Madonna and Child Depictions

Artistic portrayals of the Virgin Mary with the Christ child, capturing tender moments and varying stylistic approaches across different eras.

unknown, Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Maria with Christ Child and John the Baptist, verso lower left - stamped, print, prints, height 275 mm, width 212 mm, Southern Netherlands, 1615, printmaker, 1625 - 1642, paper, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, granter of privilege

Raphael. Unknown

The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Mauro Gandolfi (Italian, Bologna 1764-1834 Bologna). Dimensions: Sheet (Trimmed): 25 7/8 × 18 7/16 in. (65.8 × 46.9 cm). Date: 1812.Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Imperial court, Venice, Sadeler, Marcus, Aegidius, unknown, Love, Caritas, verso bottom center - stamped, The personification Love (Caritas) breastfeeds a child. Two children on the left. The print has a Latin caption., print, prent, prints, height 293 mm, width 207 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher, uitgever van privilege

The Virgin, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Raphael, Italian, 1483-1520, Italian, 1778, Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount, Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm), Sheet: 12 11/16 x 9 13/16 inches (32.3 x 24.9 cm), Plate: 10 5/8 x 9 3/16 inches (27 x 23.4 cm), and Image: 7 9/16 x 7 9/16 inches (19.2 x 19.2 cm), adoration of the Christ-child by Mary; John the Baptist present, axe, books, chair, children, circle (plane figure), claws, costume, cross (object), halo, laurel, Mary and the Christ-child with John the Baptist (as child), mother, portrait, prayer, praying, religious and mythological subject, religious and mythological subject, shield, son, table, talons, urn, wings, women

Amsterdam, Visscher, Claes Jansz. (II), Dürer, Albrecht, Germany, Aldegrever, Heinrich, Madonna and Child on the Crescent Moon, recto upper left - engraving, Mary with a crown on her head and the Christ Child on her arm, standing on a crescent moon, surrounded by a halo., print, prent, prints, prenten, kk. 1., height 115 mm, width 74 mm, print maker, printmaker, 1553 - 1652, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, German, 1502 - 1561, after print by, 1471-05-24 - 1528-04-05, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Carlo Maratta, The Mystic Marriage of Saint Catherine The Mystic Marriage of Saint Catherine

The Holy Family with Saint Elizabeth and the infant Saint John the Baptist, holding a goldfinch on a string. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Raphael Morghen (Italian, Naples 1758-1833 Florence); Intermediary draftsman Pietro Angeletti (Italian, active Rome, 1758-1786). Dimensions: Plate: 20 1/2 × 13 9/16 in. (52 × 34.4 cm)Sheet: 21 1/4 × 14 3/16 in. (53.9 × 36 cm). Date: ca. 1778-86. Museum: Metropolitan Museum of Art, New York, USA. Author: Raphael Morghen. After Peter Paul Rubens. Intermediary draftsman Pietro Angeletti.

unknown, Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Maria with Christ Child and John the Baptist, verso lower left - stamped, print, prints, height 275 mm, width 212 mm, Southern Netherlands, 1615, printmaker, 1625 - 1642, paper, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, granter of privilege

Virgin and child ca. 1530 Edmond Douet. Virgin and child. Edmond Douet (French, active ca. 1530). ca. 1530. Chiaroscuro woodcut. Prints

Lucas van Leyden, Virgin on a Crescent with a Sceptre, 1523, engraving on paper.

Love; The three divine virtues. The personification of love, one of the three divine virtues, with a child on the arm, looks up to heaven. In addition to her, a child with a dog is in hand. The show is covered by an ornamental arc with putti with laurel wreaths and garlands. Under the show a two-legged text in Latin.

Virgin and Child, Print made by Elisha Kirkall, ca. 1682-1742, British, after Francesco Penni, c.1488-1528, Italian, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 19 1/2 × 14 1/4 inches (49.5 × 36.2 cm), Plate: 18 × 13 1/4 inches (45.7 × 33.7 cm), and Image: 17 1/16 × 12 1/2 inches (43.3 × 31.8 cm), baby, balcony, banner, boys, child, Christianity, cousins, cradle, cross (motif), family, footstool, mothers, pillar, pomegranates, religious and mythological subject, saints, trees, turban, veil, virgin, wall

Old Italian Masters: The Madonna of the Goldfinch, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving;

Young woman with a child at her chest and children playing around her, Love (Charitas), draughtsman: Barend Graat, 1638 - 1709, paper, pen, brush, h 260 mm × w 240 mm

Jacques Stella, Sibylla Erythraea, 1625 Sibylla Erythraea

Mary and Joseph with the Child, Antoine Cardon, Colnaghi & Co, 1795

Umbria Perugia Todi Pinacoteca8. Hutzel, Max 1960-1990 Views are mainly of Renaissance paintings and frescoes, and also medieval statues. Among the paintings: a copy of Guido Reni's Susanna and the Elders; a Madonna and Child with Saints by Polinori; St. Bernardino Tomitano da Feltre bu lo Spagna. Antiquities: Roman bust and architectural fragments from the Etruscan and Roman periods excavated in the territory of Todi. Object Notes: Photos were taken in 1960. General Notes: The Pinacoteca civica, the Museo etrusco-romano and the Archivio comunale are all housed in the Palazzo del Capitano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Feather and wash drawing of Madonna with child, showing figures, gestures, drapery, and composition, with restored upper corners and paper folds, by an anonymous artist.

Latona Met Diana en Apollo, Giovanni Girolamo Frezza, After Petrus Ferlonus, After Domenichino, 1686 - 1748 print Latona is in a landscape with her two children, Diana and Apollo. Jupiter floats on a cloud in the background. print maker: Romeafter drawing by: Italyafter painting by: Italy paper engraving (story of) Apollo (Phoebus). Latona (Leto). (story of) Diana (Artemis)

Rome, Stefanoni, Pietro, Italy, Carracci, Ludovico, Mary with Child and the young John the Baptist, verso - stamped, Mary sits with a book in her hands. Next to her the Christ Child and the young John the Baptist. Text in bottom margin., print, prent, prints, height 196 mm, width 131 mm, print maker, prentmaker, 1604 - 1604, paper, papier, etching, etchings, Italian, 1589 - 1627, Work conception, 1555 - 1619-11-13, after print by, Publication (Event), Publication, publisher, uitgever

The Virgin and Child. Dated: mid 18th century. Dimensions: plate: 13.02 × 11.27 cm (5 1/8 × 4 7/16 in.) sheet: 29.53 × 21.91 cm (11 5/8 × 8 5/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Bottani.

Amor is taught L'education de l'amour (title on object), (story of) Cupid, Amor (Eros), Gilles Demarteau (mentioned on object), Paris, 1732 - 1776, paper, etching, h 428 mm × w 332 mm

Etcher: Unknown, After: Simon Vouet, French, 1590-1649, Virgin andChild, Etching by M...stac (name is illegible), sheet: 35.7 × 28.2 cm (14 1/16 × 11 1/8in.), Made in France, French, 17thcentury, Works on Paper -Prints

Italy, Ligozzi, Jacopo, Carracci, Agostino, Virgin and Child on a Crescent Moon, verso - stamped, Virgin and Child suckling the Christ Child and sitting on a crescent moon. Above two cherubs., print, prent, prints, prenten, height 210 mm, width 165 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1589 - 1589, paper, papier, engraving, engraving (printing process), Work conception, 1547 - 1627-03-26

Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, The Christ Child sits on Mary's knee; he supports himself against her shoulder., print, prints, height 99 mm, width 73 mm, Work conception, South Netherlands, 1597-05-13 - 1655-04-29, after a design by, 1618 - 1655, paper, papier, etching, etchings, print maker, printmaker

Grammar, Cornelis Jacobsz. DREBBEL, After Hendrick Goltzius, 1587 - 1605 print Grammar points a student the letters of the alphabet to a reading board. An older boy looks over her shoulder. With a Latin caption by C. Schonaeus. paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa)

Depicts the Madonna with the Christ child, created by Lucas Cranach the Elder as a woodcut. The composition emphasizes maternal interaction and religious symbolism.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), La Philosophie ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Virgin and Child with the Infant Saint John, plate 10, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Etcher: Francesco Bartolozzi, Italian, 1727-1815 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Two children with a pigeon at a ruin. .

Syen., A., Dalen, Cornelis van (II), Flinck, Govert, Amsterdam, Maria met het Kind aan de kinder aan de Borst, verso - stamped, Maria met het Christuskind aan de kinder aan de Borst. In bottom margin Latin verse by A. Syen., print, prent, prints, height 354 mm, width 277 mm, Noord-Nederlands, 1638-12-28 - 1664-10-09, print maker, printmaker, 1648 - 1664, paper, papier, engraving, engraving (printing process), 1615-01-25 - 1660-02-02, after, after painting by, Publication (Event), Publication, publisher, uitgever, schrijver

The Holy Family with Saint Anne ca. 1625-35 Schelte Adams à Bolswert. The Holy Family with Saint Anne. Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). ca. 1625-35. Engraving; second state of two. Anthony Bonenfant (Flemish, active by 1598-died 1644 Paris). Prints

Venus zoogt Drie amors, Cornelis Galle (2), after Peter Paul Rubens c. 1610 - c. 1678 print Venus kneels on the floor and sucks Amor. Two other putti, one with wings the other with dragonfly wings are waiting in line to get the breast. print maker: Antwerpprint maker: Southern Netherlands paper engraving Venus suckling Cupid

Bliżej Kultury unknown

Guido Reni, Virgin and Child Virgin and Child

Bella, Stefano della, Mother with child on her lap, sheet of ink - stamped, A seated woman with a child on her lap, leaning against a rock face. In the background a landscape., print, prints, verso - stamped, height 130 mm, width 165 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Italian, 1610-05-18 - 1664-07-27

Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, Mary carries the Christ Child high on her right arm: his feet rest on her lap., print, prints, height 91 mm, width 57 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Anonymous (Copy Parmigianino. Girolamo Francesco Maria Mazzola) / 'Holy Family, with a Female Saint and a Church Father'. Late XVIII - Early XIX century. Wash, White lead, Red chalk on brown paper. Museum: Museo del Prado, Madrid, España.

Madonna and Child, Ink wash on paper, Madonna and Child in roundel, Italy, 18th century, figures, Drawing, Drawing

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo91. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Shows Madonna with Child by Andrea Andreani, created as a Clair-obscur woodcut around 1591-1593.

Simone Cantarini (Italian, 1612-1648), The Virgin and Child, etching in gray

Two women take a bath, Bernard Picart, 1706 print A woman descends from a ladder to take a bath with another woman. A man spies them from behind a curtain. In the margin a six -line poem in French. Paris paper etching / engraving taking a bath. spying on someone - AA - female human figure

unknown, Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, The Christ Child sits on Mary's high knees and holds his hands at her neck., print, prints, height 93 mm, width 68 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Sitting woman with man and child; Paintings in the Sistine Chapel.Figures from Michelangelo's Ceiling Painting. Numbered at the bottom right: 72.

The Virgin, the Infant Christ, Infant Saint John, and Two Angels ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. The Virgin, the Infant Christ, Infant Saint John, and Two Angels. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Albrecht Dürer, The Virgin and Child Seated by the Wall, 1514 The Virgin and Child Seated by the Wall

Grammar, Cornelis Jacobsz. DREBBEL, After Hendrick Goltzius, 1587 - 1605 print Grammar points a student the letters of the alphabet to a reading board. An older boy looks over her shoulder. With a Latin caption by C. Schonaeus. paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa)

Benedetto Montagna, The Virgin and Child, c 1502 The Virgin and Child

La Mere et ses Trois Enfants (The Mother and her Three Children), from LesGueux. Artist: Unknown After: Jacques Callot, French, 1592-1635

The Virgin and Child. Dated: 1470s (). Dimensions: sheet (trimmed within plate mark): 27.7 x 23.1 cm (10 7/8 x 9 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Andrea Mantegna.

Maria met kind.

Bubbling boy in window opening, Maurice Blot, After Frans van Mieris (I), 1763 - 1818 print France paper engraving / etching (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. human figure at (open) window, seen from outside - AA - feigned window. flowers: sunflower. molluscs: snail

Umbria Perugia Gubbio Palazzo dei Consoli8. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

The Virgin on the Grassy Bank Made 1520-1569 Germany. Engraving in black on ivory laid paper . Jacob Binck

Feather drawing by Aureliano Milani depicting Maria with the child, the young John, and an angel holding a lily, with laved and whitewashed details.

Lucas Cranach the Elder (German, 1472-1553), The Virgin and Child Adored by Frederic the Wise of Saxony, woodcut

Copper engraving and etching by Gilles Rousselet depicting the Holy Family with John the Baptist as a child, created between 1627 and 1686. The artwork illustrates figures, gestures, and sacred narrative.

unknown, Seghers, Gerard, Antwerp, Pontius, Paulus, Anna te Drieën, verso lower left - stamped, Mary sits with the Christ child on her lap. To their left, Anna bends over the cradle. In the margin a four-line caption, in two columns, in Latin., print, prent, prints, prenten, height 387 mm, width 277 mm, Zuid-Nederlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, 1591 - 1651-03-18, after a design by, granter of privilege

Copper engraving by Bartolomeus Willemsz Dolendo depicting Maria with the Christ child and John the Baptist as a boy, created in 1610.

Virgin on the Crescent with Scepter and Starry Crown. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm). Date: 1516. Museum: Metropolitan Museum of Art, New York, USA.

Grammar; The seven liberal arts. Grammar indicates a student to the letters of the alphabet on a slit plank. An older boy looks over her shoulder. With a Latin caption by C. Schonaeus.

Three Angels, Anonymous, 1700 - 1800 drawing paper. chalk (story of) Cupid, Amor (Eros)

Four ladies at the window. Four women at a window, two have their hands in a sleeve, one plays on a guitar, the other looks out the window. On the back and long annotation with pencil in German. At the print a cutting about this print from Engelmann.

Saint Sebastian, Mary with Child and three figures. In the background a wide hilly landscape., Mary with Child at St. Sebastian's, print maker: Johannes de Mare, (mentioned on object), after: Giorgione, (mentioned on object), 1874, paper, engraving, h 376 mm × w 477 mm

Madonna and Child. Cornelis Visscher (Dutch, c. 1629-1658); after Titian (Italian, c. 1488-1576). Date: 1649-1658. Dimensions: . Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

Allegory with five putti with the attributes of Mercury. Draughtsman: anonymous. Draughtsman: Jacob de Wit (rejected attribution). Dating: 1705 - 1754. Measurements: h 248 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Spanish Crown, unknown, Antwerp, Vorsterman, Lucas (I), Rubens, Peter Paul, Holy Family with Elizabeth and John the Baptist as a child, verso lower left - stamped, print, prints, height 340 mm, width 251 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1619 - 1675, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, uitgever, verlener, verlener van privilege

Marches Macerata Ussita Parrocchiale2. Hutzel, Max 1960-1990 Medieval: Architectural fragments. Post-medieval: Architecture, architectural sculpture, painting, fresco fragments, sculpture, sculptural fragments Object Notes: See article on site provided by Hutzel. Also see TCI, Marche, p. 529 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jean Massard (Engraver) (After Velázquez, Diego Rodríguez de Silva y); Manuel de la Cruz Vázquez (Drafstman) / 'The Coronation of the Virgin'. 1795. Taille douce: etching and engraving on laid paper; 1795. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Ephraim Gottlieb Krüger's drawing before 1808 is a copy after Francesco Solimena, showing Maria as a mother of pain, executed in black chalk with gray washes and black edging lines.

Drawing by Joseph Wolf showing a young lady with two children decorating a bust with flowers and ribbons, executed in black-gray Feder and brown brush with white and yellow brush on yellow-green paper, before 1792.

A Personification of Charity Seated on a Cloud, Surrounded by Putti. Artist: Monogrammist HSK (German, active ca. 1590-1600); Attributed to Hans Krumpper (German, Weilheim ca. 1570-1643 Munich). Dimensions: Sheet: 7 1/4 × 9 1/4 in. (18.4 × 23.5 cm). Former Attribution: Friedrich Sustris (Netherlandish (possibly born Italy), Venice () ca. 1540-1599 Munich). Date: ca. 1590-1600. Museum: Metropolitan Museum of Art, New York, USA.

THE PARIS INTERNATIONAL EXHIBITION

Anonymous / 'The Holy Family seated in an interior'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Black chalk and gray wash portrait of Mayor Trips wife with her child by Bartholomeus van der Helst, showing some abrasions, 17th century.

Maria with child to chest and skull, Barthel Beham, 1512 - 1540 print Maria is displayed as a young mother who breasts her child. Two Vanitas symbols contrast with this young life: Opt table is a skull and there is an hourglass in front of the window with a view. Germany paper engraving Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations. skull as symbol of 'Vanitas'. hourglass

Paris, Vidal, Gérard, Chéreau, Jacques-François, Schenau, Johann Eleazar, France, Le Dédomagement de l'Absence, Interior with a woman reading a letter, seated at her dressing table with three other figures, verso - stamped, print, prints, height 501 mm, width 360 mm, French, 1742-09-06 - 1801, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, German, 1737-11-07 - 1806-08-23, after, after painting by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher, uitgever, Publicatie

Portret van H. Judas Taddeüs, anonymous, Balthazar Moncornet, after Hendrick Goltzius, 1610 - 1668 print Numbered at the bottom: 9. Paris paper engraving the apostle Jude Thaddaeus; possible attributes: book, club, halberd, scroll

The Madonna and Child with Saint John the Baptist. Dated: c. 1507. Dimensions: Overall (approximate): 93.8 x 67 cm (36 15/16 x 26 3/8 in.) framed: 138.8 x 112.4 x 12.1 cm (54 5/8 x 44 1/4 x 4 3/4 in.). Medium: black chalk with traces of white chalk, outlines pricked for transfer; laid down. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL.

Umbria Perugia Montesanto S. Maria, Parish church6. Hutzel, Max 1960-1990 coverage includes views of the church facade, interior views of the nave and altar, and views of paintings by Virgilio Nucci, Camillo Angelucci, and others. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Castel Fusano Castello Chigi2. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Brogi, Giacomo, 300 - Pisa, Photo reproduction of painting Madonna and Child by Andrea del Sarto, Museo Civico in Pisa, photograph, photo, photos, Pisa - Museo civico. La Madonna col figlio. Del Sarto Andrea, height mm, width mm, 1822-04-06 - 1881-11-29, photographer, 1860 - 1881, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, Publication (Event), Publication, publisher

Jean-Baptiste Regnault drawing of Mary with the Christ child, executed in black chalk and pastel around 1776-1790.

Sleeping amor. Amor is sleeping in a bed under a canopy.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche5. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child with a Book. Daniel Hopfer I (Germany, Kaufbeurer, circa 1470-1536). Germany, circa 1489. Prints; etchings. Etching

Umbria Terni Acquasparta Chiesa del Crocefisso8. Hutzel, Max 1960-1990 Post-medieval: Architecture (1606); wall painting (16-17th century); wooden altar (16th century). Object Notes: Structure now used as a youth club German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seated Woman 1716-17 Antoine Watteau French One of the most brilliant and innovative draftsmen of the eighteenth century, Watteau was an early exponent of the "trois-crayons" or "three-chalk" technique, which allowed his drawings to approach the rich coloristic effects of painting. This fetching study of a seated woman is a consummate example of his mastery of the technique. Freely mixing red, black, and white chalk, he captured the young woman's loosely pinned-up hair, luminous flesh tones, and the sheen of her dress. The Lehman sheet is not known to be a preparatory study for a painting, but the model does reappear in at least one other drawing by the artist. Her gesture is not easily understood, although her elegance and charming lack of self-consciousness come through clearly.. Seated Woman 459192

Maria Met Kussen, Guido Reni (Possibly), After Annibale Carracci, 1585 - 1642 print Maria sits in front of a wall with a pillow on her lap. Next to her is the young Christ. Christ looks down at a crow. Italy paper etching Madonna: i.e. Mary with the Christ-child. pillow. song-birds: crow

Pen drawing with brown ink and reddish wash by a French school artist depicting the Holy Family with John, dated 1600-1700.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Clytie, 1772. Engraving.

The Madonna and Child with the Parrot. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Woman and Child, Jan Chalon, 1802 The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint

Abruzzo L'Aquila L'Aquila S. Giusta2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Seggiano S. Rocco. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Infant Jesus, Print made by John Smith, 1652-1743, British, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 8 1/8 × 6 11/16 inches (20.6 × 17 cm), Plate: 7 9/16 × 6 1/4 inches (19.2 × 15.9 cm), and Image: 7 3/8 × 6 1/8 inches (18.7 × 15.6 cm), blessing, child, Christianity, cloth, cross (motif), flowers, halo, holding, orb, reflection, religious and mythological subject, serpent

Laughing Fool. Artist: Werner van den Valckert (Netherlandish, 1585-1627). Dimensions: sheet: 8 9/16 x 6 7/16 in. (21.8 x 16.3 cm). Date: ca. 1612. Museum: Metropolitan Museum of Art, New York, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). The Reading. 1819-1822. Pencil, brush and scratcher lithography. Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Salome with the head of Johannes de Boper, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint the head of John the Baptist on a platter

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