← Artworks

Landscapes and Nature

Paintings depicting serene landscapes with animals and human activities, capturing the beauty of nature across different historical periods.

Landscape with a Man washing his Feet at a Fountain by Poussin, Nicolas (1594-1665)/ National Gallery, London/ 1648/ France/ Oil on canvas/ Baroque/ 74x100,3/ Landscape,Genre
Landscape with a Man washing his Feet at a Fountain by Poussin, Nicolas (1594-1665)/ National Gallery, London/ 1648/ France/ Oil on canvas/ Baroque/ 74x100,3/ Landscape,Genre
166 assets in this story
6145-59119538
Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, message (provenance)
4409-19482711
Paul de Vos (1595-1678). Flemish painter. Peacock and Cock Fighting, ca. 1630. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
4443-21192304
The Berkeley Hunt, 1842: The Chase Signed and dated, abraded, lower center: "F. C. Turner | 1842", Francis Calcraft Turner, active 1782-1846, British
6145-30320505
Francis Oliver Finch, 1802-1862, British, Religious Ceremony in Ancient Greece, ca. 1835. Watercolor, with pen, in brown ink, gouache, gum arabic, graphite, and scratching out on moderatly thick, moderately textured, cream, wove paper.
4266-24603
The Siege (Defense of a Church Courtyard During the Thirty YearsÕ War) by Lessing, Carl Friedrich (1808-1880) Museum Kunstpalast, Dusseldorf 1848 Oil on canvas 116,5x177 Germany, Dusseldorf School Romanticism Landscape,Genre,History Painting
4409-28966931
Karlis Huns (1831-1877). Baltic German painter. Strolling in Neuilly, 1874. Oil on canvas (42 x 60 cm). Latvian National Museum of Art. Riga, Latvia.
4409-17578997
'Grotto of Nymph Egeria'. France, 1760s. Dimensions: 43,4x60,2 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.
6145-48592321
Sunny day , Stairways, Hills. Louis Prang & Company Collection
4409-17574626
'Sluice in Hague'. Holland. Dimensions: 21,5x33 cm. Museum: State Hermitage, St. Petersburg. Author: Salomon Leonardus Verveer.
6145-29170879
The Pont Neuf 1849-50 Johan Barthold Jongkind Dutch This view is based on drawings (Musée du Louvre, Paris) that Jongkind made along the Seine in 1849, the year he began to paint scenes of Paris. He took liberties with the prospect by reducing the number of the bridges arches from five to four, eliminating the Place Dauphine, and making Notre-Dame Cathedral appear closer than it is from this vantage point on the rivers left bank. These alterations, together with the dramatic sky and open brushwork, amount to a composition very much in the manner of Jongkinds mentor, the Romantic marine painter Eugène Isabey (1803-1886).. The Pont Neuf 436787
6145-30340176
Canaletto, 1697-1768, Venetian, active in Britain (1746-55), Old Walton Bridge, 1755. Oil on canvas.
4409-17488956
The Shooting Party. Date/Period: Ca. 1800. Painting. Oil on panel. Height: 159 mm (6.25 in); Width: 200 mm (7.87 in). Author: Julius Caesar Ibbetson.
4435-2765
Claude Lorrain (1600-1682). View of Delphi with Procession. 1650. Classicism. Oil on canvas. ITALY. LAZIO. Rome. Doria Pamphili Gallery.
4409-17452099
The Return. Dated: 1837. Dimensions: overall: 100.3 × 161.4 cm (39 1/2 × 63 9/16 in.) framed: 132.7 × 194.6 × 15.2 cm (52 1/4 × 76 5/8 × 6 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.
6145-30194641
Alexander at the Tomb of Cyrus the Great 1796 France. This landscape and its companion piece, Mount Athos Carved as a Monument to Alexander the Great, reflect the late-18th-century enthusiasm for the antique, as well as the cult of sensibility that made the tomb in a landscape a favored subject for art in this period. Here Alexander, who overthrew the Persian Empire, arrives at the tomb of its founder, Cyrus the Great (590/580ñc. 529 B.C.), only to find that it has been desecrated. In choosing the subjects of this pair of moralizing landscapes, Pierre-Henri de Valenciennes was doubtless suggesting the transitory nature of empire and of life itself.. Oil on canvas . Pierre Henri de Valenciennes
6145-29116634
Scenes from Ancient History. Joseph Parrocel (France, Brignoles, 1646-1704). France, circa 1690-1695. Paintings. Oil on paper on canvas
4266-7957
Beginning of humanity by George Frederic Watts, Oil on canvas, circa 1875-1882, 1817-1904, United Kingdom, London, Tate Britain, 107x304,8
4409-17396400
Felix Castello (1595-1651). Spanish painter. Bathing in the Manzanares in the Countryside at Molino Quemado, ca.1634-1637. Detail. History Museum. Madrid. Spain.
6145-30350331
Claude de Jongh, ca. 1600-1663, Dutch, active in Britain (1615, 1625, 1627, 1628), The Thames at Westminster Stairs, 1631. Oil on panel.
6145-59265489
The Murder of Patrona Halil and his Fellow Rebels, Jean Baptiste Vanmour, c. 1730 - c. 1737 painting The murder attempt on the leader of the insurgents Patrona Halil, 1730 the extravagant parties of the "TulpensTultan" caused a lot of unrest among the population. On September 28, 1730, an uprising broke out under the leadership of Patrona Halil, an Albanian sailor. The rebels managed to put the rebels off the sultan and installed his cousin Mahmud i.Nadat Mahmud I had stuck the throne, the rebels continued to cause unrest. They tried to get positions in the government and demanded more and more influence. Mahmud invited them to the palace with an excuse, where they were killed one by one. On the right, Patrona Halil is overpowered, while on the left the servant who fitted on his horse has already been murdered. In the middle one sees the Great Vizier Damad Ibrahim Pasja coming from his palace, accompanied by one of the supreme judges and one of the thesauriers. The Admiral and the othe
4409-62621956
Zacarías González Velázquez / 'Fishermen and a Woman with a Basket full of Fish'. 1785. Oil on canvas. Museum: Museo del Prado, Madrid, España.
4048-16066727
THE LANDING OF THE PILGRIMS, by Michele Felice Corne (1752-1845), was an Italian-American artist who painted marine scenes, portraits, and interior decorations for his Massachusetts and Rhode Island customers (BSLOC_2020_1_165)
6145-30350805
Paul Sandby RA, 1731-1809, British, Bridgenorth, Shropshire, ca. 1801. Gouache, watercolor, white chalk, black chalk and graphite on medium, cream, slightly textured wove paper.
6145-51385650
Drawing, Arch of Septimius Severus, Rome; Frederic Edwin Church (American, 1826-1900); Italy; brush and oil, graphite on thin paperboard; 28.3 x 38.6 cm (11 1/8 x 15 3/16 in.) Mat Size: 35.6 x 45.7 cm (14 x 18 in.)
4266-31053
Shipwreck by Vernet, Claude Joseph (1714-1789) / Groeningemuseum, Bruges / Second Half of the 18th cen. / France / Oil on canvas / Landscape / 134,5x99 / Rococo
4409-17507607
The Little Shepherd Boy'. Date/Period: 1840. Painting. Author: Carlo Dalgas.
6188-72149145
Friedrich Wilhelm Heinrich Alexander von Humboldt geb. 14. September 1769 in Berlin, gest. 6. Mai 1859 ebenda, deutscher Forschungsreisender mit einem weit über Europa hinausreichenden Wirkungsfeld, im Hintergrund der Chimborazo Vulkan, Gemälde von Friedrich Georg Weitsch, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903585
4443-19367621
Beach with fishing boats at night, Egbert van der Poel, c. 1650 - 1660
4409-109356
Paul Bril / 'Puerto con castillo', ca. 1601, Flemish School, Copper, 24 cm x 35 cm, P04003. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
4409-28965734
The Lost Balloon. Date: 1882. oil on canvas. Museum: Smithsonian American Art Museum.
4409-73083539
J. M. W. Turner, The Destruction of Sodom, 1805 , Oil paint on canvas, London, England.
6145-59058545
Landscape with a warehouse; Beerstraaten, Abraham (1643-1665 cars 1685); XVII century (1600-00-00-1700-00-00);Baroque (style), Dutch painting, landscapes, city landscapes, winter landscapes, pendant, purchase (provenance)
1788-42905
The sacrifice to Apollo in Delos, by Claude Lorrain (1600-1682).
4409-20988681
El Embarco de la Reina de Saba. Museum: NATIONAL GALLERY / LONDRES / G. BRETAÑA. Author: CLAUDE GELLÉE LORRAIN.
6176-66902837
A Shipwreck in Stormy Seas (Tempete) - Joseph Vernet, 1773
4409-28966537
Rainmaking among the Mandan. oil on canvas. Date: 1837-1839. Museum: Smithsonian American Art Museum.
4266-20011545
The Meeting Na Krizkach (The cycle The Slav Epic) by Mucha, Alfons Marie (1860-1939) / City Gallery Prague / 1916 / Czechia / Tempera and Oil on canvas / History / 620x405 / Art Nouveau
6145-54599970
The Firing Of The Beacon, 1868-1870. Oil on canvas. Artist: Richard Redgrave (d. 1888)
866-8439
Felouques on the Nile. Felix Ziem (1821-1911). Oil on canvas, 35.9 x 60.3cm.
4409-17573993
'Peasant Yard'. Belgium, 1854. Dimensions: 67,5x84 cm. Museum: State Hermitage, St. Petersburg. Author: Edmond Jean-Baptiste Tschaggeny.
4266-5721
Mythology scene by Kerstiaen de Keuninck, Oil on canvas, Baroque, circa 1560-1633, Ukraine, Kiev, Museum of Western and Oriental Art,
4443-21909518
Perspective box made of black lacquered wood with three painted glass plates: ice picture with spring house and windmill, skaters, perspective case glass plate glass wood oak wood brass, handpainted Perspective cupboard made of black lacquered oak (circa 1875-1900). Metal wackets on both sides; on one side brass knob to pull the box out of the storage chest. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background giving rise to three-dimensional effect optics perspective winter skating small ice age ice fun glass painting diafanorama
6145-29217647
The Cascade ca. 1775 Jean Honoré Fragonard French In 1756, having won the Prix de Rome, Fragonard departed for four years at the French academy in that city, a traditional rite of artistic passage. Practically nothing is known of his journey from Paris, but on the return trip he traveled by way of Florence to Venice, west to Marseilles, and north through Lyons. He visited the principal cities of Italy again in 1774, as well as Vienna and Frankfurt. This painting is most likely an imagined conglomeration of the kinds of gardens, architecture, and sculpture he encountered.. The Cascade. Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). ca. 1775. Oil on wood. Paintings
6145-58994388
Beauty. The Père-Lachaise cemetery, Paris (current XXth arr.). Silk oil fixed under glass. 1835. Paris, Carnavalet museum. 76094-1
6145-30337134
unknown artist, Kenilworth Castle, 1855. Colored by hand.
6145-50502744
Painting, Garrison House, York, Maine; Winslow Homer (American, 1836-1910); USA; brush and oil paint on canvas; 39.8 × 57.3 cm (15 11/16 × 22 9/16 in.)
6145-54599481
Garge Du Loup, 1876. Henry Gastineau (d.1876)
6145-59279067
The calwer marketing, the Hague, Jeanräis salelao, region of 1808 painting Cityscape with the Kalvermarkt in The Hague. Houses on a canal, a flat barge and a few chickens on the right. On the left the market that comes out at a bridge where a horse and carriage drives. At the quay a man with a wheelbarrow and a man with a yoke on the shoulders. panel. oil paint (paint) public road Calf market
4453-20019742
Minerva Visiting the Muses on Mount Parnasus by Claude Lorrain; Oil on canvas; 1680
4409-17352446
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 20 x 47 1/8 in. (50.8 x 119.7 cm). Date: ca. 1709.This veduta looking east along the Grand Canal shows the quay at the north side of the Dogana, itself surmounted by Bernardino Falcone's statue of Fortune on a globe. In the distance is the façade of the majestic San Giorgio Maggiore. Carlevaris animates the painting with scenes from Venetian life, a subject he first studies in preparatory oil sketches. This painting, together with three other paintins in the Robert Lehman Collection (1975.1.87, .89 and .90), form a series. Museum: Metropolitan Museum of Art, New York, USA. Author: LUCA CARLEVARIS.
4443-19619826
East Gateway, Patna, Sir Charles D'Oyly, 1781-1845, British, active in India, 1825, Oil on canvas, Support (PTG): 9 5/16 x 12 5/8 inches (23.7 x 32.1 cm), arch, balcony, city, dome, elephant (animal), fence, gateway, horse (animal), Orientalism, people, robes, soldiers, turban, India, Patna, West Bengal
4266-11932
Old ruin by Hubert Robert, oil on canvas, 1779, 1733-1808, Ukraine, Sevastopol, M. Kroshitsky Art Museum, 36x19
4409-17489616
A Jereed Game in Kagithane. Date/Period: Late 19th century. Painting. Oil on canvas. Height: 655 mm (25.78 in); Width: 1,200 mm (47.24 in). Author: Luigi Acquarone. after Antoine Ignace Melling.
866-4393
Schloss Pachelbell, Vintschgau, Sudtirol Doll, Anton(1826-1887 German) Oil On Canvas Christie's Images, London, England
1661-852
Loading the Cart on a Frozen River, Ferdinand Maron, (b.19th Century/Swiss)
4409-17277531
VISTA DEL CASTILLO DE JATIVA(VALENCIA) Y DEL CALVARIO-OLEO 1928. Author: CARLOS LEZCANO (1871-1929). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.
4409-17486995
Torre di Schiavi. Date/Period: 1865. Painting. Oil on canvas Oil on canvas. Height: 568.45 mm (22.37 in); Width: 879.60 mm (34.62 in). Author: Thomas Hiram Hotchkiss.
4409-17376836
Two Men Contemplating the Moon. Artist: Caspar David Friedrich (German, Greifswald 1774-1840 Dresden). Dimensions: 13 3/4 x 17 1/4 in. (34.9 x 43.8 cm). Date: ca. 1825-30.These two figures are seen from behind so that the viewer may participate in their communion with nature. They have been identified as Friedrich, at right, and his friend and disciple August Heinrich (1794-1822). Fascination with the moon ran high among the German Romantics, who regarded the motif as an object of pious contemplation. This is the third version of one of Friedrich's most famous compositions, of which the first was painted during Heinrich's lifetime (1819; Gemäldegalerie, Dresden) and the second soon after his death (ca. 1824; Alte Nationalgalerie, Berlin). Museum: Metropolitan Museum of Art, New York, USA.
4266-3609
Triumph of Guillotine by Nicolas Antoine Taunay, Oil on canvas, 1795, 1755-1830, Russia, St. Petersburg, State Hermitage, 129x168
4409-17486802
A View in Dusky Bay, New Zealand. Date/Period: 1773. Painting. Oil on panel oil on panel. Height: 810 mm (31.88 in); Width: 795 mm (31.29 in). Author: William Hodges.
4409-17501639
The Titan's Goblet. Artist: Thomas Cole (American, Lancashire 1801-1848 Catskill, New York). Dimensions: 19 3/8 x 16 1/8 in. (49.2 x 41 cm). Date: 1833.The culmination of Cole's romantic fantasies, this work echoes the artist's other works of the period in its Italian derived scenery and its attempt to illustrate themes dealing with the grandeur of the past, the passage of time, and the encroachment of nature. Rejected by Cole's patron, Luman Reed, and subsequently owned by the artist John M. Falconer, the work defies full explanation. The massive, vegetation encrusted goblet around whose rim are found classical ruins, and on whose glassy surface boats sail, has been linked to Norse legend and Greek mythology. Theophilus Stringfellow, Jr. described it as a self-contained, microcosmic human world in the midst of vast nature, while Falconer linked the monumental stem of the goblet to the trunk of the Norse world-tree; he likened the cup to "the ramifying branches . which spread out and h
6145-29222749
The Titan's Goblet 1833 Thomas Cole American The culmination of Cole's romantic fantasies, this work echoes the artist's other works of the period in its Italian derived scenery and its attempt to illustrate themes dealing with the grandeur of the past, the passage of time, and the encroachment of nature. Rejected by Cole's patron, Luman Reed, and subsequently owned by the artist John M. Falconer, the work defies full explanation. The massive, vegetation encrusted goblet around whose rim are found classical ruins, and on whose glassy surface boats sail, has been linked to Norse legend and Greek mythology. Theophilus Stringfellow, Jr. described it as a self-contained, microcosmic human world in the midst of vast nature, while Falconer linked the monumental stem of the goblet to the trunk of the Norse world-tree; he likened the cup to "the ramifying branches.. which spread out and hold between them an ocean dotted with sails, surrounded by dense forests and plains." Other theories tie th
4409-17507470
The Robber and His Child. Date/Period: 1832. Painting. Oil on canvas. 42.2 × 48.6 cm (16.6 × 19.1 in). Author: KARL FRIEDRICH LESSING.
4453-20324165
"The Erechtheone and study for ""The Parthenon""; about 1869-70 Oil on paper mounted on canvas by Frederic Edwin Church"
6145-29870641
Jean Baptiste Oudry, Misse and Luttine, 1729 Misse and Luttine
4409-17526333
View of the City of Raiebaagh in Visiapoer, India. Dating: c. 1662 - c. 1663. Place: Northern Netherlands. Measurements: h 97 cm × w 140 cm; d 8.5. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Johannes Vinckboons (attributed to).