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Louvre Palace Sculpture Models

Gypsum models of sculpture designs for the Palais du Louvre, featuring detailed depictions of figures and ornamental elements, showcasing classic artistic styles.

Plaster models for decorations on the second floor of the Pavillon Richelieu of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris
Plaster models for decorations on the second floor of the Pavillon Richelieu of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris
124 assets in this story
6145-59150466
Lazio Latina Sezze Antiquarium Comunale53. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Calisto, punished by Juno. Round, lead plaque. In the foreground in the middle, Calisto, the beloved of Jupiter, destroying and alligrating to Juno, which threatens her with raised right fist and holds her with the left hand with the hair. Behind Juno heavy trunks and foliage. On the left in the background Calisto, until punishment turned into a bear and her son, who arrows armed at Lord with arrow and bow.
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Field of sixteen tiles. Field of sixteen tiles (4 x 4) each with a purple painted biblical performance within a socket. In the corners, a Chinese decor.
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Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
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The Flower Book - With the Wind. From The Flower Book, 1905. Sir Edward Burne-Jones .
1746-19666258
four men (20-23) lean in a relaxed fashion on their staves in front of four divinities (24-27) seated on stools. Like the two men on the preceding block III, they are usually identified as the eponymous heroes, founders of the attic tribes
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The Resurrection mid-16th century Master K.I.P. French. The Resurrection 197124
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Hinrich Brawe 1526 Attributed to Master of Johann von Reidt This is a model for a relief portrait. The Master of Johann von Reidt was probably in the circle of Barthel Bruyn, Cologne.. Hinrich Brawe. German, probably Cologne. 1526. Boxwood. Sculpture-Miniature
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Portrait plaque van Professor Paul Bar 1907, g Prud'homme, 1907 history medal Rectangular silver plaque, on the front the bust of bar to the left with a change, on the reverse bar Teaching in an amphitheatrical room with seven lines of text at the bottom right. Paris silver (metal) striking (metalworking)
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Man and ferocious animals (child lapiding a snake) Henri Lehmann (1814-1882). Man and ferocious animals (child lapiding a snake). Charcoal and gouache. XIXth century.
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ESCENA DE BATALLA - 1771 (IZQ) Y TRASLADO DE LUIS XVI Y MARIA ANTONIETA DE VARENNES A PARIS - 1791 (DCHA) - VITELA/GOUACHE - 58 mm. Author: BLARENBERGHE HENRI-JOSEPH VAN. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.
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The Twelve Signs of the Zodiac. Artist: Philip Speakman Webb (d.1915). The 12 signs of the zodiac, designs for stained glass for a circular tracery light with a pencil diagram showing the position of each design in the tracery.
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Panel (part of a set) 18th century French. Panel (part of a set). French. 18th century. Wood, gilded. Woodwork
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Mrs. William Power (née Shed). Artist: Probably by John Henderson (died 1829). Culture: British. Dimensions: Framed: 6 1/8 × 5 5/8 in. (15.6 × 14.3 cm). Date: 19th century.Henderson was an amateur modeler of portraits in wax. Museum: Metropolitan Museum of Art, New York, USA.
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Stereo-daguerreotype showing a sculpture of a sitting girl by James Pradier, created before 1852, capturing the figure in three-dimensional form.
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Three antique masks, 1540 - 1585 print Leaf with three performances of antique masks. Italy paper etching mask. mask, mascaron ~ ornament
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Lazio Latina Sezze Antiquarium Comunale34. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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In Praise of Mariani Coca-Wine 1895 Medalist: Louis-Oscar Roty French. In Praise of Mariani Coca-Wine 188024 Artist: Medalist: Louis-Oscar Roty, French, Paris 18461911 Paris, In Praise of Mariani Coca-Wine, 1895, Bronze, struck, silvered, 2 1/16 1 1/2 in. (52 38 mm). The Metropolitan Museum of Art, New York. Gift of Dr. Angelo Mariani, 1896 (96.7.2a, b)
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Lazio Latina Sezze Antiquarium Comunale31. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Death of Leopold II. Ruler: Leopold II, King of the Belgians, Belgian, 1835-1909, ruled 1835-1909 Artist: Paul Dubois, Belgian, 1859-1938
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George III ca. 1820 British Apparently made as a memorial, this cameo captures George III (r. 1760-1820) in old age, pink, roly-poly and bug-eyed but occupying the field with tremendous authority, much as in the coins designed by Benedetto Pistrucci, which it emulates. Pistruccis prowess in modeling and carving (abundantly evident in 2003.431, 2007.30, and 40.20.49) gained him a post at the Royal Mint in London in 1816, soon after he emigrated to England, and he became chief medalist there in 1828.. George III 209220
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Corneille Theunissen (1863-1918). Ms. Combarieu medal plate. Metal, gilded bronze. 1904. Museum of Fine Arts of the City of Paris, Petit Palais. 57545-5 Avers, bronze, gilded, woman, medal, metal, numismatics, profile, plate
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Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.