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Madonna and Child Iconography

A collection of historical religious paintings featuring the Madonna with child, surrounded by angels and worshippers, showcasing rich colors and intricate gold detailing.

Virgin Mary with the child Lippo Memmi; Italian (1290 Siena 1356 Siena)

M.Schongauer, Anthony a. Virgin w. Child

Juan de Juanes / 'El sumo sacerdote Aarón', 1545-1550, Spanish School, Oil on panel, 80 cm x 35 cm, P00854. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Saint Lawrence Intercedes for the Soul of Emperor Henry II. Scenes from the Life of Saint Lawrence, predella by Lorenzo di Niccolo (active 1391-1414) Brooklyn Museum, New York ca 1412 Italy, Florentine School Tempera on panel Painting Bible

The Family of Zebedee, Anonymous, 1480 - 1599

Victorian rood screen paintings, Bildeston church, Suffolk, England, UK, Saint Agnes c 1890s

Virgin Annunciate, mosaic, facade of Orvieto cathedral, Umbria, Italy, 14th-16th century.

Holy Family by Wilton Master, between 1395 and 1399, active 1395 - 1399, England, London, National Gallery

St Anne and St Francis of Assisi, by Crivelli Vittore, 1495 - 1500, 15th Century, tempera on panel. Italy, Lombardy, Milan, Brera art gallery. Whole artwork. Saints Anne and Francis of Assisi veil cloak: mantle draping: drapery cloth: drape halo: aureole crucifix brown tone: hues red yellow lemons.

Retablo gótico del Monasterio de Santes Creus, S. XV, Catedral de Tarragona. Coronación de María. Author: LLUIS BORRASSA.

Detail from the painting titled 'The Coronation of the Virgin with Adoring Saints' by Lorenzo Monaco (1370-1425) an Italian painter of the late Gothic-early Renaissance age. Dated 15th Century

Anne of Brittany (1477-1514). Duchess of Brittany and Queen consort of France (1491-1498, 1499-1514). Behind her, from left to right: Saint Anne (patron saint of the Queen and the Duchy of Brittany), Saint Ursula and Saint Margaret. Chromolithography after a miniature in "Les Grandes Heures d'Anne de Bretagne" (Grandes Heures of Anne of Brittany), late 15th century. "Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance". Paris, 1877.

Ramon de Mur / Virgen de la Leche, 1415-1425, Temple y dorado con pan de oro sobre tabla, Procedente de la iglesia parroquial de Santa Maria de Cervera. Museu Nacional d'Art de Catalunya, Barcelona.

Here is a painting titled Madonna in the Rose Bower. It dates to about 1448. The Madonna is the Virgin Mary in the Christian religion. Here she has a crown on her head and holds her son, Jesus Christ. The work is by 15th-century German painter Stefan (Stephan) Lochner. The original is in the Wallraf-Richartz Museum in Cologne, Germany.

capilla de nuestra señora de La Antigua, Mezquita-catedral de Córdoba, Andalucia, Spain.

Holy Grail.

Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Miracle of the Snow: Assumption of the Virgin, 1423-1428, Detail. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

The VirginAnnunciate. Artist: Giovanni di Paolo, Italian, 1398-1482

Annunciation to the Blessed Virgin Mary, Miniature from Petites Heures d Anne de Bretagne, 15th century, facsimle from the 19th century Annunciation to the Blessed Virgin Mary, Miniature from Petites Heures d Anne de Bretagne, 15th century, facsimle from the 19th century Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21665368

Santa Ana, Maria y Jesus, Pere Terrencs, around 1500, tempera on panel, parish church of Sant Bartomeu, Alaro, Mallorca, Balearic Islands, Spain, Europe

The Virgin of Mercy. Panel painting. 15th century. Altarpiece from the Convent of Saint Clare, Palencia. National Archaeological Museum. Madrid. Spain.

Madonna and Child ca. 1470 Benvenuto di Giovanni Italian This resplendent and well-preserved panel portrays the Virgin handing the Christ Child a pomegranate, a symbol of the Resurrection. The painting may once have belonged by Pope Pius II Piccolomini, whose coat of arms is said to have formerly appeared on the back of the panel. The acorns, clustered beneath the frames scroll console, may be a heraldic allusion to Pius II. The important tabernacle frame may be contemporary and original to the panel. The candelabra-decorated pilasters are characteristic of Sienese frames of the period.. Madonna and Child. Benvenuto di Giovanni (Italian, Siena 1436-after 1518 Siena). ca. 1470. Tempera on wood, gold ground. Paintings

The Cathedral of the Holy Cross and Saint Eulalia (Catedral de la Santa Creu i Santa Eulàlia, Spanish: Catedral de la Santa Cruz y Santa Eulalia), also known as Barcelona Cathedral. The cathedral was constructed from the 13th to 15th centuries, with the principal work done in the 14th century. The cloister, which encloses the Well of the Geese (Font de les Oques) was completed in 1448.2 In the late 19th century, the neo-Gothic façade was constructed

St. Vitus Madonna, Anonymous

Lübeck, St Mary's Church, winged altar by Christian Swarte, ca. 1495

Anne of Brittany (1477-1514). Duchess of Brittany and Queen consort of France (1491-1498, 1499-1514). Behind her, from left to right: Saint Anne (patron saint of the Queen and the Duchy of Brittany), Saint Ursula and Saint Margaret. Chromolithography after a miniature in "Les Grandes Heures d'Anne de Bretagne" (Grandes Heures of Anne of Brittany), late 15th century. "Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance". Paris, 1877.

Altarpiece of San Bernardi de Sena, Joan Rosat, Roser Vell church, 1454, tempera and gold on wood, pollensa museum, Majorca, Balearic Islands, Spain, Europe

Virgin of Milk by Llorenç Saragossa (1363-1406) painter and student of the Valencian school. Dated 14th Century

Anne of Brittany (1476-1514), Duchess of Brittany and Queen of France. , Coloured lithograph of miniature from Heures d'Anne de Bretagne showing her at prayer supported by her patron saints, Anne mother of the Virgin & Ursula with banner

fine arts, religious art, Saint Mary, Annunciation of the Blessed Virgin Mary, painting, panel, Cologne master, circa 1310, Wallraf-Richardtz-Museum, Cologne,

Ambrosius Benson / 'Saint Anne, the Christ Child and the Virgin', ca. 1528, Flemish School, Oil on panel, 125 cm x 90 cm, P01933. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Saint Augustine Church: Madonna On The Throne with Saint John The Evangelist and Saint Augustine By Pietro Vannucci Known As Perugino. 1494. Cremona. Italy

STA ANA Y LA VIRGEN NIÑA-SIGLO XVII. Author: JOSE MONTES DE OCA (1676-1754). Location: IGLESIA DEL SALVADOR. Sevilla. Seville. SPANIEN. SANTA ANA MADRE DE LA VIRGEN MARIA. VIRGEN MARIA NIÑA.

St Lucy, by Francesco del Cossa (ca 1435-1477).

Mary and Child / Mstr of Ortenberg Altar

Statue, abbey church of St. Philipp and St. Jacob, a late Gothic hall church, Altoetting, Upper Bavaria, Bavaria, Germany, Europe

St Ursula Shrine, St Ursula and the Holy Virgins ', 1489. Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Jan v.Eyck, Ghent Altar, Angel / 1432

Annunciation to Blessed Virgin Mary by unknown painter, oil on wood , active circa 1500, 16th century, Russia, Moscow, State Pushkin Museum of Fine Arts, 34x25

Saint Joseph and the Christ Child Cuzco School. Saint Joseph and the Christ Child, late 17th-18th century. Oil on canvas, 43 x 32 1/8in. (109.2 x 81.6cm). A number of paintings of favorite saints sometimes decorated a bedroom. (The 1784 inventory of Manuel Herrera in Oruro, in present-day Bolivia, lists more than fifty religious paintings in the alcoba.) This Cuzco school image of Saint Joseph, who also served as the patron saint of the Good Death, would have been an apt work for a bedchamber, where it would have watched over evening prayer and sleep. Images of Saint Joseph came into vogue in ecclesiastical and domestic contexts throughout the empire after 1679, when King Charles II named him the patron saint of the Spanish monarchy. Pinturas de los santos favoritos solían decorar el dormitorio. (El inventario de 1784 de Manuel Herrera en Oruro, en la actual Bolivia, enumera más de cincuenta pinturas religiosas en la alcoba.) Esta imagen de la escuela de Cuzco de San José, que también

'Saint Rose of Lima', 1683, Spanish Baroque, Oil on canvas, 240 cm x 160 cm, P00663. Author: CLAUDIO COELLO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SANTA ROSA DE LIMA. LIMA SANTA ROSA.

CAPILLA CRISTO MORA-DET-SANTA JUSTA Y RUFINA. Location: IGLESIA DE SAN JOSE. GRANADA. SPAIN.

Jesus Christ with angels by Hans Memling, Oil on wood, circa 1490, 1433/40-1494, France, Strasbourg, Musee des Beaux-Arts, 20x13

The Annunciation, scene from the story of the life of Mary, 1485, by the Master of the Stories of St Mary of Aachen (active 15th century), oil on panel.

Madonna and Child Enthroned with Two Angels and a Donor 1481 Vittore Crivelli Italian Vittore Crivelli was the younger, less talented brother of Carlo Crivelli and, like him, worked primarily in the region of the Marches in Italy. This work was the center of a multi-panel altarpiece. The donor, his hands clasped in prayer, may be Ludovico Vinci, a noble of the town of Fermo. He is known to have commissioned an altarpiece from the artist in 1481 for his chapel in the church of San Martino in Varano.. Madonna and Child Enthroned with Two Angels and a Donor 436055

Master of view of Sainte Gudule (15th century). St Elizabeth of Hungary (1207-31), St Catherine of Alexandria (d.307)), St Rosalie (13th century) of Padua receiving rose from the Virgin. Emperor Maximus who put Catherine to death. Oil on wood. Private collection.

Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin ca. 1530-40 Adriaen Isenbrant Netherlandish In this austere and haunting image, Christ is depicted in the form of an Ecce Homopresented to the people of Jerusalem by Pilate, the Roman prefect of Jerusalem, prior to being led off to be crucified. He wears a crown of thorns and on his exposed torso bears the wounds from his flagellation. The hostile crowd, however, is omitted. Seen up close, in half-length and nearly lifesize, Christ and his mother have been isolated for devotional contemplation. They are presented directly to the viewer, who becomes Christ's judge as well as a participant in the Virgin's grief.. Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin 436721

STA INES. Author: REMESAL JUAN. Location: CONVENTO DE SANTA INES. Sevilla. Seville. SPAIN. SANTA INES SIGLO IV.

St. John Nepomuk Catholic Church, sacred art, Mary, Madonna, Jesus, Wilflingen, Langenenslingen parish, Baden-Wuerttemberg, Germany, Europe

immaculate conception immaculate conception, Bernardo de La Serna, 17th century, museum in the cilla, 13th century area that served as a winery and warehouse, Monastery of Santa María de San Salvador de Canas, Canas, La Rioja, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 21320765

Pentecost

Ancient Virgin Mary painting, Seville Cathedral, Andalusia, Spain. Virgen de la Antigua painting discovered in 1300's by Ferdinand.

Virgin of the Rosary, XVI-XVII centuries, workshop of the Oms, oil on wood, Palau Episcopal, -Diocesà de Mallorca-, mallorca, balearic islands, spain, europe.

Virgin of the Rosary, XVI-XVII centuries, workshop of the Oms, oil on wood, Palau Episcopal Diocesà de Mallorca, mallorca, balearic islands, spain.

Monteleone di Fermo (Italia, Marche - provincia di Fermo) chiesa della Misericordia. Controfacciata, Vincenzo Pagani e bottega, Madonna del latte con San'Anna, San Giuseppe e Santa (), affresco, XVI secolo

St. Veronica holding 'Sudarium' (veil with image of Christ). unknown c. 1515-1525 Tapestry Dimensions: H 36" x W 26 1/4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Maurice Harris, invoiced 4/13/1936; sold to Percy Straus 4/30/1936 SS 18605. French & Co. received from Ralph Straus 7/29/1957; returned 5/10/1960 SS 58189x. Inscriptions: Inscription in lower border Half-figure of St. Veronica holding up 'Vera Icon'; landscape in background (BRD) picture-frame border Possibly woven in Brussels. French & Co. stock sheet in archive, 18605 French & Co. stock sheet in archive, 58189-x

Juan de la Abadia the Elder (active between 1469-1498). Spanish painter. Saint Michael Weighing Souls, ca.1480-1495. Part of an altarpiece probably from Liesa (Huesca province). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

The Theological Virtues: Faith, Charity, Hope Italian (Umbrian) Painter Italian Each figure is accompanied by an attribute: at the feet of Faith a dog, a common symbol of fidelity; at the feet of Charity a pelican symbolic of Christ's sacrifice; and at the feet of Hope a phoenix, symbolizing Christ's Resurrection. The series of allegorical figures, viewed against a continuous landscape, was probably intended to decorate the back of a spalliere (a high-backed bench or day-bed) or to be set into a wainscoting.. The Theological Virtues: Faith, Charity, Hope 436761

Austrian master ca, 1440-1450 The Virgin with wheat-ears on her dress Tempera on wood 124x40 State Pushkin Museum of Fane Arts Moscow

imagen de santa Rita,iglesia de Santa Magdalena,fundada en el siglo XIV y reconstruida en 1740, Palma, Mallorca, islas baleares, Spain.

The Virgin of Pity. Colour lithograph.

The Annunciation, Jan van Eyck, circa 1435, National Gallery of Art, Washington DC, USA, North America

Tapestry of the Virgin and Saint Vincent, 16th century, silk and wool, probably attributed to Quintin Metsys, Huesca museum, Aragon community, Spain.

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Angel Gabriel, detail from the exterior of the left wing. Flemish art. Oil on wood.

Our Lady of Sorrows and St John the Evangelist from the Scene of the Crucifixion. Altar Retable Wing from Chełmiec unknown

Archbishops Palace, Conception retable, The Annunciation, 17th century, Lima, Peru, South America

Church iconostasis detail, Curchi monastery, Moldova. Evangelist St Matthew

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, main register. Detail of hands of St.Catherine-of-Alexandria bearing crown of martyrdom

Memorial Panel for Lubbert Bolle, Jan Gerritsz. Van Bronckhorst (Possible), 1525 - 1574 painting Memorie table with the Utrecht spiritual Lubbert Boll or Bolle (gest. 1398). Kneeling spiritual for Mary with the Christ child on their lap. On the left a holy bishop and a family crest. Perhaps one in 1641 by Jan Gerritsz. Van Bronckhorst made copy of the original memorial table. Utrecht panel. oil paint (paint) Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others (+ donor(s), supplicant(s), whether or not with patron saint(s)). deacon (Roman Catholic) Utrecht

The Sacred Exchange between Saint Francis and Lady Poverty, Francesco di Giorgio Martini (1439-1501)

St Elizabeth of Hungary (1207-1231) Daughter of Andras II of Hungary, wife of Louis, Landgrave of Thuringia, Germany. Noted for piety and ascetcism. 19th century chromolithograph

The Raising of Lazarus, attributed to Aertgen Claesz van Leyden, c. 1530 - c. 1535

The Immaculate Conception, unknown artist, mixed media on linen, 17th century, USA, Louisiana, New Orleans, New Orleans Museum of Fine Art.

ICONO RUSO. Location: PRIVATE COLLECTION. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

TRANSVERBERACION DE SANTA TERESA - SIGLO XVII. Location: CONVENTO DE SAN JOSE. Toledo. SPAIN. ESPIRITU SANTO. SAINT TERESA OF AVILA.

Sor Juana Inés de la Cruz (1651-1695) Poetisa mejicana. Anónimo. Museum: MUSEO DE AMERICA, MADRID, SPAIN. JUANA INES DE LA CRUZ.

Copperplate with silk thread appIIqué Mother of God on crescent moon unknown

Virgin Mary by Austrian master, Tempera on panel, circa 1440-1450, 15th century, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 124x40

Agnes, martyred c304, patron saint of virgins, with her emblem a lamb, and Catherine of Alexandria, wearing coronet representing royal descent, holding sword and spiked wheel, instruments of her martyrdom in 307.

Jan v. Eyck / Ghent Altarpiece

St Clare of Assisi with a poor clare nun, 16th century, by an unknown Portuguese or Flemish artist.

Saint Barbara, Christian saint circa 4th century. Patron saint of arsenals and artillery. Protector against lightning Circle of Jan POLAK (d.1519) Oil on wood

Ex voto. Pious Women in the Typical Val di Fiemme Costumes, by Unknown, 1888, 19th Century, oil on canvas. Italy, Trentino Alto Adige, Cavalese, Trento, Madonna dei Sette Dolori Sanctuary. Whole artwork. Ex voto at the top clouds deposition Mary Madonna Jesus Christ at the bottom three devotees dressed in popular costumes typical of Val di Fiemme on their knees with a praying attitude.

St Catherine of Alexandria and Saint Mary Magdalene, painted by the Master of Osma, Spain, 16th century.

Virgin of the Angels by Pere Serra (active c. 1357-1408). Angel. Tortosa, Tarragona, Spain. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Empress Helena of Byzantium of the True Cross, 15th century, attributed to the Master of the Life of St Gudula, panel.

Annunciation, Ferrari, Gaudenzio, 1513.

'Angel from Scene "The Annunciation"'. Italy, 1500-1501. Dimensions: 122x41 cm. Museum: State Hermitage, St. Petersburg. Author: Luca Baudo da Novara.

Saints Dorothea, Agnes and Kunigunde, west wing of the triptych of the Altar of St Catherine, 1508, by Lucas Cranach the Elder (1472-1553), oil on wood.

Portugal, Evora, St. Francis Church, statue (Large format sizes available)

St Clare of Assisi with a poor clare nun, 16th century, by an unknown Portuguese or Flemish artist.

Carved altar, St Catherine, St, Saint, Saint

Saint Dorothy; Unknown maker, French; about 1510-1520; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came. Dorothy is believed to have been a young Roman woman who was persecuted for her Christian faith.. Here the saint is shown holding a martyrs palm and a basket of flowers, her attribute. She stands before a cloth of honor with gold fleur-de-lis, all under an arch decorated with putti holding dragons by the tail.

VIRGEN DEL ROSARIO. Location: IGLESIA DE LA MAGDALENA. Sevilla. Seville. SPAIN.

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