Medieval Church Art and Frescoes

Detailed images of medieval church art including frescoes, sculptures, and architectural elements, reflecting historical religious themes and artistic styles.

Lazio Viterbo Tarquinia Palazzo Vitelleschi8. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Emilia-Romagna Ferrara Ferrara S. Francesco1. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Nancy: entry to Jerusalem. Black stone, pencil. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, Pencil, Entree, Son God, Pierre Noire, Project, Vitrail, City

Dado, Block-printed on handmade paper, A horizontal rectangle shows two children. The boy has placed a board over a small brook and the girl is in the act of crossing over. A floral rope marks the seperation of the panels which repeat horizontally. Printed in four colors on brown ground., France, 1810, Wallcoverings, Dado

Lazio Viterbo Oriolo Romano S. Antonio. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, stone inlay. The church of S. Antonio is a foundation of the 16th century. Object Notes: Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fotoreproductie Van Het Fresco Abraham Zegevierend Naar Benozzo Gozzoli in Het Camposanto Te Pisa, Italië, Fratelli Alinari, After Benozzo Gozzoli, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Part of a cast of the Bassin des Nymphes de Diane (presumably) in the Musée des Monuments Français in Paris, c. 1875 - c. 1900 photograph Trocadéro Palace cardboard. photographic support albumen print art (+ plaster ~ arts). sculpture (+ relief ~ sculpture). nymphs (in general); 'Ninfe in commune' (Ripa). mask, mascaron ~ ornament Trocadéro Palace

Maser, Italy Frescoes of the Villa Barbaro , 1918 - Italy - Fernand Cuville - (March -August) (French - Maser , Italie Fresques de la Villa Barbaro). Inner view, painted decor, painting, legend , myth, villa, Renaissance, Habitat , Architecture , Art, Italy, MASER, freshes of the Villa Giaconelli at Italy

Lazio Viterbo Tarquinia Palazzo Vitelleschi9. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Lazio Viterbo Tarquinia Palazzo Vitelleschi8. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Lazio Roma Castel Madama Castello1. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Urbania (Italia, Marche - provincia di Pesaro-Urbino), Oratorio del Corpus Domini. Raffellino del Colle, ciclo di affreschi nelle lunette con Sibille alternate a Profeti (controfacciata)

Palladio (1508-1580), Rotonda Palladiana (Villa Capra La Rotonda, Villa Almerico), Vicenza. KAMILENDAIL (without date): View fireplace, ornamentation. Photo on paper, 32.3 x 23.4 cm (including scan edges)

Photograph of sculpture:Janina Broniewska (1886-1947), The Dance, 1914, gypsum. Choumoff, Pierre (1872-1936), photographer

Design drawing by Antonio Maria Viani for a wall decoration with allegorical figures framing three historical pictures, a frieze of five portraits, and playful putti, executed with pen, wash, and white heightening on brown-primed paper.

'Design for a Ceiling Decoration'. France, Mid-18th century. Dimensions: 42x54 cm. Museum: State Hermitage, St. Petersburg. Author: Jean Baptiste Marie Pierre.

Italy. Rome. Arch of Titus. Constructed in 82 AD by the emperor Domitian to commemorate Titus' victories. Spoil of Jerusalem. Detail relief.

The Sleeping Ariadne, Rome; Charles Soulier (French, 1840 - 1875); Vatican City; about 1860; Albumen silver print

Engraving by William Ward from 1789 depicting Daniel in the lions' den, showing Daniel, lions, and the surrounding enclosure.

The Five Rulers at the New Year's Reception Unidentified artist. The Five Rulers at the New Year's Reception 51526

Henry Jean Louis Boureau (1860-1923). Sketch for the Lobau gallery of the Paris City Hall: Peace. Literature. Science. Oil on canvas. Three fabriced canvases. 1890. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, painted decor, sketch, town hall

Detail of ceiling with putti and grain (summer), during restoration; Ceiling stairwell drucker extension, during and after restoration, spring 1982 ..

Two designs for candlesticks. The artist, probably a sculptor, represents candlesticks whose main component is formed of a human figure. They were probably intended to be executed in bronze. The style is strongly influenced by Italian models; it is conceivable that the drawings are in fact Italian.

Tommaso Bigatti, Elaborate Wall Decoration with Endymion and Hebe, c 1800 Elaborate Wall Decoration with Endymion and Hebe

Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin second half 19th century Jules-Edmond-Charles Lachaise French. Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin. Jules-Edmond-Charles Lachaise (French, died 1897). second half 19th century. Gouache and oil on paper. Drawings

Decoration for the holiday gallery of the town hall in 1852, current 4th arrondissement. Pendant.

Unidentified sculpture of a female plucking the hair of a youth. Attributed to Bolongaro & Son

Kiyevskaya is a station on the Arbatsko-Pokrovskaya line of the Moscow Metro. Opened in 1953, it is lavishly decorated in the quasi-baroque style that predominated in the early 1950s. The square pylons are faced with white Ural marble and elaborately patterned ceramic tile and the plastered ceiling is decorated with a series of frescoes by various artists depicting life in Ukraine. A large mosaic at the end of the platform commemorates the 300th anniversary of the reunification of Russia and Ukraine. The architects were L. V. Lile, V. A. Litvinov, M. F. Markovsky, and V. M. Dobrokovsky.

Two reliefs, Anonymous, 1850 - 1900 photograph cardboard. photographic support albumen print sculpture

Mucius Scaevola Crossing the Tiber, Intending to Assassinate Porsenna but Killing his Treasurer by Mistake. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1580-1599. Dimensions: 140 x 481 mm. Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on brown laid paper, laid down on fabric and card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Spinello, Aretino (c. 1350-1410) National Gallery, London Painting Bible Decorative Border

Paul-Albert Baudouin (1844-1931). "Frimaire - Vault of the peristyle, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-7 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Karl J Hentz, Stern Piece, 1935 1942 Stern Piece

Flemish 17th Century, Man Falling from the Sky, pen and brown ink with blue wash and touches of black ink, incised for transfer, on laid paper

Columna o elemento arquitectónico de sección cuadrangular, en marmol blanco con relieves figurativos y florales.

Relief with music -making putti around a bunch of flowers, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print cupids: 'amores', 'amoretti', 'putti'. musician at work. sculpture (+ relief ~ sculpture). cut flowers; nosegay, bunch of flowers

Photo production of a fresco of the tear -up of Pentheus by Agauè and Ino in the Casa dei Vettii in Pompeii, Anonymous, 1870 - 1900 photograph Pompeiipublisher: Italy paper. cardboard albumen print picture, painting House of Vettii

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Lichtensteger, Georg, Johann Jacob Schüblers Vierzehende Ausgab seines vorhabenden Wercks, Worinnen vorgestellet were Neuerfundene Camine und ausserordentliche Stuben-Ofen, Burning chimney with grate, verso - stamped, A burning ornamented chimney with grate and ash collector. In the bottom margin a six-line German text., print, ornamental print, prints, ornamental prints, height 291 mm, width 176 mm, 1700 - 1781-03-18, print maker, printmaker, 1724 - 1724, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

rd, Beatrixgasse - Modenapalais - Interior view - Detail - Wall relief in the large salon, August Stauda -, photographer

Design for the mural in the building of the Algemeene Maatschappij van Levensverzekering en Lijfrente in Amsterdam: Vuur als vriend en vijand en seizoen Zomer., Vuur als vriend en foe en seizoen Zomer., draughtsman: Antoon Derkinderen, 1869 - 1925, paper, brush, h 88 mm × w 299 mm

Album n � 1. Vitrail project for Isle Adam: Crusade scene Gsell-Laurent workshop. Album n � 1. Stained glass project for Isle Adam: Crusade scene. Pencil and watercolor on layer.

La resurection; French; about 1860; Albumen silver print

Ceiling fresco by Martin Heigl, 1765, detail, banqueting hall Raitenhaslach monastery, Steinern hall, Aula Maior, Burghausen, Upper Bavaria, Bavaria, Germany, Europe

Sculpture, overdoor fresco, 1901-1902, by Mario Chiodo Grandi (1872-1937), Wedding hall, Villa Ottolini Tosi, Busto Arsizio, Lombardy. Italy, 20th century.

Bacchanal, attributed to Johannes van Dregt, 1780 - 1807

Room from an Amsterdam canal house 1748.This room was originally in the house at 187 Keizersgracht in Amsterdam, which was demolished in 1896. The property was inherited in 1744 by the merchant Mathijs Beuning, who built an addition to the rear of the house that included this large reception room. Beuning was a prominent member of the Moravian Brethren, a religious brotherhood. He probably held meetings of the Amsterdam Moravian community in this room. The chimneypiece features a biblical subject: the Conversion and Baptism of the Eunuch. Tropical mahogany was not yet widely used in the Netherlands around 1745, so wall panelling made of this type of wood was a great rarity. The wood is carved in the Rococo style, which is also evident in the marble mantelpiece and the stuccowork on the ceiling. The overdoor, attributed to Jurriaan Andriessen, was added in the later 18th century.

The home stove and fender by Stuart and Smith of Sheffield.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Diana and Actaeon: A Study for a Panel on a Staircase, follower of Sir James Thornhill, 1675-1734, British, undated, Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 x 6 1/4in. (15.2 x 15.9cm), Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193), architectural subject, Cervidae (family), curtains, dog (animal), man, mythology, panel (wood), putti, religious and mythological subject, staircase, study (visual work), trees, women

Designs featuring the allegories of the arts. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Monterotondo Palazzo del Municipio9. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Molsheim, France , 1920 - Alsace - Auguste Léon (July) (French - Molsheim , France). Statue, Christianity, sculpture, Calvary, Religion , Art, France, Molsheim, Calvaire Olbery

Design for Elevation of Gallery Bay, Deepdene, Dorking, Surrey Jules-Edmond-Charles Lachaise French Eugène-Pierre Gourdet French 1875-79

Jose Luzan (1710-1785). Spanish Baroque painter. Yael, 1753-55. Church of San Miguel de los Navarros. Zaragoza, Spain.

JONAS SALIENDO DE LA BALLENA - DETALLE DEL CORO ALTO DE LA CATEDRAL DE TOLEDO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: CATEDRAL-CORO ALTO. Toledo. SPAIN.

Fresco of Putto with attributes of Vulcan by Raphael and his workshop in Villa Farnesina. Unknown maker

Decoration for the holiday gallery of the town hall in 1852, current 4th arrondissement. Pendant.

Decoration for the holiday gallery of the town hall in 1852, current 4th arrondissement. Pendant.

Luca Della Robbia (1435-1525), Feedale Degli Innocenti, Florence. Terracotta-Lünette (without dat.): View Annunciation scene (L 'Annunziazione) via connecting door to the church. Photo, 24.5 x 38.4 cm (including scan edges)

British, Neoclassical frame, Unknown framemaker, 4th quarter of 18th century, Carved wood and compo, later oil gilding and over original oil and water gilding

Frescoes in the Camera della Badessa at the Convent of St Paolo in Parma, by Allegri Antonio known as Correggio, 1519, 16th Century, fresco. Italy, Emilia Romagna, Parma, Monastery of San Paolo, Camera della Badessa. Detail. Room of the Abbess fireplace painted cowl Diana chariot lunette monochrome Three Graces women female nude.

Sketch for the monument to the deaths of the 1870 Lycee War Gabriel Ferrier. "Sketch for the monument to the deaths of the 1870 High School Chapal (1878)".

Design for a ceiling painting with honor () Crowned by De Tijd, Elias van Nijmegen, 1677 - 1755 drawing paper. ink. watercolor (paint). pencil brush / pen (decorated) Ceiling. Honor, Glory; "Ampiezza della Gloria ',' Gloria ',' Glory of Prencipa, 'Gloria and honor,' Honor ',' Sublimaté della glory '(Ripa). Father Time Man with Wings and Scythe

Roman fresco depicting an edículo, of which only the column of the left is appreciated. Inside, columns imitating plant stems on a high podium, facing an architectural landscape in chromatic green. On it, a panel with a vegetable candelabrum. Late Second Style. 1st century BC. From a villa in the area of the Royal Palace of Portici. National Archaeological Museum. Naples. Italy.

BISCUIT DE CAPODIMONTE-FERNANDO VI CAZANDO. Location: MONASTERIO-ESCULTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. FERDINAND VI. VON SPANIEN. BORBON FERNANDO VI.

Summer, by Robusti Jacopo known as Tintoretto, 1564 - 1567, 16th Century, oil on canvas. Italy, Veneto, Venice, Scuola Grande di San Rocco, Sala dell'Albergo, ceiling. Whole artwork. Clipeus ceiling nude drapery: draping branches flowers leaves.

EXTERIOR-PORTADA-DET TIMPANO-RELIEVE S FRANCISCO. Location: IGLESIA DE SAN FRANCISCO. Baeza. JAEN. SPAIN. SAN FRANCISCO DE ASIS.

A brush drawing by Jan de Beer from 1515-1520 depicting the upper half of the Wurzel Jesse with an enthroned Madonna, on tinted paper with gray brush and white highlights.

Austria - Vienna. Burgtheater, the grand Staircase. Gustav Klimt (1862-1918), Taormina's Greek Theatre (1878-1888). Fresco

British, 'Carlo Maratta' frame, Unknown framemaker, late 18th century, Carved wood and compo, later oil and water gilding over original gilding, Frame: 26 5/8 × 34 1/2 × 2 1/2 inches (67.6 × 87.6 × 6.4 cm)

Vittoriale of Detail of the ceiling of the Leper Room, by Cadorin Guido, 20th Century, Unknow. Italy, Lombardy, Gardone Riviera, Brescia. Detail. Coffered ceiling female figures body gold blue red feet legs.

Window with angelic figure, anonymous, c. 1600 - c. 1699 A fragment of a window, representing an angel with blond hair. Belongs to group inv. Nos. BK-XLIX-A T/M G. glass. lead (metal).

Study for a woman holding a child, Vintage Festival,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857-1903, Brown pastel crayon on tracing paper, A female figure holding a child. The older girl too is shown as a nude., New York, NY, USA, 1895-1898, figures, Drawing, Drawing

Detail from Bronze doors with scenes from the Old and New Testament in relief. Made at the order of St. Bernward, and set up by him in 1015 at St. Michael's Church, Hildesheim. They were since taken to the cathedral by his successor. This panel shows the Murder of Abel.

TRAMPANTOJO - S XVIII - ROCOCO ITALIANO. Author: GIOVANNI BATTISTA TIEPOLO. Location: ACADEMIA DE BELLAS ARTES. Venedig. ITALIA.

'Miniature " Catherine II Holding her 'Instruction' "'. Russia, late 1760s - 1770s. Dimensions: 8x10,7 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, third quarter of the 18th century.

Embroidered Picture

Set of 4 Bacchantes in various attitudes, by Unknown, 41 - 62, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Pompeii, Villa of Cicero. Whole artwork. Maenads young women dancing veil yellow green back transparencies fabric: tissue.

Fresco under the Good Beth gallery - temptation by the devil in the form of the matron

Antonin Mercié (1845-1916). Portrait of Lazare Michelet (1850-1850). Stearine plaster. 1850. Paris, Carnavalet museum. 76256-8

The Transom Panel. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Detail of ceiling with putti and grain (summer), after restoration; Ceiling stairwell drucker extension, during and after restoration, spring 1982..

Border Design with Saints 17th century Anonymous, Italian, 17th century Italian. Border Design with Saints 389482

Perfume-burner supported by baby tritons and garlanded with flowers French Painter French 18th century One of a pair with 07.225.457b.

Two Saints in Adoration n.d. Ventura Salimbeni Italian This relatively finished working drawing in bold chiaroscuro is in the form of a lunette or an apse, suggesting that it was intended as a study for a fresco. It portrays two bishop saints, with their attributes of crosiers nearby, who kneel in prayer at either side of a dividing column. The saint on the left is seen from the rear, while that on the right is seen from the front. Above, to either side of the column, groups of putti bear miniature nude male figures who presumably represent the souls of the deceased. This accomplished composition is a late work by one of the outstanding Sienese painters and draftsmen active in the late sixteenth to early seventeenth century. The sheet probably served as a demonstration drawing (modello), and is comparable to other such drawings by the artist for the fresco cycles in the Bargagli Chapel at the church of Santo Spirito in Siena, dated 1600, and in the lower part of the Oratorio di San Ber

Drawing, Project for Carved Panelling; Giovanni Francesco Romanelli (1610-1662); Italy; pen and brown ink, graphite, red chalk on paper; 10.1 x 39.2 cm (4 x 15 7/16 in.)

Enameled Gold Box. Unknown maker

Contemplation, Study for 'Contemplative Spirit of the East,' Lunette in East Grand Staircase, Minnesota State Capitol, Saint Paul, MN, Kenyon Cox, American, 1856-1919, Graphite on cream laid paper, Female figure seated, facing front, with large wings outspread. Her chin is in her right hand, and her right leg is crossed over her left. Paper cut around figure., USA, 1904, mural designs, Drawing, Drawing

Francesc Pla (El Vigatà) / Mural paintings inside the central hall of the Moja Palace, 1791, Barcelona, Catalonia, Spain. Author: FRANCESC PLA I DURAN.

And Shut the Chamber Up, Close, Hush'd and Still 1885 United States. Black, gray and white gouache on cream wood-pulp laminate board . Will Hicock Low

Hand-painted glass plate in wooden frame for illumination cabinet, image of man and woman with high wig in doorway, slideshelf slideshoot images glass paint wood oak leg, dimensions) handpainted Hand-painted glass for illumination cabinet in wide oak frame The frame is rejuvenated on the sides and shows wear and discolouration: the plates were pushed into an illumination cabinet from above. At the back left and right above two small legs fastening points for the illumination cabinet. Image of each other courting man and woman in doorway. The wig of the woman is so high that it threatens to hit the top of the doorway. (normal) woman outside the doorway tries to warn her optics noble life humor

British, 'Carlo Maratta' style frame, Unknown framemaker, 1st half of 19th century, Wood and compo, later water gilding over original gilding

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Purgatory, Song V) by Franz von Bayros, detail

Plaque, Gilt copper, wood (frame), (a) Asia figures and trophies surmounted by Amor or a love putto; (b) Africa, foliate scrolls above an heraldic cartouche surrounded by quivers and flgures below., Italy, 1660-90, metalwork, Decorative Arts, Plaque

War

Rumilly church. Wall painting. Allegory of loyalty. France.

Mercury (Hermes) steals Apollo's cattle . unknown c. 1760 Tapestry Dimensions: H 9'8" x W 8'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. (stock sheet says: "missing ..." & provides no other information). In landscape with flowering plants, fruit & trees with festoons, Apollo sits, playing the pipe to winged female figure; Mercury hovering above the couple cunningly steals Apollo's bow & quiver from behind; Muses dancing (L) & cattle (R) in background; river & large rock formation in distance Borders missing. French & Co. stock sheet in archive, 55571-d Related Works: Panels in set: GCPA 0243337-0243340

Comic mask, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Herculaneum, House of the Deer. Whole artwork. Mask male face beard light blue: azure columns garland.

Falconara Marittima, località Castelferretti (Italia, Marche - provincia di Ancona), chiesa di Santa Maria della Misericordia. Parete destra, (veduta dall'altare), Santa coronata, affreschi metà del XV secolo (1450-55), Maestro di Castelferretti (Giambono di Corrado da Ragusa)

Madonna and Child with St. John theBaptist. Artist, circle of: Bernardino Campi, Italian, 1522-1595 Artist, attributed to: Giovan Battista Trotti il Malosso, Italian, 1555-1619 Artist, formerly attributed to: Antonio da Correggio, Italian, ca. 1489-1534

Lazio Roma Rome S. Nicola da Tolentino4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco, coffers Object Notes: Built in 1599 by the Augustines, renovated and enlarged in 1654 by Baratta. On via Barberini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), bas-relief of the mausoleum of Jean II Casimir (1609-1672), king of Poland, Saint Church -Germain-des-Prés, 6th arrondissement, Paris (dummy title), 1885. Draw on albumin paper. Carnavalet museum, history of Paris.

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