15/32 in. (23.5 x 36.8 cm). Date: ca. 1836. Museum: Metropolitan Museum of Art, New York, USA.

海道五十三次　川崎 early 20th century Utagawa Hiroshige Japanese. 海道五十三次　川崎 55650

Iki Province Shisa (Iki, Shisa), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Nitta Yoshisada Praying to the Dragon God at Inamuragasaki Beach, c. 1835-1839, Utagawa Hiroshige; Publisher: Fujiokaya Hikotarō, Japanese, 1797 - 1858, 9 5/8 × 14 1/8 in. (24.4 × 35.8 cm) (image, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Shimizu Harbor in Suruga Province (Sunshu Shimizu minato), from the series Harbors of Japan (Nihon minato zukushi) 1835-1849 Japan. Color woodblock print; oban . Utagawa Hiroshige

11, River in Hakone Mountain at Night, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 1/2 x 9 in. (34.3 x 22.8 cm) (image)14 1/4 x 9 5/8 in. (36.2 x 24.4 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Yokkaichi, River Scene, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, High wind blowing from right across marsh. Right, peasant, cloaked in yellow, on trestle-bridge; another runs to left to catch his hat which has blown off. Center, willow tree. Left, roofs of cottages and boats' masts., Japan, ca. 1834, landscapes, Print, Print

Temple lands of the Akiba Sanctuary in Ukiji; Ukiji Akiba No Keidai; One hundred famous faces on Edo; Meisho Edo Hyakkei. Face in bird's eye view on a park with water and trees in fall colors. In the foreground are two women next to a veranda where a man is drawing.

Shinobazu Pond in Falling Snow (Shinobazu ike setchu no zu), section of a sheet from the series "Famous Views in the Eastern Capital (Toto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1840-1849. Dimensions: 18.2 x 17.5 cm. Color woodblock print; section of harimaze sheet. Origin: Japan. Museum: The Chicago Art Institute, USA.

The Sacred Spring at Jogaku (Jogaku reisen), from the series Eight Views of the Ryukyu Islands (Ryukyu hakkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 10 1/16 in. (25.6 cm); 14 5/8 in. (37.1 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

Plum garden in Kameido (Kameido umeyashiki), from the series 100 Famous Views of Edo" (Meisho Edo hyakkei). Utagawa, Hiroshige I (1797-1858), graphic artist

Clearing Weather at Awazu. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 6 13/16 in. (17.3 cm); W. 9 1/8 in. (23.2 cm). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.

The Fifty-Three Stations of the Tokaido: Otsu, 1833-1834. Utagawa Hiroshige (Japanese, 1797-1858). Color woodblock print; sheet: 22.5 x 35.1 cm (8 7/8 x 13 13/16 in.).

SIXTY NINE STAGES OF THE KISO ROAD /KISOKUJUKYU TSUGI NO UCHI Eisen, Keisai (1790 1848), HIROSHIGE, Ichiryusai (1797 1858)

Nakasu at Ohashi (Ohashi Nakasu no zu), from the series "Exceptional Views of Edo (Koto shokei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1830-1844. Dimensions: 24.4 x 35.6 cm (9 5/8 x 14 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

No 16 Annaka, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) 1830-1843 Japan. Color woodblock print; oban . Utagawa Hiroshige

Original Fuji, Meguro, No. 25 in One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Original Fuji, Meguro, No. 25 in One Hundred Famous Views of Edo, 4th month of 1857. Woodblock print, Image: 13 5/8 x 9 in. (34.6 x 22.9 cm). Constructed in 1812, this mini-Fuji preceded the one depicted in the previous print by seven years. In short order it earned a reputation for its spectacular setting, far more dramatic than any of the previous replicas of Fuji. It lay along the same bluff as the New Fuji, some five hundred yards farther north. The creation and capitalization of the scenic setting is central to this mini-Fuji, from the pine trees along the path of the artificial mountain to the teahouse benches and the cherry trees at the mound's base. Of all the mini-Fujis of Edo, this was perhaps one of the most popular. Asian Art 4th month of 1857

Teppozu and Tsukiji Honganji Temple (Teppozu Tsukiji Monzeki), from the series Supplement to the One Hundred Famous Views of Edo (Edo hyakkei yokyo) 1858 Japan. Color woodblock print; oban . Utagawa Hiroshige

Moonlight on the Yodo River (Yodogawa), from the series "Snow, Moon and Flowers (Setsugekka)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1828-1838. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Minaguchi ca. 1840 Utagawa Hiroshige Japanese. Minaguchi 37245

Nakasu at Ohashi (Ohashi Nakasu no zu), from the series Exceptional Views of Edo (Koto shokei) 1830-1844 Japan. Color woodblock print; oban . Utagawa Hiroshige

Morning Cherries at Yoshiwara Utagawa Hiroshige Japanese. Morning Cherries at Yoshiwara 55271

Clearing Weather at Shibaura ca. 1838 Utagawa Hiroshige Japanese. Clearing Weather at Shibaura 56900

Dawn in yoshiwara /kakuchu shinonome, Board 38 from the Series: One Hundred Famous Views of Edo /Meisho Edo Hyakkei HIROSHIGE, Ichiryusai (1797 1858)

Kameyama, board 47 from the series: Fifty three stages of the Tokaido road , the third version of the so called Reisho Tokaido

Fukui Bridge in Echizen Province (Echizen Fukui no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyo kiran). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 3/4 in. (24.8 cm); W. 14 1/2 in. ( 36.8 cm). Date: 1827-30. Museum: Metropolitan Museum of Art, New York, USA.

Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryuzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depicted with particular skill: individual snowflakes drift through the gray sky, while below, on the roof of a distant temple, dots of snow are embossed for visual effect. Utagawa Hiroshige (1797 October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andi Hiroshige (an irregular combination of family name and art name) and by the art nam

Konodai in Shimosa Province (Shimosa Konodai), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1852. Dimensions: 17.6 x 24.6 cm. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Shimada, Ōigawa shungan Shimada (Station 24), Suruga bank of Ōi River. And, Hiroshige, 1797-1858. Prints. 1832. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Travel , Japan, Postal service , Japan, Tokaido (Japan), Rivers , Japan, Parades & processions, Travelers, Shimada-shi (Japan)

Suijin Shrine and Massaki on the Sumida River. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, 1856, 8th month. Prints; woodblocks. Color woodblock print

The Sixty-nine Stations of the Kiso Kaid ( Kiso Kaid Rokujky-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige (1797-1858) and Keisai Eisen (1790-1848). There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints). The common name for the Kiso Kaid is 'Nakasend' or 'Central Mountain Highway', so this series is salso commonly referred to as the Sixty-nine Stations of the Nakasend. The Nakasend was one of the Five Routes constructed under Tokugawa Ieyasu, a series of roads linking the historical capitol of Edo with the rest of Japan. The Nakasend connected Edo with the then-capital of Kyoto. It was an alternate route to the Tkaid and travelled through the central part of Honsh, thus giving rise to its name, which means 'Central Mountain Road'. Along this road, there were sixty-nine different post stations (-shuku or -juku), which prov

Yui, Ando, Hiroshige, 1797-1858, artist, between 1844 and 1848, 1 print : woodcut, color ; 20.1 x 31.4 cm., Print shows low wooden walkways spanning a small stream and rough or muddy land areas, with two man carrying a palenquin, and others with burdens on shoulder poles, at the Yui station on the Tokaido Road.

Event Snow in Uchikawa /Uchikawa, Bosetsu, from the Series: Eight Views From /Kanazawa Hakkei

Mukojima (Daikokuya)The Daikokuya at Mukojima. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 5/16 in. (23.7 cm); W. 14 3/16 in. (36 cm). Date: ca. 1835-42. Museum: Metropolitan Museum of Art, New York, USA.

Triptych of Snow Viewing by the Sumida River, Famous Place of Edo', c. 1834, Utagawa Hiroshige; Publisher: Sanoya Kihei, Japanese, 1797 - 1858, 29 15/16 × 39 3/4 in. (76 × 101 cm) (mat, vertical ōban triptych), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Niijuku Ferry (Niijuku no watashi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Nippori. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, circa 1835-1838. Prints; woodblocks. Color woodblock print (late impression, laid down, ink-stained)

Evening Snow at Uchikawa (Uchikawa bosetsu), from the series Eight Views of Kanazawa (Kanazawa hakkei) 1830-1841 Japan. Color woodblock print; oban . Utagawa Hiroshige

The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese Poems (Shiika shashinkyo)". Katsushika Hokusai ; Japanese, 1760-1849. Date: 1828-1839. Dimensions: 50.6 x 22.7 cm. Color woodblock print; nagaban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Kawasaki. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 8 23/32 x 13 23/32 in. (22.2 x 34.9 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.

Kawasaki, Board 3 from the Series: Fifty Tree Stages of the Tokyo Roado Roado Roado Roado Roado Roado Roado Road

. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 7 x 9 in. (17.8 x 22.9 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Fuchū, Abekawa, c. 1832-1833, Utagawa Hiroshige; Publisher: Takenouchi Magohachi, Japanese, 1797 - 1858, 8 7/16 × 13 5/8 in. (21.5 × 34.6 cm) (sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

House work by Katsushika Hokusai, color woodcut, circa 1830, 1760-1849, Russia, St. Petersburg, State Hermitage,

Yokkaichi, Sanchokawa ca. 1834 Utagawa Hiroshige Japanese. Yokkaichi, Sanchokawa. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Japan. ca. 1834. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

Pine Beach at Miho in Suruga Province (Suruga Miho no matsubara), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1858. Dimensions: 37.1 x 25.4 cm (14 5/8 x 10 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

De Paarse Schelp, Katsushika Hokusai, 1821 Two groups of fishermen pull a whale on dry land. The location is the village of Katase, opposite Enoshima island. The shell to which the title refers is depicted in the fan -shaped cartouche. With two poems. Japan paper color woodcut swimming mammals: whale

Sumida River in the morning snow, Musashi Province; print from the series: Rokuju yoshu meisho zue (Famous Views from more than 60 Provinces). Utagawa, Hiroshige I (1797-1858), graphic artist

Empress Jito (Jito Tenno) from the series One Hundred Poems as Explained by the Wet Nurse (Hyakunin isshu uba ga etoki) 1760-1849 Japan. Color woodblock print; oban . Katsushika Hokusai

Act IX (Kudanme), from the series "Perspective Pictures of the Storehouse of Loyal Retainers (Uki-e kanadehon Chushingura)". Kitao Masayoshi (Kuwagata Keisai); Japanese, 1764-1824. Date: 1815-1825. Dimensions: 33.4 x 43.8 cm. Color woodblock print; horizontal o-oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA. Author: Kitao Masayoshi (Kuwagara Keisai).

Meguro Drum Bridge and Sunset Hill, 1857, 4th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/8 x 8 13/16 in. (34 x 22.4 cm) (image)14 3/16 × 9 9/16 in. (36.1 × 24.3 cm) (sheet, vertical ōban)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Evening Rain at Massaki, Eight Views of the Sumida River (Sumidagawa hakkei, Massaki yau), from the series Famous Places in the Eastern Capital (Toto meisho no uchi) 1835-1847 Japan. Color woodblock print; aiban . Utagawa Hiroshige

Dawn Inside the Yoshiwara, No. 38 in One Hundred Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). , 4th month of 1857. Woodblock print, Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm). Daybreak had classic associations in Japanese literature with parting lovers, and the scene played out by the four figures at the center of this print is in keeping with that tradition. It is early dawn in the Yoshiwara, the popular licensed pleasure quarters for the Edo demimonde. To the left is a departing guest, his "cheek-cover hood" discreetly in place for the journey home. An attendant to the rear seems anxious to return to bed, while another one with a lantern stands in front of the guest, facing awkwardly away from him and toward the courtesan, who is clad in a bright-red overgarment and wears raised black clogs that mark her high rank. Asian Art 4th month of 1857

Benkei Moat from Soto-Sakurada to Kojimachi (Soto Sakurada Benkeibori Kojimachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Tajima, Ando, Hiroshige, 1797-1858, artist, 1854., 1 print : woodcut, color ; 34.6 x 24.1 cm., Print shows the cave temple of Kannon, the merciful goddess or goddess of the cave, in the Iwai Valley, Tajima Province.

Pine Groves of Miho in Suruga, from the series Thirty-six Views of Mount Fuji, 1858. Utagawa Hiroshige (Japanese, 1797-1858). Color woodblock print, ink and color on paper; overall: 33.9 x 22.3 cm (13 3/8 x 8 3/4 in.).

Tkaid gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., 1837-1839, Japan, by Utagawa Hiroshige, Kihei Sanoya. Gift of H.W. Shepherd, 1956.

Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1839-1850. Dimensions: 24.8 x 36.2 cm (9 3/4 x 14 1/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Suruga miho no matsubara / Hiroshige-ga. - digital file from original print | Library of Congress

Clear Weather After Snow at Nihon Bridge (Nihonbashi yukibare), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 1856 Japan. Color woodblock print; oban . Utagawa Hiroshige

Distant View from Matsuchi Hill, from an untitled series of Famous Places in Edo Kitao Shigemasa (Japanese, 1739-1820). Distant View from Matsuchi Hill, from an untitled series of Famous Places in Edo, ca. 1770. Color woodblock print on paper, 8 1/2 x 6 1/8 in. (21.6 x 15.5 cm). Asian Art ca. 1770

Fuchu, 1906 A woman in a carrying basket is worn over the Abe River by her servants. cardboard color woodcut

Motoyama, HIROSHIGE (i), Utagawa, 1835-1840 print Two men resting on a tree trunk, by a fire, under a tree hanging over the road; Three travelers in the background, two of which are with a basket on the back. Japan paper color woodcut resting - BB - out of doors. 'en route', traveller under way. landscapes (+ landscape with figures, staffage)

Gokanosho_ Village in Higo Province, Feburary 1856, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 3/8 × 8 13/16 in. (34 × 22.4 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

YOKAICHI, 1906 In a storm a man runs after his hat while another man crosses the river. cardboard color woodcut

Yastukoji, Inside Sujikai Gate (Sujikai-uchi Yatsukoji), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)” 1857 Japan. Color woodblock print; oban . Utagawa Hiroshige

Maisaka, Japanese Prints - Hiroshige

Shirasuka, from the series The Tokaido in Fifty-Three Pairs. Date: 1845. Dimensions: 38 cm x 25 cm. Museum: Van Gogh Museum, Amsterdam. Author: UTAGAWA HIROSHIGE.

The god of fortune Daikoku, a hare and crocodiles Katsushika, hokusai (1760 1849)

No.8 Hiratsuka, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 11/16 x 13 3/4 in. (22 x 34.9 cm) (image)9 5/8 x 14 1/2 in. (24.4 x 36.9 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

The Tomigaoka Hachiman Shrine at Fukagawa (Fukagawa Tomigaoka Hachiman), from the series "Famous Places in Edo (Koto meisho)". Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1827-1839. Dimensions: 25 x 38 cm (9 13/16 x 14 15/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

Evening Bell at Mii-dera Temple, c. 1900-1970, Utagawa Hiroshige; Publisher: Takenouchi Magohachi, Japanese, 1797 - 1858, 8 3/4 × 13 11/16 in. (22.2 × 34.8 cm) (image, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 20th century, 20th century reproduction by .

Echigo niigata no kei, View of Niigata in Echigo Province., Utagawa, Hiroshige, 1826-1869, artist, 1859., 1 print : woodcut, color ; 35.9 x 23.8 cm., Print shows a bird's-eye view of village and coastline, with sailboats anchored in the harbor at Niigata in the Echigo Province.

Koganei in Musashi Province, 1858, 4th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 1/4 × 8 3/4 in. (33.7 × 22.2 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

Returning Sails at Kanazawa, View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), from the series Eight Views of Famous Places (Meisho hakkei) 1828-1839 Japan. Color woodblock print; oban . Utagawa Toyoshige (Toyokuni II)

Mariko Tea Shop, from the series Fifty-three Stations of theTokaido. Artist: Utagawa Hiroshige, Japanese, 1797-1858

Minakuchi, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797-1858, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Lower left, two women are preparing sliced gourd (kampyo). A third has baby on her back. Center, tree and beyond is village amid bamboos with fences on which sliced gourd is hanging. Upper half, mountains., Japan, ca. 1834, figures, Print, Print

Crossing the Yellow River, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)". Totoya Hokkei; Japanese, 1780-1850. Date: 1825-1849. Dimensions: . Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

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