Maritime Scenes and Landscapes

Etchings and drawings depicting serene maritime landscapes, featuring boats and rivers, conveying tranquility with a focus on water and coastal life.

Riverside with three sailing ships, draughtsman: Jan van Goyen, 1652, paper, brush, h 122 mm × w 198 mm

Emilio Sánchez Perrier (Drafstman) / 'Heading of a letter: View of Venice from a Jetty'. 1884. Wash, Grey ink on laid paper. Museum: Museo del Prado, Madrid, España.

'From Pickled-Herring Stairs', c1878, (1904). Artist: James Abbott McNeill Whistler.

Pourville-sur-Mer. Dimensions: sheet: 8.8 × 14.5 cm (3 7/16 × 5 11/16 in.) mount: 9.84 × 15.56 cm (3 7/8 × 6 1/8 in.). Medium: watercolor and gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: Follower of James McNeill Whistler.

Tours - looking backwards, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, engraver's proof

View of the Amstel and the Zuiderkerkstoren, Frans Schikkinger, 1848 - 1902 print View of the river Amstel with the silhouette of the Zuiderkerkstoren in the middle. Amsterdam paper etching / drypoint river Amstel (river). Zuiderkerk

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

River view with a steamboat, Joseph Hartogensis, 1854 print The Hague paper. etching steamship, motorship. river (+ landscape with figures, staffage) Zaltbommel

The Blockade Station, Rye, Clarkson Stanfield, 1793-1867, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 9 1/4 inches (16.5 × 23.5 cm), beach, birds, boats, flags, genre subject, hulk (utility and service vessel), marine art, shack, ship, smoke, England, Rye, Sussex, East, United Kingdom

Extremely high water level at Scheveningen, December 1790, Jacobus Buys, 1790 - 1801 drawing paper. ink pen / brush historical events and situations. spring-tide Scheveningen

Toronto:distant view across the water Date: 1907

'The Large Pool', 1879 (1904).Artist: James Abbott McNeill Whistler

Regatta na Canal Grande na wysokości Palazzo Balbi, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Vecht at the mouth of the Zuiderzee. L'embouchure du Vecht et la Zuyderzee (original title on object) La Hollande (original series title)., print maker: Carel Nicolaas Storm van 's-Gravesande, (mentioned on object), 1877, paper, etching, drypoint, h 174 mm × w 264 mm

Westport (Scotland). Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 10 3/8 × 14 3/16 in. (26.3 × 36 cm)Plate: 6 7/8 × 10 1/2 in. (17.5 × 26.7 cm). Date: 1891.The Scottish etcher and painter Cameron, inspired by the works of James McNeill Whistler and Charles Meryon, became a leader of the Scottish etching revival. Cameron's use of light and shade in this print, completed during a trip to Scotland's Westport Harbor, result in a composition that is bold and modern in design. Similar to Meryon's prints of Paris, Cameron contrasts illuminated masses with velvety black shadowing, while forms are meticulously defined through elegant line work. Museum: Metropolitan Museum of Art, New York, USA.

Matinée d'Hiver sur les Quais, Félix Hilaire Buhot, French, 1847-1898, Etching and aquatint in dark brown ink on white paper, A small packet steamer is tied up at a quay, with the sea, left. Figures stroll on the quay, seen in the snow. A sign, center distance, reads: 'Havre'., France, 1877, Print, Print

Ice fun in Harlingen, 1823, Willem Hendrik Hoogkamer, After Wijnand Esser, 1823 print Ice fun on the frozen harbor of Harlingen, January 26, 1823. On the left an ice barge chased by a group of children, right tents on the ice where food and drink is sold (cake and zopie), a sled and some skaters in the middle. See also the Pendant. Netherlands paper etching skates (winter sports). ice-sailing (winter sports). sledge, sleigh (winter sports). ice ~ freezing weather Harlingen

view of the shore at the opening ceremony, Suez canal opening party, 19th century watercolor, Edouard Riou, Museo de la evolución humana, MEH, Burgos , Spain.

Rotherhite James Abbott McNeill Whistler (American, 1834-1903). Rotherhite, 1860. Etching on paper, Image: 10 11/16 x 7 3/4 in. (27.1 x 19.7 cm). American Art 1860

Widok na Ponte Rialto, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

View of the Binnenkant to the Oude Schans. Draughtsman: Joris van der Haagen. Draughtsman: Pieter Latombe. Draughtsman: A. Beerstraten (rejected attribution). Dating: 1625 - 1669. Measurements: h 248 mm × w 441 mm. Museum: Rijksmuseum, Amsterdam.

Face of the ferry in Leerdam and Heukelum in the offing, Izaak Jansz. de Wit, after E.M.F. Tray, 1801 print Fifguren and cattle on a ferry for water mills. Haarlem paper etching windmill in landscape. watermill in landscape. ferry. river Leerdam. Heukelum

Study for View of Westminster Hall and Bridge, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1810. Dimensions: 187 × 260 mm. Graphite on buff wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Jeavons, ca. 1800-1867, British, Devonport and Dockyard, Devonshire, 1827-1838. Line engraving, engraver's proof, touched.

Peter DeWint, 1784-1849, British, Gloucester, undated. Watercolor, white gouache, graphite and scraping out on thick, cream, rough wove paper.

Henry Rushbury, Low Tide, La Rochelle, 1921, etching on laid paper.

Childe Hassam, North River, 1917 North River

Face on Emmerich. Face on Emmerich. In the foreground the river Rhine. This print is part of an album.

Quai duLouvre. Artist: Eugène Béjot, French, 1867-1931

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The Adam and Eve Tavern, Old Chelsea, 1878. Etching and drypoint on moderately thick, moderately textured, cream laid paper.

WORKING ON THE 'GREAT EASTERN' BY GASLIGHT

View of a Harbor in Schiedam. Adam Pynacker (Netherlands, Schiedam, 1622-1673). 1650-1653. Paintings. Oil on canvas

Drawing by Ferdinand Boberg. Södermanland, Selebo hd., Kärnbo sn., Gripsholm Nordic

Orilla del Sena. Museum: COLECCION PARTICULAR/. Author: HENRI ROUSSEAU.

View ofBordeaux. Artist: Maxime Lalanne, French, 1827-1886

Dutch winter landscape with mills and skaters; L'hiver and hollande. .

James McNeill Whistler, The 'Adam and Eve', Old Chelsea, 1878 The 'Adam and Eve', Old Chelsea

Winter face, Johannes Philippus Lange, After Andreas Schelfhout, 1839 print Winter face with figures on the ice. On the right there is a boat on the dry for a house. paper steel engraving winter landscape; landscape symbolizing winter (the four seasons of the year). ships, boats on land, beached. sleigh, sledge (non-sport)

Spakenburg

Joseph Pennell, Hail America, 1909 Joseph Pennell, Hail America, American, 1857 - 1926, 1909, mezzotint, Gift of Mrs. Jane C. Carey in memory of her mother, Mrs. Addie Burr Clark

Eugène Boudin, French (1824-1898), The Trawlers, 1885, oil on wood

La Salute: Dawn 1879-80 James McNeill Whistler American. La Salute: Dawn 372590

Portsmouth. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Plymouth Harbor Artist's working dates 1722-1789 France. Pen and grayish-black ink, and brush and gray wash, on cream laid paper, laid down on buff board . Claude Joseph Vernet

Haarlem, Loosjes, Adriaan Pietersz., Koekkoek, Johannes Hermanus, Visser Bender, Joannes Pieter, Wit, Izaak Jansz. the, Closing the dike at Kruiningen in the spring of 1808, Flooding at Kruiningen, 1808, verso - stamped, print, prints, Frederik Muller Historical plates, height 227 mm, width 332 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1808 - 1808, paper, papier, etching, etchings, Dutch, 1785-11-09 - 1813-12-09, 1778-08-17 - 1851-01-09, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1761-05-13 - 1818-02-28, publisher

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Le Bassin de Caen. Stanislas Lepine (1835-1892). Oil on canvas. Painted in 1887. 73 x 92cm.

Basle (Liber Studiorum, part I, plate 5). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/4 x 10 1/4 in. (18.4 x 26 cm)sheet: 8 1/4 x 11 1/4 in. (21 x 28.6 cm). Engraver: Charles Turner (British, Woodstock, Oxfordshire 1774-1857 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: June 11, 1807.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a wooden bridge spanning the Rhine at Basle in Switzerland. Cathedral spires rise above rooftops and the sun breaks through clouds over the river. The letter "A" in the upper margin i

Widok na Canal Grande od strony Santa Maria della Carita, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

At the Pont Sully Made 1892 France. Etching with aquatint and drypoint on cream laid paper . Louis Auguste Lepère

Artist, probably by: John Pendleton, American, 1798-1866, (New Haven, Conn.) (D. Ritter Razor StrapManufactory), Lithograph in colors, by Pendleton, after Davis, sheet: 23 × 28.8 cm (9 1/16 × 11 5/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

't Arrive of the Weesper Schuit on the outside Amstel (diary, November 19).

Robert Wallis, 1794-1878, British, Tours - looking backwards, 1833. Line engraving, engraver's proof.

Basle. Dated: published 1807. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.

Print made by Francis Seymour Haden, 1818-1910, British, The Village Ford, 1881. Etching with drypoint.

Widok Canal Grande od Palazzo Bembo, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Wallet, Taf (1902-2001) State M. Ciurlionis Art Museum, Kaunas 100x100 Oil on canvas Modern Belgium

Dock Scene. Reginald Marsh (1898-1954). Watercolour and pencil on paper. 35.2 x 50.8cm

The plan of the structure is octangonal. It has an enormous dome and is surrounded by water, with protruding bastions at its corners. The stream is surrounding the structure; four rowing boats, one of them loaded with sacks. Two sailing ships. In the background are the outlines of what seems to be a wall or mountains. Date: 1780-1800. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The pull barge, draughtsman: Herman Frederik Carel ten Kate, 1832 - 1891, paper, brush, h 104 mm × w 95 mm

'Venice'. Italy, 1979. Dimensions: 41,2x56,1 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Zhitomirsky.

Bliżej Kultury The Studio 44 Leicester Squre, London, Whistler, James Abbott McNeill (1834 1903)

Vauxhall Bridge Joseph Pennell (American, 1860-1926). , 1893. Etching, Sheet: 5 1/2 x 9 1/8 in. (14 x 23.2 cm). American Art 1893

Illumination of the Hoogesluis, Anonymous, 1840 - 1841 print Illumination on the Hogesluis. Part of a Map with a series of twelve prints of the entry of Willem II, the honorary gates founded in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam. Amsterdam paper Triummphal Entry and Public Reception, pageant, 'Solemn Entrance', 'Joyeuse entrance' (+ Illumination, Fire-Works ~ festive Activities). Other Forms of Installation Amsterdam. Hogesluis

Carnavalet Museum, Collection Drawings

PUERTO DE MARSELLA CON MERCANCIAS PRINCIPIOS DEL SIGLO XX. Location: PRIVATE COLLECTION. France.

The Oude Waal in Amsterdam. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 287 mm × w 424 mm. Museum: Rijksmuseum, Amsterdam.

The Schooner. Joseph Pennell (United States, Pennsylvania, Philadelphia, 1857-1926). United States, circa 1921-1926. Drawings. Watercolor and gouache with charcoal on light blue paper

View of Venice Italian.. Oil on paperboard, 8 3/4 x 14 1/8in. (22.2 x 35.9cm). European Art

Curzold. Artist: Rudolf von Alt, Austrian, 1812-1905

ALTOS HORNOS - SESTAO - EN LA PUNTA - 1949. Author: A ZABALA (S XX). Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Wren's City. Dated: 1909. Dimensions: plate: 25.08 x 30.48 cm (9 7/8 x 12 in.) sheet: 30.16 x 34.93 cm (11 7/8 x 13 3/4 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

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