Maritime Sketches and Etchings

A series of artistic sketches of boats and ships, showcasing different styles and techniques, with a focus on watercraft in various settings.

Visserspink in Katwijk, draughtsman: Gerhard Morgenstjerne Munthe, 1885 - 1960, paper, brush, h 259 mm × w 207 mm

Two sloops. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 121 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Two men sailing; on verso, three men on a sailing boat , Sailors, Boats. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Herring River fishing shanties , Huts, Boats. The Massachusetts WPA Federal Art Project Photograph Collection

veleros, Narcís Puget Riquer, dibujo al carboncillo,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

The crew of the Dutch freighter 'Columbus' is rescued during a heavy sea storm by the French ship 'la Lydia' under the command of Captain Desse, 13 July 1822, Rescue of the crew of the Columbus, 1822 Equipage du Colombus Navire Hollandois sauv, print maker: Théodore Gudin, (mentioned on object), after: Théodore Gudin, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), print maker: France, publisher: Paris, 1822 - 1825

THEIR SWEETHEART'S TOILET, RE-PAINTING A MAN-OF-WAR ON NEARING PORT AFTER A CRUISE

Joseph Pennell, The Prow, 1917 The Prow

Sloop, Nassau 1899 Winslow Homer American. Sloop, Nassau 11139

On the play in La Rochelle; Makowski, Tadeusz (1882-1932); 1932 (1932-00-00-1932-00-00);La Rochelle (France), kayaks, sea, landscapes, beaches, purchase (provenance), sailboats

Design of a write example with admiral ship; Spieghel der wristin. Admiral ship drawn from an uninterrupted line. The line runs from the bottom right of left halfway through the mast. Two text rules on both sides of the ship. The drawing is part of an album.

Plate showing sea fishing using different instruments. Engraving from Denis Diderot, Jean Baptiste Le Rond d'Alembert, L'Encyclopedie, 1751-1757. Entitled Pesches de mer (Sea fishing).

Near Gau el Kebir, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, cream, wove paper, mounted on thick, moderately textured, cream wove paper, Sheet: 2 3/4 x 7 inches (7 x 17.8 cm), boats, marine art, river, river, sails, sky, water, Africa, Nile, Qaw el Kebir, Upper Egypt

A junk is an ancient Chinese sailing vessel design still in use today. Junks were developed during the Han Dynasty (206 BC-220 AD) and were used as sea-going vessels as early as the 2nd century AD. They evolved in the later dynasties, and were used throughout Asia for extensive ocean voyages. They were found, and in lesser numbers are still found, throughout South-East Asia and India, but primarily in China, perhaps most famously in Hong Kong.

The Cross of the Sailors-Dieppe 1821 Horace Vernet. The Cross of the Sailors-Dieppe. Horace Vernet (French, Paris 1789-1863 Paris). 1821. Lithograph; only state. Prints

The Breakers. Dated: 1887. Dimensions: image: 286 x 447 mm (not including remarque) sheet: 450 x 641 mm. Medium: etching. Museum: National Gallery of Art, Washington DC.

Perch spotting the passage of fish, Black Sea, from a drawing by Jules Laurens, illustration from L'Illustration, Journal Universel, No 539, Volume XXI, June 25, 1853.

Adolphe Appian (French, 1818 - 1898), Coasting Trade Vessels, Italy, 1874, etching

Entrance to HarborMoonlight 1881 David Johnson Kennedy This picture was made at a time when highly ?nished drawings in black and white had begun to appeal to connoisseurs. Kennedy essentially rendered this image in pencil on the gray gouache ground covering the paper. He then produced highlights by scratching the ground to reveal the white paper beneath, producing the glow of the moon, the luminous filigree of clouds, the watery reflections and foamy surf, and the glints of light on sails, a lighthouse, and coastal rocks. The richness of the virtually monochromatic image is undoubtedly enhanced by nearly invisible small touches of orange and green pastel, applied on the foreground sand and the lapping water.. Entrance to HarborMoonlight. David Johnson Kennedy (1816/17-1898). American. 1881. Watercolor, gouache, graphite, pastel, and sgraffito on white wove paper coated with gray gouache

Sea pain. (IT)

Amsterdam, Bouman, Jan, Ships, verso - stamped, Sheet with 8 representations of various ships, such as a warship, a water ship and a yacht. Below each representation the name of the type of ship., print, popular print, popular prints, prints, height 386 mm, width 290 mm, Publication (Event), Publication, Dutch, publisher, 1716 - 1716, paper, woodcut, colors, letterpress printing, letterpress, print maker, printmaker

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Figure at a sailing ship, John Linnell (II), 1802 - 1882 drawing paper. pencil sailing-ship, sailing-boat

Haarlem, Berendrecht, Johannes Pietersz., Porcellis, Jan, Northern Netherlands, Scheyndel, Gillis van (I), Various Beaches and Water Views done by Jan Percelles, Dune Landscape with a Man Digging in a Basket, verso lower left - stamped, print, prints, height 73 mm, width 94 mm, 1595 - 1660-12-24, print maker, printmaker, 1618 - 1645, paper, papier, etching, etchings, 1584 - 1632-01-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Netherlands, 1590 - 1645, publisher

Depicted here are medieval Frank artillery engines. Frank refers to Germanic tribes of the Rhine region in early Christian era.

Fishing Scene. Charles Keene; English, 1823-1891. Date: 1879-1889. Dimensions: 147 × 202 mm. Pen and brown ink, with brush and brown wash and touches of white gouache, on cream wove paper, laid down on ivory wove card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Samuel Keene.

Four-wheeled chariot, draughtsman: Francesco di Giorgio Martini, (circle of), 1450 - 1520, paper, pen, h 169 mm × w 149 mm

Watercolor by an anonymous artist depicting a Chinese shipping scene featuring a monkey.

Zucca che serve per barca da Pescare (A Pumpkin used as aFishing-boat). Artist: Filippo Morghen, Italian, 1730-after 1807

Spanish ships at a fort. Draughtsman: anonymous. Dating: c. 1770 - c. 1785. Place: Spain. Measurements: h 390 mm × w 590 mm. Museum: Rijksmuseum, Amsterdam.

Pile work in the Scheldt near Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Netherlands paper sea (seascape). groyne ~ breakwater Flushing. Scales

Ships at sea, 1833 - 1870 print Leaf with 8 shows of ships at sea. Under each image a two -way verse. Numbered below: no 153. publisher: Turnhoutpublisher: Turnhoutprint maker: Netherlands paper letterpress printing ships (in general). sailing-ship, sailing-boat

Seascape with ships during a storm, Wenceslaus Hollar, 1627 - 1636 print Germany paper etching sea (seascape). sailing-ship, sailing-boat

Zaandam Windmills, Sir David Young Cameron, 1865-1945, British, 1892, Etching, Plate: 2 15/16 x 7in. (7.5 x 17.9cm) and Sheet: 3 3/4 x 7 3/4in. (9.5 x 19.7cm)

NAUFRAGIO - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

The Luxor, Paris, December 1833, William Callow, 1812-1908, British, active in France, 1833, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm), architectural subject, barge, boat, dock, marine art, river, rope, sails, sky, France, Paris, Seine

Frans Martin Dodt (1775-1819), four different prints with ships, 1776-1819

China, Macau. Historic Center of Macau, UNESCO. Traditional blue and white tile art mixing Chinese and European styles, c. 1837. Tile image detail of Chinese Junk by George Chinnery (1774-1852)

Twenty four marine scenes Bance Aine, M D D 'Estampes, Paris, rue St.Denis, Aulaire, Zakład Litograficzny: Fromentin Aumont

Beach with sailboats and stormy sea. Date/Period: 1614. Paper. Pen and brown ink with blue and brown watercolour Pen and brown ink with blue and brown watercolour. Height: 195 mm (7.67 in); Width: 232 mm (9.13 in). Author: jan Brueghel the Elder.

Port of Trieste, Rudolf Kalvach -, artist

Wooden defense stronghold on the hill from the series "Old Russia"; Noakowski, Stanis AW (1867-1928); 1914-1916 (1914-00-00-1916-00-00);Bronisław Krystall. Testament (Warsaw - exhibition - 2015/2016), Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887-1983) - collection, Noakowski, Stanisław (1867-1928). Old Russia, 1915, architecture, wooden architecture, architectural fantasies, Poland (culture), Polish drawings, purchase (provenance)

Henri Charles Guérard, Moonlight in the Harbor at Dieppe, c 1885 Moonlight in the Harbor at Dieppe

Utagawa Kuniyoshi 1798-1861. Picture of Mitsumata. Edo (Toto Mitsumata no zu) Series. Untitled series of views of Edo. about 1831-32. Oban horizontal 24.8 x 36.8.

GRABADO-ESCENAS DE LA VIDA EN JAPON. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Struck, Herman, Venice, 1903, line etching, graphics, 10.5 cm x 16 cm

Copperplate.Copper stick, landscape format, showing tremastat vessels that occupy almost the entire image surface.The vessel has two battery tires and marked sterns with aft torque.The flags lack tongues and are striped at the length of three colors that return three times. Added another vessel, closest to a rowing boat, in the stern a Russian flag that has the Andreas cross in the middle and in the edges stripes.To the right Klippö with trees and two man figures from Greek mythology, the one Jason.Behind him dragon-like animals, above a sheepskin suspended in a tree.Text in Latin in the lower, right corner of Peter the Great, with the specified Roman year "Mdciic" and "MDCC".Lastly probably the engraver: "Schoonebek Moscua 1701" Text is also written on the cliff and on the banner held by marine creature: "NEC Derit Iason".It all in the narrow black edge. The cup is framed in brown smooth mahogany with golden edge closest to the subject and glass.1701 - 1701.

English Anonymous Artist. Model of a Ship, Stern View (ca. 1740). Oil on canvas. 62 x 56 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

France, Chahine, Edgar, Villers-sur-mer: La petite plage., View of Villers-sur-mer with figures on the beach and in the sea, verso - stamped, print, prent, prints, height 116 mm, width 267 mm, 1874 - 1947, print maker, printmaker, 1930 - 1930, paper, papier, drypoint, dry needle, plaattoon

Reminder of a visit to the spectator evening by Israels, Mesdag, Alma Tadema and Van Witsen. Oct. 9 1879 / Heliographic facsimile of their autographs. Leaf with four separate sketches of: a girl sitting on the waterfront (Israel), two boats on the water (Mesdag), a reading man (Alma Tadema) and a drinking girl (van Witsen). Reproduction to sketches made on October 9, 1879 during a visit to the Dutch spectator.

Christ runs over the water. Draughtsman: Alexander Ver Huell. Dating: c. 1854 - c. 1887. Measurements: h 254 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Lisbon, Portugal. Traditional Portuguese Azulejo ceramic tiles.

Man at the helm, portrait of Signac, 1892, by Theo van Rysselberghe (1862-1926), oil on canvas, 60.2x80.3 cm.

Ship by Salvador Dali, 1904-1989

Drawing..

Mondschein Auf See Lyonel Feininger (1871-1956 American) W.col, india ink pap

Wer ist der Schrecken der engl. Handelsflotte. Dimensions: Sheet: 15 1/8 × 9 7/8 in. (38.4 × 25.1 cm). Publisher: M. Herzog & Company. Date: ca. 1914.World War I poster. Museum: Metropolitan Museum of Art, New York, USA.

Gull and steamship at sea. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 103 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

De Walvian. Leaf with a large representation of a whale. In the background fishermen, a ship and icebergs. A caption in the undermaster. Numbered at the top right: No 211.

Campania Caserta Caserta Palazzo Reale61. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Teofilo Folengo, Venezia, 1585

Bandbox. Dated: c. 1953. Dimensions: overall: 22.9 x 28.9 cm (9 x 11 3/8 in.) Original IAD Object: 22" in diameter; 10 7/8" high. Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Arsen Maralian.

Field of sixteen tiles with ships, anonymous, c. 1650 - c. 1680 Field of sixteen tiles (4 x 4) each with a blue and purple painted ship. In the corners, an ox head. Netherlands earthenware. tin glaze majolica Field of sixteen tiles (4 x 4) each with a blue and purple painted ship. In the corners, an ox head. Netherlands earthenware. tin glaze majolica

Edelfelt, Albert, Sketch book, 32 leaves, drawing, 21.5 cm x 29.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

'A Mediæval Windmill', (1931). Artist: Charles Henry Bourne Quennell.

. 180 tiles tile tile (12 x 15) with a blue-painted seascape with the land ship Rotterdam and the herring fleet. At the bottom right, labeled: C: boumes // ter.

Earthenware Plaques: Tile Panel with Sascape, tile bakery on the Delftschevaart, c. 1680 - c. 1730 Tile tableau of 42 tiles (6 x 7) in a wooden frame with a blue painted seascape with a three -mast in the foreground. On a barrel in the water, the initials: C // B: m. Rotterdam earthenware. tin glaze majolica Tile tableau of 42 tiles (6 x 7) in a wooden frame with a blue painted seascape with a three -mast in the foreground. On a barrel in the water, the initials: C // B: m. Rotterdam earthenware. tin glaze majolica

Revenge, Pirates

'The Helmsman', 1925, (1926). Artist: Arthur Briscoe.

Edward Lear, 1812-1888, British, Near Tafa, 6:10 pm, 16 February 1867 (508), 1867. Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper.

N.N., screw steamer »Sperber«: View, cuts 1: 100. Lithograph on paper, 28 x 41.8 cm (including scan edges)

Panel of historical Azulejos, Ferragudo, Algarve, Portugal, Europe

Sleep after Toile by Mary Newill. Stained Glass panel in two parts. Circa 1905.

Vessel of the Armada, from the time a tapestry of Elizabeth, preserved in parliament and destroyed in the last fire, vintage engraving. Vessel of the Armada, from the time a tapestry of Elizabeth, preserved in parliament and destroyed in the last fire, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10656271

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