Louvre Palace Sculpture Models

Gypsum models of sculpture designs for the Palais du Louvre, featuring detailed depictions of figures and ornamental elements, showcasing classic artistic styles.

Plaster models for decorations on the second floor of the Pavillon Richelieu of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gips model for a coat of arms on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. coat of arms (as symbol of the state, etc.) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum models for sculptures at the Palais du Louvre: Links "La Force" by Charles Auguste Lebourg and right "L'Automne" by Emile Chatrousse.Part of Reunion des Tuileries au Louvre 1852-1857, album 2.

Gypsum Models for Sculptures at the Louvre Palace: Links "Keller" by Pierre Alfred Faucet and Right "Coysevox" by Jules Droz. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Gypsum models for sculptures at the Palais du Louvre: Links "L'Astronomy" by Louis Auvray and right "L'Art Romain" by Ferdinand Taluet. Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

GIPS models for sculptures on the Palais du Louvre: left "Mézeray" by Louis Joseph Daumas and on the right "Molière" by Gabriel Bernard Seurre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Plaster models for decorations on the second floor of the Pavillon Richelieu of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

GIPS models for sculptures on the Palais du Louvre: left "Champaigne" by Jean Louis Adolphe Eude and on the right "Puget" by Antoine Etex, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum Models for Sculptures at the Louvre Palace: "Painting and Sculpture" by Eugène Louis Lequesne. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Gypsum Models for decoration at the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

The Apollo Tempel to Bassae in Arcadien Tablica XVIII Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Plot model for sculpture on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gipsmodel Voor Beeldhouwerk Op Het Palace of the Louvre: "The invention and reflection" Door Georges Diébolt.Part of Tuileries meeting at the Louvre 1852-1857, album 1.

Plaque () With the representation of John the Baptist () As a child from the cross in the rim of the flower garlands, in a decorative frame and case (), From the collection of minutes Institut, Liegnitz; Belitski, Ludwig (1830-1902); 1854- (1854-00-00-1854-00-00);Legnica (Dolnośląskie Voivodeship), minutes of institut (Legnica), frames, artistic craftsmanship

Gypsum Models for Sculptures at the Louvre Palace: "Engraving and architecture" by Eugène Louis Lequesne. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Campania Caserta Capua Chiesa dell'Annunziata04. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Gypsum Models for Sculptures at the Louvre Palace: Links "Fighting" by Edme Sornet and Right "Navigation" by Pierre works. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

GIPS models for sculptures on the Palais du Louvre: left "l'art" and right "l'Encouragement" by Nanteuil, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Vestigia delle Terme di Tito. Bacchus youth. Quadro from vault decoration in room 25. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Plaster model for a Frisian decoration on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

GIPS models for sculptures on the Palais du Louvre: left "jacket" by Paul Gayrard and on the right "Mazarin" by Pierre Hébert, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Umbria Terni Narni S. Giovenale, Cathedral93. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Gypsum Models for Sculptures at the Louvre Palace: Links "The Sumer" by Aristide Husson and Right "Perrault" by Auguste Hyacinthe Delay. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Plot models for sculptures on the Palais du Louvre: "La Chasse" by Christophe Fratin, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Gypsum Models for Sculptures at the Louvre Palace: Links "The wisdom" and right "The law" by Pierre Edouard Charrier. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Vilnius. "Fragment of the decoration of the" W. Kazimierz "; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Gypsum Models for An embellishment of the Louvre Palace by Lepreter. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16.1 x 32.3 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Gypsum models for sculptures at the Palais du Louvre: Links "Rousseau" by Eugène Farochon and right "Montesquieu" by Nanteuil.part of Réunion des Tuileries au Louvre 1852-1857, album 1.

Italian faience. Metamorphosis of Act�on Italian faience. Metamorphosis of Act�on. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history (3 photos on a carrier). Photo on paper, 33 x 44.3 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Umbria Perugia S. Giorgio Parish church6. Hutzel, Max 1960-1990 These photographs were formerly filed under Norcia. Prints of the two exterior views are lost or missing. Remaining coverage is of the church interior, mostly of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

GIPS models for sculptures on the Palais du Louvre: left "Rousseau" by Eugène Farochon and right "Montesquieu" by Nanteuil, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

GIPS models for sculptures on the Palais du Louvre: left "La Victoire" by Antoine-Louis Barye and on the right manufacturer unknown, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Apollo en Marsyas / Boreas en Oreithyia, Carlo Cesio, after Annibale Carracci, 1656 print On the left a medallion with a performance by Apollo that felt Marsyas. Around the medallion sculptures of naked figures, putti and a mask. On the right a medallion with a representation of Boreas that chess Oreithyia. Around the medallion sculptures of naked figures, putti and a mask. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching punishment of Marsyas: he is flayed by Apollo. Boreas abducting Orithyia

Marc-Antoine Raimondi. Bacchanal Marc-Antoine Raimondi (1480 - around 1534). Bacchanal. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Frisian with Sater between leaf vines, 1510 - 1550 print Frisian with a squatted female sater between two leaf vines, each of which is held at the ends by a trumpet -blazing, sitting satin. Shaded background. Germany (possibly) paper engraving

Tours, Blaise, Gabriel, Altarpiece with scenes from the life of Christ, exhibited at the Exposition Rétrospective of 1873 in Tours, France, photomechanical print, page, photographs, photographically illustrated books, height 77 mm, width 185 mm, French, 1827 - 1897-09-04, maker, producer, 1873 - 1873, paper, papier, Woodburytypie

Gypsum models for sculptures at the Palais du Louvre: Links "Houdon" by François Rude and right "Dupérac" by Charles Cordier.Part of Réunion des Tuileries au Louvre 1852-1857, album 2.

Radoux, Louis-Gilbert, Libois, Photographic reproduction of a print of grotesque ornaments and two putti, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Duch. Voyag. p. 327. col. Brisard., height 34 mm, width 64 mm, photographer, 1852 - 1857, photographic paper, salted paper print, salted print, Work conception, after a print by, French, Belgian, 1820, printer

Plaster model for decorations on the librix Impériale of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Cundall, Joseph, Bas-reliefs of a maenad, Flora and Ganymede with the eagle, photograph, photo, page, photos, photographically illustrated books, height 361 mm, width 270 mm, English, 1818-09-22 - 1895-01-10, photographer, 1868 - 1873, paper, carbon print

GIPSModel for sculpture on the Palais du Louvre: "le commerce et la paix" by Romain Boitel, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

st, Beethovenplatz, general - Beethoven monument - detail, Michael Frankenstein , Comp, Photo Studio

Man in the midst of drinking and musician skeletons, Anonymous, 1868 - 1873 tissue stereograph Francepublisher: Paris photographic support. paper. cardboard albumen print / perforating (human) skeleton. drinking. one person playing keyboard instrument France

Interior of the Centraal Museum (Agnietenstraat 1) in Utrecht: image of the 16th-century chimney frieze, manufactured by Willem van Noort (van Noerdt, Noert, Noirt), representing the judgment of Solomon, two nudes and four war scenes, originating from the large Secretary of the old town hall, located in the Klein Lichtenberg house.

Two Costume Designs or Portrait Types. Artist: Anonymous, French, 18th century; Anonymous, French, 19th century; Possibly connected to Antoine Caire-Morand (French, Briançon 1747-1825 Turin). Dimensions: Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm). Date: ca. 1785-90.Page with two round portraits. The portrait on the left is done in green tones and depicts the frontal view of a woman whose head is turned towards the right. She is wearing a striped bodice or jacket. She has a tall top hat with a ribbon and feathers. She is holding a fur muff with a ribbon. The portrait on the right is rendered in violet and green tones. It shows a woman turned towards the left with her head tilted towards her left shoulder. Her right arm reaches out towards the left. She wears a dress with a tight bodice and wide skirt. A blue ribbon is tied at her waist and she has white ruffled cuffs at her elbows. She has a large hat with tall feathers and a bow. Museum: Metropolitan Museum of Art, New York, USA.

La resurection. Unknown maker, French

Recto - Front. The Worship of the Lamb, 1864-65. Artist: Edward Burne-Jones

Lazio Roma Subiaco S. Francesco2. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tours, Blaise, Gabriel, Two dishes and two tiles of earthenware, exhibited at the Exposition Rétrospective of 1873 in Tours, France, photomechanical print, page, photographs, photographically illustrated books, height 194 mm, width 132 mm, French, 1827 - 1897-09-04, maker, producer, 1873 - 1873, paper, papier, Woodburytypie

London, Three bronze plaques with reliefs, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Plaque plaque., No. 2535. '56 No. 756. '64., Plate VIII., height 96 mm, width 177 mm, maker, manufacturer, 1869 - 1876, paper, Woodburytype

Schinkel Karl Friedrich (1781-1841), collection of architectural designs, Berlin 1858. Altes Museum on the Museum Island in Berlin (1822-1823): sculptures, acroteries. Stitch on paper, 41.8 x 53.9 cm (including scan edges) Schinkel Karl Friedrich (1781-1841): Sammlung Architektonischer Entwürfe, Berlin 1858. Altes Museum auf der Museumsinsel, Berlin

Atala and Chactas early 19th century French. Atala and Chactas 224386

Four stamps, Pieter de Mare, 1768 - 1794 print Leiden paper etching / engraving seal, stamp

Arabesque frieze. Topic 1: Feast; Schrödter, Adolf (1805-1875), Arnz, Albert (1832-1914), Arnz & Comp. (Düsseldorf; lithographic plant, printing house, publishing house; 1816-1914), Kunstverein für rheinladede und Westphalen (Düsseldorf; company; 1829-); 1848 (1848-00-00-1848-00-00);

Lazio Roma Velletri Museo Civico di Velletri60. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

GIPS models for sculptures on the Palais du Louvre: left "Gabriel" by Augustin Courtet and on the right "Lepautre" by Astyanax Bosio, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Reliquary of S -go Stanis Waw in Krakow - details, il. Z: Aleksander Przedziecki, Edward Rastawiecki, "Patterns of the Medaline Art and from the Renaissance era after the end of the 17th century in former Poland" (Warsaw, 1855-1858), Series 2, tab. EPKOWSKI, Ludwik (1829-1905), Walter, H., Fajans, Maksymilian (Warsaw; Litographic and photographic insole; 1853-1892), Fajans, Maksymilian (1825-1890), Przedziecki, Aleksander (1814-1871) , Rastawiecki, Edward (1804-1874), Unger, Józef (Warsaw; Drukarnia, Publisher, Ksi Garnia; 1841-Ca 1877); 1855-1858 (1855-00-00-1858-00-00);

Bas-relief de l'arc de l'etoile; French; about 1865; Albumen silver print

Bas-relief de l'arc de l'etoile. Unknown maker, French

One print; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1852 - 1857; Salted paper print;

Photo production of a print of a naked woman, three men and a satyr, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print woman (showing herself) undressed, quasi-nude. man (showing himself) undressed, quasi-nude. non-aggressive, friendly or neutral activities and relationships of satyr(s)

Lazio Frosinone Casamari Museo Archeologico3. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia28. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Needs of leaves with the front and back of six tokens produced in honor of Laurens Jansz. Coster.Needs or leaves with the front and rear or tokens made in Honor or Laurens Jansz. Coster. The Performances All Refer to Laurens Jansz. Coster, The Inventor of the Printing Profession and the City of Haarlem. Above The Top Left: Pag. 105.

Photo production of a print of grotesque ornaments and two putti, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print ornament ~ grotesque. Cupids: 'Amores', 'Amoretti', 'Putti'

Death of Women and Battle of Bunker Hill. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Uncuted leaf with the front and back of six tokens made in honor of Laurens Jansz. Coster, Jan Wandelaar, 1740 print Uncuted leaf with the front and back of tokens made in honor of Laurens Jansz. Coster. The performances all refer to Laurens Jansz. Coster, the inventor of the book printing and the city of Haarlem. Hand marked at the top left: p. 105. North Netherlands paper etching / engraving medal (considered as a piece of sculpture, regardless of its specific function). printing press. city represented symbolically. specific aspects, allegorical aspects of Minerva; Minerva as patroness - veneration, honoured by. printing press. armorial bearing, heraldry. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). printing, printing office (+ variant) Haarlem

Paris Musées - Collection site 2014-2015 - Carnavalet museum: collection of drawings Frieze for the Arc de Triomphe de l'Etoile, 1833.

Twenty-Four Riders on Horseback in Two Rows; Carroussel in Modena; The tender of the seasons. .

Campania Salerno Cava dei Tirreni Museo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a corner piece of ceiling with personification of the pure truth, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing Corner piece of a ceiling with a cartouche containing a personification of the pure truth. paper. chalk cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. Truth; 'Verití' (Ripa). (decorated) ceiling

Fodor, Josephine.

Radoux, Louis-Gilbert, Libois, Photographic reproduction of a print of a bacchanal, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Duch No 219. col V. Sestich, height 52 mm, width 40 mm, photographer, 1852 - 1857, photographic paper, salted paper print, salted print, Work conception, after a print by, French, Belgian, 1820, printer

Three men, a child, a sheep and a boar walk to an altar, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Three men, a child, a sheep and a boar walk to an altar. One of the men wears a big stone on his neck. The little boy plays on an auditorium. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving flute, aulos, tibia. hoofed animals: boar. sheep

Design for a watermark of a banknote: a hand with torch, women's heads and horse head. .

Gypsum Models for Kariatides at the Louvre Palace by Jules Cavelier. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Bas-relief of a rider, Reinier van Persijn, after Nicolò Lorenese, 1640 print Roman bass relief of a rider, in classic robe. Bottom left the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. riding a horse, ass, or mule; rider, horseman

st, Wallnerstraße - Palais Caprara Geymüller - Lower Austrian State Museum - Renaissance altar from Wultendorf b, Mistelbach, Bruno Reiffenstein -, photographer

Shooter with keeshond, ca. 1787-1795, Anonymous, 1787 - 1795 print Around vignette with a shooter of a free corps with a keeshond, ca. 1787-1795. Netherlands paper etching / engraving dog

Drawing, Six Octagonal Compostions, Hercules and Hebe, Two Foliated Ornaments, Sala di Ercole e Ebe, Palazzo Gessi; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over black chalk on laid paper; 21.7 x 32.9 cm (8 9/16 x 12 15/16 in.)

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum11. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diana and Callisto 1725-61 Philipp Hieronymus Brinckmann German. Diana and Callisto 366786

Une descente aux enfers | Library of Congress

Various oval and round tricolor medallions showing scenes from classical mythology. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Plaque (France); ebony, carved

Metal table piece with Neptune on his car, Anonymous, 1860 - 1885 photograph photographic support albumen print (story of) Neptune (Poseidon)

Two Allegorical table decorations, 1786, Reinier Vinkeles (I) (Attributed to), after Jacobus Buys, 1786 print Leaf with two allegorical table decorations (environment De Table) used at the festive meal held on January 27, 1786 in Amsterdam to celebrate the Alliance with France. On the left "De Vrije Zeevaart": ship with the flag of the Republic, Watergod and De Hoop. Right "The Lands Law": Litigation in a column with the Seven Provinces Taps, Hoogmoed is on the ground. Northern Netherlands paper etching / engraving festivities on events of national importance (+ eating and drinking ~ festive activities). centre-piece, epergne, 'surtout', 'milieu-de-table' Archers

World Exhibition , The daughter of Pharaoh, sculpture by Pietro Barzaghi No, György Johann Justus Georg Klösz Kloess -, Photographer, Viennese Photographer Association, Publishing House

Bi-Sutoun. Chapiteau sassinide., 1851 - 1854, Coste, Pascal (1787-1879), 1851 - 1854, Paris, Publisher, Gide et J. Baudry, Iran, Antiquities, Etchings

Lazio Roma Rome Palazzo Rondanini1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, sculptural relief, stucco, painting, frescoes, mosaics, decorative arts (furniture, goldwork, clocks, etc. Object Notes: The palace was later called "Sanseverino" and is now the location of the Banca dell'Agricultura. The building dates from 1744-8. It was the former residence of Giuseppe Cesari (Cavaliere d'Arpino). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tile Dutch, Holland 1645-75 View more. Tile. Dutch, Holland. 1645-75. Tin-glazed earthenware. Ceramics-Pottery

Legend of Ganymede late 16th-early 17th century After a design by Guglielmo della Porta Italian. Legend of Ganymede 195446

Vault decoration from Pallazzo Barberini, Anonymous, After Pietro da Cortona, 1692 - 1762 print Part of the vaulted decoration in the salon of Palazzo Barberini with an allegory on caution (prudentia), with bears, winged figures and a medallion with a representation of Quintus Fabius Maximus Cunctator. print maker: Italyafter painting by: Romepublisher: RomeVaticaanstad paper engraving beasts of prey, predatory animals: bear. cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. fabulous beings with wings. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Roman blacksmith with helmet, spear and shield. Perhaps Vulcan presenting the arms forged for Achilles or Aeneas to Thetis or Venus. Unknown symbolism of Pegasus on the shield or buckler. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Five excerpts of prints, 1508 - 1529 print. fragment Five fragments of five different prints stuck on one leaf. Figures are cut out along the contours. Composition dates from the 17th century. Low Countries paper engraving

Tile (England); transfer-printed, green-enamelled white pottery

Lazio Frosinone Casamari Museo Archeologico00. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diana and Callisto. Artist: Philipp Hieronymus Brinckmann (German, Speyer 1709-1761 Mannheim). Dimensions: sheet: 5 1/2 x 7 15/16 in. (14 x 20.2 cm). Date: 1725-61. Museum: Metropolitan Museum of Art, New York, USA.

Ten Cavaliers Forming a Circle 1652 Etched by Stefano della Bella Italian. Ten Cavaliers Forming a Circle. 'The contest of the seasons' (La gara delle stagioni). Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). 1652. Etching. Prints

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