Medieval Religious Art

Depictions of biblical scenes and figures from medieval manuscripts and tapestries. Rich colors and intricate details emphasize religious themes.

fol. 137v, 1390

Miniature from the Book of Hours Visconti or Offizolo Visconti, 14th-15th Century.

Hans Baldung's 1505 colored woodcut depicts the biblical scene 'Behold the Man', emphasizing figures, gesture, and narrative.

Adoración de los reyes, siglo XIV, relieve policromado. Procedente de Preixana, Lérida.

David and Bathsheba. unknown c. 1490-1500 Tapestry Dimensions: H 15' x W 29'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Dunbar Wright coll., Boston. French & Co. purchased from Clarence Hungerford Mackay 4/23/1948; sold to Foreningen Nationotmussi Vanner 4/28/1964. Scene divided by columns, creating several scenes; 2 scenes in upper L, David, from his palace, sees Bathsheba bathing in fountain; lower L, Bathsheba comes to David's palace; center, David enthroned, Bathsheba stands before him, surrounded by group of attendants; Bathsheba attended by servants as David arrives; lower R, David & Bathsheba enthroned, surrounded by attendants (2 Samuel 11-12) (BRD) foliage encased by curving line French & Co. stock sheet in archive, 79767

Lazio Viterbo Tarquinia Palazzo Vitelleschi8. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

scene with "Dina" and "Ana". unknown c. 1500-1525 Tapestry Dimensions: H 6'5" x W 8'2" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from C. R. Huntington 2/2/1916; sold to J. M. Schulte 1/26/1926. Biblical () scene with kneeling woman "Dina" in center, flanked by 3 women with "Ana" on R; 3 men on L; naked seated man in medallion (lower center) (BRD) garland with flowers & grapes Possibly woven in Brussels. French & Co. stock sheet in archive, 3968

Mary with Child standing in front of Gothic architecture in rectangular frame with decoration of leaf motifs, Anonymous, 1470-1499.

Panel with Presentation in the Temple 19th century European (Medieval style). Panel with Presentation in the Temple 463644

fol. 137v, 1390

The Annunciation 16th century German. The Annunciation. German. 16th century. Pearwood. Made in Swabia (), Germany. Sculpture-Wood

Plate 5: Main Altarpiece, Santa Cruz: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 35.5 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Scenes from the Infancy of Christ 16th century Flemish Created as three separate panels, this embroidery was intended to be mounted within a hinged frame and be experienced as a triptych: opened to reveal the central Adoration of the Kings, with the Nativity of the Shepherds in the wing to the left, and the Circumcision in the wing to the right. The frame has not survived, and it is not known whether its outer wings, visible when the triptych was closed, were similarly decorated. In subject matter, iconography and design, the embroidery closely follows painted precedents: it speaks, in particular, to devices first invented by the influential Brussels-based painter Rogier van der Weyden, subsequently developed and reiterated by his successful follower, Hans Memling, who ran a large workshop in Bruges. However, the virtuoso embroiderer, or small team of highly talented embroiderers, who created this brought the prestige of their raw materials, working in richly dyed silks and precious me

Friesach: Peterskirchlein, Painting German School. .

Susanna Accused by the Elders; Belgione; Antwerp; stained glass; circa 1530

GSELL-Laurent workshop. Album n ° 3; stained glass project for the Saint-Etienne-du-Mont church; 5 span window: scene from the life of Saint Geneviève. Pencil, wash on layer. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, five, pencil, window, Lavis on layer, project, saint, travee, stained glass, life, scene

MTI1 - CANTIGA DE SANTA MARIA Nº105 - F152R - LA VIRGEN SANA A MUJER HERIDA POR SU MARIDO POR NO POSEERLA - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Altarpiece with Scenes of the Infancy of Christ late 15th century North French or South Netherlandish This altarpiece is said to have come from the convent of the Ursulines in Amiens, France.. Altarpiece with Scenes of the Infancy of Christ 467463

JUAN I DE NIO JUNTO A SU MADRE LEONOR Y ENRIQUE III - VIDRIERA DE LA SALA DE LA GALERA - SIGLO XX. Author: Carlos MuÒoz de Pablos (20th cent.). Location: ALCAZAR-INTERIOR, SEGOVIA, SPAIN.

Stained glass window detail Saint Ursula, Aldeburgh church, Suffolk, England, UK c c 1929 A K Nicholson

The Resurrection 15th century British The Resurrection, referring to the moment at which Christ rises from his tomb, was a popular scene in medieval religious art. Traditionally, soldiers are shown fast asleep around the tomb, oblivious to the miracle occurring in their midst. Often, the armor and weapons of the soldiers are accurate representations of what was worn and used in the place and period in which an artwork was created. Bashford Dean (1867-1928), founding curator of the Department of Arms and Armor, formerly owned this alabaster relief. As part of his large private collection of arms and armor, Dean eagerly sought out and acquired works of art, which he called documents, if they accurately depicted historical armor and weapons.. The Resurrection 27632

Ceiling painting, nave, Michaeliskirche, Michaelisplatz, Hildesheim, Lower Saxony, Germany, Europe

Album n � 4; Stained glass project for Isle Adam: Predication of Saint Jean Baptiste Gsell-Laurent workshop. Album n � 4; Stained glass project for Isle Adam: preaching of St. John the Baptist. Pencil, watercolor, photographs.

Tile Design - Processing Angels, 1866. William Morris (d.1896) .

Ravenna San Vitale Mosaic with the retinue of Empress Teodora Summer, Giorgio (Georg) (1834 1914)

SAN MATEO - DETALLE DEL FRONTAL DE SILOS - 1150/60 -ESMALTE DE LIMOGES - ARTES SUNTUARIAS - ROMANICO. Location: MUSEO DE BURGOS. BURGOS. SPAIN. SAN MATEO APOSTOL Y EVANGELISTA.

Plate 5: Main Altarpiece, Santa Cruz: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Pau Sunyer / Retablo de Sant Ramon Nonat, 1683. Castell de Cardona.

The Birth of Tristram, 1861. Arthur Hughes

Album n � 4; Stained glass project for Bouqueval; Window with two tranks,: Predication of Saint Jean Baptiste Gsell-Laurent workshop. Album n � 4; Stained glass project for Bouqueval; Window with two bays ,: preaching Saint Jean Baptiste. Pencil, watercolor, photographs.

Bilibin, Ivan Yakovlevich (1876-1942) State Russian Museum, St. Petersburg 1935 47x38,8 Watercolour on paper

Condemned Soldiers from Scenes from the Life of Saint Nicholas ca. 1200-1210 French This scene is one of two that illustrate an early episode in the life of Saint Nicholas, soon after he was elected bishop of Myra in Asia Minor in the fourth century. Here two knights, identified by their shirts of mail, are being falsely accused of treason and condemned by the consul. A third knight, the right arm of the consul, and the beginning of the inscription[S NICO/ LAVS: PR[AESES/ MILITES (Nicholas protects the soldiers)were lost when the panel was cut down at an undetermined time. In the second scene (acc. no. 1980.263.3), Nicholas responds to the knights' prayers by appearing before the counsul to plead for their release. A palace guard looks on from the left.The panels probably came from an ambulatory chapel dedicated to Saint Nicolas in the cathedral of Soissons, whose choir was under construction in the 1190s. This type of composition, in which each narrative element is framed under an

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Montier-en-Der: Saint Pierre. Pencil, ink and gouache on layer paper. Paris, Carnavalet museum. Apotre, Catholic, Christian, pencil, ink, gouache, layer paper, project, saint, stained glass

'St Peter'. Switzerland, 1551. Dimensions: 36x24 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown master from Zug.

Monumento del Doge Michele Morosini Artist Unknown Stone San Giovanni e Paolo, Venice, Italy

Pau Sunyer / Retablo de Sant Ramon Nonat, 1683. Castell de Cardona.

GSELL-Laurent workshop. Album n ° 3; stained glass project for Saint-Martin de l'Isle-Adam; 2 spans window; 4 subjects: 3 scenes from the life of Christ, donor of the stained glass and his patron saint. Pencil, watercolor, gouache. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, pencil, two, donor, Saint-Martin church, son god, fenetre, gouache, project, four, patron, subject, travee, vie christ, vitrail, watercolor, scene

Design for the middle part of a window in the Noordertransept in the Dom in Utrecht, 1878 - 1938 drawing cardboard. chalk brush

Courtly couples in landscape. unknown c. 1510 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. "Sold direct to Branch" written on verso of photo. In landscape setting in 2 registers: row of courtly men & ladies, with kneeling lady presenting platter of food to man & seated lady, & man offering platter of food to another lady (below); row of courtly men & ladies with lady kneeling before another lady; 2-tiered architectural framing on L: couple (above); lady with coat of arms bearing parrot (below) (BRD) garland with flowers No French & Co. stock sheet in archive, no stock number

Fragment (From an Orphrey Band). England, Opus Anglicanum. Date: 1400-1450. Dimensions: 31.2 × 18.6 cm (12 1/4 × 7 1/4 in.). Linen, plain weave; embroidered with silk and gilt-metal-silk-wrapped silk in split and stem stitches; laid work and couching. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

SALA DE LOS REYES - MAUREGATO BERMUDO I RAMIRO I ORDONO I ALFONSO II. Location: ALCAZAR-INTERIOR. SEGOVIA. SPAIN. ALFONSO II THE CHASTE. ORDOÑO I. ALFONSO II DE ARAGON. GARCIA I DE LEON. BERMUDO I. VERMUDO I. RAMIRO I REY CAUDILLO DE ASTURIAS (798-850). MAUREGATO REY CAUDILLO DE ASTURIAS (783-789).

Drawing, Motif for Decorative Design; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; black crayon, ink, watercolor on paper; 24.6 × 15.4 cm (9 11/16 × 6 1/16 in.)

this Katarzyna and this Barbara; Unknown, Kostrycki, Maciej (p Azów; People's Woodmark; Fl. Ca 1830-Ca 1838), Azarski, Zygmunt (1885-1943); 1921 (print); 1830-1838 (matrix) (1830-00-00-1921-00-00);Barbara (Saint - -306), Katarzyna Aleksandryjska (Saint), Purchase (provenance), Łazarski, Field of People's District of the Old 1921, Illustration, Łazarski, Zygmunt (Ca 1885-1943) - collection

Annunciation Manuscripts, France, Paris, Bibliotheque Nationale

Edward Jewett, Fragment of Reredos, c 1940 Fragment of Reredos

Massacre of the Innocents. Mural painting dating from the fourteenth century. Central nave of the Mondonedo Cathedral. Province of Lugo. Galicia. Spain.

RETABLO EN PIEDRA DE AGER-NATIVIDAD. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Azulejos at the House and Garden of the Palacio Fronteira in Benfica in the City of Lisbon in Portugal. Portugal, Lisbon, October, 2021

Burying theDead. After (?): Jacob Cornelisz van Amsterdam, Dutch, 1472-1533

Copper plaque depicting Moses and the Brazen Serpent. Dated 12th Century

Empress Theodora. Mosaic from Ravenna, San Vitale. 6th cent. AD. ITALY.

Esther becomes queen . unknown c. 1510-1520 Tapestry Dimensions: H 11' x W 13'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Sir Lionel Phillips coll. French & Co. In courtly setting, crowned Esther standing before enthroned Ahasuerus, courtiers surround (Esther 1-2:20) (BRD) ribbon-tied garlands of flowers interspersed with bunches of grapes Possibly woven in Brussels. French & Co. stock sheet missing from archive, 51179-b Related Works: Panels in set: GCPA 0237788-0237789, 0242510-0242516

The Judgment of Solomon and Esther before Ahasuerus (pair), c. 1530. Dirk Vellert (Netherlandish, 1480/85-1547). Pot metal, white glass, and silver stain; overall: 69.3 x 46.4 cm (27 5/16 x 18 1/4 in.). Though also a painter and printmaker, Dierick (or Dirk) Vellert is best known as a designer of stained glass. Active in Antwerp, where he became a master of the Guild of Saint Luke in 1511, Vellert richly ornamented his work with garlands, masks, vases, and other classically inspired motifs. A great deal of his glass was exported. As an engraver, his prints owe a good deal to Albrecht Dürer and Luca van Leyden. These two panels depict famous incidents from the Old Testament featuring the rendering of judgment. Both may have originally been made for a council chamber or a court of justice. Conceivably, because of their subjects, they could have served as models of justice for the magistrates who deliberated within view of them.

Ancient carvings on wood

Madonna in a Wreath of Roses. Dated: 1490/1500. Dimensions: diameter (trimmed within plate mark): 17.8 cm (7 in.). Medium: woodcut, hand-colored in red lake, green, and gray-yellow. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

TAPIZ DEL APOCALIPSIS- EL DRAGON LA BESTIA Y LAS VIRGENES - (carton de Jean de Bruges)- S XIV. Location: CASTILLO. Angers. France. SAN JUAN EVANGELISTA Y APOSTOL.

King David the Poet. Culture: British, London. Designer: Figure designed by Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham); Background designed by William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Overall: 32 1/2 × 19 1/2 in. (82.6 × 49.5 cm). Manufactory: Morris, Marshall, Faulkner & Co.. Date: 1863.This panel of King David, with three other panels also decorated with figures of poets (Homer, Chaucer, and Dante), was made for windows in the breakfast room at Silsden, a house in Yorkshire built for textile manufacturer Charles Hastings. This was one of the first commissions given to Morris, Marshall, Faulkner & Co., the firm that William Morris, Edward Burne-Jones and others had co-founded in 1861 to revive the arts and crafts of the pre-Renaissance era (which would subsequently develop into the more successful Morris & Co in 1875). Burne-Jones designed the figures and Morris designed the daisy and forget-me-not plants for the recta

Caldarola (Italia, Marche - provincia di Macerata), Palazzo Pallotta. Simone De Magistris (attribuzione), decorazione salone donore, Allegoria della Tranquillità

Chaucer's 'Legend of Good Women' - Amor and Alcestis. Date/Period: 1864. Pencil, pen and brown wash on toned paper, laid down. Width: 490 mm. Height: 465 mm. Author: Edward Burne-Jones.

fine arts, middle ages, Gothic, illumination, Codex Manesse, Zurich, 1305 - 1340, Otto vom Turme, covering colour on vellum, University of Heidelberg Library,

16th century Flemish tapestry from Tournai in the Gothic room at Kasteel van Gaasbeek, renovated medieval castle at Lennik, Flemish Brabant, Belgium.

Marienburg Castle, Tapestry, Interior, Pattensen, Lower Saxony, Germany, Europe

Belgium, Brussels, Grand Place, Brussels City Museum, 16th century Wall Tapestry depicting The Legend of Our Lady of the Sablon

Italy, Florence. Mural outside the Duomo Florence

Welcome panel early 17th century Anonymous, Swiss Swiss This panelthe work of an anonymous glass painter after an anonymous designeris a typical example of the many windows that brought light and bright colors to the dark rooms of Swiss sixteenth-and seventeenth-century houses. As indicated by the inscription, it represents two burghers from Jestetten (a border town in present-day Germany), Christoff vom Greüt and his wife, Catrin. The figures should be considered representations of the patrons rather than actual portraits.. Welcome panel 205689

Mystic wine. unknown c. 1490-1510 Tapestry Dimensions: H 79 x W 75.85 cm Tapestry Materials/Techniques: wool, silk & metallic thread (silver) Culture: Southern Netherlands Ownership History: French & Co. Purchased by Cleveland Museum of Art (1973). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1973.77. In oval, Christ-child pressing bunch of grapes, flanked by St. Joseph & Virgin Mary; symbols of Passion & Redemption, including apple resting on beaker, book, chalice, 3 angels; landscape in background No French & Co. stock sheet in archive, no stock number Cleveland, Textiles in Daily Life (1985), 28-31, no.10, fig.18 Cavallo, Medieval Tapestries (1993), 337, fig. 123 Related Works: Stylistically & iconographically related tapestries, GCPA 0239435-0239436; 0239590-0239592, 0239422, 0184144, 0242741; 0239437 (Chicago); Amsterdam, Dutch Renaissance Art Collection, "Infant Christ pressing wine of Eucharist"

altarpiece of sant bernat altarpiece of sant bernat, sant Antoni i sant nicolau, Master of Santa Eulalia, 1440, tempera on panel, convent of Santo Domingo, Museu de Mallorca, Palma, Majorca, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 21489477

The "Codex Manesse", also known as the "Great Heidelberg Book of Songs" (Cod. Pal. germ. 848), was created between around 1300 and around 1340 in Zurich and is the most comprehensive collection of ballads and epigrammatic poetry in Middle High German language. Walther Von Der Vogwlweide (1170-1230). by Rudiger Manesse and his son Johannes. University of Heidelberg. Library. Germany

Maesta (Siena) / Martini / c.1315

Heraldic Panel of Barbara von Zimmern 1518 German This panel, along with its pair, acc. no. 30.113.6, commemorate the marriage in 1518 of Barbara von Zimmern and Wilhelm von Weitingen, both of well-established Swabian families. These works represent the last expression of the Middle Rhenish style of the late 15th century, characterized by a strength and painterliness reminiscent of panel painting. The inscription on the banner above Barbara can be translated: "God have mercy"; that on the banner above Wilhelm reads: "Mother of God, have mercy on me, Wilhelm von Weitingen.". Heraldic Panel of Barbara von Zimmern 471058

Heraldic Panel of Wilhelm von Weitingen. Culture: German. Dimensions: Overall: 24 x 16 1/2 in. (61 x 41.9 cm). Date: 1518.This panel, along with its pair, acc. no. 30.113.5, commemorate the marriage in 1518 of Barbara von Zimmern and Wilhelm von Weitingen, both of well-established Swabian families. These works represent the last expression of the Middle Rhenish style of the late 15th century, characterized by a strength and painterliness reminiscent of panel painting. The inscription on the banner above Barbara can be translated: "God have mercy"; that on the banner above Wilhelm reads: "Mother of God, have mercy on me, Wilhelm von Weitingen.". Museum: Metropolitan Museum of Art, New York, USA.

Järnefelt, Eero, work, Sketch book, early 20th century, pencil, watercolor, crayon, drawing, 10.5 cm x 17 cm, Järnefelt, Eero, early 20th century, pencil, watercolor, crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Relief Altarpiece with Saints Peter, Paul, and John the Baptist 1408 Attributed to Gerardo di Mainardo. Relief Altarpiece with Saints Peter, Paul, and John the Baptist 463492

Ikona: Wielka Deesis. nieznany warsztat rosyjski (1700-1970), factory

Fourteenth-century Gothic wall mural in the chapel at the Parador in Alcaniz, Teruel Province, Spain, Europe

The Prodigal Receives His Share (one of eight scenes from the story of the Prodigal Son). Culture: German. Dimensions: Diameter: 10 in. (25.4 cm). Date: 1532, possibly some 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Stained modernist, Circle of the Lyceum, Oleguer Junyent, Antoni Bordalba, Josep Pey1903-1904, 20th. Barcelona.

MTI1-CANTIGA STA MARIA Nº134-F189R-CURACION COLECTIVA DEL FUEGO DE SAN MARCIAL EN PARIS. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Trinity Unknown. , early 19th century. Painting on tin, 12 1/2 x 16 1/4 in. (31.8 x 41.3 cm). American Art early 19th century

RELIEVE DE DONANTES EN EL RETABLO DE LA IGLESIA DE SANTA MARIA DEL CASTILLO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: FELIPE BIGARNY (1475/1543). Location: IGLESIA DE SANTA MARIA DEL CASTILLO. CERVERA DE PISUERGA. PALENCIA. SPAIN.

VIDRIERA CON ENRIQUE IV EL IMPOTENTE A CABALLO (1454-1474) - VIDRIERA DE LA SALA DE LA SALA DEL TRONO - SIGLO XX. Author: Carlos Muñoz de Pablos (20th cent.). Location: ALCAZAR-INTERIOR, SEGOVIA, SPAIN.

Architectural canopy ca. 1390 Austrian. Architectural canopy. Austrian. ca. 1390. Pot-metal and colorless glass, vitreous paint and silver stain. Made in Lower Austria, Austria. Glass-Stained

The Beheading of Saint John the Baptist 1490-1500 Spain. Tempera and oil on panel . Master Palanquinos

Stained glass window from Semur en Auxois. Butcher. 15th cent. FRANCE.

Roundel with Return of the Prodigal Son. Culture: German. Dimensions: Overall Diam.: 9 in. (22.9 cm). Date: ca. 1530-35. Museum: Metropolitan Museum of Art, New York, USA.

Stirling, United Kingdom - 20 June, 2022: replica tapestry of The Hunt For The Unicorn inside Stirling Castle

GREGORIO, San (ss. I-II). Apóstol y primer obispo de Armenia. "MISA DE SAN GREGORIO". Talla de madera policromada. Museo de la Catedral de Santo Domingo de la Calzada. La Rioja. España.

Das Grabmal, Günther von Schwarzburg im Frankfurter Dom, Deutschland, digitale verbesserte Reproduktion eines Originals aus dem Jahr 1880

EFIGIES DE FERNANDO E ISABEL EN LA SALA DE LOS REYES. Location: ALCAZAR-INTERIOR. SEGOVIA. SPAIN. Catholic Monarchs. ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

Unconscious from the dragon's poison, Tristan is found by Iseult, fresco, Room of Tristan and Iseult, Summer-House, Castel Roncolo, Renon, near Bolzano, Trentino-Alto Adige, Italy, 14th-16th century.

Design for three windows in the town hall in Amsterdam, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing paper. watercolor (paint). pencil brush work of applied art (+ glass ~ arts) Town hall. Amsterdam

Paris (France), January 1970. Stained glass windows of the Notre Dame cathedral. One of the twelve vices, pride.

Design for the Second Bossche Wand: seven standing saints. Draughtsman: Antoon Derkinderen. Dating: c. 1869 - c. 1925. Measurements: h 273 mm × w 480 mm. Museum: Rijksmuseum, Amsterdam.

Religious representation. Draughtsman: Antoon Derkinderen. Dating: 1869 - 1925. Measurements: h 659 mm × w 477 mm. Museum: Rijksmuseum, Amsterdam.

Campania Napoli Nola Convento of S. Angelo7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

External Frescoes, Sucevita Monastery, 1585, UNESCO World Heritage Site, Sucevita, Suceava County, Romania, Europe

The Apparition of Saint Michael at Mont Saint-Michel and the Miracle of the Bull at MonteGargano. Artist: Fra Angelico, Italian, ca. 1395-1455

'Scenes from the Life of St. Francis'. Italy, First half of the 14th century. Dimensions: 21,3x16,3 cm. Museum: State Hermitage, St. Petersburg. Author: Bolognese Artist.

Chasuble. Italy. Date: 1425-1475. Dimensions: 111.2 x 76.8 cm (43 3/4 x 30 1/4 in.). Silk, warp-float faced satin weave with supplementary pile warps forming cut voided pile-on-pile velvet; orphrey: linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in satin, padded satin, and split stitches; couching, padded couching, and laid work; edged with silk, gilt-metal strip, and gilt-metal-strip-wrapped silk woven tape. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Jeremiah, c. 1440-1450. England, 15th century. White glass with silver stain; overall: 33 x 31.8 cm (13 x 12 1/2 in.).

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo31. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

of 2