Mythological Scenes in Art

Artworks illustrating mythological themes, featuring deities and allegorical figures in dynamic poses, combining romance and narrative elements.

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

Fireback Neptune on three-horse mare, hob plate cast iron, cast Rectangular with arch at the top. On top of shell flanked by two dolphins Wide border between frame and pearl necklace in which leaf decoration In the middle Neptune seated on shell drawn by four horses On the left and right side of the sea god boys with fish tails with shells and laurel wreaths living environment interior warming mythology Neptune

Right column of Epitaaf, 1548 Part of Epitaaf of the Ros family from the Grote Kerk in Wageningen. Gets up sandstone Wageningen Part of Epitaaf of the Ros family from the Grote Kerk in Wageningen. Gets up sandstone Wageningen

Andrea Briosco, called Riccio, Augustus and the Sibyl, c 1500 Augustus and the Sibyl

EUGENIO IV PAPA ENTREGA CONSTITUCION - ABOLE EL CONCILIO DE BASILEA. Location: PUERTA DEL FILARETE. VATICANO.

Mercury and Minerva reverse. Dated: late 15th century. Dimensions: overall (irregular oblong): 7 x 4.4 cm (2 3/4 x 1 3/4 in.) gross weight: 82 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Stele from Amenocleia from Piraeus. N.M. Athens , Bas-reliefs, Antiquities, Stelae. Nicholas Catsimpoolas Collection

Lazio Roma Rome S. Paolo84. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore50. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Plastic - 50 years of the "Iron Couple" - Lyon; Vernon, Frederic (1858-1912); 1907 (1907-00-00-1907-00-00);Partage Plus, Vernon, Frederic (1858-1912), stagecoach (iconogr.), Stockingcoats, railway, iron railway, plaques, female figure - iconogr. Secession (style), horse team (iconogr.)

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy

Bas relief on the door of a church, Chiesa Di Nostra Signora Della Consolazione, Genoa, Liguria, Italy

Italian 16th or 17th Century, The Triumph of Cupid, late 16th or 17th century The Triumph of Cupid

Stove panel. Culture: German, Nuremberg. Dimensions: Overall: 15 × 12 in. (38.1 × 30.5 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Africa, anonymous, c. 1600 WEEMENTAR TOOSE TO LEFT, PAKED by two elephants. On the car a throne on which Lady Africa sits on a pillow with in the right hand in front of a scepter, the bottom of which rests on her knee; The left hand supports the side rail. On the car a vase, a bag with indefinable content and two beehives (); Above the throne a radiant mask, the sun. On the ground an elephant with co -driver and the top of a palm. The bottom of the relief runs in a sloping cartouche. Mechelen alabaster (mineral). gilding (material) WEEMENTAR TOOSE TO LEFT, PAKED by two elephants. On the car a throne on which Lady Africa sits on a pillow with in the right hand in front of a scepter, the bottom of which rests on her knee; The left hand supports the side rail. On the car a vase, a bag with indefinable content and two beehives (); Above the throne a radiant mask, the sun. On the ground an elephant with co -driver and the top of a palm. The bottom of the relief runs in a sloping cartouche.

Panel with the Crucifixion of the Good Thief early 16th century French Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1-38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.. Panel with the Crucifixion of the Good Thief 471422

Musée National d'Athènes, 3479, scéne de palestre querelle de chien et de chat , Bas-reliefs, Antiquities, Cats, Dogs. Nicholas Catsimpoolas Collection

Fireplace, time Louis XIV, Hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, chimney plate, Louis XIV period, 10 rue Aubriot, Paris (IVEM ARR.). Anonymous photography. Draw on albuminum, 1890.

Basilicata Matera Matera Duomo51. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Moderno, Saint Sebastian, late 15th early 16th century Saint Sebastian

Drawing, Design for the Cover of a Snuff Box; France; pen, brush and chinese ink on sepia paper; 9.1 × 4.7 cm (3 9/16 × 1 7/8 in.); 1896-14-6

Andrea Briosco, called Riccio, Augustus and the Sibyl, c 1500 Augustus and the Sibyl

PORTADA-DETALLE DEL DINTEL. Location: PALACIO DEL MARQUES DE DOS AGUAS. Valencia. SPAIN.

Table screen with a woman and boys 19th century China. Table screen with a woman and boys. China. 19th century. Jade (nephrite). Qing dynasty (1644-1911). Jade

Lazio Roma Rome S. Paolo03. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

North Italian (Veneto) 16th Century, Saint Jerome in Penitence before a Rustic Church, c 1505 1510 Saint Jerome in Penitence before a Rustic Church

Adoration of the Magi late 15th-early 16th century Moderno (Galeazzo Mondella) Italian. Adoration of the Magi 198302

North Italian 16th Century, The Toilette of Venus, early 16th century The Toilette of Venus

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At center is Cupid with quiver. At left, half of a escutcheon with a dolphin and star., Italy, mid- 17th century, interiors, Drawing, Drawing

Venetian 15th or 16th Century, An Assembly of Gods, late 15th early 16th century An Assembly of Gods

Design for a corner piece of a ceiling with seated figures, putti and bust of a satyr Four parts of a ceiling design (series title), draughtsman: Mattheus Terwesten, intermediary draughtsman: Augustinus Terwesten (I), 1680 - 1757, paper, h 626 mm × w 509 mm

Casket Lid with an Eloping Couple; Knights Jousting; and the Allegorical; Attack on the Castle of Love; about 1340 - 50 Ivory Unknown artist; French (Paris)

The Virgin and Child with Saint Elizabeth and the Young Saint John the Baptist. Benedetto Cervi (Italian, active about 1520 - 1540)

An Allegorical Scene. Dated: 16th century. Dimensions: overall (trapezoidal): 4.5 x 10.5 cm (1 3/4 x 4 1/8 in.) gross weight: 96 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

Relief of bronze with a representation of Christ and other figures, by Peter Vischer, Anonymous, After Peter Vischer, 1869 - 1887 photomechanical print Germanyprinter: Munich Publisher: Munich paper. cardboard collotype legends and devotions ~ Christ. piece of sculpture, reproduction of a piece of sculpture Germany

Lazio Roma Velletri Museo Civico di Velletri13. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Lazio Frosinone Alatri S. Maria Maggiore0. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bartalomé Tutxó / Retablo de Santa María de Salas, hacia 1367. Museo Diocesano de Huesca. Author: BARTOLOME TUTXO (S. XIV).

. Square, silver plaque with shallow stealed representation of the three women to the grave. The grave is shown as a cocophagus with three columns, between which two soldiers are sleeping. On top of the grave is an angel.

RELIEVE EN MADERA DE LA SILLERIA DEL PARRAL. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. VIRGIN MARY. DIOS PADRE. VIRGEN APOCALIPTICA.

The Holy Angels Protecting a Hermit from Evils. Dated: 1726. Dimensions: overall (irregularly shaped): 26.5 x 15 cm (10 7/16 x 5 7/8 in.). Medium: brown ink and gray wash over traces of graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Georg Bergmüller.

Apollo. Dated: 16th century. Dimensions: overall (circular w/ projection): 6.9 x 3.7 cm (2 3/4 x 1 7/16 in.) gross weight: 32 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

North Italian 16th Century, The Flagellation, c 1500 The Flagellation

The Assumption. Rock. Paris, Carnavalet museum. 76180-2 Angel, Assumption, Catholic, Christian Chretian, Heaven, Clib, Biblical character, Stone, Ray, Relief, Biblical Scene

Umbria Perugia Cerreto di Spoleto Chiesa dell'Annunziata. Hutzel, Max 1960-1990 Ove overall view of the medieval town; views of the facade and interior decoration; views of a 15th century baptismal font; many views of the of the Baroque sculpture and paintings which adorn the side chapels. Object Notes: Hutzel shot this campaign in 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia6. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

VIA CRUCIS - RELIEVE - SIGLO XX. Author: ANTONIO GARRIGOS (1886-1966). Location: MUSEUM OF FINE ARTS. MURCIA. SPAIN. JESUS. CIRINEO.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo62. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Hercules fireplace with the Lion, Anonymous, 1650 - 1700 Cast iron fireplace, with semicircular top. Hercules with shield and drawn sword is central. Behind him is the lion. The whole is framed by a decorative band, with a pearl band and edge with leaf vines. The whole is closed at the top with a shell motif with a dolphin on either side. Germany iron (metal) casting Cast iron fireplace, with semicircular top. Hercules with shield and drawn sword is central. Behind him is the lion. The whole is framed by a decorative band, with a pearl band and edge with leaf vines. The whole is closed at the top with a shell motif with a dolphin on either side. Germany iron (metal) casting

Hour of Death, Anonymous, Hans Sebald Beham, After 1522 print paper Death dancing with more than one human being

Stair-Riser Relief with Offering Scene. Pakistan, Gandhara region, 2nd-3rd century. Sculpture. Gray schist

Society of Christ, Moderno, 1509 bronze (metal) bronze (metal)

Hearing stone with representation of Suzanna, who is taken to court by the two elders, c. 1875 - c. 1900 Highstone with representation of Suzanna, who is taken to court by the two elders. The seat of the judge is heraldic right. Netherlands earthenware Highstone with representation of Suzanna, who is taken to court by the two elders. The seat of the judge is heraldic right. Netherlands earthenware

Stele of Ariston. Stele of Alxenor. N. M. Athens , Bas-reliefs, Antiquities, Stelae. Nicholas Catsimpoolas Collection

Saint Sebastian, c. 1500. Moderno (Italian, 1467-1528). Bronze; overall: 7.5 x 5.8 cm (2 15/16 x 2 5/16 in.).

Lisbon, Portugal. (Editorial Use Only)

Passion Altarpiece, anonymous, c. 1510 - c. 1520 Passable Antwerp oak (wood) Passable Antwerp oak (wood)

Descent from the Cross 16th century South Netherlandish. Descent from the Cross. South Netherlandish. 16th century. Wood, painted and gilded. Made in Brussels. Sculpture-Wood

Stove plate with Hercules, Ompale and Pan, Anonymous, c. 1600 - c. 1650 Stove plate made of cast iron, divided into two zones. In the upper zone on the left is a naked man with club (Hercules), which is embraced by a naked woman (Omphale). There is a faun on the floor (pan). A canvas is draped at the top right. In the lower zone a cartouche with the inscription Sator. Germany iron (metal) casting Stove plate made of cast iron, divided into two zones. In the upper zone on the left is a naked man with club (Hercules), which is embraced by a naked woman (Omphale). There is a faun on the floor (pan). A canvas is draped at the top right. In the lower zone a cartouche with the inscription Sator. Germany iron (metal) casting

The Apollo Temple to Bassae in Arcadien Tablica VIII Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Verrière project representing Sainte Madeleine Jules Jean Gaspard Gold Johann Caspar Julius Gsell (1814-1904). Verrière Project Representif Sainte Madeleine. Pencil.

Firenze - Museo di S. Maria del Fiore. Una For Formell della Cantoria di Luca della Robbia. "Florence. Museo dell'opera del duomo di S. Maria del Fiore - Luca della Robbia (1399-1481), detail of the Choir of the Cathedral with Music Cherubin, illustrating a fragment of the Psalm 150 from the Biblical Book of Psalms ; Alinari, Fratelli (Florence; Photographic Department; 1852-); around 1910 (1880-00-00-1920-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print; fiber products / Paper / photo paper; height 24.7 cm, width 19.6 cm; di 133513 MNW; all rights reserved.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche58. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel from an ivory casket 420 A.D. Panel depicts the doubting of Thomas

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SILLERIA BAJA DE LA CATEDRAL DE TOLEDO - TOMA DEL REINO DE GRANADA - ALTUNA - 1489-1495 - GOTICO ESPAÑOL. Author: RODRIGO ALEMAN. Location: CATEDRAL-CORO BAJO. Toledo. SPAIN.

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

Noah Entering the Ark. Dated: mid 15th century. Dimensions: overall (oval, without suspension loop): 4.28 x 5.6 cm (1 11/16 x 2 3/16 in.) overall (height with suspension loop): 4.61 cm (1 13/16 in.) gross weight: 46.91 gr (0.103 lb.). Medium: bronze//Yellow-gold patina. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.

Lithophane of David and King Saul, biscuit, Vertical rectangle with impressed design showing a robed figure with dagger drawn, lamp in left hand. At right, a kneeling man. Background is a wall with man in armor standing within a niche., Germany, 1825-1900, ceramics, Decorative Arts, lithophane, lithophane

Saint Jerome. Dated: early 16th century. Dimensions: overall: 7.82 × 5.06 cm (3 1/16 × 2 in.) gross weight: 80.15 gr (0.177 lb.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Ulocrino.

Combat at the Gate. Dimensions: overall: 8.7 x 10 cm (3 7/16 x 3 15/16 in.) gross weight: 287 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: called Riccio Andrea Briosco.

Design for a Funeral Monument. Artist: Italian, Lombardy (early 16th century). Culture: Italian, Lombard. Dimensions: 11 5/8 x 6 1/16 in. (29.6 x 15.4 cm). Date: early 16th century.This highly detailed study of a classically-inspired wall tomb may have served as a modello - a presentation drawing to be shown to a patron - or as a drawing of a finished monument. The portrait in the center, inspired by Roman models, probably represents the deceased, whose epitaph was intended to be inscribed on the blank cartouche at the bottom. The eight square scenes portray Prophets and Sibyls, while the upper pair of roundels portrays the Annunciation. The lower roundels illustrate the Creation of Adam and Eve, the latter inspired by Michelangelo's Sistine Ceiling, completed in 1512. Museum: Metropolitan Museum of Art, New York, USA.

¡CONSULTAR DISPONIBILIDAD! - CAJA DE MARFIL-DETALLE DECORACION PARTE INTERIOR DE LA TAPA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Rudolf I and Albert I with Pallas. Dated: in or after 1635. Dimensions: overall: 29.5 x 26.5 cm (11 5/8 x 10 7/16 in.). Medium: brush and brown ink with white oil paint over red chalk on oiled paper; verso incised for transfer. Museum: National Gallery of Art, Washington DC. Author: Sir Peter Paul Rubens and Theodoor van Thulden.

Adoring Angel from the Former Tabernacle of the Wawel Cathedral Moscow, Giovanni Maria, Vel Padovano (Ca 1493 1574)

Creation of Adam, by Andrea da Pontedera known as Andrea Pisano, 1334 - 1336, 14th Century, marble, painted ground. Italy: Tuscany: Florence: Opera di Santa Maria del Fiore Museum. Whole artwork. Marble hexagon creation God Adam man trees Eden heaven

Christ in the Garden of Gethsemane, 1500s. Hans Daucher (German, c. 1485-aft 1538). Kelheim stone (fine-grained limestone); overall: 14.8 x 11.3 cm (5 13/16 x 4 7/16 in.).

Ulocrino, Saint Jerome Saint Jerome

Louis Oscar Roty (1846-1911). Medal plate. Fresnes prison. Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57549-17 Avers, baby woman, bronze, child, family, metal, numismatics, medal plate, prison fresnes, prisoner, visit, visit

Mucius Scaevola. Dated: early 16th century. Dimensions: overall (trapezoidal): 3.8 x 3.2 cm (1 1/2 x 1 1/4 in.) gross weight: 18 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

'Relief: St Jerome in the Wilderness'. Italy. Lombardy, Late 15th century (). Dimensions: 77,0x49,0 cm. Museum: State Hermitage, St. Petersburg.

Battle at the Gate of a Town, by Briosco Andrea known as il Riccio, 1506 - 1507, 16th Century, bronze, natural brown patina, covered with black lacquer. Italy: Lazio: Rome: National Museum of Palazzo Venezia: inv. P.V. 10825. Whole artwork. Small plate relief battle fight crowd walls besieged city soldiers lance/spear banner horse men

Italian 16th Century, Victory between Fame and Peace, third quarter 16th century Victory between Fame and Peace

Cassone. Artist: Unknown

Interview with Louis-Philippe and La Fayette (Bas-relief in iron cast iron) ". Paris, Musée Carnavalet 34108-3 Bas-relief, interview, orleans family, iron, general francais, politician, marquis, hand handle, meeting, bourbon king, hits, scene

The Penitence of Saint Peter ca. 1600 Spanish. The Penitence of Saint Peter. Spanish. ca. 1600. Gilt bronze. Medals and Plaquettes

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Allegorical Scene. Dated: early 16th century. Dimensions: overall: 6.67 × 4.73 cm (2 5/8 × 1 7/8 in.) gross weight: 67.16 gr (0.148 lb.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Ulocrino.

Diptych Fragment The Death of the Virgin 1400-1450 Mainz. Ivory . Master of Kremsmünster (Sculptor)

Paduan or Venetian 15th or 16th Century, Saint Jerome, late 15th early 16th century Saint Jerome

Lazio Viterbo Viterbo Museo Civico91. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Andrea Briosco, called Riccio, A Satyr Uncovering a Nymph A Satyr Uncovering a Nymph

Dead Christ. Dated: 15th century. Dimensions: overall (arched): 11.3 x 7.3 cm (4 7/16 x 2 7/8 in.) gross weight: 177 gr. Medium: gilt bronze//(much rubbed on exposed surfaces). Museum: National Gallery of Art, Washington DC. Author: North Italian 15th Century.

Table screen with landscape scene. Culture: China. Dimensions: H. 6 5/8 in. (16.9 cm); W. 9 1/16 in. (23 cm); D. 1/2 in. (1.3 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Paduan 15th Century, Madonna and Child between Two Candelabra, late 15th century Madonna and Child between Two Candelabra

FRANCE, Alsace (Haut Rhin), Strasbourg: Musee Alsacien / Alsatian Museum / Metal Frieze of Alsatian Wedding

Virgin and Child with St. Joseph mid-16th century Moderno (Galeazzo Mondella) Italian. Virgin and Child with St. Joseph. Moderno (Galeazzo Mondella) (Italian, Verona 1467-1528 Verona). Italian, Padua. mid-16th century. Gilt bronze. Medals and Plaquettes

London, Book cover, Ivory book cover with Biblical scenes in relief, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Ninth Century., No. 138-66., height 161 mm, width 112 mm, maker, manufacturer, 1867 - 1872, paper, papier, Woodburytypie

Charles V's Marble jar . Madrid, Lazaro Galdiano museum. Author: ESCUELA ALEMANA. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. ACTAEON. Charles I (V of the Holly Roman Empire). DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Registering of the Paupers, Stone Tablet From the Facade of the Nieuwezijds Huiszittenhuis in Amsterdam, Willem de Keyser, Pieter Jansz (After), 1649 Amsterdam sandstone Amsterdam sandstone

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