Medieval Relief Sculptures

A collection of stone reliefs from different historical periods, illustrating religious scenes and figures, characterized by intricate details and historical significance.

Bass relief with images from the life of St. Simeon, Saint Simeons chest at the atrium of Croatian Academy of Sciences and Arts in Zagreb

Gniezno. The door is angry in the Basilica of the Primate's Assumption of the Virgin Mary - a fragment of the Bordic and Quarter: Cias. Wojciech to the grave; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Medieval stone relief at the City Tower of Straubing, Lower Bavaria, Bavaria, Germany, Europe, PublicGround, Europe

ARQUETA S MILLAN-DET VIDA SANTO-MARFIL S XI-. Location: MONASTERIO DE YUSO. Rioja. SPAIN.

Coudres, parish church, relief of the Descent from the Cross

RELIEVES DEL PEDESTAL DEL OBELISCO DE TEODOSIO I EL GRANDE (346/395 DC) EMPERADOR ROMANO. Location: PARQUE DE AT-MEYDANI / HIPODROMO. ISTANBUL. TURQUIA. THEODOSIUS I THE GREAT. Arcadius. HONORIO FLAVIO. VALENTINIANO II.

Bass relief with images from the life of St. Simeon, Saint Simeons chest at the atrium of Croatian Academy of Sciences and Arts in Zagreb

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

pilastra de epoca visigoda, iglesia de San Salvador, Museo de los Concilios y la Cultura Visigoda, Iglesia de San Román,Toledo, Castilla-La Mancha, Spain.

"La Victoire", Bas-relief by Antoine-Louis Barye, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Relief depicting priests of Cybele during celebration of cult, from Necropolis of Sacred Island, Rome

Gniezno. The door is angry in the Basilica of the Primate's Wniebowzia, the most of the Mary of the Virgin Mary - fragments of the Bordic and the quarters: Wojciech reminds the King Boles II; Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Campania Caserta Sessa Aurunca S. Pietro (Duomo)7. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

Schifanoia palace: episodes of the passion of christ, england, 1400, ferrara, italy

Italy, Lombardy, Lake Garda, Riva del Garda, frieze detail on Duomo.

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - 1489-1495 - GOTICO ESPAÑOL. Author: Rodrigo Aleman. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

ARQUETA S MILLAN-LADRONES DEVUELVEN CABALLO ROBADO-VIDA STO. Location: MONASTERIO DE YUSO. Rioja. SPAIN. SAN MILLAN.

SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - MOJACAR - 1489-1495 - GOTICO ESPAÑOL. Author: Rodrigo Aleman. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)12. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'The Lamentation of Christ'. Germany, 15th century. Dimensions: height: 60 cm. Museum: State Hermitage, St. Petersburg.

RELIEVE EN MARFIL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Abruzzo Pescara Pianella S. Angelo4. Hutzel, Max 1960-1990 Medieval: Romanesque architecture, architectural sculpture, ambone Post-medieval: Fresco, (13-14th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, Europe

Relief from the Arch of Portugal along via Lata, detail: the Emperor Hadrian delivering funeral oration for his wife Sabina

Early Christian sarcophagus. From left to right: Sacrifice of Isaac, Jesus and Zacchaeus, miracle of loaves and fished, Adam and Eve and the spring sprouting in the desert. Workshop of Rome. 330-335. From Huerta de San Rafael. Archaeological Museum of Cordoba. Andalusia, Spain.

Lazio Latina Priverno S. Benedetto0. Hutzel, Max 1960-1990 Medieval: Architecture (9th century). Post-medieval: Frescoes (11-15th century); sculpture General Notes: Note: Hutzel's incorrect labelling of back of photos as S. Francesco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Maria della Manna d'Oro4. Hutzel, Max 1960-1990 Exterior views of the octagonal church now used as a baptistery. Interior views of oil paintings by Conca (1735), the tomb statue of Bishop Bernardino Lauri, and the massive octangonal baptismal font (15th century), decorated with bas-reliefs depicting scenes from the Nativity to the Marriage at Cana. Object Notes: Hutzel photo campaign date: 1/31/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Saba2. Hutzel, Max 1960-1990 Principle views of church exterior, interior, and Oratorio di S. Silva (basement level) in Medieval collection. Views remaining with Hutzel collection are of the portico, where medieval relief fragments are displayed along with antiquities, and of frescoes from the church interior. Antiquities: Sarcophagi, stele, relief fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ivory plaque of a reliquary from the treasure of St Denis, 10th century. Artist: Unknown

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)96. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Landscape with Two Horsemen and Four Standing Figures, from a Calvary, anonymous, c. 1515 - c. 1525 Antwerp oak (wood) Antwerp oak (wood)

Relieve funerario de la Abadía de Sant Martí del Canigó, fundada en el siglo XI en la localidad de Casteil, Francia.

Christ and the Samaritan Woman at the Well, c. 1500-1530. Workshop of Giovanni della Robbia (Italian, 1469-1529/30). Polychromed terracotta; overall: 221 x 177.8 x 27.9 cm (87 x 70 x 11 in.).

Belgium, Brabant, Brussels, Detail Of Carving Around The Congress Column Built 1850 By Poelaert Commemorating The 1831 National Congress Which Proclaimed The Belgian Constitution

Altarpiece of Gambassi, by Giovanni della Robbia (1469-1529), terracotta. Collegiate Church of Santa Maria Assunta in Casole d'Elsa, Tuscany.

Detail of the bass-relief representing the Stories of St. Martin, preserved in the Portico of the Cathedral of St. Martin in Lucca, Italy

Campania Napoli Naples S. Lorenzo Maggiore54. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

The Three Jewish or Pagan Worthies, from a Series of the Nine Worthies, anonymous, c. 1500 - c. 1520 Relief in a niche, budgeted by colonets and decorated in the arch with praise. Southern Netherlands oak (wood) Relief in a niche, budgeted by colonets and decorated in the arch with praise. Southern Netherlands oak (wood)

CORO S BENITO-BESO DE JUDAS. Author: ANDRES DE NAJERA (S, XVI) RENACIMIENTO ESPAÑOL. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. JUDAS ISCARIOTE (3 ac-30 dc).

Souillac, former abbey church of Sainte-Marie, portal sculptures, relocated to the interior in the 17th century, Theophilus relief

Lazio Roma Frascati Villa Borghese0. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)49. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CORO S BENITO-DET JUDAS. Author: NAJERA ANDRES. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION, VALLADOLID, SPAIN.

Campania Napoli Naples S. Lorenzo Maggiore175. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Valve De Miroir. Le Jeu D'echecs. Mirror Valve. The Game Of Chess. 1st Part 1400's Artist Unknown Ivory Relief Musee du Louvre, Paris, France

Musée du Louvre, Neue Photographische Gesellschaft, Paris: Louvre: Alexandre et Diogène, de Puget, Relief by Pierre Puget in the Musée du Louvre in Paris, depicting the meeting of Alexander the Great and Diogenes of Sinope, verso - printed, stereograph, stereophoto, photographs, 54, recto - printed, Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1904., height 88 mm, width 179 mm, photographer, 1904 - 1904, cardboard, photographic paper, photo paper, gelatin silver print, developing gelatin silver print

Wooden sculpture by Byzantine Master, Ivory Applied Arts , 945, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 18, 6x9, 5

Lazio Roma Rome S. Paolo39. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

RELIEVE EN MADERA DE LA SILLERIA DEL PARRAL. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION, MADRID, SPAIN.

Mainz, St Martin's Cathedral, Romanesque Leichhof portal, tympanum

Innocent VIII;Tomb;Pollaiolo

Lazio Roma Rome S. Bernardo alle Terme6. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Limestone relief of the Four Evangelists Mark, John, Luke and Matthew, Mont Saint-Michel monastery hill, Le Mont-Saint-Michel, Normandy, France, Europe

Anonymous. Chancellery of Orleans / Scene of mythology / 1907. "Inner view of the Chancellery of Orleans, sculpted decor representing a woman toget bearing a key seated in a chariot drawn by two lions and followed by three characters. 1st arrondissement, Paris" . ARISTOTYPE. in 1907-1907. Paris, Carnavalet museum. 144161-7

JUNI , JUAN DE. ESCULTOR FRANCES 1507 - 1577. " DISPUTA ENTRE MONJES Y HEREJES ". QUEMA DE LIBROS HERETICOS. RELIEVE EN MADERA. hacia 1537-1540. MUSEO ARQUEOLOGICO .LEON. Author: JUAN DE JUANI.

The Adoration of the Shepherds c. 1625/1675 terracotta Annibale Fontana Milanese; 1540 - 1587

Earliest Encounter of the Spaniards with the Natives. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Spain. Galicia. Santiago de Compostela. Cathedral. The Portico da Gloria. Romanesque portico by Master Mateo (1188) and his workshop at the request of King Ferdinand II of Leon. Detail. Way of St. James.

Andrea Briosco, called Riccio, The Entombment, Italian, 1470 - 1532, bronze

SAN ILDEFONSO Y SANTA LEOCADIA - 1753-1761 - MARMOL - 85 cm x 124 cm x 18 cm - 206,2 kg - ESCUELA FRANCESA - NP E0460. Author: ROBERTO MICHEL (1720-1780). Location: MUSEO DEL PRADO-ESCULTURA. MADRID. SPAIN.

Aimé-Jules Dalou (1838-1902). "Puddleur". Patinated plaster, between 1895 and 1898. Museum of Fine Arts of the City of Paris, Petit Palais. Fonte, man, metallurgy, worker, pattero patina, puddlage, poddleur, stir

Relief depicting a pillow merchant

LAS TRES MARIAS-ESCULTURA. Author: CASASOLA A. Location: MUSEUM OF FINE ARTS. Malaga. SPAIN. MARY MAGDALENE. VIRGIN MARY.

Campania Napoli Naples S. Lorenzo Maggiore55. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Emilia-Romagna Modena Nonantola Abbazia di Nonantola4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Funerary stele of Aurelio Secundus, his wife and child writing on diptych, from Celje, Slovenia

Peterborough, Cathedral. Hedda stone c. 780. artefact, St., Saint, Saint

Pietà. Dated: second half 16th century. Dimensions: overall: 12.9 x 8.9 cm (5 1/16 x 3 1/2 in.) gross weight: 300 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Traces of medieval paint on seven sacrament font, panel depicting matrimony, church of Saint Andrew, Westhall, Suffolk, England, UK

Marble sarcophagus with relief depicting myth of Phaedra, Phaedra's nurse brings love message to Hippolytus, detail

Lazio Frosinone Alatri S. Maria Maggiore. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief with Scene from the Legend of the True Cross. Culture: South Netherlandish. Dimensions: Overall: 15 13/16 x 13 1/16 x 5 9/16 in. (40.2 x 33.2 x 14.1 cm). Date: ca. 1400.This relief, along with another in the collection (acc. no. 23.79.2), once formed part of a narrative that stretched across the back of an altar. Carved from single blocks of marble, the two compositions feature episodes from the discovery of the True Cross by Saint Helena, the mother of the Roman Emperor Constantine. In order to bring these distant events into the present, the sculptor employed clothing and character types familiar to fifteenth-century audiences. Here Saint Helena and her retinue witness proof of the True Cross's identity, when its miraculous touch brings a man back from the dead. Jude, having led Helena to the cross and observed the miracle, converts to Christianity and receives baptism. Museum: Metropolitan Museum of Art, New York, USA.

Fragment of marble sarcophagus with relief showing Medea helping Jason win Golden Fleece

'Relief: Madonna and Child'. Italy, Florence, Third quarter of the15th century. Dimensions: 123,0x68,0 cm. Museum: State Hermitage, St. Petersburg.

Lazio Frosinone Arpino Convitto Tulliano0. Hutzel, Max 1960-1990 Post-medieval: Exterior: W facade, general view and details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Saba1. Hutzel, Max 1960-1990 Principle views of church exterior, interior, and Oratorio di S. Silva (basement level) in Medieval collection. Views remaining with Hutzel collection are of the portico, where medieval relief fragments are displayed along with antiquities, and of frescoes from the church interior. Antiquities: Sarcophagi, stele, relief fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Catervo, Duomo7. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as we

Bas-reliefs, Monument to Prince Vladimir in Moscow. Moscow, Russia - October 11, 2024: Bas-reliefs, Monument to Prince Vladimir on Borovitskaya Square near Kremlin. Scenes from the life of the Holy Equal-to-the-Apostles Prince Vladimir Svyatoslavic Copyright: xZoonar.com/StanislavxSablinx 23031322

SILLERIA DE S BENITO-PENTECOSTES. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPANIEN.

Ivory plate, women at the tomb of Christ and the Assumption of the Lord, Milan or Rome, around 400, National Museum, Munich, Upper Bavaria, Bavaria, Germany, Europe

Italy - Friuli Venezia Giulia Region - Aquileia - Cathedral - Sarcophagus - Detail

Lazio Roma Rome S. Clemente6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

High Castle, relief panel on the outer wall of the south wing, Fuessen, Romantic Road, Ostallgaeu, Bavaria, Germany, Europe

Woodcarving of the entombment of Jesus Christ in the possession of the bookseller Rudolph Weigel of Liepzig, 1516. Monogram H.S., probably Hans Schwarz of Augsburg. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by B, lithographed by I.K. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Jaume Cascalls / Retablo de santa Úrsula, siglo XIV. Museum: Església de Sant Llorenç, Lleida.

Gothic tomb of Saint Narcissus, 15th century. Iglesia de San Félix, Gerona. Museum: Iglesia de San Félix, Gerona.

SILLERIA S BENITO-S PEDRO LIBERADO POR UN ANGEL. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. APOSTLE PETER.

Ramesvara cave Cave 21, Ellora, UNESCO World Heritage Site, Maharashtra, India, Asia

Sarcophagus with Christ and Apostles, by Unknown artist, 4th Century, marble relief. Italy: Emilia Romagna: Ravenna: San Francesco Basilica. Whole artwork. Sarcophagus niches little spiral columns apostles lion's paws lion's head

Lazio Roma Rome S. Gregorio Magno4. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Bas-relief to the right of the main door of the Duomo di San Martino. St Martin Cathedral, Lucca. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle (1837-1890) Old 19th century engraving from Le Tour du Monde 1880

Andreu Ramírez / Retablo del Monasterio de Poblet, 1580.

Llàtzer Tramulles / Altarpiece of the Brotherhood fo Roser, Church of Sant Jaume, 1643.

The Last Supper from the sacrament house of Cologne Cathedral, Germany. Cologne, c. 1510. Baumberg Sandstone. Schnu_tgen Museum. Cologne, Germany.

Corbel early 15th century German or South Netherlandish. Corbel 468299

HUESCA. BOTAYA. MONASTERIO DE SAN JUAN DE LA PEÑA. CAPITEL DEL CLAUSTRO REPRESENTANDO LA RESURECCION DE LAZARO , SIGLO XII. ARTE ROMANICO.

Relief of center of the cross, double side: virgin and child. Anonymous (France), Pierre, 1300-1500. Paris, Carnavalet museum. Bebe, Catholic, Center Cross, Chretien Chretienne, Christ, Double Face, Mother Child, Stone, Relief, Medievale sculpture, Virgin

SALA DE LOS REYES - ESTATUAS DE LOS REYES DE LEON -ALONSO III-IV GARCIA I ORDONO II FRUELA II. Location: ALCAZAR-INTERIOR. SEGOVIA. SPAIN.

In the streets of Castelmuzzio, Val d'Orcia, Tuscany, Italy

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