Marine Scenes and Ships

Diverse engravings and etchings illustrating ships at sea, showcasing dynamic water movement, stormy weather, and various historical sailing vessels.

Velde, Willem van de (II), Netherlands, Schreuder, Bernhard, Warship and three sailing ships on the high seas, verso - stamped, print, drawings, height 167 mm, width 136 mm, - 1780-10-16, print maker, printmaker, 1767 - 1780, paper, print drawing, etching, etchings, cradle iron, roulette, Northern Netherlands, 1633-12-18 - 1707-04-06, intermediary draughtsman

Artist: Louis Le Breton, French, 1818-1866, After: Auguste Bry, French, 1805-1880, New-York. Arrivee du PaquebotTransatlantique., Lithograph, sheet: 45.5 × 59 cm (17 15/16 × 23 1/4in.), French, 19thcentury, Works on Paper -Prints

A Mistica, Gibraltar, George Lothian Hall, 1825-1888, British, 1844, Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper, Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm), marine art, ocean, ship, Europe, Gibraltar, Rock of Gibraltar

Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 149 mm × w 186 mm

Ships on a windy river, Nicolaes Aartman, 1723 - 1760 drawing Ships on a windy river, on the left in the foreground a gentleman and lady with dog, on the right a fisherman with a basket. watercolor (paint) brush

Portsmouth Harbour, bay at the mouth of the Piscataqua River, which forms the border between the states of New Hampshire (Rockingham County) and Maine (York County), America, authentic reproduction of a school mural, historical, around 1900

Le Tonnant, Henri Durand-Brager, 1814-1879, French, c. 1844, Colored lithograph, Sheet: 18 3/4 x 25 1/2in. (47.6 x 64.8cm)

Illustration from a nineteenth century edition of 'Robinson Crusoe' a novel by Daniel Defoe. The book was first published on 25 April 1719. It relates the story of Robinson Crusoe, stranded on a desert Island for 28 years and his subsequent fight for survival.

Richard Parkes Bonington after Moritz Rugendas, Entree de la rade de Rio Janeiro, 1827 Entree de la rade de Rio-Janeiro

IMA View of the port of Ancona with the Arc of Trajano Widmung An: to his Majesty Maria Carolina d'Austria, Queen of the two Sicilies, Mit Wappen

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Charles Meryon (French, 1821 - 1868). Swift-Sailing Proa, Mulgrave Archipelago, Oceania (Prô-Volant des Îles Mulgraves: Océanie), 1866. Etching.

Sunrise, Whiting Fishing at Margate, Print made by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1824 to 1825, Mezzotint; earliest engraver's proof

Navire balinier en panne pour secourir sesembarcations. Lithographer: Unknown

James C. Allen, active 1821-1831, British, Aldborough, c. 1830. Etching and line engraing, 1st state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Abandonment of the whalers in the Arctic Ocean, Pl.3. Artist, studio of: J. H. Bufford and Son’s, Lith., Boston, active mid-19th century

Dish of the ship De Vrijheid, 1784, Carel Frederik Bendorp (I), 1784 print The decay of the ship De Vrijheid under the command of Vice-Admiraal Reynst at the island of Minorca during the storm of 3-4 February 1784. Part of the series of historical events at sea in the years 1781-1784, second series. Northern Netherlands paper etching / engraving shipwreck (+ propulsion of vehicle, ship, etc. by wind) Minorca

EMBARCACIONES HOLANDESAS SIGLO XVIII - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Five Christian slaves fleeing Algiers by rowboat, 1684, Algeria, Historic, digitally restored reproduction from a 19th century original.

View of the high seas, on which three sailing ships, sea (seascape), sailing-ship, sailing-boat, Henri Le Hon, 1852, paper, watercolor (paint), brush, h 163 mm × w 273 mm

John Cousen, 1804-1880, British, Calais Pier, 1859-1879. Steel engraving.

Engraver: Joseph Skelton, British, 1785-1850, After: Horace Vernet, French, 1789-1863, Prise du Fort St. Jean dUlloa (Capture of Fort San Juan de Ulua), Engraving, sheet: 22 × 29.5 cm (8 11/16 × 11 5/8 in.), Made in France, French, 19th century, Works on Paper - Prints

Piet-Hein ship. Leaf with a big representation of the ship by Pieter Pietersz. Heyn. Under the show a verse in three columns. Numbered at the top right: No. 102.

Seascape with Sailing Vessel. Dated: c. 1875. Dimensions: overall: 11.5 x 15.1 cm (4 1/2 x 5 15/16 in.). Medium: watercolor and graphite. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

Baltimore. Artist: Edward Weber, American

Roman galleys, vintage engraved illustration. Journal des Voyage, Travel Journal, (1880-81).

Coral fishermen off the coast of Sicily at Terra Nuova, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

Hussard, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes 1895 Issued by Allen & Ginter American Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.. Hussard, France, from the Famous Ships series (N50) for Virginia Brights Cigarettes 424884

Print made by George Cruikshank, 1792-1878, British, Frontispiece: The Progress of a Midshipman, 1820. Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper.

Print made by Gerard van der Gucht, 1696-1776, British, The Cape of Good Hope, 1736. Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper.

Pro Bono Published / Trente Reine Pieds. Balthasar Anton Dunker (1746-1807). "Pro Bono Publico. Thirty feet of queen". Lithograph in colors.

Amsterdam, Holtrop, Willem, Bendorp, Carel Frederik (I), Dordrecht, S. Geertruidenberg. visible from the Salmsteek, View from the water Salmsteke on Geertruidenberg, View of the Hollands Diep at the height of Geertruidenberg. In the foreground, salmon fishermen on a small boat are unloading the nets they have attached to wooden stakes in the water., print, engraving, prints, engravings, height 240 mm, width 303 mm, Noord-Nederlands, 1736-02-09 - 1814-10-03, print maker, printmaker, 1786 - 1786, fourth quarter 18th century, vier kwart 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1751 - 1835, publisher

Jetty, Dimensions of Normandy, vintage engraved illustration. Magasin Pittoresque 1842.

Depiction of the city and port of Kremenczúk by Johann Heinrich Müntz, executed in black-gray Feder with watercolor over pencil traces and black-gray edging line, 1781, showing urban layout, port, and river.

Arrival of King Jacobus II in France, 1689; The King James 2 Lant to Ambleteuse; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. Arrival of the fled English King Jacobus II at Ambleteuse at Calais on the French coast, January 4, 1689. Part of a series about the fortunes of the English royal family of Stuart of 1558-1711, of which are included here, sixteen prints about the battle between Jacobus II and Willem III in the years 1688-1689.

Roman galleys, vintage engraving. Roman galleys, vintage engraved illustration. Journal des Voyage, Travel Journal, 1880-81. Copyright: xZoonar.com/PatrickxGuenettex 10659774

Painting by Willem van de Velde de Jonge, Bieig again; Rijksmuseum - Amsterdam / 1512 Willem van de Velde (the young) Buise again; Rijksmuseum Amsterdam.

Print, and went on, 1871 - 1920 print paper colour woodcut

Print made by Robert Wallis, 1794-1878, British, Ramsgate, 1814 to 1826. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Ensign Caldwell, c.1800, Prince of Wales Island, Penang, undated. Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, blued white, laid paper.

Shepherd with his herd aan Zee, Pierre Savart, 1747 - 1847 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. fables

Netherlands, Jacobs & Co, J. (Junior), Kruyff, Cornelis de, Lutz, A., Ruin of the former OI Compagnie house. as it appeared at the time that HM the King was there, on the morning of 16 April 1822. collapsed on 13th and 14th of that month, can be seen from Wittenburg, King William I visits the ruins of the East India Company warehouse, 1822, verso - stamped, King William I visits the ruins of the East India Company warehouse in Amsterdam on 16 April, after the collapse on 13-14 April 1822. The king views the ruins from a rowing boat. See also the pendant., print, prints, Frederik Muller Historieplaten, height 462 mm, width 546 mm, print maker, printmaker, 1822 - 1822, paper, papier, etching, etchings, aquatint, color printing, hand coloring, 1774-06-12 - 1828-01-19, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

The Sperm Whale in a Flurry Nathaniel Currier (American, 1813-1888). , 1852. Lithograph, hand colored on heavy wove paper, 8 3/8 x 12 13/16 in. (21.2 x 32.5 cm). American Art 1852

Sailing Ships Near a Cape, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, A two-master is shown in the first plane. Rather a strong wind. A lighthouse is at the cape. The signature L G Haccon f is written upon a sail. Framing line., Netherlands, 1810-1825, Drawing, Drawing

Marina Alemana de Guerra. La fragata acorazada "Kaiser". Dibujo de Cortellini Sánchez. Grabado por Tomás Carlos Capuz (1834-1899). La Ilustración Española y Americana, 22 de noviembre de 1883.

R. C. Hulme, active 1855, Chateau de la Malleraie, 1855. Not colored.

VISTA DEL PUERTO DE ACAPULCO - SIGLO XVIII. Author: Fernando Brambila. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

View of Delfshaven, Jan van Noort (1756-1837), 1766 - 1837 print Delfshaven seen from the sea with ships off the coast. A mill in the middle of the shore. Leiden paper etching / engraving harbour Delfshaven

Adolf Nordenskjold, Swedish explorer, the first to navigate a ship (the 'Vega') through the Northeast Passage from West to East, caught in the ice. Date: 1878 - 79

Chinoiserie from Nouvelle Suite de Cahiers de Dessins Chinois 1790-99 Designed by Jean Pillement French. Chinoiserie from Nouvelle Suite de Cahiers de Dessins Chinois 364550

MARINA MERCANTE SIGLO XIX - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

View of the port of Algiers, North Africa, from the Mediterranean, with several ships in the foreground and castle above the town. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Many of the illustrations were adapted from Bertuch's "Bilderbuch fur Kinder" and others.

John Cleveley the younger, 1747-1786, British, View of Jamestown, St. Helena, From the Sea with Shipping, undated. Watercolor, graphite on smooth, medium, cream laid paper.

Two ships: A Statenjacht and an Explanator, Anonymous, After Reinier Nooms, 1652 - 1701 print Copy in mirror image. On the right the Statenjacht, the hunt for the members of the States General. On the left an interpreter, a ship that accompanies the yacht on the Wadden Sea. Right top corner cut off. Netherlands paper etching sailing-ship, sailing-boat (STATES YACHT)

The Revolt of the Fleet, 1642, John Harris, active 1686-1740, after Thomas Baston, active 1715-1721, after Louis Cheron, 1660-1713, French, ca. 1710, Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm), Plate: 16 5/8 × 18 3/4 inches (42.2 × 47.7 cm), and Image: 14 1/8 × 17 1/2 inches (35.8 × 44.5 cm)

An outrigger, engraving from Water from the Travels by Jean Francois de Galaup comte de Laperouse, 18th Century.

The ship of State as the emblem of the Peace of Breda, 1667, 1667 print The ship of State as the emblem of the Peace of Breda, closed on July 31, 1667 between the Republic and England that ended the Second English War. The ship of State Vaart in quiet water, with the seven provincial layers and personifications of Virto on board. In the water and chained on shore various personifications associated with the war. Admiraal Michiel de Ruyter and Willem Joseph Baron van Gent is on the bow of the ship. Liberum Mare is now on the flag at the top of the mast. In heaven, peoples of the world, including original Americans, Africans and men with turban, are blinded by the radiant light of the naked truth with a Bible. At the bottom of the title and one fresh in three columns. print maker: Northern Netherlandspublisher: AmsterdamAmsterdam paper engraving / etching / letterpress printing ships (in general) (+ propulsion of vehicle, ship, etc. by wind). Native peoples of the Americas. Africans. non

Napoleon's body is embarked in the port of Sint -Helena, Jean Baptiste Arnout, After Victor Adam, 1840 - 1841 print In the port of Sint-Helena, the body of Napoleon in a coffin is sailed on a sloop to the frigate 'Belle Poule', who will bring it back to France. Paris paper coffin. ships (in general). re-burial

Hauling in the Nets, George Bryant Campion, 1796-1870, British, undated, Watercolor, graphite, black chalk, and white gouache on moderately thick, moderately textured, beige, wove paper, Sheet: 9 13/16 × 18 5/16 inches (24.9 × 46.5 cm)

Joseph Constantine Stadler, active 1780-1812, British, Bencooler Bay, Small Road & Wharf, Fort Marlborough, Sumakra, 1799, 1799. Aquatint.

English Navy officer kidnapping an enslaved woman on Barbados Pier, pursued by her owner husband and plantation workers. Johnny running away with a planters wife AKA Barbadoes: Captain Newcome and Mrs. Sambo. Handcoloured copperplate engraving after an illustration by Charles Williams from John Mitfords Adventures of Johnny Newcome in the Navy, London, 1819.

Queen Of Nations, Richard Ball Spencer (London, England, 1812 - 1897) 1870

Germany, Bayreuth, The Flying Dutchman 1901

The little magicians sleight of hand performance. by James Akin circa 1840. Lithograph print on wove paper. A political cartoon satirising the supposed corruption in the Van Buren administration. Focusing on the Van Burens unpopular move for a "Sub-treasury".

Lazio Viterbo Bagnaia Villa Lante002. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vasco de Gama (1460-1524), Portuguese explorer, being greeted by the local inhabitants, during his first voyage round Africa. Illustration 1824

Major Money Adrift in the North Sea early 19th century William P. Sherlock British. Major Money Adrift in the North Sea 651625

Scene tile, three-master on the waves, corner motif of ox's head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow shard square two nail holes. Cobalt blue on white long distance Rotterdam education Academy of Fine Arts and Technical Sciences Cool Coolvest Dijkzigt G.J. de Jonghweg City Triangle Blaak Academy of Fine Arts and Technical Sciences Rotterdam.

Industry and Idleness The idle prentice turned away and sent to sea From the original design by Hogarth from The Works of Hogarth published London 1833 , Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Marée Basse (Low Tide). Dated: 1831. Dimensions: plate: 17.5 x 20.5 cm (6 7/8 x 8 1/16 in.) sheet: 26.5 x 35 cm (10 7/16 x 13 3/4 in.). Medium: lithographic mezzotint on chine appliqué. Museum: National Gallery of Art, Washington DC. Author: EUGÈNE ISABEY.

Spain. Catalonia. Barcelona. Audience at the sea spectacle held during the town's festival. Asarta drawing on "The Iberian Illustration." 1888. Engraving.

Freetown, Sierra Leone, Auguste François Laby, 1784-1860, Jonathan Needham, active 1850-1874, British, c. 1850, Colored lithograph on thick, slightly textured, cream, wove paper, Sheet: 13 1/4 × 29 9/16 inches (33.7 × 75.1 cm) and Image: 10 5/8 × 25 5/16 inches (27 × 64.3 cm)

'Transport', 1838. Artist: Unknown.

William Blake, 1757-1827, British, Illustrations of Imitation of Eclogue I, Page 17, 1821. Wood-engraving and letterpress on medium, slightly textured, cream wove paper.

Scribner's for January.. Chapman, Carlton T.. text. Posters. 1899 - 1906. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Book & magazine posters, Flags , American, Sailing ships , American, United States , History , War of 1812

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