Madonna and Child Artworks

Paintings depicting the Madonna and Child, illustrating various Renaissance artists' interpretations with emotive expressions and rich colors.

Caritas 1867 Edward Burne-Jones (1833-1896 British) Christie's London

Madonna and Child enthroned by Sandro Botticelli, Oil on wood, 1485, 1445-1510, Germany, Berlin, Staatliche Museen, 185x180

Judith with the Head of Holofernes by Andrea Mantegna (1431-1506) - Paduan - painted on wood Date: circa 1495

Tuscany Siena Asciano Museo di Arte Sacra8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with Two Angels. Artist: Vittore Crivelli (Italian, Venice, active by 1465-died 1501/2 Fermo). Dimensions: 21 7/8 x 16 in. (55.6 x 40.6 cm). Date: ca. 1481-82.This charming Madonna and Child employs some of the same pictorial devices used by Vittore's brother Carlo, building up the gold to create three-dimensional embellishments. The parapet is inscribed with Vittore's name and on it are placed a carnation (emblem of love), cherries (like the apple, symbol of original sin), and a devotional book. The Child holds a goldfinch, symbolic of the Passion of Jesus. Museum: Metropolitan Museum of Art, New York, USA.

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene right panel. Dated: c. 1482/1485. Dimensions: right panel: 95 x 30.1 cm (37 3/8 x 11 7/8 in.) framed: 134 x 165.1 x 7.3 cm (52 3/4 x 65 x 2 7/8 in.). Medium: oil on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: PIETRO PERUGINO.

This painting by the Italian artist Raphael (1483-1520) of the Umbrian School is titled The Madonna of the Tower.' The Virgin Mary is seated behind a parapet. She is holding the infant Jesus with her right arm. In the distance is seen a tower, from which the picturwe takes its name. It now hangs in London's National Gallery.

Grieving Virgin Luca Giordano (1634-1705 Italian) Oil on canvas Sevastopol Art Museum, Ukraine

Santa Anna, 1750 - 1900, Color lithograph, 17 1/4 x 13 3/16 in. (43.8 x 33.5 cm), Paper/Sheet 17 1/4 x 13 3/16 in. (43.8 x 33.5 cm), Material Cream laid paper

Matilda II of Boulogne, Countess of Boulogne in her own right and Queen of Portugal by marriage to King Afonso III from 1248 until their divorce in 1253. António de Holanda, circa 1530

Fabriano (Italia; Marche, provincia di Ancona), Oratorio della Carità, ciclo di affreschi di Filippo Bellini (raffigurazione di Opere di Carità Spirituale e Carità Materiale). PEREGRINOS HOSPITARE Ospitare i pellegrini, lato destro

Carletto Veronese / 'La Virgen y el Niño con Santa Lucía y un santo mártir', Late 16th century, Italian School, Oil on canvas, 98 cm x 137 cm, P00490. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fano (Italia, Marche. prov.incia di Pesaro-Urbino). Chiesa di Santa Maria Nuova, Pietro Vannucci detto Il Perugino, Pala di Fano (Vergine e Bambino con i santi Giovanni Battista, Ludovico di Tolosa, Francesco d'Assisi, Pietro e la Maria Maddalena), olio su tavola, 1488-89

'Angel of the Guard'. Italy, First half of the 17th century. Dimensions: 51x38 cm. Museum: State Hermitage, St. Petersburg. Author: Arpino, cavalier d' (Cesari, Giuseppe).

Gothic medieval art in the National Art Museum of Catalonia,Barcelona,Spain.Lluís Dalmau painter, Mare de Déu dels consellers (1443-1445).

The Annunciation, also known as the Cestello Annunciation, is a tempera painting by the Italian Renaissance master Sandro Botticelli, circa 1489-1490.

fine arts, Raphael (Raffaello Santi) (6.4.1483 - 6.4.1520), painting ""Saint Catharine of Alexandria"", circa 1508, oil on wood, 71,5 x 55,7 cm, National Gallery, London,

Tuscany Grosseto Massa Marittima Museo Civico3. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Coronation of the Virgin, 1420s. Fra Angelico (Italian, 1400-1455). Tempera and gold on wood panel; framed: 45.5 x 51.5 x 8.5 cm (17 15/16 x 20 1/4 x 3 3/8 in.); unframed: 27 x 37.2 cm (10 5/8 x 14 5/8 in.).

Angio with playing putt; unknown painter of the oski; XVII century (1600-00-00-1699-00-00);Angels, musical instruments, purchase (provenance)

Italy, Lombardy, Soncino, Santa Maria Delle Grazie, fresco

'The Ansidei Madonna', 1505. Artist: Raphael

Luis de Morales Luis de Morales, Pietà, 1568, oil on walnut panel, Museo de Bellas Artes, Bilbao, Spain Copyright: xZoonar.com/Tolox 21681729

Cranach, Lucas, the Elder (1472-1553) National Gallery, London Painting 56,3x36,2 Mythology, Allegory and Literature Charity

Peter Paul Rubens (1577-1640). Flemish painter. Madonna in a garland of flowers, 1616-1617. Alte Pinakothek. Munich. Germany.

Castle: fresco. pagazzano. Italy

Madonna della Scala, ca 1523, by Antonio Allegri, known as Correggio (1489-ca 1534), fresco transferred to canvas, 196x141 cm. Detail.

Piero della Francesca (Died 1492): The Nativity. painting between 1470 and 1475. oil on poplar panel

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"1. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rest on the Flight to Egypt, 1504 by Lucas Cranach the elder. Lucas Cranach the Elder (c. 1472 ñ 1553) was a German Renaissance painter and printmaker in woodcut and engraving

Madonna reading, 1505, by Giorgione (1478-ca 1510), oil on wood, 76x60 cm.

The Annunciation and Expulsion from Paradise. Dated: c. 1435. Dimensions: overall: 40 x 46.4 cm (15 3/4 x 18 1/4 in.) painted surface: 38.7 x 44.7 cm (15 1/4 x 17 5/8 in.) framed: 54.93 x 58.74 x 6.99 cm (21 5/8 x 23 1/8 x 2 3/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI DI PAOLO.

Triptych: The Presentation in the Temple by Adriaen Isenbrandt (1480-1551) Flemish Northern Renaissance painter. Dated 16th Century

Two Young Boys, Matteo di Giovanni, circa 1490, desco da parto, birth tray, Art Institute of Chicago, Chicago, Illinois, USA, North America,

Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Gaspare Gasparini, Adorazione dei Pastori, olio su tela, 1577, proveniente dalla chiesa di San Pietro

Virgin and Child with Saint Joseph. Artist: Netherlandish Painter, second half of 16th century. Dimensions: 8 3/4 x 8 11/16 in. (22.3 x 22 cm). Former Attribution: Workshop of Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Date: second half 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Grottaferrata Museo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ana de Bretaña (1477-1514), duquesa de Bretaña y reina consorte de Francia. Miniatura de las Horas de Ana de Bretaña del siglo XV. Biblioteca Nacional de París. Facsímil de 1877.

Schiffermadonna with expressionist wall painting by Peter Hecker, St., Sankt, Saint

Anton Raphael Mengs Die Anbetung der Hirten (ca 1764 65) Anton Raphael Mengs (German, 1728 - 1779), Adoration of the Shepherds, c. 1764/1765, oil on canvas, Corcoran Collection (Gift of William Wilson Corcoran) 2014.136.114

Lorenzo Lotto, Saint Catherine, Italian, c. 1480-1556-1557, 1522, oil on panel

The Visitation, by Van der Weyden Rogier, 15th Century, 1434, oil on board, cm 89 x 36

Ancona (Italia, Marche), Pinacoteca Civica Podesti. Lorenzo Lotto, Pala dell'Alabarda (Madonna col Bamnino, Santi Stefano, Lorenzo, Giovanni E., Simone Guda, nella lunetta lo Spirito Santo), 1539

The wife of the artist, by Hans Holbein the Younger (1497 or 1498-1543).

Jesus and John the Baptist as Child, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and letterpress printers of the Renaissance, Historic, digitally restored reproduction of a historic original

In the Desert. oil on canvas. Date: 1915-1925. Museum: Smithsonian American Art Museum.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo45. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Melancholy. Oil on wood panel. Lucas Cranach l'Ancien. 1532. Colmar. France. Colmar. France.

Dionys van Nijmegen, Chimney with representation of Moses on the crown of Pharaoh (after Flavius Josephus), room wallpaper wallcovering chimney piece painting image linen paint oilpaint wood gold plaster, V: Nijmegen religion bible Moses Pharaoh Rotterdam Sotheby Mak van Waay November 1975.

Madonna and Child. Artist: Master of the Magdalen (Italian, Florence, active 1265-95). Dimensions: Irregular, 29 1/2 x 18 1/4 in. (74.9 x 46.4 cm). Date: ca. 1280.Painted in the 1280s, this head is a fragment of a large painting of the Madonna and Child (whose blessing hand and knee can be seen). The artist was a close follower of Cimabue, the principal painter in Florence before Giotto. It was not uncommon to excise the head of the Madonna from a venerated image and encase it in another work of art as a focus of devotion. Museum: Metropolitan Museum of Art, New York, USA.

The Guarded Bower, Arthur Hughes, 1864-1866,

Triptych. Date/Period: 1500. Panel. Height: 30.40 mm (1.19 in); Width: 21.60 mm (0.85 in). Author: Mariotto Albertinelli.

Diptych, Madonna of the Rose Bower and St George with Donor, Hans memling, circa 1490. Alte Pinakothek, Munich, Germany, Europe

Madonna and Child. Artist: Barna da Siena (Italian, Siena, active second quarter 14th century). Dimensions: Overall, with engaged frame, 24 5/8 x 10 3/4 in. (62.5 x 27.3 cm); painted surface 19 7/8 x 8 5/8 in. (50.5 x 21.9 cm). Date: ca. 1340. Museum: Metropolitan Museum of Art, New York, USA.

Calliope by Cosimo Tura, oil on wood, 1455-1460, before 1431-1495, School of Ferrara, England, London, National Gallery, 116,2x71

The Flight into Egypt, by Benvenuti Giovanni Battista known as Ortolano, 1519, 16th Century, panel. Italy, Emilia Romagna, Ferrara, National Gallery of Art. Whole artwork. Tondo flight Egypt donkey Virgin Mary Madonna Infant Jesus: Christ Child: Baby Jesus: Child Jesus St Joseph Holy Family outside view walls figure.

Virtue Ecclesia, fresco by Bernardino Poccetti Ospedale degli Innocenti - Exterior arcade, Florence, Italy Virtue Ecclesia, fresco by Bernardino Poccetti Ospedale degli Innocenti - Exterior arcade, Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20982431

Lazio Rieti Magliano Sabina S. Michele7. Hutzel, Max 1960-1990 Exterior views of facade and 14th century side wall. Interior views and detailed shots of altarpiece (16th century), paintings of saints (16th, 19th centuries), and two stone ciboria. Antiquities: 2 Roman cinerary urns German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Circle of Giorgione, Venus and Cupid in a Landscape, c 1505 1515 Venus and Cupid in a Landscape

Let the little children come to me, Painting by Jacob Jordaens, Historical, Digitally restored reproduction of a historical work of art

Master of the Legend of Saint Ursula and workshop (active in Cologne, ca.1480/1490-ca.1510/1515). Appearance of the angel, ca.1492-1496. Wallraf-Richart Museum. Cologne. Germany.

Sandro Botticelli, 1445 1510), Florentine, Italian painter. Il ritorno di Giuditta a Betulia (The Return of Judith to Betulia), 1470

Hours of Simon de Varie.

Maria-Boodschap, Benedetto Buglioni (workshop of), c. 1520 . majolica . majolica

Nicolaes van Verendael / 'Garland surrounding the Virgin Mary', 1640-1660, Flemish School, Oil on copper, 81 cm x 65 cm, P01419. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Panel with the Pieta, 1516-17, by Sebastiano del Piombo (1485-1547).

Accademia carrara art gallery: saint sebastian, raffaello sanzio, 1502, bergamo, Italy

Archangel Gabriel Guido Reni (1575-1642 Italian) Oil on canvas Pavlovsk, Imperial Palace.

Virgin and Child in a niche ca. 1460 Luca della Robbia Italian One of the most distinguished sculptors of the early Renaissance, Luca della Robbia created famous works in marble, such as the Cantoria (Singing Choir) for the organ loft of Florence Cathedral, and in bronze, such as the doors of the North Sacristy of the same church. His name is, however, most closely identified— and indeed nearly synonymous with— sculpture in tin-glazed terracotta. In this medium he specialized in images of the Madonna and Child, particularly for private devotions, and began a practice of reproducing them in casts, which members of his family and large workshop continued into the sixteenth century.The Bliss Madonna, a glazed terracotta known in one other example (see below), is a quintessential Luca della Robbia work. Seen in half-length, the Virgin occupies a niche defined by gold-painted ribs against a turquoise ground. The frame is embellished with a floral design, and its upper corners are emblaz

The Temptation of Saint Anthony, Bosch, Hieronymus (c. 1450-1516)

INMACULADA CONCEPCION - 1783-1784 - OLEO/LIENZO - 80x41 cm - NP 3260. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Chastity. Virgin, Young woman with a unicorn in the meadow, Oil painting of a pendant by Timoteo Viti, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Carlos V. Francisco, Detail from Thrift. Oil on canvas.

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