Madonna and Child Depictions

Artistic portrayals of the Virgin Mary with the Christ child, capturing tender moments and varying stylistic approaches across different eras.

unknown, Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Maria with Christ Child and John the Baptist, verso lower left - stamped, print, prints, height 275 mm, width 212 mm, Southern Netherlands, 1615, printmaker, 1625 - 1642, paper, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, granter of privilege

Raphael: Brustbild der Madonna di San Sisto. Dresdener Galerie.. F. & O. Brockmann (German, founded 1854, dissolved 1870)

Thurn and taxis, Maria Theresa princess of.

The Holy Family with an angel - in an album with prints after Guercinos drawings. Bartolozzi, Francesco (1727-1815), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Cats according to the image of Friedrich E. Meyerheim . Shameline probably from the magazine Wieniec 1872 (2) 623 PUC, Bronis AW (FL. 1867 1891), Meyerheim, Friedrich Eduard (1808 1879), Balukiewicz, Józef Tadeusz (1831 1907)

Woman in a Niche (Pomona) Montemezzano, Francesco (ok. 1540 1602)

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, Virgin and Child in theClouds, Etching, 16.3 × 10.6 cm (6 7/16 × 4 3/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Sketch of One Statue: "Guardian Angel". Artist: John Gibson (British, Gwynedd, Wales 1790-1866 Rome). Dimensions: sheet: 7 3/16 x 5 3/8 in. (18.2 x 13.7 cm). Date: ca. 1850. Museum: Metropolitan Museum of Art, New York, USA.

The man with the outside bag and his leafs; TU Caligas Inflare Meas, Ego Cupere Nummos; Emblemata Saecularia, 1596. Presented is a colossal squatted person, by whose "gap", which is literally open, crawls a stream of people inside. The man stands out of a large bag of money on the floor. To one of the twelve round proverbs from Bruegel: Who Ghelt has to have under Hooghe and Bad, and that he has some spleen leashes, tap, he leans off titans and comt t'ijnen straight, because Elck and don't know how to salute In T 'Hole Cruke we read at Bruegel. Cartoon on the flattery.

Lazio Roma Subiaco S. Maria della Valle1. Hutzel, Max 1960-1990 Views of 18th c. two-story facade, interior nave and altar, panel paintings, painted wood sculptures from 12th and 16th c. Hutzel lists main altar painting as Maltese Madonna, but this is not in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Catherine. Mezzotint by V. Green, 1775, after Josiah Boydell after C. Procaccini.

Sitting old man with stunned mother with two daughters, draughtsman: Nicolas Joseph Delin, 1799, paper, pen, brush, h 548 mm × w 433 mm

Amor and Psyche. Psyche looks at the sleeping amor at the light of a lamp.

Maria gives Christ de Borst, Willem Basse, 1633 - 1672 print Amsterdam paper etching Madonna: Mary standing (or half-length), Christ-child close to her bosom

Callisto, Amor and Jupiter with the eagle ..

Lead and brush drawing by Christian Wilhelm Ernst Dietrich from around 1738-1740 showing a masked lady with a child in a window, using gray lavings.

Schonaeus, Cornelius, Goltzius, Hendrick, Haarlem, Matham, Jacob, Penitent Mary Magdalene, verso - stamped, Weeping Mary Magdalene in a rocky landscape with a crucifix in her hand. Her hand rests on a skull. In front of her is a bible., print, prent, prints, height 195 mm, width 139 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1595 - 1599, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer

Lazio Roma Velletri S. Maria del Sangue4. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century), interior, painting. Octogonal building. Object Notes: Bibliographic material housed in Center library. Missing negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Menghina Leaving the Garden with a Basket Filled with Herbs and Encountering Cacasenno. 1701 - 1800. Crespi, Giuseppe Maria, 1665-1747. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bartolomeo Coriolano after Guido Reni, Herodias and Salome, 1631 Herodias and Salome

Daniel Seghers (1590-1661) and Cornelis Schut I (1597-1655). "Virgin and child in a garland of flowers". Oil on panel. Museum of Fine Arts of the City of Paris, Petit Palais. 24956-11 Baby, Catholic, Christian Chretian, Crown Flower, Child, Mother, New Testament, Biblical Scene

Maria met Christuskind. .

Lazio Viterbo Tuscania S. Maria del Riposo1. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Santi, Raffaello (1483 1520), Gündter, J.G.

John Raphael Smith, Mrs. Payne Galwey and Her Son Charles, 1780, mezzotint on paper.

This copper engraving by Elias Hainzelmann, created between 1655 and 1693, depicts a pain nut, illustrating botanical or naturalistic subject matter in detailed print form.

The Past and The Future. Unknown

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche44. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vintage Photograph. Painting of "Rest During the Flight" by Anthony Van Dyck.

Young woman with headdress, 1497-1498, (1908). Creator: Gerard David.

Bartolomé Esteban Murillo (Painter); J. Marcos Bausac (Lithographer); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Publisher) / 'The Immaculate Conception'. 1826 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on wove paper; 1826 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Print made by John Smith, 1652-1743, British, A Monk Making Love, undated. Mezzotint on medium, slightly textured, cream, laid paper.

The Holy Family (La Sainte Famille) from the journal Perhinderion (June 1896). Dimensions: 57.5 cm x 40.3 cm, 49 cm x 32 cm. Museum: Van Gogh Museum, Amsterdam. Author: EMILE BERNARD.

Portrait of a Girl and Her Dog ca. 1796-97 Jean Jacques Lequeu French. Portrait of a Girl and Her Dog 349097

Tuscany Siena Montalcino S. Salvatore (Duomo)3. Hutzel, Max 1960-1990 Medieval: Architectural sculpture (detached), remains of original church built c. 1000. Post-medieval: Architecture (neo-classical remodelling c. 1818-32); painting; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Portrait of a few such as Isaac and Rebekah or other old-testament figures, known under the title 'The Jewish bride' or 'the Jewish bride'. The couple is portrayed, to the knees, for a wall.

. Venus is sitting on her lap with a globe. Behind her state Mars, dressed in a harness, putting his left hand on her chest. Left Amor come, his arrow sleeve on the shoulder, Ceres and Bachus to Venus. Bachus holds a stuffed basket above his head. This is an imagination of the theme 'sine cerere et baccho friget venus'. Venus has cold without food and wine. Presumably the Marquis del Vasto, Alfonso d'Avalos and his wife are portrayed here as Mars and Venus.

Village Girl 1610-85 After Adriaen van Ostade Dutch. Village Girl 396477

E. E. Langenhöffel copied a work by Gerard de Lairesse depicting a woman with her son or an allegory of music, using brown-gray and black brush and pencil lines around 1800.

Venus and Cupid.

Fragment, Medium: cotton Technique: printed in red on plain weave, Fragment shows a couple in Eastern dress seated under a tree. In red on white., France, mid-19th century, printed, dyed & painted textiles, Fragment

Fokke, Simon, Amsterdam, Vignette with Minerva and putto, verso - stamped, Minerva is surrounded by piled books and a globe. She is equipped with a spear, shield and helmet, and rests a book on her leg. Next to Minerva sits a putto leafing through a book. In the air in the background flies Faam with a laurel wreath and trumpet., print, prints, height 65 mm, width 81 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, after own design by

Portrait of a German woman in turban, dress and cape, late 15th century, showing the influence of French and Dutch fashion of the era. From a painting of the Dutch school in Frankfurt state institute. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Madonna z Dzieciątkiem wg. Rubensa. Matuszewicz, Maria z Przebendowskich (1765-1799), amateur painter

Virgin and Child with the Young Saint John the Baptist and Angels. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Oval, 16 1/8 x 13 5/8 in. (41 x 34.6 cm). Date: 1765.Boucher was named director of the French Royal Academy in 1765, the year in which he painted the Virgin and Child. In this sprightly and accomplished picture, which is not overtly religious, he draws attention to the solemn innocence of infancy. Saint John the Baptist is shown as a very young child, his hands clasped in prayer, wearing a sheepskin and accompanied by a lamb. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Sculpture of a sitting young woman. A clip from a German magazine unknown

Thomas Handforth, Cleuh Mother, 1907-1948, etching on paper.

A Roman marriage (in box with 43 drawings). .

Fraternal friendship (IT)

Boy Bitten by a Lizard, by Anguissola Sofonisba, 1554, 16th Century, black chalk and charcoal on brown paper. Italy: Campania: Naples: Capodimonte National Museum and Galleries: Gabinetto Disegni e Stampe. Whole artwork. Two children younger child pained expression anxiety crab bite finger grown-up child comfort arm around shoulder

Print, Virgin Mary, Joseph, and Child, with a Globe, 1764; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on beige paper; 25.7 × 32.1 cm (10 1/8 × 12 5/8 in.); Bequest of George Campbell Cooper; 1896-3-248

'Four Heads of a Young Girl and Two Hands', c1500-1505, (1908). Creator: Gerard David.

Abraham Dismissing Hagar and Ishmael. Artist: Barent Fabritius (Dutch, Middenbeemster 1624-1673 Amsterdam). Dimensions: 19 1/2 x 14 in. (49.5 x 35.6 cm). Date: 1658. Museum: Metropolitan Museum of Art, New York, USA.

Annibale Carracci / 'The Virgin and Child with the Infant Saint John the Baptist'. 1599 - 1600. Oil on panel. Museum: Museo del Prado, Madrid, España.

Lazio Roma Rome S. Egidio1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Exhibits original line of late Cinquecento construction, despite various remodelings. Church is almost always closed to the public. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Tagliacozzo, Palazzo Ducale, Italy, 20th century, photo, photography, Europe

Lazio Viterbo Ischia di Castro S. Ermete3. Hutzel, Max 1960-1990 Exterior views of facade of early 18th c. church. Interior views of nave and altar, iconostasis, frescos, paintings, baptismal, chalice, reliquary. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Têtes de Chérubins , Putti, Alphonse Legros (1837-1911)

A woman personifying printing crowning a naked boy with a golden serpent. Coloured engraving by E. J. Roberts after Richter.

Maria, Print made by Thomas Watson, 1743-1781, British, after Daniel Gardner, 1750-1805, British, Published by Laurie & Whittle, 1755-1836, British, 1796, Mezzotint on moderately thick, moderately textured, cream, wove paper, Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm), Plate: 10 1/8 × 7 3/4 inches (25.7 × 19.7 cm), and Image: 8 1/2 × 7 3/4 inches (21.6 × 19.7 cm)

Schone Roselin, Samuel van Hoogstraten, 1648 - 1650 print Title page for a series of seven prints. A woman with spear sitting in the clouds, surrounded by putti. paper etching / engraving sitting or standing on clouds

Gassner, Johann Josef.

Black stone chalk copy by Pierre Bouillon of the painting 'Ex Voto de 1662' by Philippe de Champaigne, showing figures, composition, and gestures, wiped for clarity.

Maria with child next to a candlestick, Augustin Bridoux, After Rafaël, 1841 print Paris paper. engraving / etching Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length)

A newborn baby, lying on its back. Etching with watercolour, 1818.

Murillo. Unknown

Etruscan god of Infants, a chubby boy lying on a bed, perhaps Stativus, Lallus or Fabulinus in Roman myth. Bronze figure found in a field in Cortona. And reclining figure of a goddess with a snake, perhaps Juno or Uni. Idola Etrsuca ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or the Museum of Cortona), Faustus Amideus, Rome, 1750.

Putto. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1503-1520. Dimensions: 164 x 142 mm. Black crayon, heightened with traces of white chalk, on tan wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

National Gallery, London, England, UK, GB, Europe

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