Madonna and Child Artworks

Paintings depicting the Madonna and Child, illustrating various Renaissance artists' interpretations with emotive expressions and rich colors.

Caritas 1867 Edward Burne-Jones (1833-1896 British) Christie's London

The Madonna and Child with Two Music-making Angels painted by Gerard David (1460 1523) Flemish artist. Date circa 1500 Oil on panel. Part of the art collection at Upton House in the English county of Warwickshire. In 1927 the estate was acquired by Walter Samuel, 2nd Viscount Bearsted. His father Marcus Samuel was the founder of the oil company Shell.

Virgin and Child', c1444-1510. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

Madonna of the Sea, Botticelli painting, 15th c. Italy.

Mary with child, Jan Gossaert, c. 1520

Jacobello di Antonello. son of Antonello da Messina. born before 1488. Madonna con il Bambino. tempera and oil on board cm 64,2x44,8.

Madonna and Child. Dating: 1525 - 1535. Measurements: h 76.5 cm × w 59.5 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Gaudenzio Ferrari (workshop of). Bernardino Lanino (attributed to).

'Madonna and Child'. Italy, Second half of the 15th- first half of the 16th century. Dimensions: 25x21 cm. Museum: State Hermitage, St. Petersburg. Author: Viti, Timoteo (della Vite, Timoteo da Urbino).

The Madonna and Child. Domenico di Michelino (1417-1491). Tempera on gold ground panel, in a later engaged frame. 44.2 x 33cm.

Madonna and Child with Angels ca. 1445-50 Sassetta (Stefano di Giovanni) Italian In this small, domestic altarpiece the Virgin is shown at once humble (seated on the floor) and exalted, as angels crown her Queen of Heaven. Her exquisite, doll-like features are characteristic of Sassettas work, as is the emphasis on painting in transparent layers over the gold background. The attached frame is mostly modern.. Madonna and Child with Angels. Sassetta (Stefano di Giovanni) (Italian, Siena or Cortona ca. 1400-1450 Siena). ca. 1445-50. Tempera on wood, gold ground. Paintings

Caritas 1867 Edward Burne-Jones (1833-1896 British) Christie's London

Marco Basaiti / 'The Virgin and Child'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

Virgin and Child. Artist: Workshop of Dieric Bouts (Netherlandish, Haarlem, active by 1457-died 1475). Dimensions: Overall 11 1/2 x 8 1/4 in. (29.2 x 21 cm); painted surface 11 1/4 x 7 3/4 in. (28.6 x 19.7 cm). Date: 1475-99.This tender image of the Virgin and Child is the finest surviving copy of a lost prototype painted by Bouts near the end of his life. Among fifteen other examples, it is set apart by the high quality of its landscape background and the subtlety of its modeling. The Child plays with the big toe on his right foot, a gesture that could have implied an invitation to the viewer to follow in Christ's footsteps. In his left hand he holds a pink, which also had symbolic meaning, since the Greek name for this flower, <i>dianthose</i>, means "flower of God.". Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child with a Bunch of Grapes. Date/Period: Ca. 1525. Painting. Oil on beech wood. Height: 60.5 cm (23.8 in); Width: 42.6 cm (16.7 in). Author: Lucas Cranach the Elder.

Pseudo Boltraffio. Name given to an unknown painter of the Lombard school, active in Milan between 1500 and 1530. "Madonna enthroned with Child", 1510-1515. Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Pseudo-Boltraffio (fl. 1500-1530). Italian artist.

After Andrea del Verrocchio, Madonna and Child, c 1470 1480 Madonna and Child

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Libri, Girolamo Dai (1474/1475 1555)

Madonna and Child with Angels and Cherubim. Dated: c. 1460/1465. Dimensions: painted surface: 69.7 x 49.5 cm (27 7/16 x 19 1/2 in.) overall size: 79 x 58 cm (31 1/8 x 22 13/16 in.) framed: 99.7 x 78.1 x 8.3 cm (39 1/4 x 30 3/4 x 3 1/4 in.). Medium: tempera () on panel. Museum: National Gallery of Art, Washington DC. Author: Matteo Di Giovanni.

Virgin and Child, workshop of Lucas van Leyden, c. 1530

Madonna Adoring the Child (Madonna adorante il Bambino), by workshop Pier Francesco Mazzucchelli known as Morazzone, 16th Century, oil on oval panel, 24 x 19 cm

'Madonna and Child'. Italy, Late 1480s. Dimensions: 40x25 cm. Museum: State Hermitage, St. Petersburg. Author: Matteo di Giovanni (Matteo da Siena) (workshop).

Raffaelino del Garbo (1466-1524). Italian painter. Virgin with Child and Saint John infant. Ca.1500. Bourbon Collection. National Museum of Capodimonte. Naples, Italy.

VIRGEN CON EL NIÑO - SIGLO XVII - OLEO/TABLA - 26 x 23 cm - NP 2710 - ESCUELA FLAMENCA. Author: CORNELIS VAN CLEVE (1520-1567) SOTTE CLEEF. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

The Madonna of the Carnation. Dated: c. 1515. Dimensions: overall: 43.8 x 40.3 cm (17 1/4 x 15 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

Virgin Mary with child by Sandro Botticelli, Tempera on panel, circa 1470, 1445-1510, U.S.A., Boston, Isabella Stewart Gardner Museum, 85x64, 5

PERUGINO, Pietro Vannucci, called Il (1448-1523). Madonna and Child with St. 1493. Identified as St. Rosa and St. Catherine. Work from the Umbrian school. Renaissance art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Virgin and Child. Dating: 1525 - 1550. Measurements: h 90 cm × w 105 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Pordenone (circle of).

Madonna of the Quail (Madonna della Quaglia), Pisanello, Antonio (1395-1455)

'Circumcision'. Italy, 16th century. Dimensions: 66x94 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown Italian artist. 16th century.

Mother of God by Giorgione, Oil on canvas, 1503, 1476-1510, Russia, St. Petersburg, State Hermitage, 44x36, 5

Luca Signorelli (Luca d'Egidio di Luca di Ventura); Italian; Cortona; 1470 - 1523 Cortona; Madonna and Child; Oil and gold on wood.

Madonna of the Chair, Raphael, Raffaello S., 1513.

Anonymous, virgin and child (main title). Oil on non -parked wood. Petit Palais, Museum of Fine Arts of the City of Paris. Virgin and child (main title)

Madonna and Child. Artist: Bachiacca (Francesco d'Ubertino Verdi) (Italian, Florence 1494-1557 Florence). Dimensions: 34 1/4 x 26 1/2 in. (87 x 67.3 cm). Date: possibly early 1520s.Bachiacca was a friend and associate of Andrea del Sarto, and collaborated with him and Francesco Granacci on a memorable series of paintings for a bedroom in Florence. This devotional painting shows the Madonna and Child amidst a selection of carefully depicted flowers--jasmine, cornflower, rose, and sweetbriar--all of which were symbols of the Virgin or Christ in the Renaissance. The composition, also the basis for paintings by Granacci, one of which is exhibited in this gallery, was inspired either by a relief sculpture by Donatello or, more likely, a drawing by Michelangelo, with whom both painters were acquainted. Museum: Metropolitan Museum of Art, New York, USA.

Agnolo Bronzino, The Holy Family, Italian, 1503-1572, c. 1527-1528, oil on panel

Bernat Martorell / 'Retaule amo la mare de Deu', Proveniente de una casa particular de Vic, 1470, siglo XV, pintura, Museu Episcopal de Vic.

Lodovico Carracci, The Dream of Saint Catherine of Alexandria, Italian, 1555-1619, c. 1593, oil on canvas

The Holy Family, Jan Cornelisz Vermeyen, c. 1528 - c. 1530

The Holy Family / Mantegna / c.1485/90

Tuscany Siena Montalcino Museo Diocesano58. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maria with child, knee piece, c. 1500 Maria with child, in relief, from polychromed and gilded stucco. Sitting, until the knees and three -quarters to the right. Maria takes a veil over the head. The child, frontal, is placed in half -standing, half -sitting position on her lap. With the fingers of one hand she supports the left leg; With the other hand, she presses the child, who holds part of his winds in each hand, against her. Part of the handrail of the folding chair consists of a volute under which a Cherub can be itself. Profiled frame in which pearl and leaf edge and a plinth on which Ave Gratia plena. Florence stucco. wood (plant material) Maria with child, in relief, from polychromed and gilded stucco. Sitting, until the knees and three -quarters to the right. Maria takes a veil over the head. The child, frontal, is placed in half -standing, half -sitting position on her lap. With the fingers of one hand she supports the left leg; With the other hand, she presses the child, w

Gallerie dell'Accademia. The Virgin and Child with Saints Catherine of Alexandria and John the Baptist by Giorio da Castelfranco. Detail. Canvas. 15 th century.

Madonna of the Goldfinch. Dated: c. 1767/1770. Dimensions: overall: 62 x 49.5 cm (24 7/16 x 19 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Rest in Egypt, detail from the Triptych of the Consolation, by Michele Cavaro (1517-1584).

Giovanni Battista Tiepolo 076 Giovanni Battista Tiepolo, Madonna of the Goldfinch, Italian, 1696 - 1770, c. 1767/1770, oil on canvas, Samuel H. Kress Collection

Gallerie dell'Accademia. Pieta by Giovanni Bellini 1505.

England, London, Trafalgar Square, National Gallery, Altarpiece of Painting of La Madonna della Rondine (The Madonna of the Swallow) by Carlo Crivelli dated 1490

'Sacred Conversation'. Italy, 1560s. Dimensions: 120x159 cm. Museum: State Hermitage, St. Petersburg. Author: BENEDETTO CALIARI.

The Virgin of the Rocks, circa 1492 - Leonardo da Vinci

The Virgin and Child Enthroned, Massys, Quentin, 1510.

Standing Madonna, Raphael, Raffaello S.

NOLI ME TANGERE - SIGLO XVI - OLEO/TABLA - 61 x 47 cm - NP 523 - ESCUELA ITALIANA. Author: PERINO DEL VAGA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. MARY MAGDALENE. CRISTO RESUCITADO.

Umbria Terni Narni S. Margherita1. Hutzel, Max 1960-1990 Post-medieval: 1987, 73 photos Architecture (late 15th century), frescoes 1982, 28 photos Architecture, frescoes, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portugal: Sagrada Familia com S. Joao Batista, Santa Isabel e Anjos (Holy Family with Saint John the Baptist, Saint Elizabeth and Angels), by Josefa de Obidos (c. 1630 - 1684) 1678. Oil on copper, Museu da Misericordia do Porto, Porto. Josefa de ìbidos, originally Josefa de Ayala Figueira, was a Spanish-born Portuguese painter.

Scene with holy family and St. Catherine by Parmigianino, oil on canvas, 1503-1540, 16th century, Parmese School, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 21x29

'Madonna and Child'. Italy. Dimensions: 117x97 cm. Museum: State Hermitage, St. Petersburg. Author: Cesare Gennari ( ).

Rest on the Flight into Egypt by Gerard David (c.1460-1523) - painting on wood after 1509 Date: circa 1510

The Virgin and Child, The Madonna of the Book (1480), The Virgin and Child, The Madonna of the Book, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

SIGNORELLI, Luca (1445-1523). Madonna and Child with Saint Joseph and Another Saint. 1490-1492. Renaissance art. Quattrocento. Painting. ITALY. TUSCANY. Florence. Pitti Palace.

Virgin of the Rocks, 1483-1490, by Leonardo da Vinci (1452-1519), oil on panel transferred to canvas, 197x120 cm.

Artist: Andrea di Bartolo, Italian, active by 1389, died 1428, Virgin and Child withSaints, ca.1405-1410, Tempera on panel, 87.9 × 67.6 cm (34 5/8 × 26 5/8in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

Alonso Cano / 'Saint Anthony of Padua'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Mystical for Lubina Catherine; Ravesteyn, Dirk de Quade Van (1565/1570-Post 1619); around 1590 (1590-00-00-1593-00-00);Anna (Saint), Fiorentini, Piotr (1791-1858), Fiorentini, Piotr (1791-1858)-collections, Katarzyna Aleksandryjska (Saint-Ca 282-Ca 300), Madonna with the Child (iconogr.), Mystical marriage . Catherine (iconogr.), Angels, Dutch painting, religious painting, message (provenance) of KP, religious scenes, saints

Umbria Perugia Bettona S. Maria Maggiore8. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Expectant Madonna with Saint Joseph. Dated: c. 1425/1450. Dimensions: image: 70.5 x 35 cm (27 3/4 x 13 3/4 in.) with integral frame: 83 x 47 x 2.5 cm (32 11/16 x 18 1/2 x 1 in.). Medium: tempera on European walnut. Museum: National Gallery of Art, Washington DC. Author: French 15th Century.

Maestro de la Sisla / 'The Circumcision', ca. 1500, Spanish School, Panel, 213 cm x 102 cm, P01258. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Filippo Mazzola (1460-ca. 1505). Italian painter. Virgin and Child on the throne. Detail of the central panel of a triptych. Tempera on board. Ala Ponzone Civic Museum. Cremona. Italy.

Detail from the 'Mary Triptych' by Hugo Van Der Goes (1440-1482) a Flemish painter. Dated 15th Century

Giovanni Bellini; Italian; Venice; active by 1459 - 1516 Venice; Madonna Adoring the Sleeping Child; Tempera on wood.

Adoration of the Child of Palazzo Medici, 1458-1460, by Filippo Lippi (ca 1406-1469), tempera on panel, 129.5x118.5 cm.

Annunciation and Saints, ca 1485, by Filippino Lippi (1457-ca 1504), oil on canvas, 114x122 cm.

Madonna and Child Enthroned with Two Donors ca. 1360-65 Lorenzo Veneziano Italian Lorenzo Veneziano, the preeminent Venetian painter of the second half of the fourteenth century, may have trained in the workshop of Paolo Veneziano, a celebrated artist rooted in the Byzantine tradition, to which Venice and its art were so closely tied. Lorenzo was receptive to the influences of other artistic centers where he was active, such as Padua, Verona, and Bologna. The Virgins architectonic throne was likely inspired by the Paduan painter Guariento. The detailing of the throne, the Virgins brocaded garments, and the ermine lining of the Christs Childs tunic evoke the emphasis on ornamentation and surface pattern characteristic of Venetian painting of this period. Lorenzos rendering of the goldfinch, a symbol of the Passion, highlights his attention to naturalism.. Madonna and Child Enthroned with Two Donors 459020

Umbria Perugia Todiano S. Bartolomeo7. Hutzel, Max 1960-1990 .. Views of exterior and interior, including painting, sculpture, architectural detail. Specific Location: S. Bartolomeo German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jacopino del Conte, Madonna and Child with Saint Elizabeth and Saint John the Baptist, c 1535 Madonna and Child with Saint Elizabeth and Saint John the Baptist

Copy after Raphael's Sistine Madonna, 19th century. Rudolph Geudtner (German, 1811-1892). Watercolor and gouache; sheet: 26 x 20 cm (10 1/4 x 7 7/8 in.); secondary support: 26.8 x 22.7 cm (10 9/16 x 8 15/16 in.).

The Nativity 1460-1470 Italy. This relief shows the Virgin worshipping the Christ Child, framed by an ox and an ass, while Saint Joseph sleeps at the right. It is typical of a kind of popular, devotional image from the 15th century that could be mechanically reproduced. This composition exists in numerous replicas, which attest to its popularity, and appears to derive from a directly modeled terracotta prototype, now in Prato, Italy. The Virgin and Child are based on an autograph terracotta by Donatello, but the remainder of the composition appears to have been expanded by another hand.. Stucco and polychrome . School of Donato di Niccolò Donatello

Saint Luke Painting the Madonna by Gossaert, Jan (ca. 1478-1532) / Art History Museum, Vienne / c. 1520 / The Netherlands / Oil on wood / Bible / 110,5x83,5

Tommaso Aleni, called il Fadino. Italian painter active in Cremona from 1500 to 1526. Madonna Worshipping the Child between Saint John the Baptist and Saint Anthony the Abbot, 1515. Tempera (panel transferred to canvas). From the church of San Domenico, Cremona. Museo Civico Ala Ponzone. Cremona. Italy. Author: called il Fadino. Italian painter active in Cremona from 1500 to 1526. Tommaso Alini.

Virgin and Child Surrounded by Eight Angels by Marco Zoppo, oil on canvas, (c.1432- c.1478), Paris, Musee du Louvre

Madonna dell'Impannata, detail, Raphael, 1513-1514,, Palatine Gallery, Pitti Palace, Florence, Tuscany, Italy, Europe

Mary with the child and founders. 1511/15. (Goswijn van der weyden; 1465 brussel- after 1538 brussel)

The Madonna Suckling the Infant Christ. Follower of Rogier van der Weyden (c.1400-1464). Oil on panel, 43.8 x 30.8cm.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra6. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Girolamo Francesco Maria Mazzola Parmigianino / 'Madonna and Child with Saints', ca. 1524, Italian School, Oil on panel, 110 cm x 89 cm, P00283. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Annunciation, Christ the Man of Sorrows, by Sandro, Botticelli, circa 1490, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Claudio Coello / 'Saint Anthony of Padua', Second half 17th century, Spanish School, Canvas, 159 cm x 90 cm, P05244. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

National Museum of Ancient Art. Rest on the flight into Egypt.Circle of Gerard David. 16th century. Oil on oak panel.

Sistine Madonna / Raphael / c.1513

Miniature from a Prayer Book or a Book of Hours. Simon Marmion (Flemish, active 1450 - 1489)

this family of W.Jan and 1 PO. XVII century (1600-00-00-1650-00-00);Purchase (provenance)

Virgin and Child 1440-1460 Italy. Desiderio da Settignano was the most gifted Florentine sculptor of his day. He excelled at creating marble reliefs of the Virgin and Child, in which forms overlap within an extremely shallow space while conveying a profound awareness of the bond between mother and child. This painted stucco, of which at least a dozen versions are known, was cast from a marble known as the Turin Madonna (Turin, Galleria Sabauda), one of Desiderioís most admired works. The quality of the painting and punching suggest that this stucco was finished in the workshop of Neri di Bicci, a 15th-century Florentine painter who frequently collaborated with other artists.. Painted stucco . Desiderio da Settignano

Four-headed idol (Svantevit / Perun). From Vacani near Skradin. Croatia. Museum of Croatian Archaeological Monuments, Split, Croatia.

Maestro de Sigena / 'Nacimiento de Cristo con la Adoración de los ángeles', 1519, Spanish School, Oil on panel, 172 cm x 150 cm, P07861. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Stories of St James Episode no. 4 of The Body of St James is Carried to the Castle of Lupa, Spain, and the Burial of the Saint, by Avanzi Jacopo, 1372 - 1379, 14th Century, fresco. Italy, Veneto, Padua, Basilica del Santo, San Giacomo Chapel, bottom wall, upper order, right lunette. Episode No. 4 of the Stories of St James of arrival of the body of St James at Lupa Castle in Spain and burial of the saint. Detail of two ladies facing the staircase. After restoration.

Campania Salerno Nocera Inferiore S. Antonio4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hugo van der Goes (Ghent c. 1430/1440 - Oudergem 1482) was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Dieric Bouts, one of the most important of the Early Netherlandish painters.

El Greco / 'La Sagrada Familia con Santa Ana y San Juanito', ca. 1600, Spanish School, Oil on canvas, 107 cm x 69 cm, P00826. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Painting titled 'Portrait of Giovanni della Volta with his Wife and Children' by Lorenzo Lotto (1480-1557) an Italian painter, draughtsman, and Illustrator. Dated 16th Century

Gothic art. Miraflores Altarpiece. Panel altarpiece by Early Netherlandish painter Rogier van der Weyden (1399/1400-1464). Triptych. Panel of the Nativity. Oil on panel. Royal Chapel of Granada. Andalusia. Spain.

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