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Maritime Scenes

Drawings and prints capturing maritime landscapes with ships at anchor and on the water, showcasing the beauty of nautical life.

View of the IJ in Amsterdam, draughtsman: Everhardus Koster, 1827 - 1892, paper, brush, h 159 mm × w 294 mm
View of the IJ in Amsterdam, draughtsman: Everhardus Koster, 1827 - 1892, paper, brush, h 159 mm × w 294 mm
112 assets in this story
6145-30323715
Formerly imitator of George Chinnery, 1774-1852, British, View of Chinese Harbor, possibly Macao, undated. Watercolor, pen and brown ink and graphite on textured, thick, cream wove paper.
1899-18309245
Struggling Sailboat, Ryder, Albert Pinkham
6145-59265862
Scheepswerf, Willem Anthonie van Deventer, 1850 drawing   paper. pencil. watercolor (paint) brush pier, quay, wharf
4409-17516699
Gezicht op de kleine haven van Palermo. Vue du Petit Port de Palerme (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 260 mm × w 740 mm. Museum: Rijksmuseum, Amsterdam.
4409-17561250
River Boat. Charles François Daubigny; French, 1817-1878. Date: 1855-1865. Dimensions: 8 1/4 × 17 7/8 in. (21.2 × 45.4 cm), unframed. Oil on board. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.
849-10778
The Docks by Carlton Theodore Chapman,  oil on wood,  (1860-1925),  USA,  Philadelphia,  Pennsylvania,  David David Gallery
1899-18717158
Constantinople was the largest and richest urban center in the Eastern Mediterranean Sea during the late Eastern Roman Empire, mostly as a result of its strategic position commanding the trade routes between the Aegean Sea and the Black Sea. It would remain the capital of the eastern, Greek-speaking empire for over a thousand years. In its heyday, roughly corresponding to the Middle Ages, it was the richest and largest European city, exerting a powerful cultural pull and dominating economic life in the Mediterranean. Visitors and merchants were especially struck by the beautiful monasteries and churches of the city, in particular, Hagia Sophia, or the Church of Holy Wisdom: A Russian 14th-century traveler, Stephen of Novgorod, wrote, 'As for St Sophia, the human mind can neither tell it nor make description of it'.
1746-19674354
The Gulf Stream by Winslow Homer. Showing a rudderless fishing boat with a man in it, struggling against the crashing waves of the sea. Oil on canvas, circa 1899.
1788-11506
Shipwreck from 'Heart' by Edmondo De Amicis (1846-1908), drawing
6145-51832478
Unloading Plaster John Singer Sargent (American, born Italy, 1856-1925). Unloading Plaster, ca. 1908. Opaque and translucent watercolor with graphite underdrawing, 13 7/8 x 19 3/8 in. (35.3 x 49.2 cm).  Sargent altered large portions of this composition by scraping away previous paint applications, abrading the surface of the paper in the process. The largest alterationthe area of the entire rowboat and the nudeswas then repainted with thickly applied opaque watercolors bulked with zinc white. This repainting is so masterful that it is difficult to detect without the aid of a microscope, which reveals clumps of the abraded surface fibers in the paint. Sargent altered the triangular sail at right and repainted it with white lead, a pigment rarely used because of its tendency to darken (as seen in portions of the sail and in the figures to the left of the sail). American Art ca. 1908
6145-52368726
LUNCH held by NORDDEUTSCHERRR LLOYD BREMEN at "SS ""FRIEDRICH DER GROSSE""" (SS;). Buttolph, Frank, 1850-1924. Menus. 1901. Rare Book Division
6145-52343327
The city of the true cross.. Wyeth, N. C. (Newell Convers) (1882-1945). Illustrations. 1920. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Action & adventure dramas, Kingsley, Charles, 1819-1875. Westward ho!, Sailing ships, Harbors, Hills, Warships, Bodies of water, Galleons
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