Madonna and Child Artworks

These artworks depict the Virgin Mary holding the infant Jesus, showcasing various styles and techniques in tempera and oil, featuring rich colors and serene expressions.

Madonna & Child with St. John Baptist & Two Angels 1468 Sandro Botticelli (1444-1510 Italian) Tempera on Wood Panel Galleria dell 'Accademia, Florence, Italy

Anonymous German Artist active in Konstanz ca. 1430 (Active in Konstanz, ca. 1430). The Presentation in the Temple (ca. 1430). panel. 84.3 x 35 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Romanino, Gerolamo (1485/6-1566) National Gallery, London Painting 265x117,2 Bible The Nativity

The Virgin and Sleeping Child. Dated: mid 18th century. Dimensions: plate: 14.45 × 12.38 cm (5 11/16 × 4 7/8 in.) sheet: 29.53 × 21.91 cm (11 5/8 × 8 5/8 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Bottani, after Giuseppe Bottani.

Madonna with the Parrot/ Rubens/ c.1614

Jan Gossaert, Madonna and Child, c 1532 Madonna and Child

Artist, attributed to: Pietro degli Ingannati, Italian, active 1529-48, Virgin and Child with Saints andDonors, ca.1505, Oil on panel, 63.8 × 99.1 cm (25 1/8 × 39in.), Italian,Venetian, 16thcentury, Paintings

France, Alsace, Strasbourg, Rohan palace, Fine arts museum, Piero di Cosimo, Virgin and child

Correggio, Salvator Mundi, c 1515 Salvator Mundi

PARMIGIANINO, Francesco Mazzola, called Il (1503-1540). The Holy Family with an Angel. beg. 16th c. Mannerism art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Basilicata Matera Matera S. Francesco d'Assisi5. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Maria Salviati de' Medici with Giulia de' Medici. Date/Period: Ca. 1539 (Renaissance). Portraits; panel paintings. Oil on panel oil on panel. Height: 88 mm (3.46 in); Width: 71.30 mm (2.80 in). Author: Pontormo.

The Rest on the Flight into Egypt. Artist: Follower of Quentin Metsys (Netherlandish, mid-16th century); and Master of the Liège Disciples at Emmaus (Netherlandish, active mid-16th century). Dimensions: 37 1/2 x 30 1/4 in. (95.3 x 76.8 cm). Date: ca. 1540.The Virgin and Child, painted by a follower of Massys, reflect the influence of Italian painting, particularly the classical figure types favored by Leonardo da Vinci. The landscape, however, ascribed to the Master of the Liège Disciples at Emmaus, sets the stage for the expansive views in Netherlandish paintings of the later sixteenth century. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family, with St Catherine of Alexandria, St Margaret of Antioch and St Francis of Assisi. Date/Period: Early 1570s. Painting. Oil on panel. Height: 102 mm (4.01 in); Width: 86.50 mm (3.40 in). Author: ORAZIO SAMACCHINI.

Madonna and Child with a Pomegranate, 1475 - 1480, oil on poplar panel, by Leonardo Da Vinci (1452-1519), Italian artist and polymath

Lazio Roma Rome S. Maria in Aquiro18. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child. Dated: c. 1550. Dimensions: overall: 119.4 x 95.6 cm (47 x 37 5/8 in.) framed: 195.6 x 146.7 x 11.4 cm (77 x 57 3/4 x 4 1/2 in.). Medium: papier mache and stucco, painted and gilded. Museum: National Gallery of Art, Washington DC. Author: JACOPO SANSOVINO.

Artist, attributed to: Pseudo Pier Francesco Fiorentino, Italian, active ca. 1450-1500, Virgin Adoring the Child Supported byAngels, ca.1475, Tempera on wood panel, 108.6 × 58.3 × 8.3 cm (42 3/4 × 22 15/16 × 3 1/4in.), Made in Florence, Italy, Italian,Florence, 15thcentury, Paintings

Rectangle plaquet; 2 after. 18th century (1701-00-00-1800-00-00);

Lazio Roma Castel Madama Castello9. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael (1483Ð 1520) was an Italian painter. Canigiani Holy Family or Canigiani Madonna. 1507-1508. High Renaissance. Alte Pinakothek. Munich. Germany.

Family portrait by Lorenzo Lotto, Oil on canvas, 1547, 1480-1556, Great Britain, London, National Gallery, 104, 5x138

Richard Cosway, 1742-1821, British, Madonna and Child, undated. Watercolor and graphite on medium, slightly textured, beige wove paper.

Umbria Perugia Bettona Palazzo Podesta. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Norcia Castellina4. Hutzel, Max 1960-1990 Views of exterior and courtyard; views of sculptures, frescoes, and crosses in museum collection (housed in the Castlellina). General Notes: Some of the objects belong in the Palazzo Comunale museum; these have been reassigned numbers in that monument sequence. A number of prints, last noted as stored in Medieval section, are now missing, but we have the negatives which, where possible, have been assigned numbers corresponding to the Hutzel guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Tamara de Lempicka, Mother and Child, 1932 ,oil on canvas, MUDO, Beauvais.

Umbria Terni Montefranco S. Bernardino7. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco fragments, fresco paintings, architectural sculpture, painting, sculpture, tomb sculpture Object Notes: Some of the architecture exterior and interior derive from ancient/medieval structure, but are here filed with Post-Medieval for sake of unity of collection. Hutzel provides text which describes the location as "Monzano" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Corrado Giaquinto / 'Pietá'. Ca. 1756. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Andrea Mantegna (1431-1506). Italian Renaissance painter. "Trivulzio Madonna", 1497. Madonna in glory with Sts. John the Baptist, Gregory the Great, Benedict and Jerome. Tempera on canvas (287 x 214 cm). Detail. Pinacoteca Castello Sforzesco, Milan, Italy.

Virgin Mary by Rosso Fiorentino, oil on canvas, 1519, 1495-1540, Russia, St. Petersburg, State Hermitage, 111x75, 5

SALVATOR MUNDI - SIGLO XV - OLEO/TABLA. Author: JAN GOSSAERT MABUSE (1478-1532). Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.

Lazio Roma Ponzano Romano Parish church. Hutzel, Max 1960-1990 Exterior view of flank and facade and detail of 16th century campanile. Interior views of nave and ceiling; remaining views of paintings, some from S. Andrea in Flumine, and of reliquaries, crucifixes, statues. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Three Generations by Anthony van Dyck, 1599-1641

Painting depicting the Queen of Siena by Simone Martini (1284-1344) an Italian painter born in Siena. Dated 12th Century

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche43. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Adoration of Shepherds / behind-glass p.

Juan Vicente de Ribera / 'Saint Anthony of Padua in an Alcove'. 1722. Grey-brown wash, Pencil, Pencil ground, Black ink, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

Venus and Cupid, Zijl, Roeloff van (active 1608-1631)

Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets. This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste. Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period. Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.

fine arts, Holbein, Hans the Younger, (1497 - 1543), painting, ""the artist `s family"", 1528, oil on paper mounted on panel, 77 cm x 64 cm, museum of arts, Basel,

Virgin and Child. The style of the Master of Badia a Isola is closely related to that of Duccio, the founder of the Sienese school of painting. This Virgin is a variation on a prototype by Duccio. Although the bottom of the panel has been cut off, it is still an excellent example of the refined linear style that Duccio passed on to his followers in Siena.

Madonna and Child. Dated: c. 1425. Dimensions: overall: 120.8 x 47.2 x 33.5 cm (47 9/16 x 18 9/16 x 13 3/16 in.). Medium: painted and gilded terracotta. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.

Portrait of Eleanor Eden and his daughter Daniel Gardner. "Portrait of Eleanor Eden, later Lady Auckand and his daughter Eleanor Agn�s, later Countess de Buckinghamshire". Gouache on paper, around 1770. Paris, Cognacq-Jay Museum.

ESCENA FAMILIAR (DETALLE). (S.XVIII). COLECCIÓN PARTICULAR. Author: VILADOMAT ANTONIO.

Madonna and Child 15th century or later, after ca. 1450 model After a model by Donatello Italian. Madonna and Child. After a model by Donatello (Italian, Florence ca. 1386-1466 Florence) , and made by his Workshop. Italian, Florence. 15th century or later, after ca. 1450 model. Terracotta, polychromed. Sculpture

Mary Magdalene Ambrosius Benson (c1495-1550 Netherlandish) Groeninge Museum, Bruges

Italo Byzantinischer Maler des 13 Jahrhunderts 001 Painting; tempera on poplar panel; painted surface: 124.8 x 70.8 cm (49 1/8 x 27 7/8 in.) overall: 130.7 x 77.1 cm (51 7/16 x 30 3/8 in.) framed: 130.5 x 77 x 6 cm (51 3/8 x 30 5/16 x 2 3/8 in.);

Polyptych No. 47, by circle Duccio di Buoninsegna, 14th Century, tempera on panel. Italy, Tuscany, Siena, National Gallery of Art. Detail. Virgin with Child. Black red background gold.

Portrait of a Young Woman ca. 1490-1500 Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian This damaged but evocative portrait has been identified as the widow of the artist's brother, who was a goldsmith. This would explain why she is dressed in black and holds a ring. The juniper bush (ginepro) behind her could refer to her name, Ginevra di Giovanni di Niccolò. The picture was inspired by Leonardo's portrait of Ginevra de' Benci in the National Gallery of Art, Washington.. Portrait of a Young Woman. Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59-1536 Florence). ca. 1490-1500. Oil on wood. Paintings

Shirtless woman by Francois Clouet, Oil on wood, circa 1571-1572, 1510-1572, Usa, Washington, National Gallery of Art, 92, 1x81, 3

'Relief: Madonna and Child'. Italy. Florence, Second half of the 1450s. Dimensions: 40,0x32,0 cm. Museum: State Hermitage, St. Petersburg.

Anonymous / "Immaculate", 18th Century, Oil on canvas, 2.12 x 1.65 m.

Wszyscy Święci w MNK Brydak, Jędrzej (1837 1876), lithography: Time

A Woman; early 1500s; Oil on panel Bernardino Luini; Italian; 1480/82-1532

Murillo, Bartolomé Esteban, Immaculate Conception Louvre Murillo, Photographic reproduction of a print after a painting by Bartolomé Esteban Murillo, Part of an English family album containing photographs of people, travels, cricket and works of art., photograph, photo, reproduction, photographs, height 145 mm, width 100 mm, photographer, 1860 - 1870, paper, papier, photographic paper, albumen print, albumine print, Work conception, after a print by, Spanish, 1618-01-01 - 1682-04-03

Madonna and Sleeping Child. Dated: c. 1500/1510. Dimensions: overall: 50.8 x 56.8 x 16.5 cm (20 x 22 3/8 x 6 1/2 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century (Possibly Veronese 16th Century).

Young women learning by Guido Reni, Oil on canvas, 1610-1615, Baroque, 1575-1642, Russia, St. Petersburg, State Hermitage, 146x205, 5

Jan Brueghel the Elder (1568-1625) and Pieter van Avont (1600-1632). Flemish painters, Holy Family on a garland of flowers and fruits, ca. 1620. Alte Pinakothek. Munich. Germany.

The Virgin and Child; Workshop of Master of the First Prayer Book of Maximilian (Flemish, active about 1475 - 1515); Ghent, Belgium; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1,8 x 6 9,16 in.)

Danae, ca 1531, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on canvas, 161x193 cm. Detail.

Madonna and Child in a Landscape. Cima da Conegliano (Italy, Conegliano, circa 1459-1517). circa 1496-1499. Paintings. Oil on panel

Virgin and Child, c. 1475-1485. Workshop of Pietro Lombardo (Italian, c. 1435-1515). Marble; overall: 54.6 x 37.2 x 9.5 cm (21 1/2 x 14 5/8 x 3 3/4 in.).

Madonna's face, detail from the central panel of the Triptych of Camerino, 1482, by Carlo Crivelli (ca 1430- ca 1495), tempera on wood.

Lazio Roma Rome S. Andrea della Valle8. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Florentine 19th Century, after Master of the Marble Madonnas, Madonna and Child, c 1860 1900 Madonna and Child

Return of the Dove to the Ark, detail, John Everett Millais, 1851,

Adoration of the Child, by Botticini Francesco, 15th Century, 1475, oil and tempera, cm 104 x 106 tondo

St Agnes, by Domenichino (1581-1641), oil on canvas, 143x101 cm.

Ceiling fresco, Mausoleum of the Habsburgs, Graz, Styria, Austria, Europe

SAGRADA FAMILIA. Author: DIEGO DE SILOE (1495-1563). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Pietà (after Delacroix). Date: September 1889, Saint-Rémy-de-Provence. Dimensions: 73 cm x 60.5 cm, 96 cm x 83 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

Marriage contract by Lucas Cranach the Elder, Oil on wood, circa 1530, 1472-1553, Germany, Dusseldorf, Kunstsammlung Nordrhein-Westfalen

ARCANGEL SAN GABRIEL - SIGLO XVII - LIENZO 170X 110 CM - BARROCO ESPAÑOL. Author: ESCUELA ESPAÑOLA. Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN.

Lady Musicians by anonymous, oil on wood, 16th century

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