Mythological and Family Scenes

Drawings showcasing mythological subjects and family settings, emphasizing gestures and expressions. Soft lines and gentle tones characterize the artwork.

Study sheet with two saters, c. 1656 - c. 1657 drawing Zwolle paper. chalk

Man with cloak is on the edge of a rock with mythological figures in the background, Ildephonse Stocquart (attributed to), 1829 - 1879 print paper etching rocks. adult man. mantle, gown, dress (symbol of sovereignty)

Holy Family 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Holy Family 389563

Study sheet with two saters, c. 1656 - c. 1657 drawing Zwolle paper. chalk

The Nursery Floor, Charles Haslewood Shannon (Quarrington, Lincolnshire, England, 1863 - 1937)

Drawing, Studies of the Virgin Mary and a Standing Man; Gugliemo Cortese (1628 - 1679); Italy; red, white, and black chalk on gray paper; 41.8 x 26.3 cm (16 7/16 x 10 3/8 in.)

Benjamin West, 1738-1820, American, active in Britain (from 1763), Study. Graphite.

Sleeping man, seen from behind ..

Man Resting on the Ground, anonymous, c. 1650 - c. 1660 drawing paper. chalk drawing lying figure

The Virgin walks toward the left, carrying the Child in her left arm. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Chalk drawing by an anonymous artist of a standing monk holding a book and staff on gray paper with white highlights, showing posture and attributes, with ink and water stains.

Figure studies, c. 1650 - c. 1799 Page 65 from a sketchbook with 72 pages. Italy (possibly) paper. chalk. pencil anatomy (non-medical)

Cameo, No. 1 (Mother and Child), c. 1890-1893. James McNeill Whistler (American, 1834-1903). Etching;

Sketch for an altar painting. Schall, Raphael (1815-1859), draughtsman, cartoonist

Grayscale with half hand raised, Grayscale with half hand raised, draughtsman: Hendrick Goudt, c. 1580 - c. 1648, paper, pen, h 160 mm × w 105 mm

A black ink drawing by an anonymous artist depicting Holy Magdalena, executed in the 18th century, emphasizing figure and gesture.

Francisco de Goya y Lucientes / 'Handcuffed by the roadside (Album H, 14)'. 1824 - 1828. Pencil on grey laid paper. Museum: Museo del Prado, Madrid, España.

Beggar seated warming his hands at a chafing dish, Rembrandt van Rijn, c. 1630 print paper etching Begin

Virgin of the Immaculate Conception Standing on Clouds ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 4. Virgin of the Immaculate Conception Standing on Clouds 336609

Waiting Oosters on a quay, Stefano della Bella, 1644 drawing paper. ink pen / brush quay (+ city(-scape) with figures, staffage). pier, quay, wharf

Two Standing Male Figures. Artist: Attributed to Jacopo Zucchi (Italian, Florence ca. 1540-1596 Rome). Dimensions: 9 3/16 x 6in. (23.3 x 15.2cm). Date: 1540-96. Museum: Metropolitan Museum of Art, New York, USA.

Self Portrait. Artist: Jean Marc Nattier (French, Paris 1685-1766 Paris). Dimensions: 16 1/8 x 9 5/8 in. (41 x 24.5 cm). Date: ca. 1730. Museum: Metropolitan Museum of Art, New York, USA.

Untitled: Classical scene, Arthur Pond, ca. 1705-1758, British, after Parmegiano, 1503-1540, Italian, 1740, Sheet: 5 7/8 x 1/16in. (14.9 x 0.2cm)

Drawing, Standing Figure; Designed by Luigi Vanvitelli (Italian, 1700 - 1773); Italy; black crayon on paper

Study sheet showing a woman's head with head scarf, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, etching, h 90 mm × w 60 mm

Drawing, Sketch of Saint Jerome; Italy; graphite on paper

Three Algerians squatting in an interior Narcisse Diaz de la Pena (1807-1876). Three Algerian squatting in an interior. Graphite pencil on striped letterhead sheet.

Black pencil drawing by Lucas Stipperger showing Christ presented to the people, emphasizing figure, gesture, and composition.

Standing boy next to a lying cow, c. 1794 - c. 1799 Page 65 from a sketchbook with 78 pages. paper. pencil cow. boy (child between toddler and youth)

Black chalk drawing by Jakob Matthias Weyer depicting a female allegorical figure holding a laurel wreath and lance. Emphasizes figure, posture, and attributes.

This pencil drawing by Rudolf Weyr depicts a mythological scene, showcasing his skill in capturing classical themes with detailed line work. The piece reflects his training under Franz Bauer and his collaboration with Josef Cesar, highlighting his proficiency in classical drawing techniques.

Study of Christ standing and apostles at his feet. Jean-Baptiste Carpeaux (1827-1875). Study of Christ standing and apostles at his feet. Drawing, around 1872. Museum of Fine Arts of the city of Paris, small palace.

A stone drawing by Martin Johann Schmidt around 1750 depicting the Holy Family, showing figures, posture, and interaction between Joseph, Mary, and the child Jesus.

Vicente Carducho / 'An Elderly Man Seated, falling Asleep'. Late XVI - Primer tercio del siglo XVII century. Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Drawing

George Romney, 1734-1802, British, Refugee Group, undated. Graphite on medium, slightly textured, cream laid paper.

Head of a man looking up with beard; Recueil Dyck's testes d'Antoine (...). Head of an upward man with beard, turned to the left. Numbered at the top right: 10.

Jacopo Palma, il giovane, Saint Onophrius in the Wilderness, c. 1610-20, Pen and brown ink, brown wash over black chalk.

Nymph Astride a Satyr Bacchanales. 1763. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Angel flying above a kneeling man, c. 1650 - c. 1799 Drawing in a frame. Page 72 from a sketchbook with 72 pages. Italy (possibly) paper. ink. pencil pen / brush angels. kneeling figure

Erminia and Vafrino Tending the Wounded Tancred after the Battle of Argento Tancrède secouru par Herminie et Vafrin après le combat d'Argante, Pier Francesco Mola, Italian, 1612-1666, Red chalk on off-white laid paper, A wounded soldier lying on the ground is assisted by a man wearing a turban (left) and a woman (right). The group is situated in a landscape, under a tree. At right a horse is shown and in the foreground at left, lies a discarded shield. A circular border is suggested implying that this composition was envisioned as a tondo. See Curatorial Notes field., Italy, 1720-30, figures, Drawing, Drawing

Hercules in the Garden of the Hesperides 1612-56 Baldassarre Franceschini (il Volterrano) Italian. Hercules in the Garden of the Hesperides 338747

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Sketch on the decoration of the Saint-Michel Fountain, Saint-Michel Place, 6th arrondissement.

A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso). Artist: Attributed to Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: sheet: 7 1/2 x 5 5/8 in. (19 x 14.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Pen and pencil sketches by George Minne, 1888, showing multiple human figure studies and compositional experiments.

Sketch of a scene with three characters including three children Narcisse Diaz de la Pena (1807-1876). Sketch of a scene to three characters including three children. Black stone on paper.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

A brown pen drawing by Paul Troger, circa 1725, depicting the Madonna with child, focusing on figures, posture, and composition.

Stone chalk drawing by Christian Wilhelm Ernst Dietrich depicting the marriage of St. Katharina, created around 1755-1757.

Sleeping man, seen from behind, Jacob Maris, 1847 - 1899, paper, pencil, h 125 mm × w 74 mm

Feder and ink drawing by Guercino depicting Christ and the adulteress with a suggested fifth figure, showing gestures and composition, circa 1621.

Winged grayish includes naked young woman ..

Man Seated, Writing on His Knee 16th century Anonymous, Italian, 16th century Italian. Man Seated, Writing on His Knee 341997

Study, probably for a religious stained glass project. (Dummy title)

The Long Engagement, Compositional Sketch and Sketch of Clasped Hands, Study of a reclining Woman,1854-1859 Arthur Hughes (d.1915), Art Movement, Pre-Raphaelite, 19th Century, Drawing, Pencil, Sketch, Female, Male, Emotion, Hand, Love

Sitting woman in an interior, 1837 - 1881 Page 14 Verso from a sketchbook with 33 sheets and 10 separate drawings. paper. pencil interior of the house. sitting figure - AA - female human figure

Sitting woman with stored eyes, c. 1650 - c. 1799 Next to the woman, a second woman kneels and is a putto. Also studies of a figure that carries a sphere under the arm. Page 36 from a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink pen / brush sitting figure - AA - female human figure. cupids: 'amores', 'amoretti', 'putti'. looking upwards

Mythological or allegorical representation with six figures. In the foreground, four figures can be seen next to a tree, in the background two figures.

A pencil drawing on gray paper by Josef Danhauser from 1844 showing a draft for the opening of a testament, depicting figures, gestures, and interior elements.

William Blake, Time's Triple Bow (recto), c 1804 1807 Time's Triple Bow recto

Chalk drawing on brownish paper depicting Joseph discovering the cup in Benjamin's sack from Genesis 44:12, with white highlights and blotchy texture.

Saint Dominic Guzman, Moses ter Borch, after Antonie Wierix (II), after Bartholomeus Spranger, c. 1656 - c. 1657, draughtsman: Moses ter Borch, Antonie Wierix (II), Bartholomeus Spranger, Zwolle, c. 1656 - c. 1657, paper, h 161 mm × w 210 mm

Polander Leaning on a Stick, Rembrandt van Rijn, c. 1631 print paper etching

Chalk drawing by Leandro Bassano showing a man and a woman bending backward to the right, executed on red-primed paper with white grown highlights.

Knielende wenende vrouw (Maria Magdalena). Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1610 - 1630. Place: Verona. Measurements: h 196 mm × w 282 mm. Museum: Rijksmuseum, Amsterdam.

Femmes de pêcheurs , Crying, Crucifixes, Spouses, Alphonse Legros (1837-1911)

Sketched Caricature of a Standing Man Facing Left. Artist: attributed to Pier Leone Ghezzi (Italian, Comunanza near Ascoli Piceno 1674-1755 Rome). Dimensions: Sheet: 10 15/16 x 7 5/8 in. (27.8 x 19.4 cm). Date: 1674-1755. Museum: Metropolitan Museum of Art, New York, USA.

Drawing in a frame. Page 72 from a sketchbook, Angel flying above a kneeling man., draughtsman: anonymous, Italy, (possibly), c. 1650 - c. 1799, paper, pen, brush

Allegory of malice, Christian Bernhard Rode, 1788 print paper etching Guile, Artfulness, Craftiness, Deceitfulness

Two Philosophers 1600-1699 France. Pen and black ink, over red and black chalk, on tan laid paper, laid down on Japanese paper . Unknown artist

Figure Studies: The Arrest of Christ, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso). Artist: Jacopo Palma the Younger (Italian, Venice ca. 1548-1628 Venice). Dimensions: 13 11/16 x 9 3/8in. (34.8 x 23.8cm). Date: 1548-1628. Museum: Metropolitan Museum of Art, New York, USA.

Victime dun Incendie (Fire Victim). Artist: Alphonse Legros, French, 1837-1911

Leonardo da Vinci, Study of a Madonna (verso), probably 1470 1480 Study of a Madonna verso

Figure Composition Study 13. Drawing. Graphite on paper. Height: 114 mm (4.48 in); Width: 162 mm (6.37 in). Author: GEORGE ROMNEY.

Free couple in a landscape, Anonymous, 1700 - 1800 drawing Sitting on the floor, sexual pair in a landscape. paper. ink. chalk pen / brush (lovers) kissing each other. (lovers) caressing each other

Child face study and a hand (p. 46 from album). Jean-Baptiste Carpeaux (1827-1875). Child face study and a hand (p. 46 from album). Drawing between 1870 and 1875.

The Last Maja second half 19th century Félicien Rops Belgian. The Last Maja. Félicien Rops (Belgian, Namur 1833-1898 Essonnes). second half 19th century. Etching and drypoint; eighth state. Prints

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Aeneas and Anchises. Artist: Leonaert Bramer (Dutch, Delft 1596-1674 Delft). Dimensions: sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm). Date: 1611-74. Museum: Metropolitan Museum of Art, New York, USA. Author: Leonaert Bramer.

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and griffonnemens, Various figures and scribbles, Woman with child and satyr, verso - stamped, A woman supports her child who is sitting on the back of a donkey. On the left is a satyr., print, prints, height 64 mm, width 85 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

Academic figures of men Harmensz van Rijn Rembrandt (1606-1669). Academic figures of men (B 194 - 3rd state), around 1646.

Study by François Boucher of a horse for the Triumph of the Aurora at Fontainebleau Castle, executed in black and white chalk with reddish accents on blue paper, dated 1753.

Kneeling David, Hendrik van der Borcht (II), After Parmigianino, 1638 print David kneels to the right and lifts both arms into heaven. In the right corner rays from the sky. There are sling and shield next to him. Behind him the contours of the Israeli army camp. David has probably defeated Goliath and now owes God for his protection (1 Samuel 17: 41-51). Print from a series to various drawings by Parmigianino from the Arundel collection. paper etching David thanks the Lord after he has slain the giant Goliath. casting weapons: sling

John the Baptist in the wilderness. The young John the Baptist is resting at a tree. On his shot the lamb, drinking from a bowl.

Statue Bathing. Normand, Charles (1765 1840), Julien

Aaron with the showbroden.

Lead pencil drawing by Christian Wilhelm Ernst Dietrich depicting a lady joking with two cavaliers, showing posture and interaction.

Study of a Draperie, Lambert Lombard, 1516 - 1566 drawing paper. ink pen / brush Drapery, Draped Garment, 'Course'

This Clair-obscur woodcut by Antonio da Trento, around 1525-1527, depicts a seated philosopher, showing detailed robes, contemplative posture, and classical features across two plates.

Jason on the flying ram. Leaf 26 Recto from a sketchbook with 94 sheets.

The Last Maja. Artist: Félicien Rops (Belgian, Namur 1833-1898 Essonnes). Dimensions: plate: 11 5/8 x 9 3/8 in. (29.5 x 23.8 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

L'Éducation de l'Amour , Gods, Goddesses, Mercury Roman deity, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Drawing by Rudolf Friedrich Wasmann showing the back view of a tambourine racket, executed in pencil and highlighted with white chalk on light gray-green paper around 1833.

MAN be worn outside of consciousness. Design for a book illustration.

"Pencil drawing on paus paper by Peter Fendi showing a mother with child and women with an infant presenting a coin in a sacrificial ritual, dated 1838."

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