Maritime Scenes and Landscapes

Etchings and drawings depicting serene maritime landscapes, featuring boats and rivers, conveying tranquility with a focus on water and coastal life.

Riverside with three sailing ships, draughtsman: Jan van Goyen, 1652, paper, brush, h 122 mm × w 198 mm

Edward Goodall, 1795-1870, British, Alborough, Suffolk, 1827-1838. Open etching.

A Zaandam, Holland (At Zaandam,Holland). Artist: Maxime Lalanne, French, 1827-1886

Artist, style of: Abraham Rademaker, Dutch, 1675-1735, HarbourScene, Pen and brown ink and gray wash, 10 × 15.9 cm (3 15/16 × 6 1/4in.), Made in The Netherlands, Dutch, 18thcentury, Works on Paper - Drawings andWatercolors

Riverside with three sailing ships, draughtsman: Jan van Goyen, 1652, paper, brush, h 122 mm × w 198 mm

Numbered top right: 244., View of Concarneau À Concarneau , print maker: Maxime François Antoine Lalanne, (mentioned on object), Maxime François Antoine Lalanne, (mentioned on object), publisher: Alfred Cadart, (mentioned on object), print maker: France, publisher: Paris, 1874, paper, etching, drypoint, h 186 mm - w 238 mm

Johan Barthold Jongkind (1819-1891). "View of the port, at the railway, in Honfleur". Etching on Werned Holland laid paper: "Aqua-fortists". 1866. Museum of Fine Arts of the City of Paris, Petit Palais. 74388-9 Sailing boat, etching, fishing net, ship, fishing, pearl, port, quai, port city, sailboat, engraving

Winter face, Jan van de Cappelle, 1634 - 1700 drawing paper. watercolor (paint). chalk brush

At Zaandam. Maxime Lalanne; French, 1827-1886. Date: 1877. Dimensions: 146 × 225 mm (image); 190 × 261 mm (primary support); 200 × 280 mm (plate); 330 × 442 mm (secondary support). Etching and drypoint on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sailboats at Anchor in CalmWater. Artist: Unknown After: Jan Brueghel the Elder, Flemish, 1568-1625

A sketch from Billingsgate. Whistler, James McNeill (1834-1903). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Study of a group of people, draughtsman: Johannes Jacobus Bertelman, 1831 - 1899, paper, h 29 mm × w 49 mm

Robert Brandard, 1805-1862, British, Tours, 1833. Line engraving.

William Hodges, 1744-1797, British, View of Calcutta from Garden House Reach, ca. 1781. Gray wash, pen and black ink over graphite on laid paper, laid down on 19th century wash mount.

Bliżej Kultury H. Kleinmann & Co Haarlem, Ruysdael, Salomon van (ca 1600 1670)

Vue du Port au Chemin de Fer à Honfleur (View of the Port from the Railroad ofHonfleur). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Print made by Thomas Creswick, 1811-1869, British, Moonlight, 1839. Etching on thick, slightly textured, cream wove paper with cream chine collé.

Eugène Boudin, Marine View Marine View

Sketch of a landscape with a mill on the left, Andreas Schelfhout, 1797 - 1870 drawing paper. pencil factories and mills in landscape

Greenhithe. James McNeill Whistler; American, 1834-1903. Date: 1876-1877. Dimensions: 149 x 225 mm (plate); 221 x 322 mm (sheet). Drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Fulham. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

James McNeill Whistler, The Pool, 1859, etching on paper.

River with ships at a built-up bank. Draughtsman: Louis Meijer. Dating: 1819 - 1866. Measurements: h 357 mm × w 518 mm. Museum: Rijksmuseum, Amsterdam.

Riedijkshaven in Dordrecht at evening, Carel Nicolaas Storm of 's -Gravesande, 1887 - 1889 print Left are moored ships; On the right two figures sail in a boat. An open bridge in the background. Netherlands paper drypoint harbour. evening Dordrecht

Artist: James Mc, Neill Whistler, American, 1834-1903, Limehouse, Lithograph, 27.9 × 41.3 cm (11 × 16 1/4in.), Made in United States, American, 19thcentury, Works on Paper -Prints

River face with three fishermen and face on Leiden, Jan van Goyen, 1647 drawing paper. chalk brush river bank. fresh-water fishery Leiden

George Cooke, 1781-1834, British, Teignmouth, Devon, 1814-1826. Etching and engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper.

A drawing by Abraham Casembrot depicting a harbor with sailing boats and a flat, rising beach, executed in ink, bistre, and brush with wash.

James McNeill Whistler (American, 1834 - 1903), The Large Pool, c. 1879, etching

Thames warehouses, 1859, by James McNeill Whistler (1834-1903), etching

The Canal (Le Canal). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johan Barthold Jongkind.

Calm, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink Fifth published state on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 13 3/8 inches (27 × 34 cm), Plate: 8 1/2 × 12 inches (21.6 × 30.5 cm), and Image: 7 × 10 5/8 inches (17.8 × 27 cm)

John Wilson Ewbank, 1779-1847, British, Coast Scene, undated. Graphite with white gouache on medium, smooth cream card.

James McNeill Whistler, The Broad Bridge, 1878 The Broad Bridge

The Isle, Paris (PontNeuf). Artist: Frank Myers Boggs, American, 1855-1926

Winter face with figures at boats at a boathouse, Adrianus Everssen, 1828 - 1897 drawing paper. pencil brush ice ~ freezing weather

Bracquemond, Félix, Vue de la Tamise (prise de Limehouse), Limehouse 1871, View of the Thames at Limehouse harbor in London, print, prints, height 178 mm, width 230 mm, 1833 - 1914-10-29, print maker, 1871 - 1871, third quarter 19th century, paper, etching, Work conception, after own design of

Amsterdam, from the Tolhuis 2. Whistler, James McNeill (1834-1903). 1863. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Seine at the Mouth of the Canal Saint-Martin. Louis Auguste Lepère; French, 1849-1918. Date: 1904. Dimensions: 144 × 254 mm (image/plate); 231 × 341 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Winter view near Amsterdam. People walking on the frozen IJ River. On the left a dike and ships in the ice. Frozen IJ near Amsterdam Winter view of the Y at Amsterdam , print maker: Abraham Lion Zeelander, (mentioned on object), after: Albertus Brondgeest, (mentioned on object), Amsterdam, 1799 - 1856, paper, etching, engraving, h 310 mm × w 347 mm

Marine View. Dimensions: plate: 12 x 16 cm (4 3/4 x 6 5/16 in.) sheet: 18.8 x 25.8 cm (7 3/8 x 10 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

San Giorgio , Boats, Waterfronts, Churches, San Giorgio maggiore Church : Venice, Italy. James McNeill Whistler (1834-1903). Lithographs

Flight from Hugo de Groot to Gorinchem by ship, 1621. Hugo de Groot escapes in the book box from Slot Loevestein on March 22, 1621. The maid Els van Houwen wave with a handkerchief from the sailboat with the book box to Maria van Reigersberg, remaining in it Castle, as a sign that everything goes well. Design for a print.

Sketch of a landscape with on the left a windmill, draughtsman: Andreas Schelfhout, 1797 - 1870, paper, h 93 mm × w 170 mm

`The Pavillon de Flore', 1915. Artist: Eugene Bejot.

Face on the scribble scribe and mallegat; Hooft van de Krap and 't Malle Hat. View of the scribble scribe and malegat at Dordrecht, with a few houses and nine mills on the shore.

Last shot from Dordrecht to the French in Papendrecht, 1813. Draughtsman: Johannes Christiaan Schotel. Dating: 1813 - 1838. Place: Netherlands. Measurements: h 284 mm × w 494 mm. Museum: Rijksmuseum, Amsterdam.

Havagingly, Casparus Karons, 1820 - 1896 drawing paper. pencil brush / brush harbour

Joseph Pennell, The Old and the New, 1917 The Old and the New

Thames Police, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Mountain landscape with built -up bank, Frederic Mylius, 1859 print A bank built with palazzi seen from a water, possibly Lake Como. A boat with a number of passengers is brought forward by two men with rowing pans. Bergen in the background. Italy paper etching lake. city-view, and landscape with man-made constructions. rowing-boat, canoe, etc.

Deveneter (Sketch). Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 2 1/4 x 5 1/16 in. (5.7 x 12.9 cm)sheet: 3 x 5 3/4 in. (7.6 x 14.6 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA.

Fish-Houses. Dated: 1881. Dimensions: plate: 14.92 × 24.77 cm (5 7/8 × 9 3/4 in.) sheet: 24.45 × 34.29 cm (9 5/8 × 13 1/2 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles A. Platt.

James McNeill Whistler, The Little Pool, 1861 The Little Pool

The Thames Towards Erith. Dated: c. 1877. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Cologne, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1824, Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper, Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm), Plate: 16 3/8 × 21 1/2 inches (41.6 × 54.6 cm), and Image: 13 1/8 × 18 1/2 inches (33.3 × 47 cm)

Ships on the beach, draughtsman: Johannes Christiaan Schotel, 1797 - 1838, paper, pen, h 252 mm × w 439 mm

Stadsgracht, Henri Wouters, 1876 - 1918 print paper etching / drypoint canal

Print, Souvenir; France; etching in dark brown ink on cream paper; 19.9 × 29.6 cm (7 13/16 × 11 5/8 in.); Bequest of George Campbell Cooper; 1896-3-380

Limehouse. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 × 8 in. (12.7 × 20.3 cm)Sheet: 9 5/16 × 13 1/16 in. (23.7 × 33.1 cm). Series/Portfolio: Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA.

Port face abroad. .

Sunset on the Thames 1860-1870 England. Etching and drypoint on ivory laid paper . Francis Seymour Haden

The Pool 1859 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

VALMY QUAI, 1926 Gustave Ferdinand Boberg (1860-1946), Swedish Architect. Valmy Quai. Pencil. Paris (X�me Arr.), 1926.

James H. Kernot, active early 19th century, 1836. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Painting by the famous Dutch artist Vincent Van Gogh (30th March 1853 - 29th July 1890), work titled Rhone Quay. Completed in 1888.

Richard Parkes Bonington, Le Crotoy, c. 1823, watercolor, with scraping, on cream wove paper.

Dartmouth, William Collins, 1788-1847, British, undated, Pen and black ink, watercolor and graphite on medium, moderately textured, brown wove paper, Sheet: 5 1/4 × 10 inches (13.3 × 25.4 cm), marine art

View of 's Lands Zeemagazijn. Draughtsman: Caspar Jacobsz. Philips. Draughtsman: Jan de Vlaming. Dating: 1768. Measurements: h 245 mm × w 350 mm. Museum: Rijksmuseum, Amsterdam.

Sailing ships on a canal in Amsterdam. In the background possible the tower of the Zuiderkerk. Leaf 34 Verso from a sketchbook with 38 sheets.

Seascape with Boats 1898 France. Etching on ivory laid paper . Eugène Louis Boudin

Whistler, James Abbott McNeill, England, Sixteen etchings of scenes on the Thames and other subjects, Black Lion Wharf, Black Lion Wharf in London, verso center left - stamped, Black Lion Wharf on the Thames in London, with a row of warehouses on the quay. On the foreground a man sitting on the quay., print, prints, with a row of warehouses on the quay. In the foreground a man sitting on the quay. Printed on Old Dutch paper with wide margins, supplied by Carel Vosmaer., height 150 mm, width 225 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1859 - 1859, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Frank Duveneck, Riva degli Schiavoni, No 2, 1880 Riva degli Schiavoni, No. 2

EVENING AT SOUTHAMPTON, CANADA, NINETEENTH CENTURY ENGRAVING

Thomas Jeavons, ca. 1800-1867, British, Exeter, 1827-1838. Line engraving, engraver's proof (completed).

Oyster market on West Street, 1903. on cover: Picturesque New York. Twelve photogravures from monotypes by C. F. W. Mielatz. Mielatz, Charles Frederick William (1860-). Eno, Amos F., 1836-1915. Prints. 1908. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Markets , New York (State) , New York, New York (N.Y.) , 1900-1909, Oyster industry

Inn on the Amstelveensweg. Draughtsman: Rembrandt van Rijn. Dating: c. 1652. Place: Amsterdam. Measurements: h 141 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

View of a palace in Livorno, Anonymous, After Melchior Küsel (I), after Johann Wilhelm Baur, c. 1700 - c. 1710 View of a palace on the waterfront in Livorno. Different ships on the water. Title in French in STUDMARGE. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Livorno View of a palace on the waterfront in Livorno. Different ships on the water. Title in French in STUDMARGE. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Livorno

Lithograph.Lithography in black, white, brown and blue depicting the harbor in Reval.City view in the background and sailing ships and steamers in the foreground.Text over the motive: "Album von Reval", text under the subject: "Der Hafen von Reval", "Gez. V. Lh Petersen", "Verlag U Eigenthum v. Lh Petersen in Reval", "Lith Anest V F Schwabe in Berlin".Lithography made by LH Petersen (1805-1895), the port of Reval 1860-1870.1860 - 1870.

The Wash-house (Le lavoir). Dated: 1891. Medium: etching touched proof. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Blankenberghe; Loewenstein, Aenena (1871-1925); 1908 (1908-00-00-1908-00-00);

The Front at Brighton, Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), undated, Gray wash with pen and brown ink over graphite on thick, moderately textured, cream wove paper, Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm), cityscape, coast, gazing, man, shoreline, Brighton, East Sussex, England, United Kingdom

Face in Antwerp, Carel Nicolaas Storm van 's-Gravesande, 1870 drawing paper. pencil. watercolor (paint) brush public road Antwerp

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), two stubmoels by a road, CIRCA 1848

Boot with ironed mast lying ashore, Adrianus Everssen, 1828 - 1897 drawing paper. watercolor (paint) brush

Le Bords de la Seine (The Banks of theSeine). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907

Sand delivery by the Vistula near Warsaw. Gorazdowski, Edward (1843-1901), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist

Widok Canal Grande od strony Palazzo Vendramin Calergi, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Jetee en bois dans le port de Honfleur Johan Barthold Jongkind (Dutch, 1819-1891). Jetee en bois dans le port de Honfleur, 1865. Etching and drypoint on China paper laid down, 9 7/16 x 12 5/8 in. (23.9 x 32 cm). European Art 1865

The Wagg-Poids of the City of Amsterdam, 1879. Maxime Lalanne (French, 1827-1886). Etching;

Boats at Low Tide. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 5 7/8 x 9 7/8 in. (14.9 x 25.1 cm)sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.

The Thames 1896, printed 1903 or 1904 James McNeill Whistler American. The Thames 372951

Scheveningen. Robert Swain Gifford (American, 1840-1905). Etching;

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Hübner, Urlich (1872 1932)

Tours, Print made by Edward Francis Finden, 1791-1857, British, after Samuel Prout, 1783-1852, British, 1833, Line engraving on medium, slightly textured, cream wove paper

Joseph Mallord William Turner, Calm, published 1812 Calm

Face at De Lemmer (), draughtsman: Jan Bulthuis, 1760 - 1801, paper, pen, brush, h 75 mm × w 101 mm

Paul Signac, Evening (Le soir), 1898 Evening (Le soir)

William Brockedon, 1787-1854, British, Sketch from the Bridge. Graphite.

Calm.. Turner, J. M. W. (Joseph Mallord William) (1775-1851). 1812. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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