Maritime Sketches and Etchings

A series of artistic sketches of boats and ships, showcasing different styles and techniques, with a focus on watercraft in various settings.

Visserspink in Katwijk, draughtsman: Gerhard Morgenstjerne Munthe, 1885 - 1960, paper, brush, h 259 mm × w 207 mm

Fishing boats are taught, Egidius Linnig, 1838 print paper etching repairing, caulking, careening (~ ship) - CC - more than one ship

A Brig Artist's working dates 1653-1707 Holland. Pen and brown ink and brush and gray wash and graphite, on ivory laid paper, laid down on buff wove paper . Willem van de Velde, II

Visserspink in Katwijk, draughtsman: Gerhard Morgenstjerne Munthe, 1885 - 1960, paper, brush, h 259 mm × w 207 mm

An Italian Galley, with the Bow to the Left, and Several Figure Sketches / recto: An Italian Galley, with the Stern to the Left, Guilliam du Gardijn, after Pieter Coecke van Aelst (I), 1605 - 1647 drawing Italy paper brush

Boats at Anchor, 1838, graphite on wove paper, image (irregular): 6.35 × 8.57 cm (2 1/2 × 3 3/8 in.), sheet: 8.89 × 12.7 cm (3 1/2 × 5 in.), James Goodwyn Clonney (artist) American, 1812 - 1867

Schooner and Bark in Harbor (from Scrapbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 4 x 6 1/2 in. (10.2 x 16.5 cm). Date: ca. 1875. Museum: Metropolitan Museum of Art, New York, USA.

William Brockedon, 1787-1854, British, Totnes Bridge from Bridgetown Quay. Graphite.

Landscape sketch. From: Marine and Marken sketchbook. sketchbooks, works on paper

Tree trunk and some barges, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 110 mm × w 182 mm

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Steamship and sailing ships on restless sea, Henri le Hon, 1819 - 1872 print paper etching ships (in general). sea (seascape)

Bark Refitting, Francis Seymour Haden, 1818-1910, British, 1865, Etching on moderately thick, moderately textured, cream antique laid paper, Sheet: 9 5/8 x 13 1/2 inches (24.5 x 34.3 cm), Plate: 5 1/2 x 8 5/16 inches (14 x 21.1 cm), and Image: 5 1/2 x 8 5/16 inches (14 x 21.1 cm), boats, dinghy, hull, marine art, masts, rigging, sails, ship

Lugano. Paul Klee; German, born Switzerland 1879-1940. Date: 1922. Dimensions: 278 x 386 mm (image); 330 x 503 mm (sheet). Lithograph on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Four ships on a rough sea; Hollar, Wenceslaus (1607-1677); after 1634 (1601-00-00-1700-00-00);Magdalenaea (collection), sea, sea landscapes, landscapes during a storm, ships, sailing ships

A Sketch of Shipping Made 1859 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory wove paper . James McNeill Whistler

Unfinished sketches of sails and windmills. From: Marine and Marken sketchbook. sketchbooks, works on paper

Sandgate Boats, Samuel Prout, 1783-1852, British, 1814, Softground etching (), Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm) and Plate: 8 3/8 x 12 1/4 inches (21.3 x 31.1 cm)

Studieblad met roei- en zeilboten.Page 74 from a sketchbook with 74 pages.

Haarlem Boats in Amsterdam. Charles Meryon (French, 1821-1868); after Reinier Nooms (Dutch, c. 1623-c. 1668). Date: 1850. Dimensions: 63 × 123 mm (image); 64 × 123 mm (plate); 68 × 120 mm (primary support); 178 × 278 mm (secondary support). Etching, engraving and roulette on ivory chine, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Groenewegen, Gerrit, Various boats series B, Peat ship, a so-called Venus, verso - stamped, Sailing ship with two figures. On the right in the background the contours of a church and other buildings. This print is part of a series of twelve prints with boats., print, prent, prints, prenten, height 154 mm, width 122 mm, 1754 - 1826-08-07, print maker, prentmaker, 1787 - 1787, paper, papier, etching, etsen

Sailing ships at sea, c. 1825 - c. 1875 Leaf 24 Recto from a sketchbook with 44 sheets. paper. pencil. ink. watercolor (paint) pen / brush Leaf 24 Recto from a sketchbook with 44 sheets. paper. pencil. ink. watercolor (paint) pen / brush

Capt. Thomas Hastings, 1778-1854, British, Sketch of Two Sailing Vessels on the Water, 1826. Graphite on medium, slightly textured, cream wove paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), two men sitting on the shore. Fourth issue of a suite of eight navies. (A. de Vesme 1105 (Refer to 813); Dutuit 110) (Main title), 1639. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Face in a boat and three docked boats, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 195 mm × w 124 mm

Loading a Bark, Pierre Ozanne, 1747 - 1813 print Paris paper etching sailing-ship, sailing-boat

Figures on a ship with collapsed sail, c. 1825 - c. 1875 Also studies of a two -master and three figures on a sailing ship. Page 2 Recto from a sketchbook with 44 sheets. paper. ink. pencil pen Also studies of a two -master and three figures on a sailing ship. Page 2 Recto from a sketchbook with 44 sheets. paper. ink. pencil pen

Whale Fishing probably 19th century Unidentified artist. Whale Fishing 56412

Sailboat Towing Dory (from Scrapbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 2 11/16 x 3 9/16 in. (6.8 x 9 cm). Date: ca. 1875. Museum: Metropolitan Museum of Art, New York, USA.

Tweemaster at sea. Also a seascape in a framework. Leaf 5 Recto from a sketchbook with 44 sheets.

Bomb. Leaf 14 Recto from a sketchbook with 33 sheets.

Study sheet with sailing ships, c. 1825 - c. 1875 Leaf 3 Recto from a sketchbook with 44 sheets. paper. pencil Leaf 3 Recto from a sketchbook with 44 sheets. paper. pencil

Kustgezicht met aangemeerde boten.Eighth print from a series of nineteen with faces in the Amsterdam area. Landscape with two landed boats. A boat containing four figures.

Hengelaars in boats near a mill and a beacon, Jan van de Velde (II), 1631 print River landscape with anglers in boats. On the left on the bank two figures at a mill. A wooden bridge connects the bank with a river island on which a gatehouse with a beacon. Nummered in the bottom left: 2. The numbered prints are published as a series of ten. Northern Netherlands paper etching / engraving angling. windmill in landscape. landscape with bridge, viaduct or aqueduct. gate, entrance. island. beacon

Two landscapes and a sail barge, Jan Weissenbruch, 1832 - 1880 drawing paper. pencil sailing-ship, sailing-boat

Joseph Cartwright, c.1789-1829, British, Four Ships at Battle, undated. Graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Félix Hilaire Buhot, Une Vieux Chantier à Rochester, 1879 Une Vieux Chantier à Rochester

Sailing ship, Leo Gestel, 1934 - 1936 drawing paper. deck paint. India ink (ink). pencil pen (COHEN, Van Anarchist tot Monarchist) specific works of literature (with AUTHOR, Title). sailing-ship, sailing-boat

Two Fishing Boats with Sails, Cullercoats, England, Winslow Homer, American, 1836-1910, Charcoal on cream wove paper, Horizontal view of heads and shoulders of four men in oilskins, in foreground, watching two fishing boats rigged with sails in the background., USA, 1881-82, seascapes, Drawing, Drawing

John Constable, 1776-1837, British, Four East Indiamen at Archor, 1803. Graphite on medium, slightly textured, cream laid paper.

A warship with two masts and full sails, on the left a galley, A warship escorted by a galley Sailing ships (series title), print maker: Frans Huys, Pieter Bruegel (I), 1561 - 1565, paper, engraving, etching, h 301 mm × w 240 mm

The Halfo Rest Situit, Herman SOUTLEVES, 1619 - 1685 drawing paper. chalk brush sailing-ship, sailing-boat. river bank

The half-covered barge, Herman Saftleven, 1619 - 1685, draughtsman: Herman Saftleven, 1619 - 1685, paper, brush, h 98 mm × w 80 mm

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 16.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The Hague, Hardenberg, Lambertus (1822-1900), Ship on a bank, verso - stamped, print, prints, height 75 mm, width 99 mm, Dutch, 1822-11-07 - 1900-01-15, print maker, printmaker, 1837 - 1900, paper, papier, chine collé, etching, etchings

Maniera di navigare a forza di Mantici praticata in quel Globo (The Manner of sailing by the power of Bellows practiced on thatPlanet). Artist: Filippo Morghen, Italian, 1730-after 1807

View of a northern city

Corner river, Cornelis Ploos van Amstel, after Herman Saftleven, 1765 print The bend of a river with a shipyard on the left and a mill on the other side. Amsterdam paper etching river. shipyard, shipdock

Fog Warning. Dated: 1887. Dimensions: plate: 52.07 x 80.65 cm (20 1/2 x 31 3/4 in.). Medium: etching in black on chine collé. Museum: National Gallery of Art, Washington DC. Author: Hamilton Hamilton after Winslow Homer.

Drawing, Fishermen Beaching a Boat, Cullercoats, England; Winslow Homer (American, 1836-1910); USA; charcoal, brush and white gouache on cream wove paper; 16.3 x 30.9 cm (6 7/16 x 12 3/16 in.)

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Dipping the flag , Bodies of water, Ships, Flags, Flagpoles. James McNeill Whistler (1834-1903). Lithographs

Adelaide: Side View of Schooner, Joseph Cartwright, c.1789-1829, British, undated, Pen, in brown ink, brown wash and graphite on moderately thick, moderately textured, beige, wove paper, mounded on, moderately thick, smooth, beige, wove paper, Mount: 11 13/16 × 16 3/8 inches (30 × 41.6 cm) and Sheet: 8 3/16 × 10 7/16 inches (20.8 × 26.5 cm)

An English Frigate at Anchor Viewed from the Port Quarter, Willem van de Velde the Younger, 1633-1707, Dutch, active in Britain (from 1672), undated, Graphite on medium, slightly textured cream laid paper mounted on medium, slightly texured, cream wove paper, Sheet: 8 × 16 3/8 inches (20.3 × 41.6 cm), anchor (watercraft equipment), English, frigate, marine art, port, ship, warship

Seascape with on the left part of a ship with a rowing boat attached. In the background on the right a three-master, Seascape with three-master, print maker: Mathäus Berkman, (mentioned on object), 1770, paper, etching, h 73 mm - w 113 mm

Design for two wallpapers: river with ships in Holland, Jurriaan Andriessen, c. 1752 - c. 1819, Design for a room wall., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 328 mm × w 290 mm

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 19.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), views of sea ports. Another view of Amsterdam. Seventh number of a sequel of 8 rooms. (A. de Vesme 800; dutuit 134) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Fishermen of Chioggia. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 320 x 249 mm (image/plate); 325 x 251 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The drowning of the crown prince of Bohemia in the Hollow Ditch on the IJ in front of Amsterdam, January 17, 1629. Draughtsman: Simon Fokke. Dating: 1722 - 1784. Place: Northern Netherlands. Measurements: h 91 mm × w 52 mm. Museum: Rijksmuseum, Amsterdam.

John Constable, British (1776-1837), A Seascape with Two Sail Boats, watercolor and graphite on laid paper

Munsterhjelm, Hjalmar, Sketch book, 1870s, pencil on paper, drawing, see parts of the work, 14.5 cm x 22 cm, Munsterhjelm, Hjalmar, 1870s, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Afgemeerde zeilschepen.Page 58 and 59 from a sketchbook with 80 pages.

Madras, William Daniell, 1769-1837, British, ca. 1792, Gray wash and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 16 3/8 × 24 1/16 inches (41.6 × 61.1 cm), bay (body of water), beach, boats, buildings, cityscape, coastline, flag, genre subject, labor, laborers, landscape, landscape, leisure, men, palm trees, port, pulling, resting, rope, ships, shore (landform), talking, Union Jack, workers, working, Bay of Bengal, Chennai Port, India, Madras, Marina Beach, Tamil Nadu

Possibly Peter DeWint, 1784-1849, British, Sea Study, undated. Black and white chalk on medium, slightly textured, blue wove paper.

View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto). Rembrandt Harmensz. van Rijn (1606-1669). Pen and brown ink, grey wash on grey preparation. 10.8 x 19.7cm.

Roche, Pierre (n.1855-D.1922-01-18), boat of Algiers (main title), 1909. Gypsography, brown draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Study for 'The Signal of Distress', Winslow Homer, American, 1836-1910, Graphite, brush and blue-green, brown, and yellow watercolor, gray wash, traces of black ink on white heavy wove watercolor paper, Vertical view from bridge of ship, showing railing with benches and stormy sea beyond, as two men work in a lifeboat with ropes and pulleys, at center right., USA, 1881, seascapes, Drawing, Drawing

View of the speech with ships for anchor at monopoli; Vue de la rade de monopoli; Voyage and Italy, and Sicile et à Malte - 1778.Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

The traditional maritime procession of the Virgin of the Carmen in Naples, painting by Eduardo Dalbono (1841-1915) was an Italian painter born in Naples. Old 19th century engraved illustration from La Ilustración Artística 1882

Image from the diary of Carl Johan Gethe, a cartographer on board the Gotha Leyon, which left Sweden on a three year trading expedition in 1746. Gethe's diary or Dagbok is titled: Dagbok hallen pa resan till Ost Indien begynt den 18 octobr: 1746 och slutad den 20 juni 1749 or 'Diary of a journey to East India begun on 18 October 1746 and ending June 20, 1749'. The Swedish East India Company (Swedish: Svenska Ostindiska Companiet or SOIC) was founded in Gothenburg, Sweden, in 1731 for the purpose of conducting trade with the Far East, and grew to become the largest trading company in Sweden during the 18th century. It closed in 1813.

Vincent De Groof (1831-1874) at the time of the fall with his glider-parachute, illustration from Nuova illustrazione Universale, Year 1, Vol II, No 37 and 38, August 2, 1874.

Frans Huys after Pieter Bruegel the Elder (Flemish, 1522 - 1562), Armed Four-Master Sailing towards a Port, 1565, engraving

'The Ship', c1850-1890 Artist: Stanislas Lepine. Although generally not considered an Impressionist painter, Stanislas participated in the first Impressionist exhibition held in 1874. He died suddenly in Paris in 1892

Land Discovered by Columbus, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, 1st state on moderately thick, slightly textured, beige, wove paper, Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm) and Image: 3 3/4 × 3 1/4 inches (9.5 × 8.3 cm)

Small seascape with ships in a storm, print maker: Reinier Nooms, Reinier Nooms, 1650 - 1664.

Studieblad met zeilschepen.Leaf 38 Recto from a sketchbook with 40 sheets.

It's all no crooks that one mentions or died in Galije. Leaf with a large representation of a galei (sailing ship) with forty belts. The performance is caught in a decorative frame. Numbered at the top right: No. 129.

A drawing by Stefano della Bella from around 1633-1634 showing two sailing ships, created with pen and feather technique.

A sloop at the shore, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 195 mm

Schip Met Meleager, Tydeus en amor, anonymous, after Remy Cantagallina, after Giulio Parigi, 1624 - 1631 print A ship with Zwijnskop as a figurehead, on the stern are Meleager, Tydeus and Amor. paper etching ships (in general). the story of the Argonauts: the quest for the Golden Fleece. (story of) Meleager. (story of) Cupid, Amor (Eros)

River Dredges and Lighters. Dated: probably c. 1850. Dimensions: overall (approximate): 13.3 x 25.7 cm (5 1/4 x 10 1/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Becker, Adolf von, work, Merenlahti, sailboats and men on the shore, old castle in the background, 1898, pencil, drawing, LANDSCAPE, sea bay; sailboats; gentlemen; castle; Mourillon; Toulon; France, 16 cm x 24 cm

The fishery foam Charles-Fran�ois Daubigny (1817-1878). Fishing foam.

Covered barge with lots of people. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 64 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

In the Western Ocean, 1928, United Kingdom, by Arthur Briscoe.

Suite of the most notable things seen by John Wilkins erudite English Bishop during his famous voyage from the Earth to the Moon dedicated to Sir William Hamilton ambassador to the Court of Naples: A house on water, and a new way to summon Geese by the Beat of a Drum, 1766-67. Filippo Morghen (Italian, 1730-1827). Etching;

Ship with shooting soldiers and captain; Capitana del Armata de Colco; Argonaut ships for the fight at the Arno during the wedding party of Cosimo II the 'Medici in Florence in 1608; Le Magnifique Carousel Fait sur Le Fleuve de l'Arne à Florence Pour Le Mariage du Grand Duc. A ship with shooting soldiers on the venture, on the stern is the captain.

A gust of wind on the Nile during the flood, two boats colliding, painting by Berchere, Salon of 1875, illustration from L'Illustration, Journal Universel, No 1684, Volume LXV, June 5, 1875.

Rivierlandschap met een dode die beroofd wordt; Vita brevis, spes longa homini, caecusq meatus Pars inopes mundi quantu lacunque sumus.A dead on the shore of a river is robbed. On the river a sailing ship and a smoke plume on the horizon. Second print from a series of six.

Wooden windmill, Eugène Verboeckhoven, c. 1830 print paper etching windmill in landscape. windmill

The Fisherman, Rainy Weather, 1847. Charles-Émile Jacque (French, 1813-1894). Lithograph;

Fishermen of Chioggia Made 1908 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Sailing ship on the beach. Draughtsman: George Hendrik Breitner (signed by artist). Dating: 1880 - 1882. Place: Rotterdam. Measurements: h 162 mm × w 99 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Sketches for a Classical Scene; Felice Giani (Italian, 1758-1823); Italy; black crayon on paper

Tjalk with ironed mast, draughtsman: Cornelis Gerardus 't Hooft (1791-1871), 1801 - 1871, paper, h 186 mm × w 326 mm

Shuff in a lock ..

French Fishing Smack, from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1889 Issued by W. Duke, Sons & Co. Die-cut trade cards from the "Types of Vessels" series (N139), issued in an unnumbered set of 25 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The card versos have "Honest Long Cut" text printed in either green or blue. Knapp is the lithographer of the green backs and Giles is the lithographer of the blue backs. Because all but one card in the series are affixed to the original album page, card versos are not visible.. French Fishing Smack, from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco. Original lithograph by Knapp & Company (American, New York). 1889. Commercial color lithograph. Issued by W. Duke, Sons & Co. (New York and Durham, N.C.)

Bomshuit on the beach.Leaf 36 Verso from a sketchbook with 41 sheets.

Voorsteven of a sailing ship with figurehead with soldiers, Joseph Coiny, After Pierre Ozanne, 1799 - 1800 print This print is part of an album. paper etching / engraving parts of ship's exterior: bow. sailing-ship, sailing-boat

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