Pastoral Cityscapes

Serene landscapes featuring waterways, historical architecture, and leisurely activities, capturing the essence of 17th to 19th-century life.

View of the Castle of Wijk at Duurstede; Jan van Goyen, Dutch, 1596 - 1656; 1649; Oil on panel; Unframed: 52.4 x 73.8 cm (20 5/8 x 29 1/16 in.), Framed outer dim: 69.9 x 91.4 x 5.7 cm (27 1/2 x 36 x 2 1/4 in.)

Nicholas Condy, 1793-1857, British, The Victualling Office, Plymouth, ca. 1835. Oil on canvas.

View of the Castle of Wijk at Duurstede; Jan van Goyen, Dutch, 1596 - 1656; 1649; Oil on panel; Unframed: 52.4 x 73.8 cm (20 5/8 x 29 1/16 in.), Framed outer dim: 69.9 x 91.4 x 5.7 cm (27 1/2 x 36 x 2 1/4 in.)

The Tuileries and the Royal Pont seen from the Cours-la-Queen Jean-Baptiste-Fran�ois Genillion (1750-1829). "The Tuileries and the Royal Bridge seen from the Cours-la-Queen". Oil on canvas, 1783.

Italian city view. Dating: 1650 - 1689. Measurements: h 12.5 cm × w 20 cm; h 17 cm × w 25.2 cm × d 1.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob van der Ulft.

Italian city view, Jacob van der Ulft, 1650 - 1689

View of Arnhem, Jan van Goyen, c. 1644 painting Face over rolling corn fields with corn sheaves on the city of Arnhem, on the right the Rhine. panel. oil paint (paint) city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). harvest Arnhem

The Climbing of the Capitol with the Grey Horse of the Newly Elected Pope, Johannes Lingelbach, 1650 - 1674 painting The rise to the capitol with the white horse of the newly chosen pope, accompanied by a priest with a cross. In the foreground the crowd, on the left sheep on the quay of the river. On the right the stairs of the capitol with the large statues on pedestals of horses. In the distance other buildings of Rome: the Engelenburcht and the umbrella organization of the Saint Pieter. canvas. oil paint (paint)

Wool Making, Pieter de Molijn, 1651 painting The wolf manufacturing. View of a (Italian) Factory site in which the different phases of the processing of wool are shown. Wool is washed in the foreground, in the background the packages are ready for transport. canvas. oil paint (paint) wool (material ~ textile industry). special processes for woollen fabric Spain

Claude Lorrain (1600-1682). Embarkation of St. ca. 1637 - ca. 1639. Painter of sea and port subjects, encouranging the twilight. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

The Grand Canal near the Rialto Bridge, Venice. Date/Period: 1728/1732. Painting. Oil on canvas. Width: 73 cm. Height: 49.7 cm (without frame). Author: CANALETTO.

Italian Harbor View, Jacob van der Ulft, 1650 - 1689 painting Face in an Italian harbor with an obelisk on the left and ruins of a Roman temple and a bridge on the right. All kinds of figures run between the buildings. Pendant of SK-A-420. Northern Netherlands panel. oil paint (paint) harbour. ruin of a building ~ architecture. obelisk, needle

Mariano Ramón Sánchez / 'Vista del Puerto de Santa María', 1781-1785, Spanish School, Oil on canvas, 70 cm x 95 cm, P01151. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Teofil Kwiatkowski (1809-1891). Polish painter. Avignon, 1850. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

Italian Harbor With a Fortified Tower. Italian harbor with fortress tower. A group of resting workmen on the quay. On the left an elegant couple at the pretention of a ship. Two dogs in the foreground.

Landscape after Ruisdael Thomas Doughty (American, 1793-1856). Landscape after Ruisdael, 1846. Oil on canvas, 32 1/16 x 39 5/16 in. (81.4 x 99.9 cm). Thomas Doughty was one of the first American artists to devote himself solely to landscape painting. Landscape after Ruisdael is based on a painting by the seventeenth-century Dutch artist Jacob van Ruisdael that Doughty copied during a visit to the Louvre in Paris. Copying played an important educational role for this self-trained artist. His earlier Harbor Landscape presents a pleasing, albeit formulaic, vista of a calm lake framed by trees in the foreground. Rather than depicting any specific American locale, the painting reflects Doughtys dependence on drawing manuals and European landscape traditions as models for his work. American Art 1846

London, The Opening of Waterloo Bridge Waterloo Bridge From Whitehall Stairs, John Constable, 1776-1837, British

Francesco Guardi (1712-1793). Venetian painter. Grand Canal at the Rialto Bridge, ca. 1780-1790. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.

View of Bermeo, Luis Paret and Alcazar, 1783, oil on copper, Museo de Bellas Artes, Bilbao, Spain, Europe

Joseph Mallord William Turner, 1775-1851, British, Newark - upon - Trent, ca. 1796. Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper.

fine arts, Guardi, Francesco, (1712 - 1793), painting, ""Veduta del Molo verso la Salute"", (""view of the Molo towards the Santa Maria della Salute""), 1775 - 1780, oil on canvas, 45 cm x 71 cm, Franchetti gallery, Ca d` Oro, Venice,

England, London, City of London, Guildhall, Guildhall Art Museum, Painting of The Lord Mayor's Procession by Water to Westminster Hall by Boat on the 9th November 1789 by Richard Paton

William Parrott, 1813-ca. 1869, British, Notre Dame, Paris, 1842. Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper.

Lisbon (1558). Departure of the Spanish Armada (Invincible Fleet) towards England. Litography. SPAIN. CATALONIA. Barcelona. Barcelona Maritime Museum.

Sea coast. Malarz francuski XVII/XVIII w., painter

'View of the Spit of Vasilyevsky Island'. Series "Views of St Petersburg and Moscow", produce as a gift to Queen Victoria on the occasion of the 10th anniversary of her reign. Russia, 1847. Dimensions: 27,3x38,2 cm. Museum: State Hermitage, St. Petersburg. Author: LUDWIG BOHNSTEDT.

View of the Spaarne and of Haarlemmermeer, The Netherlands (Vista on a wide River), Jan van Goyen, in or after 1644

George Shepheard, ca. 1770-1842, British, The Banqueting House, Whitehall, from the River, ca. 1810. Watercolor, graphite, and gouache on moderately thick, moderately textured, cream, wove paper.

Tiber With Castle of Angels and St Peter by Gaspar van Wittel, 1652 53-1736 Flemish, 17th century

Artist: Bernardo Bellotto, Italian, Venice, 1722-1780, The Lock atDolo, ca.1745, Oil on canvas, unframed: 73.8 × 108.7 cm (29 1/16 × 42 13/16 in.), Depicted Dolo, Italy, Depicted Brenta river, Italy, Italian,Venetian, 18thcentury, Paintings

Mariano Salvador Maella / 'Seascape', 1783-1784, Spanish School, Oil on canvas, 56 cm x 74 cm, P00874. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Van Ruisdael, Jacob Isaacksz (n.1628 - D.1682), landscape with a castle in ruins and a church (main title), 1648. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. Landscape with a ruined castle and a church (main title)

Windsor Castle, 1833 Edward Duncan (d.1882), Boat, 19th Century, Watercolour, Topographical Views, Castle, Frame, River, Royal, Architecture, House, Works on Paper

Carneval in Venice, by di Giuseppe Bernardino Bison (1762-1844), Italy 19th-20th Century.

J. M. W. Turner, Queen Mab´s Cave, 1846 , Oil paint on canvas, London, England.

Panoramic View of the River Spaarne and the Haarlemmermeer, Jan van Goyen, in or after 1644 painting. fragment View over a wide river. Landscape, seen from a high riverbank. On the left some sailing ships and a windmill. In the distance a castle between trees. Perhaps the painting is part of a larger work. panel. oil paint (paint) river Spaarne. Haarlemmermeer

Jacques-Albert Senave. "The red bridge and the points of the Saint -Louis islands and the city, seen from the wheat port - 1791". Oil on canvas. Paris, Carnavalet museum. 27113-9 Arrondissement IV, Cite Ile, 4th 4th 4th, Pointe, Pont Rouge, Port Ble, Saint-Louis, Seine, Pont

The Tiber River with the Ponte Molle at Sunset. Dated: c. 1650. Dimensions: overall: 41.2 × 54 cm (16 1/4 × 21 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jan Asselijn.

Capriccio with St. Paul's and Old London Bridge Antonio Joli Italian A pupil of Paolo Panini in Rome, Joli was active as a scene painter in northern Italy and especially in Venice (1732-42), where he was influenced by the work of Canaletto. From 1744 until 1748 he worked in London at the King's Theatre in the Haymarket and also produced topographical paintings. This painting combines the two genres: the imaginary foreground is inspired by antiquity, while in the background is a view of the north bank of the Thames with St. Paul's cathedral, the Tower of London, and Old London Bridge.. Capriccio with St. Paul's and Old London Bridge. Antonio Joli (Italian, Modena 1700-1777 Naples). Oil on canvas. Paintings

Anonymous State Tretyakov Gallery, Moscow Painting 71,7x120 Landscape View of the Nevsky Prospekt and the Anichkov Palace

Pupil of George Chinnery, 1774-1852, British, East End of the Preya Grande, Macao, undated. Watercolor with pen and brown ink on moderately thick, rough, cream wove paper.

The market in Lyon, by Francois Bellay, France 19th Century.

Robert Adam, 1728-1792, British, Study for a Stable Court of Kirkdale, Wigtownshire, Scotland, between 1770 and 1780. Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, blued white laid paper, (3 sheets of paper hinged together).

A Jeu de Paume Before a Country Palace; Adriaen van de Venne, Dutch, 1589 - 1662; about 1614; Oil on panel; Unframed: 16.5 x 22.9 cm (6 1/2 x 9 in.), Framed: 24.1 x 30.8 x 2.5 cm (9 1/2 x 12 1/8 x 1 in.)

Paris, Rigaud, Jacques, Veüe de l'etang de Fontainebleau et de la Cour des Fontaines dans l'eloignement, View of the pond in the garden of the Palais de Fontainebleau, print, optic print, prints, optic prints, height 228 mm, width 465 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, cardboard, watercolor (paint), watercolour, etching, brush, French, 1681 - 1754, print maker, printmaker

Painting titled 'A View of Rhenen' by Salomon van Ruysdael (1602-1670) a Dutch Golden Age landscape painter. Dated 17th Century

attributed to Samuel Hieronymus Grimm, (previously S.H. Grimm), 1733-1794, Swiss, Landscape with a Ruined Norman Church, undated. Watercolor with gouache over graphite on medium, smooth, beige laid paper.

Roman fresco depicting a mythological landscape. Cubiculum of the Village of Agrippa Postumus. 20 BC-10 AD. Third Pompeian Style. Boscotrecase, near Pompeii. National Archaeological Museum. Naples. Italy.

Jan van Goyen View of Rhenen Painting; oil on canvas; overall: 101.6 × 135.26 cm (40 × 53 1/4 in.) framed: 127.64 × 161.93 × 5.72 cm (50 1/4 × 63 3/4 × 2 1/4 in.);

Bridge on the Seinets; Pankiewicz, Józef (1866-1940); 1903 (1895-00-00-1902-00-00);Goldberg-Górski, Franciszek (1863-1937)-collection, young Poland (style), Partage Plus, purchase (provenance)

Gerrit Groenewegen, View of the Leuvehaven, Rotterdam, cityscape painting visual material wood paint oil paint 38,5, Oil on panel In black lacquered wooden profiled frame with an inner edge with gold colored braid bands panel lower left: Groenewegen 1782 Rotterdam City center Stadsdriehoek Leuvehaven cityscape topography

A Castle by aRiver. Artist: Jan van Goyen, Dutch, 1596-1656

Anonymous. View of the arsenal, around 1620. Wood oil. 1615-1625. Paris, Carnavalet museum. 76085-3

Cityscape in the winter. Cityscape in the winter; In it a river and figures on the ice.

Classical Composition, Thomas Girtin, (after Fossati), 1775-1802, British, 1798 to 1799, Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard, Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm), architectural subject, archways, brick, bushes, clouds, figures, grass, ladder, ruins, stone, trees

Anonymous, the Pont-Neuf, seen from the entrance to Place Dauphine, the Malaquais quay with the College of Nettures, the Grande Galerie and Le Louvre, around 1669, current 1st and 6th arrondissements. (Dummy title), 1666. Oil on canvas. Carnavalet museum, history of Paris.

The Rapenburg, Leiden, three Days after the Explosion of a Powder Ship on 12 January 1807, Johannes Jelgerhuis, 1807 painting View of the Rapenburg in Leiden, three days after the explosion of the powder ship on January 12, 1807. On the bridge in the foreground are spectators and soldiers, some men wear a victim on a portable road. Handrable piled right on the right. The location of the disaster was the Steenchuur, a canal in the extension of Rapenburg. canvas. oil paint (paint) gunpowder disaster. public road. landscape with ruins To lead. Rapenburg. Shed

The Emperor Napoleon III and the Empress Eugenie visiting the Chaillot Hill in Paris. Urban reform led by Georges Eugne Haussmann. Painting by Louis Moullin, 1867. Oil on canvas. FRANCE. ‘LE-DE-FRANCE. Paris. Mus_e Carnavalet (Carnavalet Museum).

Andrés Cortes / "The Seville Fair", Mid 19th century, Oil on canvas, Sevillian school, 0,84 x 1,04 m.

Isaac Weld, 1774-1856, Irish, On the Tiber/ Castle of St. Angelo, 1818. Watercolor, with pen and gray ink, brown ink, over graphite on medium, moderately textured, blued white, wove paper.

Coastal landscape with fisherfolk unloading catch, by Peeter Bout and F. Boudewyns, (17th Century), England, London, Christie's Images

John Constable, 1776-1837, British, Sir Richard Steele's Cottage, Hampstead, 1831 to 1832. Oil on canvas.

A Balloon Ascent near Greenwich Hospital, unknown artist, Previously James Holland, 1799-1870, British, ca. 1800, Watercolor, pen, and ink on medium, slightly textured, cream wove paper, Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm), architectural subject

Linlithgow Palace, JMW Turner, 1807,

Dam Square in Amsterdam; 1675/80 Jacob van Ruisdael Dutch (1628/29 Haarlem -1682 Amsterdam)

'Urban Landscape'. Belgium, 1856. Dimensions: 87x118,5 cm. Museum: State Hermitage, St. Petersburg. Author: Charles Henri Joseph Leickert.

The Paalhuis and the Nieuwe Brug, Amsterdam, In The Winter, Jan Abrahamsz. Beerstraten, 1640 - 1666 painting The Paalhuis and the new bridge on the IJkant in Amsterdam in the winter, seen from the Damrak. For the building a street seller and two people with a sled. canvas. oil paint (paint) sleigh, sledge (non-sport). ice ~ freezing weather. street-trader New bridge. Pile house. Amsterdam

Carnival float in Corso Venezia in Milan, 1860, Italy 19th Century.

MADRID-LA CIBELES Y CALLE ALCALA-GRABADO S XIX POR JT WILMORE- ROMANTICISMO. Author: DAVID ROBERTS (1796-1864). Location: MUSEO DE HISTORIA-GRABADOS COLOREADOS. MADRID. SPAIN.

Paris, Rigaud, Jacques, Diverses vues du Chateau de Versailles, View of the front of the Palace of Versailles, In the bottom margin a line of French text., print, prent, opticaprent, prints, opticaprenten, height 242 mm, width 476 mm, Publication (Event), Publicatie, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, watercolor (paint), waterverf, etching, etchings, brush, Borstel, Frans, 1681 - 1754, print maker, printmaker

View of Venice with the Doge's Palace. Ziem, Félix (1821-1911), painter

Painting titled 'The Bacino di San Marco from the Canale della Giudecca' by Giovanni Antonio Canal (1697-1768) Italian painter. Dated 18th Century

Nicolas and Jean-Baptiste Raguenet (active in the 18th century). "The game of mariners between the Notre-Dame bridge and the Pont au Change", 1756. Oil on canvas. Paris, Carnavalet museum. 24209-1 Boat, Seine river, joust, leisure, sailor, nautical, pump, change bridge, Notre-Dame bridge, spectator, house

Wam-Poo, Canton, engraving 1858

A Coastal Ruin in Italy. A Waterside Ruin in Italy. Dating: 1640 - 1652. Measurements: h 54.5 cm × w 48 cm; h 65.4 cm × w 59 cm × t 3.7 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Asselijn.

Félix Ziem, The Grand Canal, Venice (Frigate and Gondola, Basin of San Marco), c. 1852, oil on canvas.

'Landscape with Aeneas leaving Carthage', Late 17th century, Spanish Baroque, Oil on canvas, 239 cm x 205 cm, P00896. Author: BENITO MANUEL AGÜERO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. AENEAS. DIDO.

Grand Canal, Venice. Date/Period: 1826. Painting. Oil on millboard. Height: 235 mm (9.25 in); Width: 349 mm (13.74 in). Author: Richard Parkes Bonington.

Albert Goodwin, Naples, c. 1910, watercolor and pen and ink over graphite, with scraping, on cream wove paper.

The New Walk, York. Date/Period: Ca. 1798. Painting. Watercolor. Height: 313 mm (12.32 in); Width: 554 mm (21.81 in). Author: Thomas Girtin.

A View of Paris with the Ile de la Cité; Jean-Baptiste Raguenet, French, 1715 - 1793; 1763; Oil on canvas; Unframed: 44.5 x 81.9 cm (17 1/2 x 32 1/4 in.), Framed: 62.2 x 98.7 x 6 cm (24 1/2 x 38 7/8 x 2 3/8 in.)

The OldBridge. Artist: Hubert Robert, French, 1733-1808

Venice by Anonymous Private Collection 1800 Oil on canvas 53x71 Classicism Landscape Painting

King Ferdinand IV and Queen Caroline of Naples attending a Game of Palla a Bracciale. Antonio Joli (1700-1777). Oil on canvas. 75.5 x 128.2cm.

Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, Le Port du Quai de l'École, View of the harbour of the Quai de l'École, Passengers getting on and off the boats, goods being loaded and unloaded at the quay., print, engraving, prints, engravings, height 273 mm, width 428 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (techniek), Frans, 1790, printer, drukker

Generals of Francesco Guardi * October 5, 1712 in Venice January 1, 1793 ibid, Italian Veduten and Landscape painter of the Rococo, the Doge Palace in Venice, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Richard Parkes Bonington, 1802-1828, British, Ile de la Cite, undated. Watercolor on medium, cream, slightly textured, wove paper.

Fair in Munich; Bieszczad, Seweryn (1852-1923); 1883 (1883-00-00-1883-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Ulysses returns Chryseis to Her Father by Lorrain, Claude (1600-1682) / Louvre, Paris / c. 1644 / France / Oil on canvas / Landscape,Mythology, Allegory and Literature / 119x150 / Baroque

Bernardo Bellotto (1721/2-1780). Italian urban landscape painter. Vienna University square, 1758-1761. Kunsthistorisches Museum (Art History Museum). Vienna. Austria.

Historisches Palästina, Das Grab von Absalom, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem frühen 19. Jahrhundert, Aufnahmedatum unbekannt / Historical Palestine, The Sepulchre of Absalom, Historical, digitally restored reproduction from an early 19th century original, date unknown

Grande Canal Canaletto (1697-1768 Italian) Galleria degli Uffizi, Florence, Italy

View of Naples from the sea, by Didier Barra (ca 1589-1652), oil on canvas, Italy 17th century.

William Callow, 1812-1908, British, active in France, Ship Building, 1841. Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper.

Bay of Venice by Canaletto, oil on canvas, 1697-1768, Lithuania, Kaunas, State M. Ciurlionis Art Museum, 72x100

Landscape with Rock and Fortress 1630-1660 Italy. Oil on canvas . Domenico Gargiuli (Micco Spadaro)

Grand Canal at San Vio, Fine Art

The Docklands in Naples, 1702, by Gaspar van Wittel (1652 or 1653-1736), oil on canvas.

The Heiligewegspoort in Amsterdam. Date/Period: 1680. Painting. Olje på lerret. Width: 107.5 cm. Height: 76.5 cm. Author: JAN VAN KESSEL.

Ferry near Gorinchem. Artist: Salomon van Ruysdael (Dutch, Naarden, born ca. 1600-1603, died 1670 Haarlem). Dimensions: 41 7/8 x 52 1/2 in. (106.4 x 133.4 cm). Date: 1646.Ruysdael has a reputation for inventing topography, but this canvas depicts a largely faithful view of Gorinchem (Gorcum) from the south. The artist's viewpoint was on a spit of land called Buiten de Waterpoort, along the river de Merwede. The 197-foot tower of the Great Church is seen through the trees, while a windmill, ramparts, and identifiable buildings recede in the right background. Travellers at an inn and in a fishing-cum-ferry boat enliven the scene. Ruysdael lived well to the north in Haarlem, but he was part-owner of a mill in Gorinchem and in 1643 and 1644 painted landscapes incorporating parts of the local castle of Loevestein. Museum: Metropolitan Museum of Art, New York, USA.

of 2