Ornamental Vessel Designs

Etchings of exquisite ornamental vessels and cups, displaying intricate floral designs and elaborately detailed craftsmanship characteristic of decorative arts.

Ornamental jar with standing woman, Wenceslaus Hollar, after Hans Holbein (II), 1645 print Design for an ornamental cup with standing woman. The bowl is on legs in the form of mascarons. Antwerp paper etching laid table: table-ware, table-decoration, etc.

Can in the form of a snail house, worn by a satap that is kneeling between two birds, 1548 print The ear is formed by the giant tail of a fish that is clamped against his back by a sitting satin. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Vase with Bucraneum, Pencil, pen and ink, brush and wash on paper, Vertical rectangle showing vase decorated with bucranium and swags., Italy, 1800-1830, ornament, Drawing, Drawing

Drawing, Design for a Vase; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and black ink, brush and wash on paper; 38.2 x 28.6 cm (15 1/16 x 11 1/4 in.)

Andiron (one of pair). Dated: c. 1936. Dimensions: overall: 29.1 x 22.2 cm (11 7/16 x 8 3/4 in.) Original IAD Object: 17 1/2" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hans Korsch.

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): 2-armed candelaber before the theat: Detail 1:10. Tusche, pencil watercolored on transparent, 32.7 x 19.1 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Print, Ornamental Vase Design; Designed by Edmé Bouchardon (French, active Rome and France, 1698 - 1762); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching on paper

Design for a Table ealry 19th century Attributed to Adrien Louis Marie Cavelier French. Design for a Table 335429

Three candelabers; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Three candelabers. A caption with every candelaber. Assignment in undermarge.

Metal centerpiece for the table. Lithograph from a catalog of metal products manufactured by Wuerttemberg Metalware Factory, Geislingen, Germany, 1896.

A display of ornate plantpots and a large vase on a pedestal. Etching with engraving by J. Schynvoet, c. 1701, after S. Schynvoet.

Design for a Cup(). Artist: Anonymous, German, 19th century. Dimensions: 5 3/16 x 4 7/8 in. (13.2 x 12.4 cm) (fan shaped). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Petit-Dunkerque. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Drawing, Design of a Vase; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and ink, brush and watercolor, graphite on paper; 58.6 × 33.9 cm (23 1/16 × 13 3/8 in.)

Back and side view of two guns of Benningh, 1671 print Two guns manufactured by the foundry Albert Benningk or Benningh in Lübeck and donated to the States General in 1669 as a thank you for the prompt payments of the guns made by him. Both guns rich decorated with allegorical representations relating to the struggle of the Republic of the Sea. On the guns the weapons and names of the representatives charged with the martial equipment: Johan Eleman and Gerard Hasselaer. At the top a large allegorical weapon trophy with the Dutch Lion flanked by Minerva, Hercules and Neptune. Hereby a text band with the assignment to the States of Holland and West Friesland. At the bottom a Latin text of 6 lines. Northern Netherlands paper etching firearms: cannon Lübeck

Bellows, c1530, (1881). Etching of a set of walnut wood bellows, partly gilded, with bronze, leather and silk velvet, made in Italy in the early 16th century. The central panel is carved with two dolphins and demi-figures of savage men wielding clubs and shields. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Sampson Low, Marston, Searle and Rivington, London, 1881

Two vases for the large fishing pond of Zorgvliet; Garden vases. The vase left is decorated with two medallions and a rectangle with minerva. From series of 7 sheets with two vases on a balustrade on every leaf with a view of the gardens of Zorgvliet in the background.

Centerpiece. William Chaffers (English, 1811 - 1892)

Woodcut 'Honorary Gate' by Albrecht Dürer, depicting Emperor Maximilian I, column foot of right inner pair of outdoor columns, on pear wood stick, 1515.

Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Gardes d'épées d'or for the presents of the marriage of the king in 1725, Designs for sword hilts, This print is part of an album., print, album leaf, ornament print, prints, height 191 mm, width 215 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher

Vase. Draughtsman: anonymous. Dating: c. 1500 - c. 1599. Measurements: h 193 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

Urn and vase; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Sheet with two performances of an urn and a vase. Left: an antique urn with a lion and two dogs on the lid. Text above show. Assignment in undermarge. Right: a vase with masks on the lid. Text in undermarge.

Design for an ornamental vase with fruits.

De Zilveren Beker, at the professor R. van Rees, on April 4, 1856, on the occasion of his / 25 -year professorate in Utrecht, offered by his students and presented on the lid by the lid on the lid on the lid on the lid on the lid image of Huyghens with a double -breaking Krystal / in hand; / ...

Klingholz Fritz (1861-1921), Kandelaber (1907-1907): View (variant for Inv.No. 19618). Light pressure on paper, 36 x 29.3 cm (including scan edges) Klingholz Fritz (1861-1921): Oberleitungsmast

Duitsland, Grossmann, Carl August, Hauer, Johann Thomas, Two ornamental vases, Germany, verso - stamped, Designs for two ornamental vases with flowers. Decorated with garlands and floral motifs. Publisher's number 36., print, ornamental print, prints, ornamental prints, height 216 mm, width 158 mm, print maker, printmaker, 1758 - 1798, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1741, publisher

Three vases, Black chalk on paper., At left: a dish-like vase with two handles obliquely shown. A fret band, interrupted by masks, two of which are visible, surrounds the body. A bird picks food. At right, above: in a smaller scale a vase shaped like a mortar obliquely shown. Below, obliquely shown, a vase with two handles. The lower part of the body is bossed. The left one is apparently standing upon a wall, The other one upon raised walls., Rome, Italy, ca. 1775, ceramics, Drawing, Drawing

Italy, Salamanca, Antonio, Veneziano, Agostino, Vases and jugs, SIC.ROMAE.ANTIQUI.SCULPTORES.EX.AERE.ET., MARMORE.FACIEBANT, Vase with a lid and two ears, The belly of the vase is decorated with a frieze with a wavy line and with a smooth frieze. The underside of the belly is decorated with fluting. From a series of 12 sheets. Sheet from second edition of series., print, ornamental print, prints, ornamental prints, height 240 mm, width 174 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1531, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1478 - 1562, publisher

Renaissance vases, jugs, statuettes, figurines, plates, etc., used to decorate royal houses, 16th century. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Drinking vessel in gilded silver decorated with lions in the Renaissance style from the 17th century. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Plate from Suite des Vases Tirée du Cabinet de Monsieur Du Tillot, Marquis de Felino, 1764, Ennemond-Alexandre Petitot; Etcher: Benigno Bossi, French, 1727 - 1801, 9 x 6 1/2 in. (22.86 x 16.51 cm) (plate, each varies)17 3/4 x 11 1/2 in. (45.09 x 29.21 cm) (sheet), Etching, France or Italy, 18th century

Decorated capitals, engraving by Jean Berain (1640-1711) from L'Art pour Tous, Encyclopedie de l'art industriel et decoratif, by Emile Reiber, No 35, Paris, 1862.

The prizes in the Lottery for West-Terschelling, 1666, 1666 print The prizes to be won in the lottery organized for the people in need of help in West-Terschelling, after the arson by the English troops under captain Robert Holmes, 19-20 August 1666. The prizes include: spoons, jugs, jars, miniature shovels, watches , candlesticks, a necklace with medallion and bags of money. Northern Netherlands paper etching raffle, lottery. Holmes's Bonfire West-Terschelling

Partially decorated with gold and silver can, in private ownership in Nuremberg, Germany, historical image or illustration, published 1890, digitally improved, Partially decorated with gold silver can, in private ownership in Nuremberg, Germany, historical image or illustration, published 1890, digitally improved, Europe

Man under shelter, anonymous, after Jean Baptiste Pillement, 1776 print In a landscape there is a man next to a staircase under a parasol -shaped shelter. He holds a stick with round shape in his hand. The serial title at the front. Augsburg paper etching sitting figure. shed

Design for a Chandelier, Pen and brown ink, brush and watercolor, green wash on paper, Vertical rectangle. Design for a chandelier made up of four sections. Above, suspended on a vine branch with stick, two vases, alternative suggestions, with a ring for candles. Chains and pendants of crystal. These and the candles are in general only drawn of the right half. Suspended, with a cord, above a knob. The edges are colored dark olive with inside a border line. Inscription in the upper part of the sheet., Rome, Italy, late 18th century, lighting, Drawing, Drawing

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, II Cahier des Vases, Four vases, verso - stamped, Designs for four vases with flowers and garlands., print, ornamental print, prints, ornamental prints, height 196 mm, width 139 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Ornamental vases, Two vases, verso - stamped, Designs for two ornamental vases with ornaments and garlands. The right ornamental vase with two ears. Publisher's number 30., print, ornament print, prints, ornament prints, height 170 mm, width 246 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, etching, etchings, Work conception, after own design by, seller

Artist: Joachim von Sandrart, German, 1606-1688, Four Vases, A Broken Vase, A Broken Candlestick, and A Herm in a Landscape with ClassicalRuins, ca.1680, Etching, image: 33.7 × 22 cm (13 1/4 × 8 11/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Gotische Kapitelle mit Blattwerk. Veröffentlichung der Meyers Enzyklopädie Gothic foliate capitals. Publication of the Meyers encyclopedia, Vol. 7, Leipzig, Germany, 1910. LicenseRF Copyright: xZoonar.com/SergeyxKohlx 23189386

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, N Tombeaux, Origine du Paganisme. Livre 2e, Herkomst van het heidendom, verso - stamped, A tomb with two blindfolded half-figures on either side of a round medallion with a lioness with cubs and signs of the zodiac. At the top a snake and a book. Print number 16., print, ornament print, prints, ornament prints, height 375 mm, width 228 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Vase commemorating the journey of Dr Nils Adolf Erik Nordenskiold (1832-1901) was an aristocrat, geologist, mineralogist and explorer of the Finnish-Swedish Arctic. He led the Vega expedition along the northern coast of Eurasia in 1878-1879. Old 19th century engraved illustration from La Ilustración Artística 1882

Andiron (one of pair). Dated: c. 1937. Dimensions: overall: 28.1 x 22.6 cm (11 1/16 x 8 7/8 in.) Original IAD Object: 18 1/2" high, 13 1/2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Hans Korsch.

Recueil dOrnements et de Decorations [Egyptian motifs, Lithograph, image: 27.5 × 36 cm (10 13/16 × 14 3/16 in.), French, 19th century, Works on Paper - Prints

Funerary Monument of the Earl of the March by Saly in Saint-Roch Anonymous. Funerary monument of the Comte de la Marche by Jacques-François Saly (1717-1776), in Saint-Roch Church. Paris (VIIth ARR.). Feather, brown ink and gray wash.

Manufacture de Sevres, The Four Seasons: Autumn, vintage engraved illustration. Magasin Pittoresque 1880.

Suite des Vases Tirée du Cabinet de Monsieur Du Tillot Marquis de Felino 1771 Ennemond Alexandre Petitot French. Suite des Vases Tirée du Cabinet de Monsieur Du Tillot Marquis de Felino 355282

Lazio Roma Rome S. Maria in Aquiro68. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Parijs, Chéreau, Jacques-François, Boucher, Juste Nathan François, D 4e Suite d'Arabesques, Vase and wreath, Paris, verso - stamped, A vase with flowers, at the bottom a wreath with the series title., print, prent, ornament print, prints, ornament prints, height 208 mm, width 80 mm, 1736 - 1782-01, print maker, printmaker, 1752 - 1782, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

Aquamarine Urn 1719-1769 Flanders. Gouache heightened with touches of gold paint, over black chalk, on ivory wove paper . Giuseppe Grisoni

Testimonial presented to Mr. Davis of Her Majesty's Staghounds, 1858. 'The testimonial was modelled by Mr. Cotterill. It is mounted on an ebony plinth, with the following inscription on one side, engraved on a silver plate: "Presented to Mr. Charles Davis, huntsman of her Majesty's staghounds, as a mark of esteem of his high qualifications as a sportsman, his gentlemanly bearing in the hunting-field, and his long and efficient services. August, 1858." On the other side are engraved the names of the noblemen and gentlemen who formed the committee...After the presentation, Mr. Davis

Designs for Two Serving Dishes and a Planter 19th century Anonymous, French, 19th century French. Designs for Two Serving Dishes and a Planter 362065

Suite of Vases: Plate 21, 1746. Jacques François Saly (French, 1717-1776). Etching;

Time verses at the General Meeting of the Economic Branch of the Society of Sciences in Haarlem, 1778, Reinier Vinkeles (I), 1778 print Zuil with a pedestal on which a time -verse at the general meeting of the new Economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconiehuis in Haarlem. On the front of the column the medal driven on the occasion of this meeting, on top of attributes of the practiced sciences. Stands on the pedestal of the column before the time. Northern Netherlands paper etching / engraving meeting, assembly. medal (considered as a piece of sculpture, regardless of its specific function) Haarlem

Karl Groß (1869-1934, as a sculptor): Table attachment for the city of Dresden and Kandelaber from the Kreuzkirche Dresden (from: Ornamental details of modern architecture, ed. Friedrich Meyner)

Limoges enamel jug by Pierre Raymond, 16th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

The Elevation of a Niche with Statue of a Man, Filippo Marchionni, Italian, 1732-1805, Carlo Marchionni, Italian, 1702-1786, Graphite, brush and gray wash on paper, The aedicule frame is supported by two brackets, between and beneath which the upper part of a cruciform. A molded frame is shown. One angel sits, another kneels upon the triangular pediment. Scale at the bottom., Italy, 1750-60, architecture, Drawing, Drawing

Lazio Roma Rome S. Maria in Aquiro72. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bowl. Dated: c. 1936. Dimensions: overall: 29 x 22.5 cm (11 7/16 x 8 7/8 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Pitcher. Dated: c. 1936. Dimensions: overall: 29.8 x 22.9 cm (11 3/4 x 9 in.) Original IAD Object: 8 5/8" High 6 1/4" Dia.. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Caseau.

Erwin Schwabe, Comb, c 1936 Comb

Print, Design for a Jug; Designed by Eurimond-Alexandre Petitot (Parma, 1727-1801); Print Maker: Benigno Bossi (Parma, 1727-ca. 1793); France; etching on laid paper

Parte de un friso antiguo, bajorrelieve con un ánfora central decorada con figuras y elementos florales.

Memorial for Jan Nieuwenhuyzen, 1806. Graftombe for the Jan Nieuwenhuyzen died on 24 February 1806, founder of society to the usefulness of 't General, in the Grote Kerk in Monnickendam. At the bottom of a memorial tennis on his death. A printed statement is part of the print.

Design for Two Vases ca. 1770-85 Anonymous, French, 18th century French. Design for Two Vases 344042

Image of the Présentoir used by ZM den Koning when laying the first stone on November 17, 1863. Side view of a Tazza as a présentoir used in the firstest assisting of the National Monument by King Willem III in The Hague on 17 November 1813. In this Side view are the images of the prince of the Prince of Orange in Scheveningen in 1813 and the portraits of Van Hogendorp, van der Duyn van Maasdam, from Limburg Stirum and Van Oldenbarneveld Tilling not visible. Printed on the same sheet as a top view of the présentoir.

Corinthian Base. Artist: Master G.A. (Italian, active ca. 1535). Dimensions: sheet: 5 1/16 x 6 15/16 in. (12.8 x 17.7 cm)mount: 6 5/16 x 8 7/8 in. (16 x 22.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Lamp. Dated: c. 1938. Dimensions: overall: 35.8 x 27.8 cm (14 1/8 x 10 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Giacinto Capelli.

Unknown photographer, green vault in Dresden (without dat.): The faun, which lifts the nautilus cup. Photo on cardboard, 16.9 x 11.1 cm (including scan edges) unbek. Fotograf : Grünes Gewölbe in Dresden (ohne Dat.)

Drawing, Design for a Tureen; Italy; pen and ink, brush and wash on paper

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Print

The Jacquemart. Notre Dame Cathedral, Dijon, Burgundy, France, Europe. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Juan Laurent y Minier (Photographer) / 'Rock crystal ewer with Narcissus and Echo'. Ca. 1879. Albumen on photographic paper. Museum: Museo del Prado, Madrid, España.

Vase in Nis; Recueil De Vases (...) IRE SUITTE. An ornamented vase with scaly border in a round niche on a pedestal with a series title.

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