Maritime Scenes

Drawings and prints capturing maritime landscapes with ships at anchor and on the water, showcasing the beauty of nautical life.

View of the IJ in Amsterdam, draughtsman: Everhardus Koster, 1827 - 1892, paper, brush, h 159 mm × w 294 mm

Port face. Leaf 20 Recto from a sketchbook with 44 sheets.

Print, A Brig at Anchor; Print Maker: Francis Seymour Haden (English, 1818-1910); England; etching on cream paper; 16.5 × 23.5 cm (6 1/2 × 9 1/4 in.); Bequest of George Campbell Cooper; 1896-3-394

View of the IJ in Amsterdam, draughtsman: Everhardus Koster, 1827 - 1892, paper, brush, h 159 mm × w 294 mm

Birkenhead from Herculaneum Potteries 1834-1885 England. Watercolor over traces of graphite, on ivory wove paper . Eliot Thomas Yorke

Sheet 9 recto from a sketchbook with 39 sheets, Figures near a bomschuit on the beach of Scheveningen, draughtsman: Johannes Bosboom, Scheveningen, c. 1873, paper, brush

The Fishing Boat 1879-1880 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

The Port of Monaco. Dated: 1873. Dimensions: overall: 23.4 x 38.4 cm (9 3/16 x 15 1/8 in.). Medium: charcoal, black chalk, and gray wash heightened with white chalk on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

Print made by James T. Willmore, 1800-1863, British, The Old Téméraire, 1845. Etching; open etched state on moderately thick, slightly textured, cream wove paper.

unknown artist, A Cutter and Other Shipping in a Breeze, 1827-1828. Watercolor, with pen, in brown ink, blue ink, gouache and scratching out on medium, slightly textured, cream, wove paper.

Dover. Marine art. Graphite, watercolor on medium, slightly textured, cream laid paper. Height: 156 mm (6.14 in); Width: 206 mm (8.11 in). Author: UNKNOWN ARTIST.

The fleet: Evening , Bodies of water, Warships. James McNeill Whistler (1834-1903). Lithographs

Clarkson Stanfield, 1793-1867, British, Three Boats, 1863. Watercolor, graphite, and white gouache on moderately thick, slightly textured, cream wove paper.

Ships on the Scheldt, Isidore Meyers, 1846 - 1913 print paper etching / drypoint sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone) Scales

Eugène Isabey, Landing Stage on the Jetty, c. 1860, oil on panel.

Ludolf Bakhuizen (1630-1708). Dutch Golden Age. Fishing boats and seafarer in heavy weather, also told The gale. Circa 1660-1663. Louvre Museum. Paris. France.

Billingsgate. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: plate: 6 x 8 7/8 in. (15.2 x 22.5 cm)sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

Fishing Luggers (Chasse-marée) Making Sail, Off Calais ca. 1823 Louis François Thomas Francia French A native of Calais, Francia is remembered for his links to British watercolor painting. After studying in his home town at the Académie de Dessin, the artist moved to England in 1790 to teach, exhibited at the Royal Academy and attended Dr. Thomas Monro's "academy" of evening drawing sessions from 1795. He there met Thomas Girtin and became, with the latter, a founding member of the sketching society known as The Brothers. In 1808 Francia joined the Associated Artists in Watercolors and would exhibit over one hundred drawings there. After returning to Calais in 1817, Francia continued to teach and exhibit, introducing French artists to the latest English watercolor techniques. He briefly taught the young Richard Parkes Bonington when the latter's family arrived in Calais from Nottingham in 1817 to manufacture lace, and the two artists remained fast friends after the Boningtons moved on

Richard Parkes Bonington, 1802-1828, British, Vessels in a Choppy Sea, ca. 1824. Watercolor with scratching out on medium, cream, slightly textured, wove paper.

Ruin of the House at Merwede, Jan van Goyen, 1638, Sailboat near the ruin of the House at Merwede near Dordrecht., draughtsman: Jan van Goyen, 1638, paper, brush, h 160 mm × w 215 mm

A Pleasure Junk.

The Roadway of La Rochelle. Gustave Leheutre (French, 1861-1932). Etching;

James McNeill Whistler, Little Dordrecht, 1884 Little Dordrecht

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Two representations of ships, Anonymous, 1700 - 1800

Quay with ships, draughtsman: Adolf le Comte, 1860 - 1921, paper, brush, h 107 mm, w 183 mm × h 218 mm

Fishing Boat. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 6 1/8 × 9 1/8 in. (15.6 × 23.1 cm)Sheet: 7 5/8 x 9 3/8 in. (19.4 x 23.8 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

River view with church tower, print maker: Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, (mentioned on object), The Hague, 1856 - 1893, paper, etching, h 88 mm × w 142 mm

Sketch of Fishing Boats and Sailors. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1902. Dimensions: 115 x 154 mm (image/plate); 116 x 157 mm (sheet). Drypoint in black on cream card. Origin: United States. Museum: The Chicago Art Institute, USA.

Whistler, James Abbott McNeill, England, Sixteen etchings of scenes on the Thames and other subjects, Limehouse, verso lower left - stamped, A number of boats moored at warehouses and a lime kiln along the quay., print, prints, height 125 mm, width 201 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1859 - 1859, third quarter 19th century, paper, etching, etchings, Work conception, after own design by

Berthe Morisot, The Front of a Yacht (L'avant d'un yacht), 1875, watercolor over graphite on cream wove paper.

A black chalk drawing with deck white highlights showing ships positioned in front of a rock grotto.

Finch, Alfred William, work, Sailboats in the harbor, technique text: line etching, graphics, TECHNIQUE, sailboat, anchor, LANDSCAPE, sea, plate width 14.6 cm, plate height 14.6 cm, leaf width 17.5 cm, leaf height 25.7 cm

Normandy Coast. Date/Period: Ca. 1825. Painting. Oil on panel. Height: 276 mm (10.86 in); Width: 394 mm (15.51 in). Author: Richard Parkes Bonington.

Souvenirs d' Artistes (No. 78): Six Marines: Environs de Rouen, 1832. Paul Hüet (French, 1803-1869). Lithograph on chine collé; sheet: 44.8 x 31.3 cm (17 5/8 x 12 5/16 in.); image: 22.7 x 16.4 cm (8 15/16 x 6 7/16 in.).

Fischen am Blythe-sand, die Flut setzt ein. Date/Period: 1809. Painting. Oil on canvas. Height: 89 cm (35 in); Width: 119.5 cm (47 in). Author: J. M. W. Turner.

The pilot prints, etchings, works on paper

Sailing ships on the water, near the shore. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 200 mm × w 322 mm. Museum: Rijksmuseum, Amsterdam.

E.Boudin / Port of Camaret / Detail

William Stanely Haseltine, Blankenbergh, 1876 Blankenbergh

Dieppe Pier, Stiff Breeze, David Cox, 1783-1859, British, ca. 1832, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 9 inches (16.8 x 22.9 cm), birds, coast, marine art, ships, Dieppe, Europe, France, Haute-Normandie, Seine-Maritime, Département de la

Sailing ships at riverbank. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 115 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

View of San Giorgio Maggiore from La Riva Degli Schiavoni, Venice Arthur Joseph Meadows (1843-1907 British) Painting Christie's Images, London, England

City on the water. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1845. Measurements: h 310 mm × w 420 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Brig Coming About, West Point; Samuel Colman (American, 1832 - 1920); USA; brush and watercolor, gouache, graphite on paper; 7 × 19 cm (2 3/4 × 7 1/2 in.)

A pencil sketch by Peter Fendi depicting a sailing trip, showing boats, water, and surrounding landscape, from a sketchbook dated 1820-1823.

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Thomas Creswick, 1811-1869, British, A Sailing Boat Becalmed, undated. Pen, brown ink, black ink and graphite on medium, smooth, cream wove paper.

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Mills to Dordrecht. Painted in 1881.

Two Small Boats Moored to Beach (from Scrapbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 3 15/16 x 6 1/2 in. (10 x 16.5 cm). Date: ca. 1875. Museum: Metropolitan Museum of Art, New York, USA.

Weissenbruch, Jan, The Hague, Stam, Willem Hendrik, Jetty with figures near a boat, verso middle - stamped, print, prints, height 82 mm, width 122 mm, Netherlands, 1831-06-29 - 1874-01-03, print maker, printmaker, 1841 - 1874, paper, wood engraving, Work conception, 1822-03-18 - 1880-02-15

A Sailing Ship, Filippo Marchionni, Italian, 1732-1805, Pen and ink on paper, A sailing ship facing left., Italy, ca. 1780, transportation, Drawing, Drawing

John Constable, 1776-1837, British, Two Ships at Anchor, 1803. Graphite on medium, slightly textured, cream laid paper.

In Low Tide. Dated: 1888. Dimensions: image: 341 x 282 mm sheet: 440 x 378 mm plate: 370 x 314 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Prosper Louis Senat.

view of the shore at the opening ceremony, Suez canal opening party, 19th century watercolor, Edouard Riou, Museo de la evolución humana, MEH, Burgos , Spain.

Bomschuit is pulled onto the beach, Hendrik Willem Mesdag, 1841 - c. 1915 drawing paper. deck paint. watercolor (paint) brush

Sailing ship on a turbulent sea, George Hendrik Breitner, Rotterdam, 1873, paper, pencil, h 242 mm × w 347 mm

Man Overboard, 1926. Arthur John Trevor Briscoe (British, 1873-1943). Etching;

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Abend vor Venedig (Evening nearVenice). Artist: Carl Theodor Thiemann, Austrian, 1881-1966

'The Pool of London', 1888 (1906). Artist: Unknown.

Harbor of Naples. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 5 x 7 3/4 in. (12.7 x 19.7 cm)sheet: 7 13/16 x 10 3/8 in. (19.8 x 26.4 cm). Date: 1887. Museum: Metropolitan Museum of Art, New York, USA.

The Harbor at Honfleur Frank Myers Boggs (American, 1855-1926). The Harbor at Honfleur, 1886. Oil on canvas, 34 9/16 x 50 1/2 in. (87.8 x 128.2 cm). In The Harbor at Honfleur, Frank Meyers Boggs skillfully distills the effects of natural light on water and moving forms. By 1876 the Brooklyn-trained landscape painter had settled in Paris, and he became a French citizen in 1923. He won the hearts of Parisian critics for his freely executed paintings and watercolors of architectural cityscapes and harbors such as that of the northern French coastal town of Honfleur. American Art 1886

Two-master and fishing fleet, circa 1930, England, by Alfred Wallis.

. A 'shocker' with fishing utensils and three figures, one of which is on the helm. This print is part of a series of twelve prints with different sailing ships.

Edward William Cooke, Venice at Sunset, 1864, watercolor and gouache, with gum arabic, on cream wove paper.

East Cowes Castle, the Seat of J. Nash, Esq., the Regatta Beating To Windward. Date/Period: 1828. Painting. Oil on canvas. Height: 35.5 in (90.1 cm); Width: 47.5 in (120.6 cm). Author: J. M. W. Turner.

Shipwreck, 1830 - 1860 Turbulent sea with a sailing ship of which the three masts have largely been demolished. Page 17 Recto from a sketchbook with 46 sheets. paper. pencil Turbulent sea with a sailing ship of which the three masts have largely been demolished. Page 17 Recto from a sketchbook with 46 sheets. paper. pencil

"Sailboats Racing on the Delaware, detail 1874 Oil on canvas by Thomas Eakins, American, 1844 - 1916"

William Parrott, 1813-ca. 1869, British, Granville, ca. 1843. Watercolor and graphite on medium, slightly textured, cream wove paper.

Haglund, Robert Ludvig, work, Moonlight picture from Stockholm, 1889, line etching, graphics, plate width 23.3 cm, plate height 34.5 cm, leaf width 48.2 cm, leaf height 63.3 cm, image width 20.2 cm, image height 29.3 cm

Ships at Sea. Hendrick Willem Mesdag; Dutch, 1831-1915. Date: 1908. Dimensions: 94 x 135 mm. Black crayon on cream card. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Hendrick Willem Mesdag.

Painting titled 'The Yarmouth Water Frolic' by John Crome (1761-1821) English landscape artist of the Romantic era, and John Berney Crome (1794-1842) English landscape and marine painter associated with the Norwich School of artists. Dated 19th Century

Scenic, Hand painted on paper, mounted on canvas, Sailing vessel towing rowboat, with other sailing vessels in distance, and a lighthouse on shore, at left. Blue-green sea. Pale graded sky., France, ca. 1840, Wallcoverings, Scenic

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

A Busy Quayside in Brittany with Fishing Boats Returning. Hector Caffieri (1847-1932). Watercolour heightened with white. 34.3 x 50.2cm.

James Holland, 1799-1870, British, The Zattere, Sunset, undated. Watercolor over graphite on medium, slightly textured, cream wove paper.

Urk, former island, which is now the oldest and smallest municipality in the Dutch province of Flevoland, Netherlands, Holland, authentic reproduction of a school mural, historic, around 1900

Poon with three figures on open water under a Dutch flag. The print is part of a series with sailing ships, Poon on open water A Poon (title on object) Sailing ships (series title), print maker: David Kleyne, (mentioned on object), 1763 - 1805, paper, h 206 mm × w 147 mm

Nile nugger, 19th century illustration

Vessel, draughtsman: Willem van de Velde (II), 1643 - 1707, paper, h 102 mm × w 95 mm

PINTURA - 1991. Author: MIQUEL BARCELO.

Fishing port in Hel. Sipiński, Alfred Józef (fl. ca 1930), painter

Antibes - Morning. Date/Period: 1914. Painting. Oil on canvas. Height: 80 cm (31.4 in); Width: 120 cm (47.2 in). Author: Paul Signac.

Regatta in Venice. Date/Period: 1903/1904. Painting. Oil on canvas. 73.7 x 92.7 cm. Author: Henri-Edmond Cross.

A wijdschip and a kaag in an inlet close to a sea-wall. Date/Period: Ca. 1661. Painting. Oil on canvas. Height: 600 mm (23.62 in); Width: 700 mm (27.55 in). Author: Willem van de Velde the Younger.

Le Havre, Eure Basin, Sailing Boats at Anchor, Sunset; Le Havre, Bassin de l'Eure, Voiliers a l'Ancre, Soleil Couchant. Eugene Boudin (1824-1898). Oil on canvas. Sighed and dated 1870. 46.3 x 65cm.

The Pool of London, 1924-1926. Artist: FP Dickinson

La Barque Rouge The Red Boat 1905 Odilon Redon (1840-1916 French) Oil On Wood Musee d'Orsay, Paris, France

Edward Clarke Cabot, The Levee, 1866, oil on academy board.

This image shows Sailing Boats in St Tropez Harbor (also called Flagged Sailboats in Port) by Paul Signac. It dates to 1893. Paul Victor Jules Signac(1863 1935) was a FrenchNeo-Impressionistpainterwho, working withGeorges Seurat, helped develop thePointilliststyle, developing the technique in 1886, branching fromImpressionism. The term 'Pointillism' was coined byart criticsin the late 1880s to ridicule the works of these artists. Pointillismis a technique ofpaintingin which small, distinct dots of color are applied in patterns to form an image.

Boat at sunset by Pynacker, Adam (1621-1673)/ State Hermitage, St. Petersburg/ ca 1654/ Holland/ Oil on wood/ Baroque/ 43,5x35,5/ Landscape

UNDER A CLOUD, by Albert Pinkham Ryder, 1900, American painting, oil on canvas. This evocative nocturnal seascape depicts a large dark cloud next to a small full moon over a sailboat the water (BSLOC_2017_9_34)

Gloucester Harbor Winslow Homer (American, 1836-1910). , 1873. Wood engraving, Image: 9 1/4 x 14 in. (23.5 x 35.6 cm). Gloucester, which was the first settlement on the North Shore of Massachusetts Bay, lies on the peninsula of Cape Ann, Massachusetts. It was a busy seaport known not only for its fishing industry, but also for its attraction to tourists and artists. In fact, by the third quarter of the nineteenth century, it had developed a reputation as a good place for artists to work. Homer spent the summer of 1873 in Gloucester, where he lived at the Atlantic Hotel. He spent his days sketching and made his first series of watercolors that summer. American Art 1873

'The Sun of Venice Going to Sea', 1843. Artist: JMW Turner

Lighthouse in Breaking Waves. From 1870 the fishing village of Scheveningen grew rapidly into a modern seaside resort. Mesdag, however, rarely depicted the boulevard, or the new harbour that was built in 1904. He preferred to paint the traditional life of fishermen. This picture is an exception: a light-house, or rather a beacon. Signal lights, piers and the lighthouse were installed in Scheveningen only in the early 20th century.

Mussel Boats, Honfleur. William Lee Hankey (1869-1952). Oil on canvas. 28 x 36in

Painting titled 'Shrimp Fishing Along the Coast' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century

Sailing. Date/Period: Ca. 1875. Painting. Oil on canvas. Height: 81 cm (31.8 in); Width: 117.5 cm (46.2 in). Author: Thomas Eakins.

Newhaven Packet, 1885. By Henry Moore

A pencil and watercolor work by Oskar Laske from 1913 depicting Girgenti, showing urban architecture, streets, and spatial composition.

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