Marine Scenes and Ships

Diverse engravings and etchings illustrating ships at sea, showcasing dynamic water movement, stormy weather, and various historical sailing vessels.

Velde, Willem van de (II), Netherlands, Schreuder, Bernhard, Warship and three sailing ships on the high seas, verso - stamped, print, drawings, height 167 mm, width 136 mm, - 1780-10-16, print maker, printmaker, 1767 - 1780, paper, print drawing, etching, etchings, cradle iron, roulette, Northern Netherlands, 1633-12-18 - 1707-04-06, intermediary draughtsman

HIGH-WATER TIME IN THE POOL BY G.H. ANDREWS, 1872 engraving

Six Battleships Tacking in Heavy Seas, Joseph Cartwright, c.1789-1829, British, undated, Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 13 7/8 × 19 7/16 inches (35.2 × 49.4 cm) and Sheet: 11 9/16 × 18 5/16 inches (29.4 × 46.5 cm)

Ships in a Breeze, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm), clouds, sailboats, sea, waves (natural events), wind

Velde, Willem van de (II), Netherlands, Schreuder, Bernhard, Warship and three sailing ships on the high seas, verso - stamped, print, drawings, height 167 mm, width 136 mm, - 1780-10-16, print maker, printmaker, 1767 - 1780, paper, print drawing, etching, etchings, cradle iron, roulette, Northern Netherlands, 1633-12-18 - 1707-04-06, intermediary draughtsman

Original Sketch of a Picture for W. Leader, Esq., Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1809, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm) and Mount: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm), clouds, sailboat, sea, wind

Print made by Charles Golding Constable, 1821-1879, British, Harbour Scene, undated. Etching on moderately thick, slightly textured, beige card.

Kobell, Jan (I), Northern Netherlands, The taking of the English packet boat of Captain. Fleyn, Privateer Captain Sextroh captures a British packet boat, 1782, verso - stamped, The privateer captain JW Sextroh captures an English packet boat with his ship the Goede Verwachting on its way from Hellevoetsluis to Harwich, 28 October 1782., print, engraving, prints, Frederik Muller Historieplaten, height 164 mm, width 255 mm, 1757 - 1833-07-16, print maker, printmaker, 1782 - 1782, paper, papier, etching, engraving (printing process), Work conception, after own design by

Several large sailing ships and a rowing boat near a wharf, Seascape with several ships near a wharf, print maker: Reinier Nooms, (mentioned on object), Reinier Nooms, publisher: Dancker Danckerts, (mentioned on object), Netherlands, 1656 - 1659, paper, etching, drypoint, h 177 mm × w 264 mm

Canal at Utrecht. Dated: 1771. Medium: transfer technique and roulette with some hand-coloring in light gray wash. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel and Bernhard Schreuder after Jacob Esselens.

Tull on the River Waal. Dimensions: overall: 37.1 x 50.7 cm (14 5/8 x 19 15/16 in.). Medium: gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolaas Wicart.

ARRIVAL OF HENRY VIII. IN FRANCE.

Various Ships and a Rowing Boat on an Estuary. Artist: Wigerus Vitringa (Dutch, Leeuwarden 1657-1725 Wirdum). Dimensions: sheet: 4 5/8 x 6 15/16 in. (11.8 x 17.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

TweeMaster with two figures, Gerrit Groenewegen, 1789 print A two -master with two figures sailing to the left. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Sailing ships off shore, draughtsman: Petrus Johannes Schotel, 1818 - 1865, paper, pen, brush, h 309 mm × w 453 mm

Harbor Scene. Dated: c. 1760. Dimensions: sheet: 17.7 x 24.5 cm (6 15/16 x 9 5/8 in.). Medium: brush and gray ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Greenwood.

VlIssings, Johan Conld Graive, 1860 drawing Harbor face with two sailing ships and some figures. paper. chalk. watercolor (paint) brush harbouring Flushing

South Sea Fishers, 1850. Charles Meryon (French, 1821-1868). Etching;

Etched by Joseph Mallord William Turner, 1775-1851, British, Ships in a Breeze, 1808. Etching and mezzotint, printed in brown ink Engraver's Proof on medium, slightly textured, cream laid paper.

Francis Seymour Haden, 1818-1910, British, The Breaking Up of the Agamemnon, no. 1, 1870. Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper.

. Seascape with different ships. On the right side by the beach is a rowing boat with five naked figures that swim or make themselves ready to do so. There are also three figures on the beach.

A drawing by Pierre Ozanne depicting two sailing ships navigating stormy seas, executed with black pen.

This brown and gray ink drawing by Albert Flamen depicts a seascape with sailing boats navigating in windy conditions, showing waves and wind movement.

Rotterdam, Leeuw, Jan de (publisher), Kobell, Jan (I), Northern Netherlands, Sallieth, Mathias de, Roosing, Hendrik, The Hunting of the English Taken There Baltic Sea Ship The Marianne Capt. Phielskerk by the Zierikzee Privateer Capt. J:W:Sextroh On the evening of 20 November 1782, Sextroh hunts for the Marianne, 1782, verso - stamped, The Zierikzee privateer captain JW Sextroh hunts for the English Baltic Sea ship The Marianne on 20 November 1782. The ship would later be taken by Pierre le Turcq. Part of a group of five illustrations of the conquests by Pierre le Turcq in 1782. In the margin the title with the coat of arms of Zeeland in the middle. Marked lower right: Proof print., print, prints, Frederik Muller Historieplaten, height 163 mm, width 255 mm, Noord-Nederlands, 1763 - 1826-07-07, print maker, printmaker, 1782 - 1784, paper, papier, etching, etchings, engraving, engraving (printing process), Czech, 1749 - 1791-11-29, supervision, 1757 - 1833-07-16, intermediary draughtsman

Engraver: Joseph Skelton, British, 1785-1850, After: Baron Theodore Gudin, French, 1802-1880, Combat Naval dOuessant (Naval Battle of Ushant), Engraving, sheet: 22.3 × 30.4 cm (8 3/4 × 11 15/16 in.), French, 19th century, Works on Paper - Prints

Engraving depicting St Elmo's fire appearing on a sailing ship's mast and spars.

A View on the Thames 1776-1827 England. Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper . Thomas Rowlandson

Follower of William Owen, 1769-1825, British, Shipping in a Choppy Sea, undated. Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper.

View of Texel at the Nieuwe Veer, Mathias de Sallieth, after Dirk de Jong, 1781 - 1787 print View of Texel at the new ferry with different sailing ships. At the bottom in the middle the weapon of Texel. paper. ink etching / pen coat of arms (as symbol of the state, etc.) (+ city; municipal). sailing-ship, sailing-boat. coat of arms (as symbol of the state, etc.) Texel. Wadden Sea

The Ranger, Private Ship of War, with her Prizes, Nicholas Pocock, 1740-1821, British, 1780, Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper, Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm) and Sheet: 15 × 21 inches (38.1 × 53.3 cm), battle, boats, capture, clouds, dark, figures, flag, Grand Tour, gray, marine art, masts, navy, oceans, prizes, ropes, sails, schooners, sea, seamen, ships, sky, trophies, water, weather, wind, Caribbean, East Indies, Europe, Martinique, Spain

Barquentine and Frigate in Heavy Seas, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm) and Sheet: 5 7/16 × 8 5/8 inches (13.8 × 21.9 cm)

Various ships on Stil Water, Gerrit Groenewegen, 1807 print Different sailing ships on silent water. Left in the foreground is a boat on the beach. One of the two men on the beach has a fishing net in his hands. This print is part of a series of six prints with various ships. Rotterdam paper etching ships (in general) - CC - more than one ship

Josi, Christiaan, Velde, Willem van de (II), Amsterdam, Ploos van Amstel, Cornelis, Oorlogschip een schot loose, verso cardboard and verso print - stamped, Various sailing ships at sea, one of which fires a shot., print, prints, height 210 mm, width 172 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1759 - 1759, paper, paper drawing, etching, etchings, roulette, 1633-12-18 - 1707-04-06, intermediary draughtsman, after a drawing by, Dutch, 1768 - 1828-11, supervision

Twelveaster on Water, Gerrit Groenewegen, 1789 print A two -master with figures, sailing to the right. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Frans Huys after Pieter Bruegel the Elder, A Fleet of Galleys Escorted by a Caravel, 1565 A Fleet of Galleys Escorted by a Caravel

The Old Téméraire, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1845, Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm) and Image: 11 × 15 inches (27.9 × 38.1 cm)

Florence Galeria Pitti Sunrise Pink Salawator unknown

Beach scene with four figures and a dog. At sea, a flatboat and several warships sail., Beach View with Figures, print maker: Mathias de Sallieth, (mentioned on object), after: Ludolf Bakhuysen, (mentioned on object), intermediary draughtsman: Gerrit van der Pals, (mentioned on object), Amsterdam, 1783, paper, etching, h 327 mm × w 400 mm

Schooner, Corvette and Fishing Smack, Joseph Cartwright, c.1789-1829, British, undated, Pen, in brown ink, brown wash, and graphite on moderately thick, moderately textured, beige, wove paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 7 15/16 × 16 1/2 inches (20.2 × 41.9 cm) and Sheet: 5 1/4 x 9 1/2in. (13.3 x 24.1cm)

Apartment of European ambassadors in Toussin; Walkiewicz, Władysław (CA 1833-1900), Fajans, Maksymilian (Warsaw; Litographic and photographic plant; 1853-1892), Nowelecki, Aleksander (1826-1884); 1862 (1862-00-00-1862-00-00);

Imaginary Regatta of America's Cup Winners. Dated: 1889 or after. Dimensions: overall: 67.8 x 119 cm (26 11/16 x 46 7/8 in.) framed: 80.6 x 131.4 x 5 cm (31 3/4 x 51 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.

To the Rightàthe Shannonà and theCheasapeake. After: Thomas Whitcombe, British, ca. 1752-ca. 1824 Artist: Joseph Jeakes, British, active 1796-ca. 1829

ZeeZeicht, Hendrik Rietschoof, 1697 - 1746 drawing paper. ink pen / brush sailing-ship, sailing-boat

London, Johannes Swertner, 1746-1813, Dutch, after Johannes Swertner, 1746-1813, Dutch, 1801, Aquatint, hand-colored

Ramsgate, Kent, 1886.Artist: W Finden

Ships at Sea, 17th century. Ludolf Backhuysen (Dutch, 1631-1708). Pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink ; sheet: 12.3 x 17.1 cm (4 13/16 x 6 3/4 in.).

River view with ships, in the foreground a rowing boat by the shore, an old man is talking to two people, rowing-boat, canoe, etc., Nicolaes Aartman, 1723 - 1760, paper, watercolor (paint), brush, h 70 mm × w 97 mm

Print made by Paul Fourdrinier, French, Sweet William's Farewell to Black Eyed Susan, undated. Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Marine Study No. 2, Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Willem van de Velde the Elder, (), ca. 1611-1693, Dutch, active in Britain (from 1672), after Willem van de Velde the Younger, (), 1633-1707, Dutch, active in Britain (from 1672), Published by John Boydell, 1720-1804, British, 1773, Line engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm), Plate: 8 15/16 x 10 3/8 inches (22.7 x 26.3 cm), and Image: 7 1/2 x 9 7/8 inches (19 x 25.1 cm), boats, clouds, coast, flags, galleons, labor, marine art, masts, men, men-of-war, oars, rowboats, rowing, sailboats, sails, sea, seamen, ships, shore (landform), workers, working

'Murder of the Duke of Suffolk', 1450 (1864). Artist: James William Edmund Doyle.

Driemaster with the wind in the sails, Gerrit Groenewegen, 1789 print Driemaster with the wind in the sails, sailing to the right. There is a sloop on the deck and some figures are depicted. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Drawing by Johannes Lingelbach depicting a merchant giving instructions to a boat, created with brown ink and gray brush strokes, with washes on paper.

CONSTRUCCIONES NAVALES BAJO SU ASPECTO ARTISTICO. GALEAZA Y GALEON S XVI. ACUARELA S XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Middelburg, Gillissen, Pieter, Hoogerheyden, Engel, Sallieth, Mathias de, Fokke Willemsz., Arend, Saving the people from the wrecks of the OI Comp. Ship Woestduyn Early in the morning on 25 July 1779, Saving the passengers of the ship Woestduin, 1779, verso - stamped, The VOC ship 'Woestduin' of the Amsterdam Chamber ran aground on the Noorderassen near Vlissingen just before returning from its fifth homeward voyage from Batavia. On the left in the foreground, drowning people are pulled aboard a poon, more lifeboats are sailing in the distance. On wreckage, provisional sails were attached to enable them to drift towards the coast., print, prent, prints, height 312 mm, width 497 mm, print maker, printmaker, 1780 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), Czech, North Netherlands, 1749 - 1791-11-29, 1740-10-13 - 1809, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, publisher

Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, Entrance of Calais Harbour, 1816. Etching and mezzotint, printed in brown ink Engraver's proof (d) on medium, slightly textured, cream laid paper.

The whale is seen by fishermen, 1682; Six prints of catching a whale at Sint Annaland in 1682. The whale is seen by other fishermen. In the caption a verse of 6 lines. Print No. 2 in a series of six prints about catching a whale at Sint Annaland on the island of Tholen, October 7, 1682.

Bewegte See mit einem Zweimaster und Segelboot, 1828, Johann Christian Clausen Dahl, Norwegian (active Denmark and Germany), Norwegian (active Denmark and Germany), 1788 - 1857, 3 1/8 × 4 3/16 in. (7.94 × 10.64 cm) (image)3 5/16 × 4 3/16 in. (8.41 × 10.64 cm) (plate)3 3/4 × 4 11/16 in. (9.53 × 11.91 cm) (sight)10 5/16 × 11 1/16 × 1 in. (26.19 × 28.1 × 2.54 cm) (outer frame), Etching, Norway, 19th century

Maniera di trasportare le merci sopra Zattere tirate da un Mantice (The Manner of transporting wares on Barges drawn by aBellows). Artist: Filippo Morghen, Italian, 1730-after 1807

COURAGE OF BRICK CHECKING AMACREON (IT)

EMBARCACIONES PRIMITIVAS- ASIRIAS-SIGLO XIX - ACUARELA. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Phoenician arks or river boats. Handcolored copperplate engraved by P. Weindl from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Metz, 1810.

At Reedham, Thomas Lound, 1802-1861, British, c.1833, Etching with drypoint, Sheet: 3 x 1 1/2in. (7.6 x 3.8cm)

River and Boat, Alexander Cozens, 1717-1786, British, ca. 1770, Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper, Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm) and Mount: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm), flag, hills, landscape, marine art, river, sailboat, trees

Arrival of Frederick V and Elisabeth Stuart at Flushing, 1613, Pieter van Looy, after Cornelis Claesz van Wieringen, 1880, Arrival of Frederick V elector of the Palatinate and his wife Elisabeth Stuart in the port of Flushing, 29 April 1613. The couple in the English flagship Prince Royal preceded by the Statenjacht of Prince Maurits. Furthermore many different boats on the water. Drawing copied from the painting. At the top all the different flags and pennants depicted in color and numbered a-bb., draughtsman: Pieter van Looy, (mentioned on object), after: Cornelis Claesz. van Wieringen, (mentioned on object), Netherlands, 1880, paper, pen, brush, h 335 mm × w 510 mm

'La Piemontaise capturing the Warren Hastings' c1806. Artist: Robert Dodd.

Verwijk, Purple tile picture, berth with ships (Vlaardingen), tile picture ceramic earthenware glaze, baked 2x glazed painted Six wide five high Rotterdam Stadscentrum Stadsdriehoek Hoogstraat Originating from Hoogstraat north side 219 Rotterdam.

Print made by Robert Wallis, 1794-1878, British, Liverpool, from the Mersey, No. IV, 1829. Line engraving on medium, slightly textured, cream wove paper.

"Mont Orgueil Castle, Jersey" - painted by J. Wilson, Jun, 1854. 'This spirited sea-piece was exhibited at the British Institution last year...it is a beautiful scene, pure in colouring, and effective in general treatment: the transparency and motion are well rendered in the heaving sea and the fleeting clouds; and the fine old Castle upon the high rocky promontory is very picturesque. It is distant about fourteen miles from the coast of France, of which it commands a splendid view for many leagues; and is said to derive its name of Mont Orgueil (Mount Pride) from the Duke of Clarenc

The Aldine, the Bon Homme Richard and Serapis, J.O. Davidson, 1876

River and Boat. Date/Period: Ca. 1770. Drawing. Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper. Height: 156 mm (6.14 in); Width: 197 mm (7.75 in). Author: ALEXANDER COZENS.

Thomas Goff Lupton, 1791-1873, British, Portsmouth, 1826-1828. Engraver's proof (c).

Side View of Corvette, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, with pen, in gray ink, gray wash and graphite on thick, rough, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper, Mount: 7 3/4 × 13 13/16 inches (19.7 × 35.1 cm) and Sheet: 5 5/16 × 8 5/16 inches (13.5 × 21.1 cm)

No. 14. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829, Edward Duncan, 1803-1882, British, after William John Huggins, 1781-1845, British, 1829, Colored aquatint, Sheet: 17 7/8 x 26 1/2in. (45.4 x 67.3cm)

Face on the collapsed East Indian sea magazine in Amsterdam, 1822; Ruin of the former O.I. Compagnie house. Zoo when it occurred at the moment that Z.M. The King was there there, in the morning of the 16th April 1822. Insulated in the 13ths and 14dis of the derze month, to be seen from Wittenburg. King William I visits the ruins of the East Indian sea magazine in Amsterdam on April 16, after the collapse on 13-14 April 1822. The king seeks the ruins from a rowing boat. See also the pendant.

A caravel in full sail Date: 15th Century

Etching and copper engraving by Pieter Bruegel the Elder depicting armed three-masted ships and galleys on the open sea, created between 1561 and 1565.

Two ships at sea at Storm, Hendrik Kobell, 1761 - 1779 drawing paper. chalk. ink pen / brush sea (seascape). storm at sea. sailing-ship, sailing-boat

Rijkswerf Willemsoord, ca. 1825, 1824 - 1830 View of the Willemsoord Rijkswerf in Den Helder and the entrance of the Noordhollandsch Kanaal, ca. 1825. In the caption De Legenda 1-5 on figures handed in pencil in the show. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Den Helder. Willemsoord. Noordhollandsch Kanaal View of the Willemsoord Rijkswerf in Den Helder and the entrance of the Noordhollandsch Kanaal, ca. 1825. In the caption De Legenda 1-5 on figures handed in pencil in the show. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching Den Helder. Willemsoord. Noordhollandsch Kanaal

The Victory Returning from Trafalgar, in Three Positions The "Victory" returning from Trafalgar Inscription lower right, illegible., Joseph Mallord William Turner, 1775-1851, British

Print made by John Bluck, active 1791-1831, British, West India Docks, 1810. Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper.

Allegory of Shipping Charles Percier French. Allegory of Shipping 335971

Beach Scene with People and Fishing Boats, Cullercoats, England, Winslow Homer, American, 1836-1910, Charcoal on cream wove paper, Horizontal view of a group of figures at a railing overlooking the sea, with a procession of fishing boats coming toward the shore. Two men in oilskins drawn at much larger scale at right, viewed from the back., USA, 1881-82, seascapes, Drawing, Drawing

A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht, Edward Duncan, 1803-1882, British, after William John Huggins, 1781-1845, British, 1827, Aquatint with watercolor, Sheet: 18 1/2 x 25 1/2in. (47 x 64.8cm)

Thomas Rowlandson, 1756-1827, British, A Dutch Packet in a Rising Breeze, 1791. Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, laid paper.

Single Brigantine, Sails Furled, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, with pen, in brown ink, black ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm) and Sheet: 6 7/16 × 9 3/16 inches (16.4 × 23.3 cm)

View of the Rhine near Andernach, Anonymous, 1770 - 1818 print Handwritten text in German on the Verso. paper. ink etching / writing (processes) 'album amicorum', 'Stammbuch'. river (+ landscape with figures, staffage). city-view in general; 'veduta' (+ city(-scape) with figures, staffage) Andernach. Rhine

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Four sailing ships, William Baillie, After Willem van de Velde (II), 1753 - 1810 The print is part of an album. paper etching The print is part of an album. paper etching

Verwijk, Purple tile picture, ships in the port of Vlaardingen, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Five wide four tall Yellow shard Vlaardingen Rotterdam City center Stadsdriehoek Westewagenstraat Originating from house on the Westewagenstraat in Rotterdam.

Harbor view abroad. Draughtsman: Johan Barthold Jongkind. Dating: 1841. Measurements: h 118 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

. A three-master with several figures and a flag. Two of the figures climb the mast through the ropes. There are three figures on the deck. A sloop hangs behind the sailing ship. A rowing boat with three figures is shown on the right. On the right in the background the contours of a church and other buildings can be seen. This print is part of a series of twelve prints with different sailing ships.

NAVIO DE 74 CAÑONES APAREJADO - SIGLO XVIII. Author: AGUSTIN ALEJO BERLINGUERO (1750-1810). Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Sailing ship on the Lower Merwede near the Papendrecht dike, Aert Schouman, 1729, A sailing ship on the Lower Merwede near the Papendrecht dike between Papendrecht and Sliedrecht., draughtsman: Aert Schouman, 1729, paper, brush, h 136 mm × w 270 mm

Thomas Goff Lupton, 1791-1873, British, Sheerness, 1826-1828. Mezzotint.

Print made by Thomas Goldsworth Dutton, 1819/20-1891, British, The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843, 1843. Lithograph with hand coloring on thick, slightly textured, cream card.

Sailboat Hans Holbein the Younger (1497-1543 German) Drawing

English admiral Edward Spragge drives the State fleet out of the mouth of the Thames, 23 July 1667 After the successful Voyage to Chatham, the remaining Dutch ships are chased out of the Thames Framed representation with an angel at the top with two trumpets and a laurel wreath, at the bottom a cartouche with the English title, Spragge driving the Dutch fleet out of the mouth of the Thames, 1667 Sir Edwd Spragge forcing the Dutch fleet from the Mouth of the Thames July 23 1667 , print maker: William Henry Worthington, (mentioned on object), intermediary draughtsman: Robert Cleveley, (mentioned on object), publisher: Robert Bowyer, (mentioned on object), print maker: England, publisher: London, 1803, paper, etching, h 483 mm × w 379 mm

Haven of Enkhuizen, Antonio Suntach (Possible), After Dirk de Jong, 1754 - 1828 print print maker: Italyafter drawing by: Enkhuizenpublisher: Italy paper etching / engraving harbour. ships (in general) Enkhuizen

The vessel of the state fan flowing down in the fight of the Prairial of the year 2.

This illustrations dates to around 1846 and shows Columbus about to land in Hispaniola. In September 1492, Columbus and his crew, uneasy about reaching land, saw birds and knew land was not far away.

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