Literary and Mythological Illustrations

Artworks depicting scenes from literature and mythology, featuring rich details and textures in various artistic styles.

Pandoras Box. (Christan d Orgeix; Foix; Frankreich 1927)

Illustration to the novel 'The Possessed' by Fyodor Dostoyevsky by Dobuzhinsky, Mstislav Valerianovich (1875-1957)/ Private Collection/ 1939/ Russia/ Gouache, pastel and coal on cardboard/ Book design/ 29x39/ Mythology, Allegory and Literature

The two rival generals, Sakasi Takatsuna and Kajiwara Kagesue, at the Battle of the Uji River in 1184, detail of screen decorations, by Tosa Mitsuyoshi (1539-1613), colour on paper, Japan. Japanese Civilisation, 16th-17th century.

View of Montmartre, around 1848 Eug�ne Lavieille. View of Montmartre, Paris (18th arrest). Oil on cardboard. 1848.

Artist, attributed to: Jin Kan, Chinese, died 1703, Landscape, 17thcentury, Hanging scroll: ink and color on silk, without mounting: 74 3/4 × 33 3/4 in. (189.9 × 85.7 cm), China, Chinese, Ming dynasty(1368-1644), Paintings

Kreuzgang mit Freskenverzierung Kreuzgang mit Freskenverzierung Copyright: xZoonar.com/Tolox 22674268

La Traversee du Styx', c1591-1638 Artist: Jacob Isaacz van Swanenburg. In Greek mythology, Styx is the name of a river which formed the boundary between earth and the underworld, Hades.

Plaza Gabriel Miro fountain. Digital watercolor painting Plaza Gabriel Miro fountain. Digital watercolor painting Copyright: xZoonar.com/ AleksandrsxTihonovsx 9240020

Jurōjin 19th century Shibata Zeshin Japanese. Jurōjin 57319

Painting in Grand Palace complex, Bangkok, Thailand. Painting, Grand Palace, Bangkok, Thailand

Pandoras Box. (Christan d Orgeix; Foix; Frankreich 1927)

Scary gargoyle sits on the roof of Westport House in County Mayo, Ireland. Photo illustration.

Jardín de Aranjuez. Óleo sobre lienzo. Siglo XIX. Museum: Museu Nacional d'Art de Catalunya, Barcelona. Author: SANTIAGO RUSIÑOL.

Harlech No 1 prints, etchings, works on paper

Because-Guarded Infant, August both beewe, 1867 painting Presentation entitled 'The well -guarded child'. Interior of a farmhouse with a cradle in which a child lies. The sunlight shines through a skylight on the cradle. On the right a cow, a few chickens roam in the foreground. canvas. oil paint (paint) stall, stable. cradle, crib

Jonah Leaving the Whale, Jan Brueghel the Elder, circa 1598, Alte Pinakothek, Munich, Germany, Europe

Augsburg, Rugendas, Christian, Georg Philipp, Riders, horses and battles, Battle, recto bottom - handwritten in pencil, print, prints, verso - stamped, The bataille, height 170 mm, width 233 mm, German, 1708 - 1781-07-10, print maker, printmaker, 1718 - 1781, paper, papier, etching, etchings, mezzotint, print in brown, after, after a painting by, Publication (Event), Publication, publisher

Democritus in Meditation. Date/Period: From 1650 until 1651. Painting. Oil on canvas. Height: 3,440 mm (11.28 ft); Width: 2,140 mm (84.25 in). Author: SALVATOR ROSA.

ESCENA: EL QUIJOTE "SI FUERA TAN AGORERO COMO CATOLICO, LO TUVIERA A MALA SEÑAL". Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON QUIJOTE.

3 DE MAYO DE 1808 - LOS FUSILAMIENTOS EN LA MONTAÑA DEL PRINCIPE PIO - DETALLE DE UN SOLDADO FRANCES - 1814 - O/ L - NP 749 - CONJUNTO 362. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Anthropomorphic Tower, Salvador Dali, 1930, Art Institute of Chicago, Chicago, Illinois, USA, North America

Offerings. Bulewski, Tadeusz (1898-1930), painter

LAS ARMAS DE LA MESA - 1989 - TECNICA MIXTA SOBRE CARTON - 35X25CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Two studies of a hand, one with a Gouda Pijp, Simon Andreas Krausz, 1770 - 1825 drawing paper. oil paint (paint) brush hand

The Death of Major Pierson(1757-1781). Artist: John Singleton Copley, American, 1738-1815

Joseph Mallord William Turner, 1775-1851, British, Limekiln at Coalbrookdale, ca. 1797. Oil on panel.

Allegory of Napoleon, by Giuseppe Pietro Bagetti (1764-1831), watercolour on paper.

The Bells of Saint Mark's, Venice, 1903. Sir Edward John Poynter (d. 1919)

Nocturne in Blue and Silver, The Lagoon, Venice, James Abbott McNeill Whistler, circa 1879-1880, Museum of Fine Arts, Boston, Mass, USA, North America

Entrance to the Bowels of the Earth, before 1839, pen and brown ink with brown-gray wash over graphite on laid paper, overall: 18.9 x 29.3 cm (7 7/16 x 11 9/16 in.), Antonio Basoli (artist) Italian, 1774 - 1848

Aspects of Negro Life: Song of the Towers. Douglas, Aaron. 1934. Paintings. Schomburg Center for Research in Black Culture, Art and Artifacts Division

'Landscape with an Obelisk'. Series of 4 paintings: "Landscape with a Terrace and a Cascade", "Landscape with an Obelisk", "Landscape with Ruins", "Landscape with a Waterfall". France, 1802. Dimensions: 311x146 cm. Museum: State Hermitage, St. Petersburg. Author: HUBERT ROBERT.

The Bells of Saint Mark's, Venice, 1903 Sir Edward John Poynter (d. 1919), Oil Painting, Architecture, Church, Italy, Venice

Master of the Little Passion (active in Cologne ca.1400-1420). Martyrdom of Saint Ursula in Cologne, ca.1411. Wallraf-Richartz Museum. Cologne. Germany.

La Tentation du Nouveau St. Antoine. Honoré Daumier (France, Marseilles, 1808-1879). France, 1849. Prints; lithographs. Lithograph

The Ridderzaal of the Binnenhof during the Great Assembly of 1651. The Great Hall of the Binnenhof, The Hague, during the Great Assembly of the States-General in 1651. Dating: c. 1651. Measurements: h 52 cm × w 66 cm. Museum: Rijksmuseum, Amsterdam. Author: Bartholomeus van Bassen. Anthonie Palamedesz.

Village, by Giovanni Francesco Grimaldi known as Il Bolognese (1606-1680), oil on canvas, 50x88 cm.

Set design for Mozart Idomeneo by Jan Zrzavy for National Theatre Prague. JOHANN WOLFGANG MOZART.

British, Louis XIII style frame, Unknown framemaker, 17th century, Carved wood, oil gilt, Frame: 32 1/4 × 36 1/2 × 2 3/4 inches (81.9 × 92.7 × 7 cm)

Perspective box of black lacquered wood with three painted glass plates: image of an indoor walking path, perspective case glass plate glass wood oak wood brass, handpainted Perspective cupboard made of black lacquered oak (circa 1875-1900). raised edge at the top of the back. On both sides metal hooks on one side brass knob to pull the box out of the storage box. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background creating three-dimensional effect On the right side with white paint: 9 optics perspective glass painting diafanorama

City Lights. George Grosz (1893-1959). Watercolour on paper laid down on canvas. 41.9 x 59.7cm.

Bartholomeus Breenbergh (Deventer, 1598-Amsterdam, 1657). Capriccio with Roman Ruins, Sculptures and a Port (1650). Oil on canvas. 115.6 x 88.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Cuatro agujeros. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: ANTONIO TAPIÉS.

George Bellows Forty two Kids (1907) George Wesley Bellows (American, 1882 - 1925), Forty-two Kids, 1907, oil on canvas, Corcoran Collection (Museum Purchase, William A. Clark Fund) 2014.79.2

Palazzo Barni. Lodi. Italy

Mario Nuzzi / 'Florero de plata volcado sobre un paño', 17th century, Italian School, Oil on canvas, 84 cm x 152 cm, P00252. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Death of Viriatus, Villegas Cordero, José (1844-1921)

Church of Elijah the Prophet (1647-50), interior, north gallery, ceiling vaults, with frescoes of Noah's Ark (1715-16), Yaroslavl', Russia. Brumfield photograph collection. Murals,Russia Federation,1990-2000. , Russia Federation,Yaroslavskaia oblast ,Yaroslavl .

River Landscape with a View of Naarden. Salomon van Ruysdael; Dutch, about 1602-70. Date: 1642. Dimensions: 59.7 × 85.1 cm (23 1/2 × 33 1/2 in.). Oil on panel. Origin: . Museum: The Chicago Art Institute, Chicago, USA.

The Rich Man in Hell James Tissot (1836-1902 French)

Gambar, long outbuilding, drying was in the foreground, c. 1921 copper (metal) etching

Allegory of the Evening, by Constantino Cedini (1741-1811), fresco, central hall, Villa Vendramin Cappello Collizzolli, Noventa Padua, Veneto. Italy, 18th century.

Conrad Metz, A Scene from the Life of Trajan, 1817 A Scene from the Life of Trajan

Hombres con mesas y diversos objetos. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: JOERG IMMENDORFF.

La Cailligraphe 1958 Rene Magritte (1898-1967 Belgian) Oil On Canvas Christie's Images, London, England

Oplontis, Italy, Scenic frescos on the wall of famous Villa Oplontis, ancient Roman villa and world heritage sight, Southern Italy

On one side mandarin ducks; on the other, poems, bamboos, storks, etc. Origin: Japan. Period: Edo period. Date: 1615-1868. Color, gold, silver, ink, and gold on paper sliding door. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Curtain design for the ballet Sheherezade by N. Rimsky-Korsakov by Serov, Valentin Alexandrovich (1865-1911) State Central A. Bakhrushin Theatre Museum, Moscow 1910 Tempera on cardboard 71,5x83 Russia Theatrical scenic painting Opera, Ballet, Thea

Mexico.Mexico D.F.Museo Nacional de Antropologia.Mural de J.Gonzalez Camaresa 1964.

Map of Coevorden, c. 1701-1715. Draughtsman: Samuel Du Ry de Champdoré. Dating: 1701 - 1715. Place: Netherlands. Measurements: h 528 mm × w 735 mm. Museum: Rijksmuseum, Amsterdam.

Genaro Perez de Villamil, castillo de Alcalá de Guadaira, 1843, óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

PAPIRO EN VERDE - 60x62. Location: PRIVATE COLLECTION. MADRID. SPAIN.

At the fountain head - Roman idyll. Siemiradzki, Henryk (1843-1902), painter

Angkor, Cambodia, Indochina a relief of Apsaras carved in the corner of a courtyard of the cruciform covered courtyard or the third level () , Léon Busy in Indochina (French - Angkor , Cambodge , Indochine Un relief d' apsaras sculpté dans l' angle d' une cour du préau cruciforme ou bien du troisième niveau ( )). Buddhism, dance, temple, Hinduism, sculpture, bas-relief, being supernatural, religious architecture, Religion, art, human beings, Habitat , Architecture, Cambodia, Angkor Wat, Massif Central - Bas reliefs, sacred dancers

The Workers' Dawn, ca 1897, by John Sottocornola (1855-1917), oil on canvas, 141x253 cm.

Photograph of Johann Victor Krämer's painting 'Nymphentanz' (after 1892), showing figures dancing in a studio composition with artistic detail.

Forty-Two Kids, George Bellows, 1907, National Gallery of Art, Washington DC, USA, North America

Detail of The Trading Post of the Dutch East India Company in Hooghly 1665. Commissioned by Pieter Sterthemius.

Samuel Davis, 1757-1819, British, The Former Winter Capital of Bhutan at Punakha Dzong, 1783. Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream, wove paper, mounted on thick, moderately textured, beige, wove paper.

Alter Realist of the Naiad Fountain within the Italian Garden - Blenheim Palace. Part of the Unfolding of a Vision exhibition.

Water well at Wall, Coba Steenhoff, 1800 - 1900 drawing paper. watercolor (paint) brush well

Dragon Weather Vane. Dated: 1935/1942. Dimensions: overall: 34.4 x 47.1 cm (13 9/16 x 18 9/16 in.) Original IAD Object: 75" long. Medium: watercolor, pen and ink, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Dorothy Hay Jensen.

West Point Foundry, Cold Spring, NewYork. Artist: John Ferguson Weir, American, 1841-1926, M.A. (HON.) 1871

The hands of women who are typing on a laptop on holiday

BARRON Y CARRILLO, Manuel (1814-1884). The Cueva del Gato (Cave of the Cat). 1860. A group of bandits (with wife and child) is caught by the Guardia Civil (Spanish gendarmerie). Costumbrism. Oil on canvas. SPAIN. ANDALUSIA. Sevilla. Fine Arts Museum.

Antoni Gaudí; Ramon Tusquets / Detail of the mirror decorated with the painting of Ramon Tusquets in the office of Eusebi Gúell, in the Güell Palace by the architect Antonio Gaudí, 1888, Barcelona, Catalonia, Spain. Museum: Palacio Güell, Barcelona, Cataluña, España.

Carved wood decorations, Maulbronn Monastery Complex (Unesco World Heritage List, 1993), Baden-Wurttemberg, Germany.

Moonrise Over the Sea 1821 Caspar David Friedrich (1774-1840/German) Hermitage Museum, St. Petersburg

The Corpses of the De Witt Brothers. The ultimate humiliation: the nude, flayed corpses of Johan and Cornelis de Witt on public display in theGroene Zoodje, the execution ground on the Vijverberg in the middle of The Hague. On 20 August 1672 they were assassinated by their political opponents. Johan had been the most powerful man in the Republic for close to twenty years, steadfastly supported by his brother Cornelis. But they were held responsible foreverything that went wrong in the year 1672, known as the Year of Disaster’.

Soft Construction with Boiled Beans (Premonition of Civil War) by Dali, Salvador (1904-1989)/ Philadelphia Museum of Art, Philadelphia/ 1936/ Spain/ Oil on canvas/ Surrealism/ 100x100/ Genre,Mythology, Allegory and Literature

Silkworm Breeding -Taking Out the Moths Chinese Art Philadelphia Free Library

The Apocalypse: the opening of the sixth seal. Mezzotint by G.H. Phillips, 1844, after F. Danby.

Alfredo Opisso / "Sports wall chart (detail III)", S.XX, Oil.

The Stag Hunt of the Elector Frederic the Wise (1463-1525) of Saxony. Date/Period: After 1529. Painting. Oil on panel. Height: 56.5 cm (22.2 in); Width: 80.5 cm (31.6 in). Author: Lucas Cranach the Elder.

The Sentry by Alfred R. Waud, oil on canvas, (1828-1891), USA, Pennsylvania, Philadelphia, David David Gallery

Joaquin Torres Gracía, "Campos Eliseos", óleo sobre lienzo, 1925. Author: JOAQUÍN TORRES GARCÍA.

A Weaver's Cottage, by Vincent van Gogh, 1884, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe

Decorative panels of the four seasons: spring, 1897. Tempera. 176 x 114 cm. Particular collection. Barcelona. Spain. Author: ALEXANDRE DE RIQUER.

Confession / G.M.Crespi / Oil on Canvas

View from Colosseone toward palatine by German painter; oil on paper laid down on cardboard; early 19th century

Archimedes Setting Roman Ships of Consul Marcellus on Fire with a Burning Mirror, attributed to Cherubino Cornienti, oil on canvas, 1855

Barbier, Antoine (n.1859-05-10-D.1948-02-08), flood in Paris, January 1910. 1910. Oil on canvas. Carnavalet museum, history of Paris.

The artists dream painted by Geo. H. Comegys; engraved by J. Sartain. 1840. The artist, with his head down on a table in his studio, perhaps seeking divine intervention, is having a vision of great artists from the past, such as: Sir Joshua Reynolds, Rubens, Rembrandt, Titian, Leonardo Da Vinci, Raphael Michelangelo, and others. 1840

Denis, Maurice (n.1870-11-25-D.1943-11-13), The history of French art: Middle Ages (Username), 1925. Petit Palais, Museum of Fine Arts of The city of Paris.

A courtesan sees herself reflected in the mirror as a skeleton: two demons look on. Colour woodcut by Yoshitoshi, 1870s.

Tile tableau with a procession of royal visitors to the west facade. The four tile tables on the western facade, along the Jan Luykenstraat, are dedicated to the history and fame of Amsterdam; whereby the city delayed on a triumph truck holds a solemn procession, preceded by famous people, who from the 13th up to and including the 18th century practiced and promoting Dutch art, or have contributed to the fame of the city. The design drawings were manufactured by Georg Sturm and the tiles were baked by the Villeroy & Boch company in Merzig A.D. Saar.The tile tables were all designed by G.Sturm, professor at the Rijkschool for arts and crafts, helped by students. This is the second tableau from the left, representing the regal visitors of Amsterdam. For example, Prince Frederik Henderik, Koning-Mother Maria the 'Medici of France, Queen Christina of Sweden and Cosmo, depicted the' Medici. In the background the Town Hall of Jacob van Campen. The four tableaux together present the 'fame of

Looms, women weaving. Oil on canvas. Author: SANTIAGO RUSIÑOL.

Hunters in the Snow, Winter, Pieter Bruegel the Elder, 1565, Kunsthistorisches Museum, Vienna, Austria

Antonio Perez (1540-1611), Spanish politician, running away. He participated in the murder of Escobedo (1578) implying Philip II in the act. He was sentenced to two years in prison. Engraving in "Historia de Espan_a",19th century. Colored.

Antoni Viladomat / 'Naturaleza muerta', siglo XVIII, Óleo sobre lienzo. Museu Nacional d'Art de Catalunya.

Ireland, North , Belfast, Community Mural On Falls Road.

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