Madonna and Child Artworks

These artworks depict the Virgin Mary holding the infant Jesus, showcasing various styles and techniques in tempera and oil, featuring rich colors and serene expressions.

Madonna & Child with St. John Baptist & Two Angels 1468 Sandro Botticelli (1444-1510 Italian) Tempera on Wood Panel Galleria dell 'Accademia, Florence, Italy

Marco Zoppo or Imitator, Madonna and Child, Italian, 1433-1478, c. 1467-1468, tempera on panel

Madonna & Child with St. John Baptist & Two Angels 1468 Sandro Botticelli (1444-1510 Italian) Tempera on Wood Panel Galleria dell 'Accademia, Florence, Italy

Giovanni Bellini (1432-1516). Italian painter. Madonna and Child, 1460-1465. Tempera on wooden panel. Detail. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Giovanni Bellini (ca. 1432-1516). Italian painter.

'Madonna and Child (Madonna with a Green Pillow) (copy)'. Italy, Late 1530s. Dimensions: 68,5x49 cm. Museum: State Hermitage, St. Petersburg. Author: ANDREA SOLARIO.

Madonna and Child obverse. Dated: c. 1496/1499. Dimensions: overall: 52.4 x 42.2 cm (20 5/8 x 16 5/8 in.) framed: 66.2 x 55.5 x 7.6 cm (26 1/16 x 21 7/8 x 3 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Masterpiece painting of Madonna & Child by Leonardo da Vinci, The Litta Madonna c. 1490-1491

The Virgin and Child about 1480. Carlo Crivelli (1430/5-94/5. The artist uses perspective to create spatial depth but the medieval technique of raised gesso (plaster) for the pattern on the Virgin's robe. Originally from Venice, Crivelli settled in the provincial town of Ascoli Picena, where his style must have seemed both strikingly new and comfortably familiar.

Follower of Fra Filippo Lippi and Pesellino, Madonna and Child, c 1470 Madonna and Child

Madonna and Child', c1450-1495. Artist: Matteo di Giovanni. Matteo di Giovanni (1430-1495) was an Italian Renaissance artist from the Sienese School.

UK, England, Cambridge, Fitzwilliam Museum, Virgin and Child, Joos van Cleve, Circa 1525

Corsini Virgin ca. 1467 Sandro Botticelli (1444-1510 Italian) National Gallery of Art, Washington, D.C.

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

The Madonna and Child. Date/Period: Ca. 1630-32. Painting. Oil on canvas Oil. Height: 1,537 mm (60.51 in); Width: 1,165 mm (45.86 in). Author: Sir Anthony van Dyck.

Madonna and Child, 1520-1522, by Giulio Romano (1499-1546), oil on panel, 95x77 cm.

Lazio Viterbo Viterbo Museo Civico18. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Andrea del Sarto (Andrea D'agnolo) (Copy) / 'The Virgin with the Child, Saint John and Angels'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

The Holy Family Agnolo Bronzino (1503-1572 Italian)

The Madonna and Child with a Male Donor, a landscape beyond. Giovanni Bellini (born 1431-1436-died 1516). Oil on panel. 83.2 x 67.5cm.

The Madonna (detail) Benedetto da Maiano (1442-1497 Italian) Relief State Hermitage Museum, St. Petersburg, Russia

The Madonna and Child with the Infant Saint John, c. 1750, Francesco de Mura, Italian, (Naples), 1696-1782, 10 1/4 x 8 in. (26.04 x 20.32 cm) (canvas), Oil on copper with silver, silver gilt and gilt bronze frame, Italy, 18th century, The skill of the virtuoso painter Francesco de Mura, a leading artist in Naples, is matched by that of the unknown goldsmith responsible for this pictures splendid silver and gilded frame. The survival of such an elaborate mount, original to the painting, is extremely rare. It is evidence of the high regard accorded this sacred object, which was likely produced for private devotion. The infant Jesus looks out at the viewer, offering a blessing, while his mother and the young Saint John the Baptist regard him with awe.

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Tiziano Vecellio, Pala Gozzi (Madonna in Gloria con i santi Francesco e Biagio), 1520, opera firmata, tecnica mista su tavola

Painting titled 'The Madonna of the Pinks' by Raffaello Sanzio da Urbino (1483-1520) an Italian painter and architect of the High Renaissance. Dated 16th Century

Rest on the Flight into Egypt by David, Gerard (ca. 1460-1523) Museo del Prado, Madrid ca 1515 The Netherlands Oil on wood Painting Bible

Madonna and Child. Artist: Workshop of Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died 1339/49). Dimensions: Arched top, 35 3/8 x 23 in. (89.9 x 58.4 cm). Date: ca. 1325. Museum: Metropolitan Museum of Art, New York, USA.

Madonna with Child Jesus. Gossaert, Jan (ca 1478-1532), painter

Madonna in the Rose Garden, ca 1510, by Bernardino Luini (1481-ca 1532), oil on wood, 70x63 cm.

Madonna and Child. Dated: c. 1310/1315. Dimensions: painted surface: 85.4 × 61.8 cm (33 5/8 × 24 5/16 in.) overall (including added strips): 87.7 × 63.2 × 1.3 cm (34 1/2 × 24 7/8 × 1/2 in.) framed: 128.3 x 72.1 x 5.1 cm (50 1/2 x 28 3/8 x 2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Giotto.

'Madonna and Child'. Italy, 16th century. Dimensions: 60x46 cm. Museum: State Hermitage, St. Petersburg. Author: Pinturicchio (Bernardino Betti di Biagio).

fine arts, Weyden, Rogier van der (1399 - 1464), school, painting, Virgin with carnation, Museum voor Schone Kunsten, Ghent,

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche95. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano31. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: 34 1/8 x 25 3/8 in. (86.7 x 64.5 cm). Date: ca. 1520.The composition of this picture seems to have been inspired from a sculpture in low relief, most likely by either Donatello or Michelangelo (Granacci had been a fellow pupil with Michelangelo in the workshop of Ghirlandaio.). However, Granacci has made the composition more pictorial by placing the figures in a light-filled room. Another version of the picture by Granacci exists and the same composition was treated by Bacchiacca (Linsky Collection, the Metropolitan Museum). The present picture dates about 1520. Museum: Metropolitan Museum of Art, New York, USA.

Tuscany Siena Montalcino Museo Diocesano56. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child with the Young Saint John the Baptist, c. 1490. Sandro Botticelli (Italian, 1444/45-1510), and Workshop. Tempera and oil on wood; framed: 115 x 12.5 cm (45 1/4 x 4 15/16 in.); diameter: 68 cm (26 3/4 in.).

Vincenzo Foppa (1430-1516). Italian painter. Madonna and Child with an angel, 1479-1480. Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. (On loan, Galleria degli Uffizi, Florence). Author: Vincenzo Foppa (ca. 1430-1516). Italian painter.

'Stigmatization and Faint of St Catherine of Siena'. Italy. Dimensions: 46x30 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Antonio Bazzi (Sodoma) (school of).

David, Gerard (1460-1523). Rest on the Flight into Egypt. 1523. Flemish art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

BENSON , AMBROSIUS. PINTOR BELGA . 1519 - 1550. " TRIPTICO DE LA VIRGEN CON EL NIÑO ". CATEDRAL DE SEGOVIA.

Campania Salerno Nocera Inferiore S. Antonio7. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madonna of the Basket, Correggio, Antonio Allegri da, 1520.

Joos van Cleve (ca.1480/1490-1540/1541). Dutch painter. Virgin with Child, 1530. National Gallery. Oslo. Norway.

Tuscany Siena Montalcino Museo Diocesano32. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin and Child (The Madonna of the Book). Date/Period: 1480. Panel. Tempera on wood. Height: 58 mm (2.28 in); Width: 39.60 mm (1.55 in). Author: SANDRO BOTTICELLI.

Umbria Terni Stroncone S. Francesco. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with Two Hermit Saints; Bernardino Fungai, Italian (Sienese), 1460 - 1516; early 1480s; Tempera on panel; Unframed: 68.6 x 45.7 cm (27 x 18 in.), Framed: 121.3 x 95.3 x 16.5 cm (47 3/4 x 37 1/2 x 6 1/2 in.)

Giulio Romano (Giovanni Francesco Penni) Copy after / 'The Virgin and Child'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Madonna dell'Impannata, Raphael, 1513-1514,, Palatine Gallery, Pitti Palace, Florence, Tuscany, Italy, Europe

Virgin & Child Anthony van Dyck (1599-1641 Flemish) Christie's Images, London, England

Anonymous / 'The Virgin and Child'. 1675 - 1700. Grey-brown wash, White lead, Pencil on brown paper. Museum: Museo del Prado, Madrid, España.

'Madonna and Child with St Francis and St Catherine'. Italy, Circa 1523. Dimensions: 70x76 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI FRANCESCO CAROTO.

The Virgin Adoring the Child c1490 Sandro Botticelli Painting; tempera on poplar panel; overall (diameter): 58.9 cm (23 3/16 in.) framed: 82.2 x 6.4 cm (32 3/8 x 2 1/2 in.);

Lamego, Portugal, Museum of Lamego, painting of Christian Saint Anne and Saint Gregory by Andre Reinoso

fine arts, Pisanello (1395 - 1455), painting, ""Madonna with Quail"", tempera on panel, circa 1420, Castelvecchio, Verona,

Alonso Sánchez Coello / 'The Mystic Marriage of Saint Catherine', 1578, Spanish School, Oil on cork, 164 cm x 80 cm, P01144. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SANTA CATALINA.

Madonna and Child with Saints Francis and Catherine of Siena. Artist: Matteo di Giovanni di Bartolo (Italian, Siena ca. 1430-1497 Siena). Dimensions: 25 3/4 x 16 7/8 in. (65.4 x 42.9 cm). Date: about 1476-80. Museum: Metropolitan Museum of Art, New York, USA.

France, Paris, Louvre, La Vierge a L'Enfant Avec Sainte Anne by Leonardo Da Vinci

Cassetta frame on a polyptych panel. Culture: Italian, Siena. Dimensions: Overall, 67.3 x 48.2; sight, 57.1 x 38.2 cm; engaged.. Date: ca. 1325. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and Child ca. 1510 Workshop of Giovanni Bellini Italian Beautifully preserved, this small picture epitomizes the finest works produced in Bellinis workshop for private devotion. The landscape derives from one by Bellini himself. The metaphorical contrast between the two halves of the landscape, with a dead tree and one in foliage, are intentional and remind the viewer of the consequences of the choices we make during our pilgrimage of life. The poet Bembo reported that "it is [Bellini's practice. .to always wander at will in his paintings so that in a like fashion they satisfy those who look at them.". Madonna and Child. Workshop of Giovanni Bellini (Italian, Venice, active by 1459-died 1516 Venice). ca. 1510. Oil on wood. Paintings

Charity. Dated: before 1530. Dimensions: overall: 119.5 x 92.5 cm (47 1/16 x 36 7/16 in.) framed: 154.3 x 128.9 x 12.1 cm (60 3/4 x 50 3/4 x 4 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DEL SARTO.

The Bridgewater Madonna - Raphael (Raffaello Sanzio), circa 1508

'Holy Family with St Elizabeth and St John the Baptist'. France, Between 1644 and 1655. Dimensions: 172x133,5 xm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

Filippino Lippi, The Adoration of the Child, c 1475 1480 The Adoration of the Child

Paris (1st arr.), France The mystical marriage of Saint Catherine of Alexandria with Saint Sébastien, Le Corrège, Musée du Louvre , (French - Paris ( Ier arr. ) , France Le mariage mystique de sainte Catherine d' Alexandrie avec saint Sébastien , Le Corrège , musée du louvre). Museum, Christianity, Painting, Religion , Art, France, Paris, Louvre museum: mystical marriage of Ste Catherine (Le Corrège)

Antwerp, Meyssens, Joannes, Dyck, Anthony van, Waumans, Coenraet, Maria met het Christuskind, verso lower left - handwritten in brown ink, The Christ Child is sitting by Mary on his lap and lies with his head against her bare breast. In the margin a Bible quotation from Song of Solomon 2 in Latin., print, prints, verso lower left - stamped, Ruben f Ant Vandyck p. Waumans, height 362 mm, width 257 mm, South Netherlands, 1619-06-19 - 1652, print maker, printmaker, 1633 - 1673, paper, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, 1612-05-17 - 1670-09-18, publisher

Madonna with the Monkey, Dürer, Albrecht (1471-1528)

La Vierge a L'enfant avec le Petit Saint Jean-Baptiste (La Belle Jardiniere)- Madonna & Child 1507 Raphael (1483-1520 Italian) Oil on wood panel Musee du Louvre, Paris, France

The Virgin suckling the Infant Christ. Painting. Oil on canvas. Height: 76.2 cm (30 in); Width: 63.5 cm (25 in). Author: TITIAN.

Lazio Roma Velletri Museo Civico di Velletri54. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Central panel of an altarpiece of the Virgin, circa 1450. Detail child. Tempera, stucco reliefs and gold leaf on wood. 213.3 x 160.4 x 12.5 cm. From the former parish church of Vallmoll (Alt Camp). Museu Nacional d'Art de Catalunya, Barcelona. Author: Jaume Huguet.

Maria met kind. .

Domenico Veneziano (Italian, c. 1410-1461), Madonna and Child, c. 1445-1450, tempera on panel

Altarpiece of the Holy Kinship. Left panel, Cranach, Lucas, the Elder (1472-1553)

Lazio Roma Rome S. Maria in Aquiro0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael The small Cowper Madonna Madonna and Child.; The Small Cowper‘ MadonnaItaliano: La piccola Madonna Cowper‘

Annibale Carracci (1560-1609). Italian painter. Mystic Marriage of Saint Catherine, ca.1585, Farnese Collection. National Museum of Capodimonte. Naples. Italy.

fine arts, Holbein, Hans the Younger, (circa 1497 - 1543), painting, ""Darmstadt Madonna"", 1525 / after 1528, oil on limewood, 146,5 cm x 102 cm, castle museum, Darmstadt,

Correggio (1489-1534) National Gallery, London Painting 33,7x25,1 Bible The Madonna of the Basket

Charity. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: 54 x 41 3/4 in. (137.2 x 106 cm).This allegory of Charity follows a well-established iconographical model of a woman breastfeeding a group of children. Reni was admired for the refinement of his style and the elegantly expressive attitudes of his figures. No artist commanded higher prices or greater admiration. This beautifully preserved painting may have been commissioned or bought by Prince Karl Eusebius von Liechtenstein (1611-1684), who traveled to Italy in 1629-30. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and St. John Sandro Botticelli (1444-1510/Italian) Sabauda Art Gallery, Turin, Italy

Lazio Roma Rome S. Francesco di Paola8. Hutzel, Max 1960-1990 Exterior views of facade, capitals, architectural sculpture. Interior views of nave and altar, achitectural sculpture, ceiling frescoes, side altars, sculpture, paintings, scresty, collegio. General Notes: Views of Piazza S. Francesco di Paola were extracted from this numerical sequence and filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Madonna of the Magnificat', 1481, (1937). Creator: Sandro Botticelli.

Study for the Virgin and child by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Caritas, detail of Filippino Lippi s frescoes in the Strozzi Chapel of the Santa Maria Novella Principal Dominican church in Florence, Italy Caritas, detail of Filippino Lippi s frescoes in the Strozzi Chapel of the Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20997182

Titian (1488-1576) National Gallery, London Painting 76,2x63,5 Bible The Virgin suckling the Infant Christ

Lazio Roma Velletri Museo Civico di Velletri65. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Reni, Guido, Bologna, Coriolano, Bartolommeo, Mary with the Christ Child, verso - stamped, print, prints, height 204 mm, width 153 mm, Italian, 1599 - 1676, print maker, 1630 - 1630, second quarter 17th century, paper, chiaroscuro woodcut, 1575-11-04 - 1642-08-18

Lucas (the Elder) Cranach (Kronach, 1472 - Weimar, 1553). The Virgin and Child with a Bunch of Grapes (ca. 1509 - 1510). Oil on panel. 71.5 x 44.2 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale3. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Antonello da Messina, Madonna and Child, Italian, c. 1430-1479, c. 1475, oil and tempera on panel transferred from panel

St Dorothy, detail from the left panel of the Malvagna Triptych, right-hand side, 1511-1515, by Jan Gossaert (ca 1472-1532), oil on panel.

LA VIRGEN CON EL NIÑO - MADONNA DURAN - 1435-1438 - OLEO/TABLA - 100x52 cm - NP 2722 - ESCUELA FLAMENCA. Author: ROGIER VAN DER WEYDEN (1399-1464) ROGIER DE LA PAS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Giovanni Ambrogio Bevilacqua. Italian painter, active in Lombardy between 1481 and 1512. Madonna and Child, 1495-1499. Tempera on canvas and embroidery in polychrome silk glued on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Giovanni Ambrogio Bevilacqua (fl. 1481-1512). Italian painter.

The Virgin and Child with St. John the Baptist, St. Francis, and St. Catherine of Siena. Artist: Andrea Andreani (Mantua, 1558/1559-1629); After Jacopo Ligozzi (Italian, Verona 1547-1627 Florence). Dimensions: Sheet: 16 11/16 × 13 1/4 in. (42.4 × 33.7 cm). Publisher: Heinrich Stacker (German, active 16th-17th century). Date: 1585. Museum: Metropolitan Museum of Art, New York, USA.

Pietà 1470-1480 Italy. Tempera on panel . Cosimo Tura

Madonna col bambino e cantando angeli / Mary with the Child and singing Angels. Date/Period: Ca. 1477. Painting. Oil on poplar wood. Diameter: 135 cm (53.1 in). Author: SANDRO BOTTICELLI.

Madonna and Child. Painting. Watercolor. Height: 349 mm (13.74 in); Width: 289 mm (11.37 in). Author: RICHARD COSWAY.

Lazio Viterbo Viterbo Museo Civico3. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

'Madonna with Child'. Italy. Dimensions: 93x68 cm. Museum: State Hermitage, St. Petersburg. Author: Francesco Bigi) Franciabigio (Francesco di Cristofano ( ).

Luis de Morales, Pietà, 1568, oil on walnut panel, Museo de Bellas Artes, Bilbao, Spain.

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