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Ornamental and Decorative Prints

Decorative engravings featuring intricate designs, motifs, and ornamental elements often used in book illustrations and architecture.

Nuremberg, Bussemacher, Johann, Amman, Jost, Portrait of Charles VII, King of France, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 157, height 118 mm, width 78 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, plate tone, Publication (Event), Publication, German - 1627, publisher
Nuremberg, Bussemacher, Johann, Amman, Jost, Portrait of Charles VII, King of France, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 157, height 118 mm, width 78 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, plate tone, Publication (Event), Publication, German - 1627, publisher
178 assets in this story
Woman weighs the inner against the outer, Anonymous, Hans Weiditz (II), 1514 - 1531 print Text in German on the scales of the scales. Print is part of an album. paper letterpress printing Judgment of Conduct. Balance, Equilibrium (+ symbolical representation of concept)New ABC Booklet: D, 1627. Lucas Kilian (German, 1579-1637). Engraving;Portrait of Childerik II, King of Austrasia, Virgilius Solis, 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornamentTheforich IV., King of the Franks.Kerkermeester, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper warfare; military affairs. the soldier; the soldier's lifeThe dance of death: the old woman. Woodcut by Hans Holbein the younger.Keizer Caligula in Rolwerk Omlijsting, Virgil, 1524 - 1562 print Nuremberg paper. ink engraving / etching / brush 98B(CALIGULA, Gaius)9 male persons from classical history (CALIGULA, Gaius) - portrait of person from classical historyThe Prophet Jeremiah, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is copied from Baccio Baldini's Prophet Jeremiah (TIB 2403.069).. The Prophet Jeremiah, from Prophets and Sibyls 625977Nuremberg, Bussemacher, Johann, Amman, Jost, Portrait of Charles VII, King of France, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 157, height 118 mm, width 78 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, plate tone, Publication (Event), Publication, German - 1627, publisherFlight into Egypt from Rosario della V Maria by Castellanus, plate 89 from Woodcuts from Books of the XVI Century 1539 Italy. Woodcut on paper . Unknown artistHans Holbein the Younger, Letter N Letter NChancellor with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beingsHans Holbein the Younger, Letter B Letter BWittenberg, Cranach, Lucas (I), Cross with Christ on the Cross, John the Evangelist, Simon and James the Greater, lower left - stamped, Fragment of a book illustration with cross: in the middle a medallion with Christ on the cross and on the ends of the cross John the Evangelist, Simon and James the Greater in quatrefoils. The cross stands on a base with lobes., print, engraving, book illustration, prints, engravings, height 109 mm, width 81 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1549, first quarter 16th century, paper, woodcutRebus of the blooming vineyard (Berchem), 1561. Rebus of the flowering vineyard, Rederijkerskamer in Berchem. For the land jewel of Antwerp in 1561.Coat of arms on a pedestal flanked by two soldiers and the personification of the victory (Victoria), bound saters with tuler tires, Wendel Dietterlin (I), 1593 - 1595 Numbered: 26. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. coat of arms (as symbol of the state, etc.). prisoner of war (after the battle)Always Have the Bedclothes Folded up' fol. 41 recto, c. 1512/1515, Speculum principis (Mirror for Princes), pen and brown ink with watercolor on laid paper, overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.), French early 16th Century (artist)Hans Holbein the Younger, Letter E Letter ELes Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 14 (recto). Dedicatee: Catherine de Bourbon (French, 1558-1604). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm). Publisher: Jean Le Clerc , Paris. Date: 1603.Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and illustrates the Adoration of the Kings. This scene shows 3 kings on the left kneeling in adoration in front of the Christ child who sits on the Virgin's lap. Museum: Metropolitan Museum of Art, New York, USA.Printing brand of Plantijn, 1561 - c. 1620 print Printing brand for the Plantijn-Moretus printing company in Antwerp. In the middle a hand with a passer, a reference to the sign 'The Golden Passer'. Behind the hand a face on a city, presumably Antwerp. Around the Putti show and two male personifications. paper letterpress printing Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa). compasses. cupids: 'amores', 'amoretti', 'putti'. Abstract Ideas and Concepts (+ personification). device (trade-mark of printer or publisher) AntwerpValentinus, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man. He has a scroll in his hands. The text identifies him as Valentinus, a gnostic teacher. The print is part of an album. paper letterpress printing bookGermany, Monogrammist PC (engraver), Letter A in a frame with a representation of Abraham sacrificing Isaac, verso lower right - stamped, print, prints, verso center - stamped, height 64 mm, width 172 mm, German, print maker, printmaker, 1800 - 1899, paper, papier, houtcutNetherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, The Flight into Egypt, Printed from three blocks. Mary with Christ Child on a donkey. Joseph walking beside her. To the left and right of the representation architectural ornamentation, print, engraving, book illustration, prints, engravings, height 107 mm, width 145 mm, Northern Netherlandish, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern NetherlandishSeven pests, 1585 print Angels cast scales that cause pests. In the foreground the sixth plague: a dragon that breaks frogs. Under the show a reference in Latin to the Bible text in op. 15-16. This print is part of an album. paper engraving the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankindGiving birth woman and seven -headed dragon, 1585 print In the sky the sign of the baring woman, crowned and with wings, appears in a light wreath. She is threatened by a seven -member dragon. The child of the woman is taken to God the Father. The Archangel Michaël binds with the dragon. In the margin a four -line caption in Latin. Fourteenth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving the dragon persecutes the pregnant woman ~ Revelation of JohnIllustration from Turnierbuch (Tournament Book), plate seven from Woodcuts from Books of the XVI Century. Attributed to Monogrammist H.H. (German, active 1539-1559); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1530. Dimensions: 125 × 147 mm (image); 241 × 147 mm (image/te×t); 285 × 198 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.Right half of a cartouche, 1666 - Before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. ornament ~ cartoucheInitial letter F with putto ca. 1538 Heinrich Vogtherr the Elder. Initial letter F with putto 700367Leaf from Decachordum Christianum by Marco Vigerio, plate 81 from Woodcuts from Books of the XVI Century. Unknown Artist (Italian, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1507-1508. Dimensions: 53 x 52 mm (image); 225 x 136 mm (image/text); 288 x 190 mm (sheet). Woodcut on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: UNKNOWN ARTIST.Wszyscy Święci w MNK unknownAncient youths, Christoph Krieger, After Cesare Vecellio, 1598 paper paperPloriander, Pl. 24. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, GermanKoning, Turkish commander and Willem III and Maria Stuart, Jan Luyken, 1689 print Crowned prince and Turkish commander. In the background William III and Maria Stuart on the throne. Above the show a cartouche with the image of the landing of William III in England. Print Maker: Amsterdamprinter: Utrecht paper etching king. head-gear: turbanStudy for the Vignette-Frontispiece of Lucretius's De la Nature des Choses , Book I 1758-1773 France. Pen and black ink, with traces of black chalk, on gray laid paper, incised for transfer and perimeter mounted on cream laid paper . Hubert François GravelotLes Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 44 (recto). Dedicatee: Catherine de Bourbon (French, 1558-1604). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm). Publisher: Jean Le Clerc , Paris. Date: 1603.Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and composed of 2 horizontal registers. Top register is decorated in the center with a female figure flanked by 2 small dogs on either side; the woman carries a bow and arrow as she walks through a forest of oak and fruit trees. Bottom register depicts a deer among plants. Museum: Metropolitan Museum of Art, New York, USA.Epitaph of Conrad Celtis. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 8 1/2 × 5 7/16 in. (21.6 × 13.8 cm). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA. Author: HANS BURGKMAIR.Portret van Francesco Gonzaga, Anonymous, After Tobias Stimmer, 1549 - 1577 print Print is part of an album. paper historical persons. commander-in-chief, general, marshalHubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), Design for a Vignette: Figure of Abundance, undated. Graphite, traced over with pen in black ink and red chalk, squared and incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, and pen with black and red ink, border lines.Roman king Ruplecht of the Palatinate; Ruptus Rex Romanorum; Liber chronicarum. A flower celk with a king, turned to the right. In his hands he has a migration and a scepter. The show is part of the sequence emperors in the Liber Chronicarum. The text identifies the man as a ruplecht of the Palatinate. The print is part of an album.Albrecht Dürer, Detail 35, 1515-1517, woodcut on paper.Sebald Beham (German, 1500 - 1550), Sol, engravingJuno in Hades from P Ouidij Nasonis poete ingeniosissimi Metamorphoseos Libri, plate 87 from Woodcuts from Books of the XVI Century 1527 Italy. Woodcut on paper . Unknown artistTurkish woman at home, Christoph Krieger, After Cesare Vecellio, 1598 paper paperWittenberg, Cranach, Lucas (I), Fall of the Pope into Hell, The Pope is led by demons to the flames in hell. Among the flames are already clergy. Book illustration in a rectangular frame with fine ornaments. The print is printed with multiple wood blocks., print, book illustration, prints, height 118 mm, width 96 mm, height 188 mm, width 147 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcutPeasant from Cividal di Belluno, Christoph Krieger, After Cesare Vecellio, 1598 paper paperAdam and Eve in the Garden of Eden. Woodcut, 1493.Minerva visits the Muzen on Mount Helicon, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Minerva visits the Muses on Mount Helicon to see the fountain Hippocrene, which Pegasus had just brought forth. the Muses acting together (as group). lyre, cithara, psaltery - CC - out of doors. lute, and special forms of lute, e.g.: theorbo - CC - out of doors. string instruments (bowed) - CC - out of doorsPrimary Master of the Strassburg Chronicle, Maximilian, Duke of Austria, on Horseback, 1492 Maximilian, Duke of Austria, on HorsebackSymbolic federation scene unknown"Woodcut by Albrecht Dürer depicting the wedding of Emperor Maximilian I with Maria von Burgund, showing figures, gestures, attire, banners, and architectural elements of the honorary gate."Hans Holbein the Younger, Letter Q Letter QRoman Soldier, Christoph Krieger, After Cesare Vecellio, 1598 Roman soldier in Kuras and plastered helmet, with dagger and lans. In ornament. paper Roman soldier in Kuras and plastered helmet, with dagger and lans. In ornament. paperTerm in the form of a female Sater, Anonymous, After Hugues Samin, 1572 print Numbered at the top right: 31. According to the explanation on page 32, this is the ionic order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments). satyr(s) (in general) - LL - female satyrs (in general)Metuselach, 1493 print A flower chalice with an old bearded man with a raised finger. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The text identifies the man as Metuselach. The print is part of an album. ; Verso with text in book print: paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)Leaf from Hystoria Imperial by Pedro Mexía, plate 80 from Woodcuts from Books of the XVI Century 1564 Spain. Woodcut on paper . Unknown artistValerius; Liber chronicarum. A flower celk containing an old bearded man. The show is a fragment of the sequence of Roman consuls in the Liber Chronicarum. The text identifies him as Valerius. The print is part of an album.Les Singuliers et Nouveaux Portraicts... page 69 (recto). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is printed upon a grid and illustrates the Goddess of Flowers who is seated holding a cornucopia with her right hand and bouquet of flowers with her left hand. Museum: Metropolitan Museum of Art, New York, USA.General Narses; Narses Eunuchus; Liber chronicarum. A flower celk with a banner carrier. The text identifies him as General Narses. The print is part of an album.Illustration from Postilla by Parisienses Guillermus, plate 37 from Woodcuts from Books of the XVI Century 1514 Switzerland. Woodcut on paper . Urs Graf, the ElderMatrona (Nap.), Christoph Krieger, After Cesare Vecellio, 1598 (same as 182 and 165) z.t. paper (same as 182 and 165) z.t. paperThe dwarf roaming Jewish master, 1720, Joost van Sassen, 1718 - 1720 The dwarf roaming Jewish master. In the caption verses in German, French and Dutch. Numbered right in the middle: 48. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The dwarf roaming Jewish master. In the caption verses in German, French and Dutch. Numbered right in the middle: 48. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etchingDaniel Lysons, 1762-1834, British, Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church, between 1796 and 1811. Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper.Beglierbei of Greece, Christoph Krieger, After Cesare Vecellio, 1598 paper paper22a. Wac And the Czech king; 22b. W ADys AW III / LESZEK BIA 22c. Popiel ( - in a mirror reflection); 23. Ludwik King of Poland and W Gierski; 24. W Adys Aw Warne Czyk; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);Corona delle Nobili et Virtuose Donne: Libro I-IV, page 83 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design consists of a central white rectangle upon which a poem is printed in black ink with an illustration of a fox holding a sculpted female bust that is seated up against a tree. Surrounding this middle section on all sides are borders decorated with different floral and linear patterns.. Corona delle Nobili et Virtuose Donne: Libro I-IV, page 83 (recto) 661930A colored woodcut by Albrecht Altdorfer depicting Saint Rochus around 1500, highlighting religious figures, iconography, and early 16th-century Northern European printmaking.Album n � 4; Stained glass project for Stockholm, King of Sweden; Window with three travelers: Character in armor, weapons of Sweden, weapons of the Norway Gsell-Laurent workshop. Album n � 4; Stained glass project for Stockholm, King of Sweden; Three span window: Character in armor, weapons of Sweden, weapons of Norway. Pencil, watercolor and gouache.Alexander de Grote; Alexander Magnus; Liber Chronicarum.A man in armor with a coat of arms on which three calls. The man stands on the roots of his family tree. The text identifies him as Alexander the Great. The print is part of an album.Roman consul in Kura ; Console, the Tribune about Ron .; Aniichi possessed , and modern di tutto il Mondo Di Nuovo di mold Accesciuti Figure: Old clothing , recentiorumque the World . Roman consul in Kura , about which a shoulder ( Poporum ). Half high boots including stockings of fine wool .Portraits of Frederik IV, king of Denmark and Norway. Portraits of Frederik IV. In the middle of his weapon with two lions. His name and title in a framework.Double-sided page fol. VIII, Rom als ein niiw wesen in höher eren stünd...(Horatii and Curatii). 1505. Livy. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print CollectionSusanna; Exemplary women from the old and New Testament. Susanna is naked for a fountain with a water basin. In the background her story: she bathes, while two elders are harassing her. Under the show an explanatory text in Latin. This print is part of an album.Letter A in a frame with a representation of a shepherd and a figure with a winged helmet blowing on a trumpet. .The Seven Joys of Mary Made 1505-1520 Germany. Woodcut in black on cream laid paper . Lucas Cranach, the ElderYoung Englishmen, Christoph Krieger, after Cesare Vecellio, 1598 Boy from England, in short puff pants and long stockings. Hat with spring. Sword alongside and shield in hand. paper Boy from England, in short puff pants and long stockings. Hat with spring. Sword alongside and shield in hand. paperPortrait of Philip the clean; Historical portraits. Leaf from a book. Left column text and coat of arms, right column Portrait of Philip the clean and three coats of arms.Arthur-Joseph Guéniot (1866-1951). Study for a painting: the death of Saint Joseph (front and back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th centuryNobles caviders, Christop Shriger, after cures VECELLIO, 1598 paper paperDe Vijf Zinnen, 1704 - 1757 print Personifications of the five senses in four passes. In the four corners of cherubs that blow wind. Between the performances a monkey, a deer, a turtle and a dog. paper letterpress printing the (five) senses. winds. monkeys, apes. dog. tortoises, turtles. hoofed animals: stagTuscany Siena Montalcino Museo Civico71. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.A 1496 woodcut by Johann Reger depicting an initial letter 'G', illustrating 15th-century European decorative and typographic subjects.France, Delaune, Etienne, Ornament with Jurisprudentia, The sciences, represented by women, IVRISPRVDENCE, Jurisprudence, The Jurisprudence with a sword and a scale under an arch of leaves, formed by two branches. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 81 mm, width 64 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisherTerm in the form of a female Sater, Anonymous, After Hugues Samin, 1572 print Three small saters more around the satap. Numbered at the top right: 67. Numbered in the bottom right: I 2. According to the explanation on page 68, this is a combination of the Doric, Ionian, Corinthian and Composite Order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments). satyr(s) (in general)Ptolemaeus IV Philopator, Michel Wolgemut (workshop of), 1493 print A flower challenge in which a king with rijks' apple and scepter, turned to the right. The show is part of the sequence of Egyptian pharaohs in the Liber Chronicarum. The text identifies him as a pharaoh ptolemy IV Philopator. The print is part of an album. paper letterpress printing kingNetherlands, Amsterdam, Ratelband and J. Bouwer, De erven de vrouwe J., De Koning van Pruyssen, te paard, Portret van de koning van Pruisen te paard. Below the image a two-line verse. In a frame with flowers, tendrils and two putti. Numbered top right: 68., print, prent, volksprent, prints, prenten, volksprenten, Frederik Muller Historieplaten, height 415 mm, width 330 mm, Publication (Event), Publicatie, Nederlands, publisher, 1782 - 1793, paper, woodcut, letterpress printing, colours, print maker, printmakerEmilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia55. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Tuscany Siena Montalcino Museo Civico81. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Brussels, Sallaert, Antoine, The four evangelists, Luke the evangelist, verso middle bottom - stamped, Luke the evangelist paints on an easel. In front of him lies the winged ox., print, prints, verso middle - stamped, height 136 mm, width 111 mm, South Netherlands, 1585 - 1650, print maker, printmaker, 1590 - 1650, paper, papier, houtcutDe gli habiti antichi et moderni di diversi parti del mondo, libri due ... 1590 Cesare Vecellio Italian Cesare Vecellio, who joined the workshop of his famous cousin Titian before 1548, was active as a publisher by 1570. This book contains 420 illustrations of costumes (exotic and domestic) by the woodcutter Christoph Krieger and marks the culmination of a trend that began in the mid-sixteenth century with a series of costume engravings by Enea Vico. The first section of his book covers European dress, including Ottoman Turkey, while the short section on Africa and Asia includes the costume of Persians, Moors, and Arabs. Here the book is open to Vecellio's engraving of La favorita del Turco. The elegantly dressed woman is probably meant to be Roxelane, a beautiful concubine who became the favorite wife and confidant of the Ottoman sultan Süleyman the Magnificent (r. 1520-66).. De gli habiti antichi et moderni di diversi parti del mondo, libri due .... After Cesare Vecellio (Italian, PiTuscany Siena Montalcino Museo Civico78. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Saint Pantaleon. Woodcut.Title page of album with bow worn by two terms, anonymous, After Hugues Samin, 1572 print Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)Keizer Decius, Michel Wolgemut (workshop of), 1493 print A flower chalice with a king. In his hands he has a rich apple and sword. The performance is part of the Success Roman emperors in the Liber Chronicarum. The text identifies the man as Keizer Decius. The print is part of an album. paper letterpress printing king. emperorChild as a river god, Cornelis Schut (I), 1618 - 1655 print A lying child holds a jug in one hand, from which water flows, and a trident in the other hand. paper etching river-gods. childFerdinand II (German Emperor), Ingolstadt, Eder, Wilhelm, Munich, Sadeler, Raphaël (I), Raphaël (II), Christ on the St. Anthony's crucifix, verso lower left - stamped, Christ on the St. Anthony's or Tau's crucifix., print, book illustration, prints, height 72 mm, width 56 mm, height 104 mm, width 65 mm, South Dutch, 1584-12-20 - 1632, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), letterpress printing, letterpress, 1560, Publication (Event), Publication, South Netherlands, publisher, German - 1660, printer, German, 1578-07-09 - 1637-02-15, granter of privilegeSilver Statuette of St. Jude, from the Wittenberg Reliquaries Lucas Cranach the Elder German. Silver Statuette of St. Jude, from the Wittenberg Reliquaries 624248COLOFON - DECORACION MARGINAL. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.Antoine Jacquard, Lovers LoversJohann Friedrich II, Elector of Saxony Stecher: Godland, Peterverlaysort: JenaApostel Petrus, Lambertus sweeter, 1545 - 1548 print The apostle Peter sitting on a stone block. Behind him his key. On the right a statue without a head. Southern Netherlands paper engraving the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara